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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16C28 it is the complementary color #3E93D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16C28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16C28 shade: #C66C23, #D77E36, #E89049, #F9A25C and #FFB46F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16C28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16C28 shade: #C16C28, #B05A15, #9F4802, #8E3600 and #7D2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16C28 shade: #C26C27, #C24227 and #C22727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16C28 shade: #C26C27, #C29627, #C2C027, #9BC227 and #71C227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16C28 shade matches the following richer shades: #C26C27, #D56A14 and #E86801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16C28 shade: #C26C27, #AF6E3A, #9C704D, #897360 and #767573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16C28 shade: #C22737, #C24127, #C26A27, #C29427 and #C2BD27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16C28 shade: #7E4619, #A05920, #C26C27, #D7813C and #DE975E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16C28 shade: #C16C28, #60C227 and #2D27C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16C28 shade: #C16C28, #27C26A and #6A27C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16C28 shade: #C16C28, #60C227, #277FC2 and #8927C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16C28 shade: #C16C28, #32C227, #277FC2 and #B827C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 79 / 24

HEX #C16C28

RGB 193 108 40

HSL 26.67, 0.66%, 0.46%

LAB 54.26, 28.83, 50.31

 

Complementary color

CMYK 71 / 32 / 0 / 16

HEX #3E93D7

RGB 62 147 215

HSL 206.67, 0.66%, 0.54%

LAB 58.79, -3.34, -42.15

 

CMYK 0 / 45 / 82 / 22

HEX #C66C23

RGB 198 108 35

HSL 26.87, 0.7%, 0.46%

LAB 54.92, 30.74, 53.26

 

CMYK 0 / 41 / 75 / 16

HEX #D77E36

RGB 215 126 54

HSL 26.83, 0.67%, 0.53%

LAB 61.34, 28.91, 52.07

 

CMYK 0 / 38 / 69 / 9

HEX #E89049

RGB 232 144 73

HSL 26.79, 0.78%, 0.6%

LAB 67.71, 27.29, 50.58

 

CMYK 0 / 35 / 63 / 2

HEX #F9A25C

RGB 249 162 92

HSL 26.75, 0.93%, 0.67%

LAB 74.03, 25.84, 49.01

 

CMYK 0 / 29 / 56 / 0

HEX #FFB46F

RGB 255 180 111

HSL 28.75, 1%, 0.72%

LAB 79.07, 20.16, 45.71

 

CMYK 0 / 44 / 79 / 24

HEX #C16C28

RGB 193 108 40

HSL 26.67, 0.66%, 0.46%

LAB 54.26, 28.83, 50.31

 

CMYK 0 / 49 / 88 / 31

HEX #B05A15

RGB 176 90 21

HSL 26.71, 0.79%, 0.39%

LAB 47.75, 30.8, 51.09

 

CMYK 0 / 55 / 99 / 38

HEX #9F4802

RGB 159 72 2

HSL 26.75, 0.98%, 0.32%

LAB 41.23, 32.94, 50.74

 

CMYK 0 / 62 / 100 / 44

HEX #8E3600

RGB 142 54 0

HSL 22.82, 1%, 0.28%

LAB 34.78, 35.21, 46.21

 

CMYK 0 / 71 / 100 / 51

HEX #7D2400

RGB 125 36 0

HSL 17.28, 1%, 0.25%

LAB 28.44, 37.1, 40.36

 

CMYK 0 / 44 / 80 / 24

HEX #C26C27

RGB 194 108 39

HSL 26.71, 0.67%, 0.46%

LAB 54.39, 29.21, 50.92

 

CMYK 0 / 66 / 80 / 24

HEX #C24227

RGB 194 66 39

HSL 10.45, 0.67%, 0.46%

LAB 46.33, 49.82, 43.16

 

CMYK 0 / 80 / 80 / 24

HEX #C22727

RGB 194 39 39

HSL 0, 0.67%, 0.46%

LAB 42.86, 59.38, 39.7

 

CMYK 0 / 44 / 80 / 24

HEX #C26C27

RGB 194 108 39

HSL 26.71, 0.67%, 0.46%

LAB 54.39, 29.21, 50.92

 

CMYK 0 / 23 / 80 / 24

HEX #C29627

RGB 194 150 39

HSL 42.97, 0.67%, 0.46%

LAB 64.51, 6.25, 60.22

 

CMYK 0 / 1 / 80 / 24

HEX #C2C027

RGB 194 192 39

HSL 59.23, 0.67%, 0.46%

LAB 75.65, -15.82, 70.08

 

CMYK 20 / 0 / 80 / 24

HEX #9BC227

RGB 155 194 39

HSL 75.1, 0.67%, 0.46%

LAB 73.35, -33.08, 66.96

 

CMYK 42 / 0 / 80 / 24

HEX #71C227

RGB 113 194 39

HSL 91.35, 0.67%, 0.46%

LAB 71.04, -48.65, 63.99

 

CMYK 0 / 44 / 80 / 24

HEX #C26C27

RGB 194 108 39

HSL 26.71, 0.67%, 0.46%

LAB 54.39, 29.21, 50.92

 

CMYK 0 / 50 / 91 / 16

HEX #D56A14

RGB 213 106 20

HSL 26.74, 0.83%, 0.46%

LAB 56.59, 37.54, 60.57

 

CMYK 0 / 55 / 100 / 9

HEX #E86801

RGB 232 104 1

HSL 26.75, 0.99%, 0.46%

LAB 59.03, 45.7, 67.41

 

CMYK 0 / 44 / 80 / 24

HEX #C26C27

RGB 194 108 39

HSL 26.71, 0.67%, 0.46%

LAB 54.39, 29.21, 50.92

 

CMYK 0 / 37 / 67 / 31

HEX #AF6E3A

RGB 175 110 58

HSL 26.67, 0.5%, 0.46%

LAB 52.48, 20.95, 39.07

 

CMYK 0 / 28 / 51 / 39

HEX #9C704D

RGB 156 112 77

HSL 26.58, 0.34%, 0.46%

LAB 50.91, 13.11, 26.26

 

CMYK 0 / 16 / 30 / 46

HEX #897360

RGB 137 115 96

HSL 27.8, 0.18%, 0.46%

LAB 50.01, 5.56, 13.72

 

CMYK 0 / 1 / 3 / 54

HEX #767573

RGB 118 117 115

HSL 40, 0.01%, 0.46%

LAB 49.27, -0.01, 1.23

 

CMYK 0 / 80 / 72 / 24

HEX #C22737

RGB 194 39 55

HSL 353.81, 0.67%, 0.46%

LAB 43.06, 59.99, 30.61

 

CMYK 0 / 66 / 80 / 24

HEX #C24127

RGB 194 65 39

HSL 10.06, 0.67%, 0.46%

LAB 46.17, 50.24, 43

 

CMYK 0 / 45 / 80 / 24

HEX #C26A27

RGB 194 106 39

HSL 25.94, 0.67%, 0.46%

LAB 53.95, 30.28, 50.5

 

CMYK 0 / 24 / 80 / 24

HEX #C29427

RGB 194 148 39

HSL 42.19, 0.67%, 0.46%

LAB 64, 7.34, 59.76

 

CMYK 0 / 3 / 80 / 24

HEX #C2BD27

RGB 194 189 39

HSL 58.06, 0.67%, 0.46%

LAB 74.83, -14.3, 69.37

 

CMYK 0 / 44 / 80 / 51

HEX #7E4619

RGB 126 70 25

HSL 26.73, 0.67%, 0.3%

LAB 35.76, 20.32, 35.98

 

CMYK 0 / 44 / 80 / 37

HEX #A05920

RGB 160 89 32

HSL 26.72, 0.67%, 0.38%

LAB 45.25, 24.86, 43.62

 

CMYK 0 / 44 / 80 / 24

HEX #C26C27

RGB 194 108 39

HSL 26.71, 0.67%, 0.46%

LAB 54.39, 29.21, 50.92

 

CMYK 0 / 40 / 72 / 16

HEX #D7813C

RGB 215 129 60

HSL 26.71, 0.66%, 0.54%

LAB 62.06, 27.59, 50.05

 

CMYK 0 / 32 / 58 / 13

HEX #DE975E

RGB 222 151 94

HSL 26.72, 0.66%, 0.62%

LAB 68.37, 20.82, 40.5

 

CMYK 0 / 44 / 79 / 24

HEX #C16C28

RGB 193 108 40

HSL 26.67, 0.66%, 0.46%

LAB 54.26, 28.83, 50.31

 

CMYK 51 / 0 / 80 / 24

HEX #60C227

RGB 96 194 39

HSL 97.94, 0.67%, 0.46%

LAB 70.33, -53.97, 63.08

 

CMYK 77 / 80 / 0 / 24

HEX #2D27C2

RGB 45 39 194

HSL 242.32, 0.67%, 0.46%

LAB 29.17, 52.93, -78.02

 

CMYK 0 / 44 / 79 / 24

HEX #C16C28

RGB 193 108 40

HSL 26.67, 0.66%, 0.46%

LAB 54.26, 28.83, 50.31

 

CMYK 80 / 0 / 45 / 24

HEX #27C26A

RGB 39 194 106

HSL 145.94, 0.67%, 0.46%

LAB 69.51, -58.22, 33.42

 

CMYK 45 / 80 / 0 / 24

HEX #6A27C2

RGB 106 39 194

HSL 265.94, 0.67%, 0.46%

LAB 34.82, 59.33, -68.5

 

CMYK 0 / 44 / 79 / 24

HEX #C16C28

RGB 193 108 40

HSL 26.67, 0.66%, 0.46%

LAB 54.26, 28.83, 50.31

 

CMYK 51 / 0 / 80 / 24

HEX #60C227

RGB 96 194 39

HSL 97.94, 0.67%, 0.46%

LAB 70.33, -53.97, 63.08

 

CMYK 80 / 35 / 0 / 24

HEX #277FC2

RGB 39 127 194

HSL 205.94, 0.67%, 0.46%

LAB 51.27, -1.97, -42.17

 

CMYK 29 / 80 / 0 / 24

HEX #8927C2

RGB 137 39 194

HSL 277.94, 0.67%, 0.46%

LAB 39.01, 64.1, -61.49

 

CMYK 0 / 44 / 79 / 24

HEX #C16C28

RGB 193 108 40

HSL 26.67, 0.66%, 0.46%

LAB 54.26, 28.83, 50.31

 

CMYK 74 / 0 / 80 / 24

HEX #32C227

RGB 50 194 39

HSL 115.74, 0.67%, 0.46%

LAB 69.05, -64.43, 61.42

 

CMYK 80 / 35 / 0 / 24

HEX #277FC2

RGB 39 127 194

HSL 205.94, 0.67%, 0.46%

LAB 51.27, -1.97, -42.17

 

CMYK 5 / 80 / 0 / 24

HEX #B827C2

RGB 184 39 194

HSL 296.13, 0.67%, 0.46%

LAB 46.36, 72.51, -49.26

 

Description

Color code: HEX #C16C28 | qconv.com Color code: HEX #C16C28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 108 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 108 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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