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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1618C it is the complementary color #3E9E73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1618C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1618C shade: #C66187, #D7739A, #E885AD, #F997C0 and #FFA9D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1618C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1618C shade: #C1618C, #B04F79, #9F3D66, #8E2B53 and #7D1940

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1618C shade: #C1618C, #C16172 and #C16161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1618C shade: #C1618C, #C161A6, #C161C0, #A861C1 and #8E61C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1618C shade matches the following richer shades: #C1618C, #D34F8A, #E53D88 and #F62B86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1618C shade: #C1618C, #AF728E, #9E8490, #8C9691 and #7AA893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1618C shade: #C161BF, #C161A6, #C1618C, #C16172 and #C16961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1618C shade: #953A63, #B34576, #C1618C, #CD7EA1 and #D89CB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1618C shade: #C1618C, #C1A961 and #61B3C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1618C shade: #C1618C, #8CC161 and #618CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1618C shade: #C1618C, #C1A961, #61C196 and #6179C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1618C shade: #C1618C, #BCC161, #61C196 and #6561C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

Complementary color

CMYK 61 / 0 / 27 / 38

HEX #3E9E73

RGB 62 158 115

HSL 153.13, 0.44%, 0.43%

LAB 58.71, -38.62, 14.25

 

CMYK 0 / 51 / 32 / 22

HEX #C66187

RGB 198 97 135

HSL 337.43, 0.47%, 0.58%

LAB 54.35, 44.38, -2.06

 

CMYK 0 / 47 / 28 / 16

HEX #D7739A

RGB 215 115 154

HSL 336.6, 0.56%, 0.65%

LAB 60.82, 43.54, -3.33

 

CMYK 0 / 43 / 25 / 9

HEX #E885AD

RGB 232 133 173

HSL 335.76, 0.68%, 0.72%

LAB 67.24, 42.7, -4.43

 

CMYK 0 / 39 / 23 / 2

HEX #F997C0

RGB 249 151 192

HSL 334.9, 0.89%, 0.78%

LAB 73.6, 41.89, -5.4

 

CMYK 0 / 34 / 17 / 0

HEX #FFA9D3

RGB 255 169 211

HSL 330.7, 1%, 0.83%

LAB 78.66, 37.39, -8.23

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 55 / 31 / 31

HEX #B04F79

RGB 176 79 121

HSL 334.02, 0.38%, 0.5%

LAB 47.24, 44.11, -4.55

 

CMYK 0 / 62 / 36 / 38

HEX #9F3D66

RGB 159 61 102

HSL 334.9, 0.45%, 0.43%

LAB 40.68, 44.74, -2.86

 

CMYK 0 / 70 / 42 / 44

HEX #8E2B53

RGB 142 43 83

HSL 335.76, 0.54%, 0.36%

LAB 34.2, 45.03, -0.68

 

CMYK 0 / 80 / 49 / 51

HEX #7D1940

RGB 125 25 64

HSL 336.6, 0.67%, 0.29%

LAB 27.91, 44.62, 2.3

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 50 / 41 / 24

HEX #C16172

RGB 193 97 114

HSL 349.38, 0.44%, 0.57%

LAB 53.06, 40.1, 8.4

 

CMYK 0 / 50 / 50 / 24

HEX #C16161

RGB 193 97 97

HSL 0, 0.44%, 0.57%

LAB 52.67, 38.35, 17.9

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 50 / 14 / 24

HEX #C161A6

RGB 193 97 166

HSL 316.88, 0.44%, 0.57%

LAB 54.7, 47.21, -19.77

 

CMYK 0 / 50 / 1 / 24

HEX #C161C0

RGB 193 97 192

HSL 300.63, 0.44%, 0.57%

LAB 55.78, 51.64, -33.13

 

CMYK 13 / 50 / 0 / 24

HEX #A861C1

RGB 168 97 193

HSL 284.38, 0.44%, 0.57%

LAB 52.65, 44.73, -38.84

 

CMYK 26 / 50 / 0 / 24

HEX #8E61C1

RGB 142 97 193

HSL 268.13, 0.44%, 0.57%

LAB 49.68, 37.5, -43.73

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 63 / 35 / 17

HEX #D34F8A

RGB 211 79 138

HSL 333.18, 0.6%, 0.57%

LAB 53.25, 57.3, -5.23

 

CMYK 0 / 73 / 41 / 10

HEX #E53D88

RGB 229 61 136

HSL 333.21, 0.76%, 0.57%

LAB 53.79, 68.91, -2.91

 

CMYK 0 / 83 / 46 / 4

HEX #F62B86

RGB 246 43 134

HSL 333.1, 0.92%, 0.57%

LAB 55.12, 77.82, 0.59

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 35 / 19 / 31

HEX #AF728E

RGB 175 114 142

HSL 332.46, 0.28%, 0.57%

LAB 55.18, 28.17, -5.28

 

CMYK 0 / 16 / 9 / 38

HEX #9E8490

RGB 158 132 144

HSL 332.31, 0.12%, 0.57%

LAB 57.83, 12, -2.73

 

CMYK 7 / 0 / 3 / 41

HEX #8C9691

RGB 140 150 145

HSL 150, 0.05%, 0.57%

LAB 61.16, -4.59, 1.39

 

CMYK 27 / 0 / 13 / 34

HEX #7AA893

RGB 122 168 147

HSL 152.61, 0.21%, 0.57%

LAB 65.16, -19.95, 5.89

 

CMYK 0 / 50 / 1 / 24

HEX #C161BF

RGB 193 97 191

HSL 301.25, 0.44%, 0.57%

LAB 55.73, 51.46, -32.63

 

CMYK 0 / 50 / 14 / 24

HEX #C161A6

RGB 193 97 166

HSL 316.88, 0.44%, 0.57%

LAB 54.7, 47.21, -19.77

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 50 / 41 / 24

HEX #C16172

RGB 193 97 114

HSL 349.38, 0.44%, 0.57%

LAB 53.06, 40.1, 8.4

 

CMYK 0 / 46 / 50 / 24

HEX #C16961

RGB 193 105 97

HSL 5, 0.44%, 0.57%

LAB 54.35, 34.16, 20.16

 

CMYK 0 / 61 / 34 / 42

HEX #953A63

RGB 149 58 99

HSL 332.97, 0.44%, 0.41%

LAB 38.4, 42.49, -4.54

 

CMYK 0 / 61 / 34 / 30

HEX #B34576

RGB 179 69 118

HSL 333.27, 0.44%, 0.49%

LAB 45.84, 49.44, -4.75

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 39 / 21 / 20

HEX #CD7EA1

RGB 205 126 161

HSL 333.42, 0.44%, 0.65%

LAB 62.06, 35.3, -5.65

 

CMYK 0 / 28 / 15 / 15

HEX #D89CB7

RGB 216 156 183

HSL 333, 0.43%, 0.73%

LAB 70.73, 26.42, -5.07

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 12 / 50 / 24

HEX #C1A961

RGB 193 169 97

HSL 45, 0.44%, 0.57%

LAB 69.88, -0.73, 40.12

 

CMYK 50 / 7 / 0 / 24

HEX #61B3C1

RGB 97 179 193

HSL 188.75, 0.44%, 0.57%

LAB 68.48, -21.19, -14.86

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 27 / 0 / 50 / 24

HEX #8CC161

RGB 140 193 97

HSL 93.13, 0.44%, 0.57%

LAB 72.61, -33.96, 42.56

 

CMYK 50 / 27 / 0 / 24

HEX #618CC1

RGB 97 140 193

HSL 213.13, 0.44%, 0.57%

LAB 57.22, 0.14, -32.11

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 0 / 12 / 50 / 24

HEX #C1A961

RGB 193 169 97

HSL 45, 0.44%, 0.57%

LAB 69.88, -0.73, 40.12

 

CMYK 50 / 0 / 22 / 24

HEX #61C196

RGB 97 193 150

HSL 153.13, 0.44%, 0.57%

LAB 71.48, -38.5, 13.07

 

CMYK 50 / 37 / 0 / 24

HEX #6179C1

RGB 97 121 193

HSL 225, 0.44%, 0.57%

LAB 51.91, 11.42, -40.43

 

CMYK 0 / 50 / 27 / 24

HEX #C1618C

RGB 193 97 140

HSL 333.13, 0.44%, 0.57%

LAB 53.79, 43.34, -5.91

 

CMYK 3 / 0 / 50 / 24

HEX #BCC161

RGB 188 193 97

HSL 63.13, 0.44%, 0.57%

LAB 75.88, -15.3, 47.27

 

CMYK 50 / 0 / 22 / 24

HEX #61C196

RGB 97 193 150

HSL 153.13, 0.44%, 0.57%

LAB 71.48, -38.5, 13.07

 

CMYK 48 / 50 / 0 / 24

HEX #6561C1

RGB 101 97 193

HSL 242.5, 0.44%, 0.57%

LAB 45.86, 27.07, -50.04

 

Description

Color code: HEX #C1618C | qconv.com Color code: HEX #C1618C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 97 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 97 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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