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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16989 it is the complementary color #3E9676. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16989. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16989 shade: #C66984, #D77B97, #E88DAA, #F99FBD and #FFB1D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16989. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16989 shade: #C16989, #B05776, #9F4563, #8E3350 and #7D213D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16989 shade: #C06687, #C0666F and #C06666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16989 shade: #C06687, #C0669F, #C066B8, #B166C0 and #9966C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16989 shade matches the following richer shades: #C06687, #D25582, #E3447E and #F43279

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16989 shade: #C06687, #AF788C, #9E8991, #8C9A95 and #7BAC9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16989 shade: #C066B7, #C0669F, #C06687, #C0666F and #C07566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16989 shade: #973D5E, #B44970, #C06687, #CC849E and #D8A1B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16989 shade: #C16989, #C0B166 and #66ABC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16989 shade: #C16989, #87C066 and #6687C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16989 shade: #C16989, #C0B166, #66C09F and #6675C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16989 shade: #C16989, #B4C066, #66C09F and #7266C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 29 / 24

HEX #C16989

RGB 193 105 137

HSL 338.18, 0.42%, 0.58%

LAB 55.33, 38.79, -1.88

 

Complementary color

CMYK 59 / 0 / 21 / 41

HEX #3E9676

RGB 62 150 118

HSL 158.18, 0.42%, 0.42%

LAB 56.23, -34.34, 9.08

 

CMYK 0 / 47 / 33 / 22

HEX #C66984

RGB 198 105 132

HSL 342.58, 0.45%, 0.59%

LAB 55.86, 39.91, 1.91

 

CMYK 0 / 43 / 30 / 16

HEX #D77B97

RGB 215 123 151

HSL 341.74, 0.53%, 0.66%

LAB 62.38, 39.01, 0.67

 

CMYK 0 / 39 / 27 / 9

HEX #E88DAA

RGB 232 141 170

HSL 340.88, 0.66%, 0.73%

LAB 68.83, 38.14, -0.41

 

CMYK 0 / 36 / 24 / 2

HEX #F99FBD

RGB 249 159 189

HSL 340, 0.88%, 0.8%

LAB 75.21, 37.32, -1.38

 

CMYK 0 / 31 / 18 / 0

HEX #FFB1D0

RGB 255 177 208

HSL 336.15, 1%, 0.85%

LAB 80.32, 32.76, -4.14

 

CMYK 0 / 46 / 29 / 24

HEX #C16989

RGB 193 105 137

HSL 338.18, 0.42%, 0.58%

LAB 55.33, 38.79, -1.88

 

CMYK 0 / 51 / 33 / 31

HEX #B05776

RGB 176 87 118

HSL 339.1, 0.36%, 0.52%

LAB 48.7, 39.67, -0.58

 

CMYK 0 / 57 / 38 / 38

HEX #9F4563

RGB 159 69 99

HSL 340, 0.39%, 0.45%

LAB 42.04, 40.51, 0.99

 

CMYK 0 / 64 / 44 / 44

HEX #8E3350

RGB 142 51 80

HSL 340.88, 0.47%, 0.38%

LAB 35.4, 41.18, 3

 

CMYK 0 / 74 / 51 / 51

HEX #7D213D

RGB 125 33 61

HSL 341.74, 0.58%, 0.31%

LAB 28.86, 41.43, 5.67

 

CMYK 0 / 47 / 30 / 25

HEX #C06687

RGB 192 102 135

HSL 338, 0.42%, 0.58%

LAB 54.51, 39.74, -1.92

 

CMYK 0 / 47 / 42 / 25

HEX #C0666F

RGB 192 102 111

HSL 354, 0.42%, 0.58%

LAB 53.87, 36.81, 11.3

 

CMYK 0 / 47 / 47 / 25

HEX #C06666

RGB 192 102 102

HSL 0, 0.42%, 0.58%

LAB 53.67, 35.86, 16.31

 

CMYK 0 / 47 / 30 / 25

HEX #C06687

RGB 192 102 135

HSL 338, 0.42%, 0.58%

LAB 54.51, 39.74, -1.92

 

CMYK 0 / 47 / 17 / 25

HEX #C0669F

RGB 192 102 159

HSL 322, 0.42%, 0.58%

LAB 55.29, 43.24, -14.81

 

CMYK 0 / 47 / 4 / 25

HEX #C066B8

RGB 192 102 184

HSL 305.33, 0.42%, 0.58%

LAB 56.26, 47.41, -27.8

 

CMYK 8 / 47 / 0 / 25

HEX #B166C0

RGB 177 102 192

HSL 290, 0.42%, 0.58%

LAB 54.72, 44.46, -34.94

 

CMYK 20 / 47 / 0 / 25

HEX #9966C0

RGB 153 102 192

HSL 274, 0.42%, 0.58%

LAB 51.93, 37.51, -39.51

 

CMYK 0 / 47 / 30 / 25

HEX #C06687

RGB 192 102 135

HSL 338, 0.42%, 0.58%

LAB 54.51, 39.74, -1.92

 

CMYK 0 / 60 / 38 / 18

HEX #D25582

RGB 210 85 130

HSL 338.4, 0.58%, 0.58%

LAB 53.83, 53.46, 0.34

 

CMYK 0 / 70 / 44 / 11

HEX #E3447E

RGB 227 68 126

HSL 338.11, 0.74%, 0.58%

LAB 54, 65.05, 3.32

 

CMYK 0 / 80 / 50 / 4

HEX #F43279

RGB 244 50 121

HSL 338.04, 0.9%, 0.58%

LAB 54.96, 74.66, 8.1

 

CMYK 0 / 47 / 30 / 25

HEX #C06687

RGB 192 102 135

HSL 338, 0.42%, 0.58%

LAB 54.51, 39.74, -1.92

 

CMYK 0 / 31 / 20 / 31

HEX #AF788C

RGB 175 120 140

HSL 338.18, 0.26%, 0.58%

LAB 56.53, 24.49, -2.13

 

CMYK 0 / 13 / 8 / 38

HEX #9E8991

RGB 158 137 145

HSL 337.14, 0.1%, 0.58%

LAB 59.16, 9.33, -1.35

 

CMYK 9 / 0 / 3 / 40

HEX #8C9A95

RGB 140 154 149

HSL 158.57, 0.06%, 0.58%

LAB 62.39, -5.99, 0.91

 

CMYK 28 / 0 / 10 / 33

HEX #7BAC9A

RGB 123 172 154

HSL 157.96, 0.23%, 0.58%

LAB 66.56, -20.2, 4.03

 

CMYK 0 / 47 / 5 / 25

HEX #C066B7

RGB 192 102 183

HSL 306, 0.42%, 0.58%

LAB 56.22, 47.23, -27.29

 

CMYK 0 / 47 / 17 / 25

HEX #C0669F

RGB 192 102 159

HSL 322, 0.42%, 0.58%

LAB 55.29, 43.24, -14.81

 

CMYK 0 / 47 / 30 / 25

HEX #C06687

RGB 192 102 135

HSL 338, 0.42%, 0.58%

LAB 54.51, 39.74, -1.92

 

CMYK 0 / 47 / 42 / 25

HEX #C0666F

RGB 192 102 111

HSL 354, 0.42%, 0.58%

LAB 53.87, 36.81, 11.3

 

CMYK 0 / 39 / 47 / 25

HEX #C07566

RGB 192 117 102

HSL 10, 0.42%, 0.58%

LAB 56.97, 27.79, 20.78

 

CMYK 0 / 60 / 38 / 41

HEX #973D5E

RGB 151 61 94

HSL 338, 0.42%, 0.42%

LAB 39.11, 41.09, -0.31

 

CMYK 0 / 59 / 38 / 29

HEX #B44970

RGB 180 73 112

HSL 338.13, 0.42%, 0.5%

LAB 46.5, 47.22, -0.1

 

CMYK 0 / 47 / 30 / 25

HEX #C06687

RGB 192 102 135

HSL 338, 0.42%, 0.58%

LAB 54.51, 39.74, -1.92

 

CMYK 0 / 35 / 23 / 20

HEX #CC849E

RGB 204 132 158

HSL 338.33, 0.41%, 0.66%

LAB 63.18, 31.26, -2.3

 

CMYK 0 / 25 / 16 / 15

HEX #D8A1B5

RGB 216 161 181

HSL 338.18, 0.41%, 0.74%

LAB 71.84, 23.39, -2.33

 

CMYK 0 / 46 / 29 / 24

HEX #C16989

RGB 193 105 137

HSL 338.18, 0.42%, 0.58%

LAB 55.33, 38.79, -1.88

 

CMYK 0 / 8 / 47 / 25

HEX #C0B166

RGB 192 177 102

HSL 50, 0.42%, 0.58%

LAB 71.97, -4.92, 40.13

 

CMYK 47 / 11 / 0 / 25

HEX #66ABC0

RGB 102 171 192

HSL 194, 0.42%, 0.58%

LAB 66.33, -16.14, -17.53

 

CMYK 0 / 46 / 29 / 24

HEX #C16989

RGB 193 105 137

HSL 338.18, 0.42%, 0.58%

LAB 55.33, 38.79, -1.88

 

CMYK 30 / 0 / 47 / 25

HEX #87C066

RGB 135 192 102

HSL 98, 0.42%, 0.58%

LAB 72.1, -34.69, 39.4

 

CMYK 47 / 30 / 0 / 25

HEX #6687C0

RGB 102 135 192

HSL 218, 0.42%, 0.58%

LAB 56.05, 3.98, -33.35

 

CMYK 0 / 46 / 29 / 24

HEX #C16989

RGB 193 105 137

HSL 338.18, 0.42%, 0.58%

LAB 55.33, 38.79, -1.88

 

CMYK 0 / 8 / 47 / 25

HEX #C0B166

RGB 192 177 102

HSL 50, 0.42%, 0.58%

LAB 71.97, -4.92, 40.13

 

CMYK 47 / 0 / 17 / 25

HEX #66C09F

RGB 102 192 159

HSL 158, 0.42%, 0.58%

LAB 71.57, -34.83, 8.36

 

CMYK 47 / 39 / 0 / 25

HEX #6675C0

RGB 102 117 192

HSL 230, 0.42%, 0.58%

LAB 51.1, 14.75, -41.12

 

CMYK 0 / 46 / 29 / 24

HEX #C16989

RGB 193 105 137

HSL 338.18, 0.42%, 0.58%

LAB 55.33, 38.79, -1.88

 

CMYK 6 / 0 / 47 / 25

HEX #B4C066

RGB 180 192 102

HSL 68, 0.42%, 0.58%

LAB 75.05, -17.55, 43.69

 

CMYK 47 / 0 / 17 / 25

HEX #66C09F

RGB 102 192 159

HSL 158, 0.42%, 0.58%

LAB 71.57, -34.83, 8.36

 

CMYK 41 / 47 / 0 / 25

HEX #7266C0

RGB 114 102 192

HSL 248, 0.42%, 0.58%

LAB 48.12, 26.89, -45.8

 

Description

Color code: HEX #C16989 | qconv.com Color code: HEX #C16989 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 105 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 105 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 29 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 29% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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