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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1519A it is the complementary color #3EAE65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1519A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1519A shade: #C65195, #D763A8, #E875BB, #F987CE and #FF99E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1519A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1519A shade: #C1519A, #B03F87, #9F2D74, #8E1B61 and #7D094E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1519A shade: #C0529A, #C0527C, #C0525E and #C05252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1519A shade: #C0529A, #C052B8, #AB52C0, #8E52C0 and #7052C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1519A shade matches the following richer shades: #C0529A, #D33FA0, #E62CA5 and #F919AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1519A shade: #C0529A, #AD6594, #9A788E, #878B89 and #749E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1519A shade: #AA52C0, #C052B9, #C0529C, #C0527E and #C05261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1519A shade: #8D336E, #AC3E85, #C0529A, #CB70AC and #D68FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1519A shade: #C1519A, #C08D52 and #52C0B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1519A shade: #C1519A, #9CC052 and #529CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1519A shade: #C1519A, #C08D52, #52C077 and #5286C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1519A shade: #C1519A, #C0AE52, #52C077 and #5264C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 20 / 24

HEX #C1519A

RGB 193 81 154

HSL 320.89, 0.47%, 0.54%

LAB 51.33, 53.09, -17.88

 

Complementary color

CMYK 64 / 0 / 42 / 32

HEX #3EAE65

RGB 62 174 101

HSL 140.89, 0.47%, 0.46%

LAB 63.54, -48.08, 28.38

 

CMYK 0 / 59 / 25 / 22

HEX #C65195

RGB 198 81 149

HSL 325.13, 0.51%, 0.55%

LAB 51.91, 53.89, -13.98

 

CMYK 0 / 54 / 22 / 16

HEX #D763A8

RGB 215 99 168

HSL 324.31, 0.59%, 0.62%

LAB 58.22, 53.36, -15.29

 

CMYK 0 / 50 / 19 / 9

HEX #E875BB

RGB 232 117 187

HSL 323.48, 0.71%, 0.68%

LAB 64.54, 52.71, -16.38

 

CMYK 0 / 46 / 17 / 2

HEX #F987CE

RGB 249 135 206

HSL 322.63, 0.9%, 0.75%

LAB 70.82, 51.99, -17.31

 

CMYK 0 / 40 / 12 / 0

HEX #FF99E1

RGB 255 153 225

HSL 317.65, 1%, 0.8%

LAB 75.75, 47.79, -20.23

 

CMYK 0 / 58 / 20 / 24

HEX #C1519A

RGB 193 81 154

HSL 320.89, 0.47%, 0.54%

LAB 51.33, 53.09, -17.88

 

CMYK 0 / 64 / 23 / 31

HEX #B03F87

RGB 176 63 135

HSL 321.77, 0.47%, 0.47%

LAB 44.99, 53.38, -16.42

 

CMYK 0 / 72 / 27 / 38

HEX #9F2D74

RGB 159 45 116

HSL 322.63, 0.56%, 0.4%

LAB 38.74, 53.24, -14.53

 

CMYK 0 / 81 / 32 / 44

HEX #8E1B61

RGB 142 27 97

HSL 323.48, 0.68%, 0.33%

LAB 32.7, 52.29, -11.97

 

CMYK 0 / 93 / 38 / 51

HEX #7D094E

RGB 125 9 78

HSL 324.31, 0.87%, 0.26%

LAB 27.03, 50.01, -8.4

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 57 / 35 / 25

HEX #C0527C

RGB 192 82 124

HSL 337.09, 0.47%, 0.54%

LAB 50.33, 48.34, -1.52

 

CMYK 0 / 57 / 51 / 25

HEX #C0525E

RGB 192 82 94

HSL 353.45, 0.47%, 0.54%

LAB 49.56, 45.2, 15.41

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 57 / 4 / 25

HEX #C052B8

RGB 192 82 184

HSL 304.36, 0.47%, 0.54%

LAB 52.62, 57.08, -33.46

 

CMYK 11 / 57 / 0 / 25

HEX #AB52C0

RGB 171 82 192

HSL 288.55, 0.47%, 0.54%

LAB 50.09, 52.97, -42.27

 

CMYK 26 / 57 / 0 / 25

HEX #8E52C0

RGB 142 82 192

HSL 272.73, 0.47%, 0.54%

LAB 46.43, 45.54, -48.32

 

CMYK 42 / 57 / 0 / 25

HEX #7052C0

RGB 112 82 192

HSL 256.36, 0.47%, 0.54%

LAB 43.19, 38.32, -53.7

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 70 / 24 / 17

HEX #D33FA0

RGB 211 63 160

HSL 320.68, 0.63%, 0.54%

LAB 51.77, 66.22, -20.5

 

CMYK 0 / 81 / 28 / 10

HEX #E62CA5

RGB 230 44 165

HSL 320.97, 0.79%, 0.54%

LAB 53.32, 76.91, -20.79

 

CMYK 0 / 90 / 31 / 2

HEX #F919AB

RGB 249 25 171

HSL 320.89, 0.95%, 0.54%

LAB 55.86, 84.98, -20.11

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 42 / 14 / 32

HEX #AD6594

RGB 173 101 148

HSL 320.83, 0.31%, 0.54%

LAB 52.21, 35.63, -13.27

 

CMYK 0 / 22 / 8 / 40

HEX #9A788E

RGB 154 120 142

HSL 321.18, 0.14%, 0.54%

LAB 54.3, 17.03, -6.84

 

CMYK 3 / 0 / 1 / 45

HEX #878B89

RGB 135 139 137

HSL 150, 0.02%, 0.54%

LAB 57.48, -1.86, 0.55

 

CMYK 27 / 0 / 17 / 38

HEX #749E83

RGB 116 158 131

HSL 141.43, 0.18%, 0.54%

LAB 61.49, -20.06, 9.54

 

CMYK 11 / 57 / 0 / 25

HEX #AA52C0

RGB 170 82 192

HSL 288, 0.47%, 0.54%

LAB 49.96, 52.71, -42.49

 

CMYK 0 / 57 / 4 / 25

HEX #C052B9

RGB 192 82 185

HSL 303.82, 0.47%, 0.54%

LAB 52.67, 57.25, -33.97

 

CMYK 0 / 57 / 19 / 25

HEX #C0529C

RGB 192 82 156

HSL 319.64, 0.47%, 0.54%

LAB 51.43, 52.63, -18.93

 

CMYK 0 / 57 / 34 / 25

HEX #C0527E

RGB 192 82 126

HSL 336, 0.47%, 0.54%

LAB 50.39, 48.58, -2.63

 

CMYK 0 / 57 / 49 / 25

HEX #C05261

RGB 192 82 97

HSL 351.82, 0.47%, 0.54%

LAB 49.62, 45.48, 13.7

 

CMYK 0 / 64 / 22 / 45

HEX #8D336E

RGB 141 51 110

HSL 320.67, 0.47%, 0.38%

LAB 36.28, 44.74, -14.8

 

CMYK 0 / 64 / 23 / 33

HEX #AC3E85

RGB 172 62 133

HSL 321.27, 0.47%, 0.46%

LAB 44.1, 52.38, -16.62

 

CMYK 0 / 57 / 20 / 25

HEX #C0529A

RGB 192 82 154

HSL 320.73, 0.47%, 0.54%

LAB 51.35, 52.33, -17.86

 

CMYK 0 / 45 / 15 / 20

HEX #CB70AC

RGB 203 112 172

HSL 320.44, 0.47%, 0.62%

LAB 59.22, 43.71, -16.24

 

CMYK 0 / 33 / 12 / 16

HEX #D68FBD

RGB 214 143 189

HSL 321.13, 0.46%, 0.7%

LAB 67.74, 33.72, -12.9

 

CMYK 0 / 58 / 20 / 24

HEX #C1519A

RGB 193 81 154

HSL 320.89, 0.47%, 0.54%

LAB 51.33, 53.09, -17.88

 

CMYK 0 / 27 / 57 / 25

HEX #C08D52

RGB 192 141 82

HSL 32.18, 0.47%, 0.54%

LAB 62.39, 12.76, 38.71

 

CMYK 57 / 0 / 4 / 25

HEX #52C0B9

RGB 82 192 185

HSL 176.18, 0.47%, 0.54%

LAB 71.55, -32.89, -5.94

 

CMYK 0 / 58 / 20 / 24

HEX #C1519A

RGB 193 81 154

HSL 320.89, 0.47%, 0.54%

LAB 51.33, 53.09, -17.88

 

CMYK 19 / 0 / 57 / 25

HEX #9CC052

RGB 156 192 82

HSL 79.64, 0.47%, 0.54%

LAB 73.14, -29, 50.52

 

CMYK 57 / 19 / 0 / 25

HEX #529CC0

RGB 82 156 192

HSL 199.64, 0.47%, 0.54%

LAB 61.11, -12.52, -25.58

 

CMYK 0 / 58 / 20 / 24

HEX #C1519A

RGB 193 81 154

HSL 320.89, 0.47%, 0.54%

LAB 51.33, 53.09, -17.88

 

CMYK 0 / 27 / 57 / 25

HEX #C08D52

RGB 192 141 82

HSL 32.18, 0.47%, 0.54%

LAB 62.39, 12.76, 38.71

 

CMYK 57 / 0 / 38 / 25

HEX #52C077

RGB 82 192 119

HSL 140.18, 0.47%, 0.54%

LAB 70.05, -47.77, 27.59

 

CMYK 57 / 30 / 0 / 25

HEX #5286C0

RGB 82 134 192

HSL 211.64, 0.47%, 0.54%

LAB 54.71, -0.04, -35.52

 

CMYK 0 / 58 / 20 / 24

HEX #C1519A

RGB 193 81 154

HSL 320.89, 0.47%, 0.54%

LAB 51.33, 53.09, -17.88

 

CMYK 0 / 9 / 57 / 25

HEX #C0AE52

RGB 192 174 82

HSL 50.18, 0.47%, 0.54%

LAB 70.93, -5.08, 48.74

 

CMYK 57 / 0 / 38 / 25

HEX #52C077

RGB 82 192 119

HSL 140.18, 0.47%, 0.54%

LAB 70.05, -47.77, 27.59

 

CMYK 57 / 48 / 0 / 25

HEX #5264C0

RGB 82 100 192

HSL 230.18, 0.47%, 0.54%

LAB 45.24, 20.76, -50.53

 

Description

Color code: HEX #C1519A | qconv.com Color code: HEX #C1519A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 81 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 81 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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