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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C14FF6 it is the complementary color #3EB009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C14FF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C14FF6 shade: #C64FF1, #D761FF, #E873FF, #F985FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C14FF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C14FF6 shade: #C14FF6, #B03DE3, #9F2BD0, #8E19BD and #7D07AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C14FF6 shade: #C150F5, #ED50F5, #F550D1, #F550A4 and #F55078

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C14FF6 shade: #C150F5, #9450F5, #6850F5 and #5050F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C14FF6 shade matches the following richer shades: #C150F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C14FF6 shade: #C150F5, #BB5FE6, #B66ED8, #B17DC9 and #AB8BBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C14FF6 shade: #6650F5, #9250F5, #BE50F5, #EA50F5 and #F550D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C14FF6 shade: #A20CE7, #B329F3, #C150F5, #CF77F7 and #DD9EF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C14FF6 shade: #C14FF6, #F55066 and #50F57C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C14FF6 shade: #C14FF6, #F5BE50 and #50F5BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C14FF6 shade: #C14FF6, #F55066, #87F550 and #50F5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C14FF6 shade: #C14FF6, #F56C50, #87F550 and #50DAF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 68 / 0 / 4

HEX #C14FF6

RGB 193 79 246

HSL 280.96, 0.9%, 0.64%

LAB 55.67, 70.17, -63.82

 

Complementary color

CMYK 65 / 0 / 95 / 31

HEX #3EB009

RGB 62 176 9

HSL 100.96, 0.9%, 0.36%

LAB 63.42, -57.55, 62.88

 

CMYK 18 / 67 / 0 / 5

HEX #C64FF1

RGB 198 79 241

HSL 284.07, 0.85%, 0.63%

LAB 56.04, 70.22, -60.41

 

CMYK 16 / 62 / 0 / 0

HEX #D761FF

RGB 215 97 255

HSL 284.81, 1%, 0.69%

LAB 61.84, 69.04, -58.75

 

CMYK 9 / 55 / 0 / 0

HEX #E873FF

RGB 232 115 255

HSL 290.14, 1%, 0.73%

LAB 67, 65, -50.42

 

CMYK 2 / 48 / 0 / 0

HEX #F985FF

RGB 249 133 255

HSL 297.05, 1%, 0.76%

LAB 72.32, 60.97, -41.92

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 22 / 68 / 0 / 4

HEX #C14FF6

RGB 193 79 246

HSL 280.96, 0.9%, 0.64%

LAB 55.67, 70.17, -63.82

 

CMYK 22 / 73 / 0 / 11

HEX #B03DE3

RGB 176 61 227

HSL 281.57, 0.75%, 0.56%

LAB 49.63, 70.07, -63

 

CMYK 24 / 79 / 0 / 18

HEX #9F2BD0

RGB 159 43 208

HSL 282.18, 0.66%, 0.49%

LAB 43.73, 69.38, -61.81

 

CMYK 25 / 87 / 0 / 26

HEX #8E19BD

RGB 142 25 189

HSL 282.8, 0.77%, 0.42%

LAB 38.06, 67.76, -60.07

 

CMYK 26 / 96 / 0 / 33

HEX #7D07AA

RGB 125 7 170

HSL 283.44, 0.92%, 0.35%

LAB 32.73, 64.81, -57.56

 

CMYK 21 / 67 / 0 / 4

HEX #C150F5

RGB 193 80 245

HSL 281.09, 0.89%, 0.64%

LAB 55.75, 69.56, -63.13

 

CMYK 3 / 67 / 0 / 4

HEX #ED50F5

RGB 237 80 245

HSL 297.09, 0.89%, 0.64%

LAB 61.94, 78.86, -52.88

 

CMYK 0 / 67 / 15 / 4

HEX #F550D1

RGB 245 80 209

HSL 313.09, 0.89%, 0.64%

LAB 61.44, 75.23, -33.42

 

CMYK 0 / 67 / 33 / 4

HEX #F550A4

RGB 245 80 164

HSL 329.45, 0.89%, 0.64%

LAB 59.73, 69.58, -10.24

 

CMYK 0 / 67 / 51 / 4

HEX #F55078

RGB 245 80 120

HSL 345.45, 0.89%, 0.64%

LAB 58.51, 65.36, 13.71

 

CMYK 21 / 67 / 0 / 4

HEX #C150F5

RGB 193 80 245

HSL 281.09, 0.89%, 0.64%

LAB 55.75, 69.56, -63.13

 

CMYK 40 / 67 / 0 / 4

HEX #9450F5

RGB 148 80 245

HSL 264.73, 0.89%, 0.64%

LAB 50.25, 60.7, -72.3

 

CMYK 58 / 67 / 0 / 4

HEX #6850F5

RGB 104 80 245

HSL 248.73, 0.89%, 0.64%

LAB 46.01, 53.34, -79.4

 

CMYK 67 / 67 / 0 / 4

HEX #5050F5

RGB 80 80 245

HSL 240, 0.89%, 0.64%

LAB 44.28, 50.18, -82.29

 

CMYK 21 / 67 / 0 / 4

HEX #C150F5

RGB 193 80 245

HSL 281.09, 0.89%, 0.64%

LAB 55.75, 69.56, -63.13

 

CMYK 21 / 67 / 0 / 4

HEX #C150F5

RGB 193 80 245

HSL 281.09, 0.89%, 0.64%

LAB 55.75, 69.56, -63.13

 

CMYK 19 / 59 / 0 / 10

HEX #BB5FE6

RGB 187 95 230

HSL 280.89, 0.73%, 0.64%

LAB 56.55, 58.42, -53.52

 

CMYK 16 / 49 / 0 / 15

HEX #B66ED8

RGB 182 110 216

HSL 280.75, 0.58%, 0.64%

LAB 58.09, 46.59, -43.24

 

CMYK 12 / 38 / 0 / 21

HEX #B17DC9

RGB 177 125 201

HSL 281.05, 0.41%, 0.64%

LAB 60.1, 33.78, -31.67

 

CMYK 8 / 25 / 0 / 27

HEX #AB8BBA

RGB 171 139 186

HSL 280.85, 0.25%, 0.64%

LAB 62.23, 20.82, -19.98

 

CMYK 58 / 67 / 0 / 4

HEX #6650F5

RGB 102 80 245

HSL 248, 0.89%, 0.64%

LAB 45.85, 53.05, -79.67

 

CMYK 40 / 67 / 0 / 4

HEX #9250F5

RGB 146 80 245

HSL 264, 0.89%, 0.64%

LAB 50.03, 60.33, -72.67

 

CMYK 22 / 67 / 0 / 4

HEX #BE50F5

RGB 190 80 245

HSL 280, 0.89%, 0.64%

LAB 55.36, 68.94, -63.79

 

CMYK 4 / 67 / 0 / 4

HEX #EA50F5

RGB 234 80 245

HSL 296, 0.89%, 0.64%

LAB 61.5, 78.22, -53.61

 

CMYK 0 / 67 / 13 / 4

HEX #F550D4

RGB 245 80 212

HSL 312, 0.89%, 0.64%

LAB 61.57, 75.65, -34.92

 

CMYK 30 / 95 / 0 / 9

HEX #A20CE7

RGB 162 12 231

HSL 281.1, 0.9%, 0.48%

LAB 43.82, 80.52, -74.81

 

CMYK 26 / 83 / 0 / 5

HEX #B329F3

RGB 179 41 243

HSL 280.99, 0.89%, 0.56%

LAB 49.06, 79.87, -72.94

 

CMYK 21 / 67 / 0 / 4

HEX #C150F5

RGB 193 80 245

HSL 281.09, 0.89%, 0.64%

LAB 55.75, 69.56, -63.13

 

CMYK 16 / 52 / 0 / 3

HEX #CF77F7

RGB 207 119 247

HSL 281.25, 0.89%, 0.72%

LAB 64.3, 55.11, -50.5

 

CMYK 11 / 37 / 0 / 2

HEX #DD9EF9

RGB 221 158 249

HSL 281.54, 0.88%, 0.8%

LAB 73.98, 39.05, -36.32

 

CMYK 22 / 68 / 0 / 4

HEX #C14FF6

RGB 193 79 246

HSL 280.96, 0.9%, 0.64%

LAB 55.67, 70.17, -63.82

 

CMYK 0 / 67 / 58 / 4

HEX #F55066

RGB 245 80 102

HSL 352, 0.89%, 0.64%

LAB 58.14, 64.04, 23.74

 

CMYK 67 / 0 / 49 / 4

HEX #50F57C

RGB 80 245 124

HSL 136, 0.89%, 0.64%

LAB 86.24, -67.25, 45.85

 

CMYK 22 / 68 / 0 / 4

HEX #C14FF6

RGB 193 79 246

HSL 280.96, 0.9%, 0.64%

LAB 55.67, 70.17, -63.82

 

CMYK 0 / 22 / 67 / 4

HEX #F5BE50

RGB 245 190 80

HSL 40, 0.89%, 0.64%

LAB 80.08, 8.79, 61.17

 

CMYK 67 / 0 / 22 / 4

HEX #50F5BE

RGB 80 245 190

HSL 160, 0.89%, 0.64%

LAB 87.35, -55.05, 14.24

 

CMYK 22 / 68 / 0 / 4

HEX #C14FF6

RGB 193 79 246

HSL 280.96, 0.9%, 0.64%

LAB 55.67, 70.17, -63.82

 

CMYK 0 / 67 / 58 / 4

HEX #F55066

RGB 245 80 102

HSL 352, 0.89%, 0.64%

LAB 58.14, 64.04, 23.74

 

CMYK 45 / 0 / 67 / 4

HEX #87F550

RGB 135 245 80

HSL 100, 0.89%, 0.64%

LAB 87.5, -59.07, 66.74

 

CMYK 67 / 0 / 9 / 4

HEX #50F5DF

RGB 80 245 223

HSL 172, 0.89%, 0.64%

LAB 88.13, -47.16, -1.82

 

CMYK 22 / 68 / 0 / 4

HEX #C14FF6

RGB 193 79 246

HSL 280.96, 0.9%, 0.64%

LAB 55.67, 70.17, -63.82

 

CMYK 0 / 56 / 67 / 4

HEX #F56C50

RGB 245 108 80

HSL 10.18, 0.89%, 0.64%

LAB 62.27, 50.79, 41.31

 

CMYK 45 / 0 / 67 / 4

HEX #87F550

RGB 135 245 80

HSL 100, 0.89%, 0.64%

LAB 87.5, -59.07, 66.74

 

CMYK 67 / 11 / 0 / 4

HEX #50DAF5

RGB 80 218 245

HSL 189.82, 0.89%, 0.64%

LAB 80.98, -28.73, -24.1

 

Description

Color code: HEX #C14FF6 | qconv.com Color code: HEX #C14FF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 79 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 79 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 68 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 68% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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