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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C12E58 it is the complementary color #3ED1A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C12E58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C12E58 shade: #C62E53, #D74066, #E85279, #F9648C and #FF769F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C12E58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C12E58 shade: #C12E58, #B01C45, #9F0A32, #8E001F and #7D000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C12E58 shade: #C22D57, #C22D2F and #C22D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C12E58 shade: #C22D57, #C22D80, #C22DA8, #B42DC2 and #8C2DC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C12E58 shade matches the following richer shades: #C22D57, #D51A4F and #E80647

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C12E58 shade: #C22D57, #AE4060, #9B5468, #876770 and #747B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C12E58 shade: #C22DA9, #C22D81, #C22D5A, #C22D32 and #C2502D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C12E58 shade: #7F1D39, #A02548, #C22D57, #D3456E and #DB6688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C12E58 shade: #C12E58, #C2B32D and #2D95C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C12E58 shade: #C12E58, #5AC22D and #2D5AC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C12E58 shade: #C12E58, #C2B32D, #2DC295 and #2D3CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C12E58 shade: #C12E58, #A4C22D, #2DC295 and #4B2DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 54 / 24

HEX #C12E58

RGB 193 46 88

HSL 342.86, 0.62%, 0.47%

LAB 44.23, 59.6, 11.75

 

Complementary color

CMYK 70 / 0 / 20 / 18

HEX #3ED1A7

RGB 62 209 167

HSL 162.86, 0.62%, 0.53%

LAB 75.71, -48.33, 9.78

 

CMYK 0 / 77 / 58 / 22

HEX #C62E53

RGB 198 46 83

HSL 345.39, 0.62%, 0.48%

LAB 45.06, 60.67, 16.14

 

CMYK 0 / 70 / 53 / 16

HEX #D74066

RGB 215 64 102

HSL 344.9, 0.65%, 0.55%

LAB 50.77, 60.95, 12.87

 

CMYK 0 / 65 / 48 / 9

HEX #E85279

RGB 232 82 121

HSL 344.4, 0.77%, 0.62%

LAB 56.65, 60.74, 10.2

 

CMYK 0 / 60 / 44 / 2

HEX #F9648C

RGB 249 100 140

HSL 343.89, 0.93%, 0.68%

LAB 62.63, 60.23, 7.98

 

CMYK 0 / 54 / 38 / 0

HEX #FF769F

RGB 255 118 159

HSL 342.04, 1%, 0.73%

LAB 67.07, 56.01, 3.6

 

CMYK 0 / 76 / 54 / 24

HEX #C12E58

RGB 193 46 88

HSL 342.86, 0.62%, 0.47%

LAB 44.23, 59.6, 11.75

 

CMYK 0 / 84 / 61 / 31

HEX #B01C45

RGB 176 28 69

HSL 343.38, 0.73%, 0.4%

LAB 38.71, 58.55, 15.63

 

CMYK 0 / 94 / 69 / 38

HEX #9F0A32

RGB 159 10 50

HSL 343.89, 0.88%, 0.33%

LAB 33.6, 56.3, 20.52

 

CMYK 0 / 100 / 78 / 44

HEX #8E001F

RGB 142 0 31

HSL 346.9, 1%, 0.28%

LAB 29.03, 52.5, 26.46

 

CMYK 0 / 100 / 90 / 51

HEX #7D000C

RGB 125 0 12

HSL 354.24, 1%, 0.25%

LAB 24.91, 47.47, 32.29

 

CMYK 0 / 77 / 55 / 24

HEX #C22D57

RGB 194 45 87

HSL 343.09, 0.62%, 0.47%

LAB 44.28, 60.12, 12.47

 

CMYK 0 / 77 / 76 / 24

HEX #C22D2F

RGB 194 45 47

HSL 359.19, 0.62%, 0.47%

LAB 43.58, 57.88, 35.93

 

CMYK 0 / 77 / 77 / 24

HEX #C22D2D

RGB 194 45 45

HSL 0, 0.62%, 0.47%

LAB 43.56, 57.81, 37.05

 

CMYK 0 / 77 / 55 / 24

HEX #C22D57

RGB 194 45 87

HSL 343.09, 0.62%, 0.47%

LAB 44.28, 60.12, 12.47

 

CMYK 0 / 77 / 34 / 24

HEX #C22D80

RGB 194 45 128

HSL 326.58, 0.62%, 0.47%

LAB 45.5, 63.92, -11.09

 

CMYK 0 / 77 / 13 / 24

HEX #C22DA8

RGB 194 45 168

HSL 310.47, 0.62%, 0.47%

LAB 47.2, 68.97, -32.55

 

CMYK 7 / 77 / 0 / 24

HEX #B42DC2

RGB 180 45 194

HSL 294.36, 0.62%, 0.47%

LAB 46.28, 70.08, -49.43

 

CMYK 28 / 77 / 0 / 24

HEX #8C2DC2

RGB 140 45 194

HSL 278.26, 0.62%, 0.47%

LAB 40.16, 62.54, -59.6

 

CMYK 0 / 77 / 55 / 24

HEX #C22D57

RGB 194 45 87

HSL 343.09, 0.62%, 0.47%

LAB 44.28, 60.12, 12.47

 

CMYK 0 / 88 / 63 / 16

HEX #D51A4F

RGB 213 26 79

HSL 342.99, 0.78%, 0.47%

LAB 46.24, 69.17, 20.72

 

CMYK 0 / 97 / 69 / 9

HEX #E80647

RGB 232 6 71

HSL 342.74, 0.95%, 0.47%

LAB 49.18, 75.65, 30.15

 

CMYK 0 / 77 / 55 / 24

HEX #C22D57

RGB 194 45 87

HSL 343.09, 0.62%, 0.47%

LAB 44.28, 60.12, 12.47

 

CMYK 0 / 63 / 45 / 32

HEX #AE4060

RGB 174 64 96

HSL 342.55, 0.46%, 0.47%

LAB 43.52, 47.62, 5.3

 

CMYK 0 / 46 / 33 / 39

HEX #9B5468

RGB 155 84 104

HSL 343.1, 0.3%, 0.47%

LAB 44.67, 31.79, 1.67

 

CMYK 0 / 24 / 17 / 47

HEX #876770

RGB 135 103 112

HSL 343.13, 0.13%, 0.47%

LAB 47, 14.32, -0.08

 

CMYK 6 / 0 / 2 / 52

HEX #747B79

RGB 116 123 121

HSL 162.86, 0.03%, 0.47%

LAB 50.99, -3.02, 0.18

 

CMYK 0 / 77 / 13 / 24

HEX #C22DA9

RGB 194 45 169

HSL 310.07, 0.62%, 0.47%

LAB 47.25, 69.12, -33.06

 

CMYK 0 / 77 / 34 / 24

HEX #C22D81

RGB 194 45 129

HSL 326.17, 0.62%, 0.47%

LAB 45.54, 64.03, -11.65

 

CMYK 0 / 77 / 54 / 24

HEX #C22D5A

RGB 194 45 90

HSL 341.88, 0.62%, 0.47%

LAB 44.35, 60.35, 10.71

 

CMYK 0 / 77 / 74 / 24

HEX #C22D32

RGB 194 45 50

HSL 357.99, 0.62%, 0.47%

LAB 43.62, 58, 34.23

 

CMYK 0 / 59 / 77 / 24

HEX #C2502D

RGB 194 80 45

HSL 14.09, 0.62%, 0.47%

LAB 48.76, 43.74, 42.54

 

CMYK 0 / 77 / 55 / 50

HEX #7F1D39

RGB 127 29 57

HSL 342.86, 0.63%, 0.31%

LAB 28.61, 43.22, 8.04

 

CMYK 0 / 77 / 55 / 37

HEX #A02548

RGB 160 37 72

HSL 342.93, 0.62%, 0.39%

LAB 36.49, 51.71, 10.15

 

CMYK 0 / 77 / 55 / 24

HEX #C22D57

RGB 194 45 87

HSL 343.09, 0.62%, 0.47%

LAB 44.28, 60.12, 12.47

 

CMYK 0 / 67 / 48 / 17

HEX #D3456E

RGB 211 69 110

HSL 342.68, 0.62%, 0.55%

LAB 50.96, 58.53, 8.2

 

CMYK 0 / 53 / 38 / 14

HEX #DB6688

RGB 219 102 136

HSL 342.56, 0.62%, 0.63%

LAB 58.36, 49.15, 3.57

 

CMYK 0 / 76 / 54 / 24

HEX #C12E58

RGB 193 46 88

HSL 342.86, 0.62%, 0.47%

LAB 44.23, 59.6, 11.75

 

CMYK 0 / 8 / 77 / 24

HEX #C2B32D

RGB 194 179 45

HSL 53.96, 0.62%, 0.47%

LAB 72.16, -8.96, 65.18

 

CMYK 77 / 23 / 0 / 24

HEX #2D95C2

RGB 45 149 194

HSL 198.12, 0.62%, 0.47%

LAB 57.99, -13.94, -31.63

 

CMYK 0 / 76 / 54 / 24

HEX #C12E58

RGB 193 46 88

HSL 342.86, 0.62%, 0.47%

LAB 44.23, 59.6, 11.75

 

CMYK 54 / 0 / 77 / 24

HEX #5AC22D

RGB 90 194 45

HSL 101.88, 0.62%, 0.47%

LAB 70.14, -55.34, 61

 

CMYK 77 / 54 / 0 / 24

HEX #2D5AC2

RGB 45 90 194

HSL 221.88, 0.62%, 0.47%

LAB 40.84, 22.01, -58.88

 

CMYK 0 / 76 / 54 / 24

HEX #C12E58

RGB 193 46 88

HSL 342.86, 0.62%, 0.47%

LAB 44.23, 59.6, 11.75

 

CMYK 0 / 8 / 77 / 24

HEX #C2B32D

RGB 194 179 45

HSL 53.96, 0.62%, 0.47%

LAB 72.16, -8.96, 65.18

 

CMYK 77 / 0 / 23 / 24

HEX #2DC295

RGB 45 194 149

HSL 161.88, 0.62%, 0.47%

LAB 70.39, -48.65, 11.89

 

CMYK 77 / 69 / 0 / 24

HEX #2D3CC2

RGB 45 60 194

HSL 233.96, 0.62%, 0.47%

LAB 33.32, 41.26, -71.17

 

CMYK 0 / 76 / 54 / 24

HEX #C12E58

RGB 193 46 88

HSL 342.86, 0.62%, 0.47%

LAB 44.23, 59.6, 11.75

 

CMYK 15 / 0 / 77 / 24

HEX #A4C22D

RGB 164 194 45

HSL 72.08, 0.62%, 0.47%

LAB 73.98, -29.19, 65.99

 

CMYK 77 / 0 / 23 / 24

HEX #2DC295

RGB 45 194 149

HSL 161.88, 0.62%, 0.47%

LAB 70.39, -48.65, 11.89

 

CMYK 61 / 77 / 0 / 24

HEX #4B2DC2

RGB 75 45 194

HSL 252.08, 0.62%, 0.47%

LAB 32.41, 52.72, -72.59

 

Description

Color code: HEX #C12E58 | qconv.com Color code: HEX #C12E58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 46 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 46 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 54 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 54% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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