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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C12BED it is the complementary color #3ED412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C12BED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C12BED shade: #C62BE8, #D73DFB, #E84FFF, #F961FF and #FF73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C12BED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C12BED shade: #C12BED, #B019DA, #9F07C7, #8E00B4 and #7D00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C12BED shade: #C02BEC, #EC2BE4, #EC2BB0, #EC2B7C and #EC2B48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C12BED shade: #C02BEC, #8C2BEC, #582BEC and #2B2BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C12BED shade matches the following richer shades: #C02BEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C12BED shade: #C02BEC, #B63EDA, #AC50C7, #A263B4 and #9876A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C12BED shade: #582BEC, #8C2BEC, #BF2BEC, #EC2BE6 and #EC2BB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C12BED shade: #900FB6, #AE13DC, #C02BEC, #CC51EF and #D777F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C12BED shade: #C12BED, #EC2B32 and #2BEC72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C12BED shade: #C12BED, #ECBF2B and #2BECBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C12BED shade: #C12BED, #EC2B32, #58EC2B and #2BECE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C12BED shade: #C12BED, #EC5F2B, #58EC2B and #2BB9EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 82 / 0 / 7

HEX #C12BED

RGB 193 43 237

HSL 286.39, 0.84%, 0.55%

LAB 50.9, 80.45, -66.48

 

Complementary color

CMYK 71 / 0 / 92 / 17

HEX #3ED412

RGB 62 212 18

HSL 106.39, 0.84%, 0.45%

LAB 74.92, -68.84, 71.23

 

CMYK 15 / 81 / 0 / 9

HEX #C62BE8

RGB 198 43 232

HSL 289.21, 0.8%, 0.54%

LAB 51.34, 80.41, -62.92

 

CMYK 14 / 76 / 0 / 2

HEX #D73DFB

RGB 215 61 251

HSL 288.63, 0.96%, 0.61%

LAB 56.83, 81.76, -64.57

 

CMYK 9 / 69 / 0 / 0

HEX #E84FFF

RGB 232 79 255

HSL 292.16, 1%, 0.65%

LAB 61.63, 79.84, -58.96

 

CMYK 2 / 62 / 0 / 0

HEX #F961FF

RGB 249 97 255

HSL 297.72, 1%, 0.69%

LAB 66.45, 76.82, -51.14

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 19 / 82 / 0 / 7

HEX #C12BED

RGB 193 43 237

HSL 286.39, 0.84%, 0.55%

LAB 50.9, 80.45, -66.48

 

CMYK 19 / 89 / 0 / 15

HEX #B019DA

RGB 176 25 218

HSL 286.94, 0.79%, 0.48%

LAB 45.62, 78.24, -64.38

 

CMYK 20 / 96 / 0 / 22

HEX #9F07C7

RGB 159 7 199

HSL 287.5, 0.93%, 0.4%

LAB 40.65, 74.82, -61.59

 

CMYK 21 / 100 / 0 / 29

HEX #8E00B4

RGB 142 0 180

HSL 287.33, 1%, 0.35%

LAB 36.07, 69.91, -57.97

 

CMYK 22 / 100 / 0 / 37

HEX #7D00A1

RGB 125 0 161

HSL 286.58, 1%, 0.32%

LAB 31.65, 64.14, -53.88

 

CMYK 19 / 82 / 0 / 7

HEX #C02BEC

RGB 192 43 236

HSL 286.32, 0.84%, 0.55%

LAB 50.68, 80.11, -66.29

 

CMYK 0 / 82 / 3 / 7

HEX #EC2BE4

RGB 236 43 228

HSL 302.49, 0.84%, 0.55%

LAB 57.23, 86.51, -50.87

 

CMYK 0 / 82 / 25 / 7

HEX #EC2BB0

RGB 236 43 176

HSL 318.65, 0.84%, 0.55%

LAB 54.76, 79.72, -24.94

 

CMYK 0 / 82 / 47 / 7

HEX #EC2B7C

RGB 236 43 124

HSL 334.82, 0.84%, 0.55%

LAB 52.97, 74.57, 3.24

 

CMYK 0 / 82 / 69 / 7

HEX #EC2B48

RGB 236 43 72

HSL 350.98, 0.84%, 0.55%

LAB 51.87, 71.31, 33.02

 

CMYK 19 / 82 / 0 / 7

HEX #C02BEC

RGB 192 43 236

HSL 286.32, 0.84%, 0.55%

LAB 50.68, 80.11, -66.29

 

CMYK 41 / 82 / 0 / 7

HEX #8C2BEC

RGB 140 43 236

HSL 270.16, 0.84%, 0.55%

LAB 43.3, 72.35, -78.62

 

CMYK 63 / 82 / 0 / 7

HEX #582BEC

RGB 88 43 236

HSL 253.99, 0.84%, 0.55%

LAB 37.59, 66.56, -88.23

 

CMYK 82 / 82 / 0 / 7

HEX #2B2BEC

RGB 43 43 236

HSL 240, 0.84%, 0.55%

LAB 34.59, 63.63, -93.29

 

CMYK 19 / 82 / 0 / 7

HEX #C02BEC

RGB 192 43 236

HSL 286.32, 0.84%, 0.55%

LAB 50.68, 80.11, -66.29

 

CMYK 19 / 82 / 0 / 7

HEX #C02BEC

RGB 192 43 236

HSL 286.32, 0.84%, 0.55%

LAB 50.68, 80.11, -66.29

 

CMYK 17 / 72 / 0 / 15

HEX #B63EDA

RGB 182 62 218

HSL 286.15, 0.68%, 0.55%

LAB 50.04, 69.12, -57.19

 

CMYK 14 / 60 / 0 / 22

HEX #AC50C7

RGB 172 80 199

HSL 286.39, 0.52%, 0.55%

LAB 50.25, 55.58, -46.05

 

CMYK 10 / 45 / 0 / 29

HEX #A263B4

RGB 162 99 180

HSL 286.67, 0.35%, 0.55%

LAB 51.72, 39.19, -32.83

 

CMYK 6 / 27 / 0 / 36

HEX #9876A2

RGB 152 118 162

HSL 286.36, 0.19%, 0.55%

LAB 54.28, 21.42, -18.53

 

CMYK 63 / 82 / 0 / 7

HEX #582BEC

RGB 88 43 236

HSL 253.99, 0.84%, 0.55%

LAB 37.59, 66.56, -88.23

 

CMYK 41 / 82 / 0 / 7

HEX #8C2BEC

RGB 140 43 236

HSL 270.16, 0.84%, 0.55%

LAB 43.3, 72.35, -78.62

 

CMYK 19 / 82 / 0 / 7

HEX #BF2BEC

RGB 191 43 236

HSL 286.01, 0.84%, 0.55%

LAB 50.52, 79.95, -66.54

 

CMYK 0 / 82 / 3 / 7

HEX #EC2BE6

RGB 236 43 230

HSL 301.87, 0.84%, 0.55%

LAB 57.34, 86.8, -51.83

 

CMYK 0 / 82 / 25 / 7

HEX #EC2BB2

RGB 236 43 178

HSL 318.03, 0.84%, 0.55%

LAB 54.84, 79.95, -25.98

 

CMYK 21 / 92 / 0 / 29

HEX #900FB6

RGB 144 15 182

HSL 286.35, 0.85%, 0.39%

LAB 37.2, 68.64, -57.31

 

CMYK 21 / 91 / 0 / 14

HEX #AE13DC

RGB 174 19 220

HSL 286.27, 0.84%, 0.47%

LAB 45.13, 79.24, -66.33

 

CMYK 19 / 82 / 0 / 7

HEX #C02BEC

RGB 192 43 236

HSL 286.32, 0.84%, 0.55%

LAB 50.68, 80.11, -66.29

 

CMYK 15 / 66 / 0 / 6

HEX #CC51EF

RGB 204 81 239

HSL 286.71, 0.83%, 0.63%

LAB 57.03, 70.31, -57.65

 

CMYK 12 / 51 / 0 / 5

HEX #D777F3

RGB 215 119 243

HSL 286.45, 0.84%, 0.71%

LAB 65.05, 56.41, -47.05

 

CMYK 19 / 82 / 0 / 7

HEX #C12BED

RGB 193 43 237

HSL 286.39, 0.84%, 0.55%

LAB 50.9, 80.45, -66.48

 

CMYK 0 / 82 / 79 / 7

HEX #EC2B32

RGB 236 43 50

HSL 357.82, 0.84%, 0.55%

LAB 51.6, 70.49, 45.23

 

CMYK 82 / 0 / 52 / 7

HEX #2BEC72

RGB 43 236 114

HSL 142.07, 0.84%, 0.55%

LAB 82.76, -70.67, 46.14

 

CMYK 19 / 82 / 0 / 7

HEX #C12BED

RGB 193 43 237

HSL 286.39, 0.84%, 0.55%

LAB 50.9, 80.45, -66.48

 

CMYK 0 / 19 / 82 / 7

HEX #ECBF2B

RGB 236 191 43

HSL 46.01, 0.84%, 0.55%

LAB 79.2, 2.91, 73.52

 

CMYK 82 / 0 / 19 / 7

HEX #2BECBF

RGB 43 236 191

HSL 166.01, 0.84%, 0.55%

LAB 84.1, -55.56, 9.02

 

CMYK 19 / 82 / 0 / 7

HEX #C12BED

RGB 193 43 237

HSL 286.39, 0.84%, 0.55%

LAB 50.9, 80.45, -66.48

 

CMYK 0 / 82 / 79 / 7

HEX #EC2B32

RGB 236 43 50

HSL 357.82, 0.84%, 0.55%

LAB 51.6, 70.49, 45.23

 

CMYK 63 / 0 / 82 / 7

HEX #58EC2B

RGB 88 236 43

HSL 106.01, 0.84%, 0.55%

LAB 83.04, -70.38, 73.6

 

CMYK 82 / 0 / 3 / 7

HEX #2BECE6

RGB 43 236 230

HSL 178.13, 0.84%, 0.55%

LAB 85.11, -45.32, -10.02

 

CMYK 19 / 82 / 0 / 7

HEX #C12BED

RGB 193 43 237

HSL 286.39, 0.84%, 0.55%

LAB 50.9, 80.45, -66.48

 

CMYK 0 / 60 / 82 / 7

HEX #EC5F2B

RGB 236 95 43

HSL 16.17, 0.84%, 0.55%

LAB 58.22, 52.02, 55.03

 

CMYK 63 / 0 / 82 / 7

HEX #58EC2B

RGB 88 236 43

HSL 106.01, 0.84%, 0.55%

LAB 83.04, -70.38, 73.6

 

CMYK 82 / 22 / 0 / 7

HEX #2BB9EC

RGB 43 185 236

HSL 195.85, 0.84%, 0.55%

LAB 70.36, -19.12, -35.65

 

Description

Color code: HEX #C12BED | qconv.com Color code: HEX #C12BED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 43 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 43 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 82 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 82% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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