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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C126E8 it is the complementary color #3ED917. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C126E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C126E8 shade: #C626E3, #D738F6, #E84AFF, #F95CFF and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C126E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C126E8 shade: #C126E8, #B014D5, #9F02C2, #8E00AF and #7D009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C126E8 shade: #C126E8, #E826DA, #E826A6, #E82672 and #E8263D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C126E8 shade: #C126E8, #8C26E8, #5826E8 and #2626E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C126E8 shade matches the following richer shades: #C126E8 and #CC12FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C126E8 shade: #C126E8, #B539D4, #AA4CC1, #9E60AE and #92739A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C126E8 shade: #5626E8, #8A26E8, #BE26E8, #E826DE and #E826AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C126E8 shade: #8B11A9, #A915CF, #C126E8, #CB4BEC and #D670F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C126E8 shade: #C126E8, #E82629 and #26E870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C126E8 shade: #C126E8, #E8BE26 and #26E8BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C126E8 shade: #C126E8, #E82629, #50E826 and #26E8E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C126E8 shade: #C126E8, #E85D26, #50E826 and #26B1E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

Complementary color

CMYK 71 / 0 / 89 / 15

HEX #3ED917

RGB 62 217 23

HSL 107.94, 0.81%, 0.47%

LAB 76.5, -70.23, 71.8

 

CMYK 13 / 83 / 0 / 11

HEX #C626E3

RGB 198 38 227

HSL 290.79, 0.77%, 0.52%

LAB 50.61, 80.72, -61.25

 

CMYK 13 / 77 / 0 / 4

HEX #D738F6

RGB 215 56 246

HSL 290.21, 0.91%, 0.59%

LAB 56.02, 82.35, -63.1

 

CMYK 9 / 71 / 0 / 0

HEX #E84AFF

RGB 232 74 255

HSL 292.38, 1%, 0.65%

LAB 61.02, 81.55, -59.93

 

CMYK 2 / 64 / 0 / 0

HEX #F95CFF

RGB 249 92 255

HSL 297.79, 1%, 0.68%

LAB 65.76, 78.74, -52.24

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 17 / 91 / 0 / 16

HEX #B014D5

RGB 176 20 213

HSL 288.5, 0.83%, 0.46%

LAB 44.99, 78.17, -62.52

 

CMYK 18 / 99 / 0 / 24

HEX #9F02C2

RGB 159 2 194

HSL 289.06, 0.98%, 0.38%

LAB 40.1, 74.48, -59.57

 

CMYK 19 / 100 / 0 / 31

HEX #8E00AF

RGB 142 0 175

HSL 288.69, 1%, 0.34%

LAB 35.69, 69.02, -55.63

 

CMYK 20 / 100 / 0 / 39

HEX #7D009C

RGB 125 0 156

HSL 288.08, 1%, 0.31%

LAB 31.25, 63.22, -51.49

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 0 / 84 / 6 / 9

HEX #E826DA

RGB 232 38 218

HSL 304.33, 0.81%, 0.53%

LAB 55.69, 85.33, -47.71

 

CMYK 0 / 84 / 28 / 9

HEX #E826A6

RGB 232 38 166

HSL 320.41, 0.81%, 0.53%

LAB 53.27, 78.76, -21.42

 

CMYK 0 / 84 / 51 / 9

HEX #E82672

RGB 232 38 114

HSL 336.49, 0.81%, 0.53%

LAB 51.56, 73.9, 7.16

 

CMYK 0 / 84 / 74 / 9

HEX #E8263D

RGB 232 38 61

HSL 352.89, 0.81%, 0.53%

LAB 50.55, 70.91, 37.69

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 40 / 84 / 0 / 9

HEX #8C26E8

RGB 140 38 232

HSL 271.55, 0.81%, 0.53%

LAB 42.44, 72.98, -77.76

 

CMYK 62 / 84 / 0 / 9

HEX #5826E8

RGB 88 38 232

HSL 255.46, 0.81%, 0.53%

LAB 36.53, 67.37, -87.71

 

CMYK 84 / 84 / 0 / 9

HEX #2626E8

RGB 38 38 232

HSL 240, 0.81%, 0.53%

LAB 33.19, 64.39, -93.35

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 19 / 93 / 0 / 2

HEX #CC12FB

RGB 204 18 251

HSL 287.9, 0.97%, 0.53%

LAB 52.1, 88.89, -72.3

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 15 / 73 / 0 / 17

HEX #B539D4

RGB 181 57 212

HSL 288, 0.64%, 0.53%

LAB 48.89, 69.6, -55.62

 

CMYK 12 / 61 / 0 / 24

HEX #AA4CC1

RGB 170 76 193

HSL 288.21, 0.49%, 0.53%

LAB 48.96, 55.76, -44.65

 

CMYK 9 / 45 / 0 / 32

HEX #9E60AE

RGB 158 96 174

HSL 287.69, 0.33%, 0.53%

LAB 50.32, 38.38, -31.57

 

CMYK 5 / 25 / 0 / 40

HEX #92739A

RGB 146 115 154

HSL 287.69, 0.16%, 0.53%

LAB 52.63, 19.43, -16.45

 

CMYK 63 / 84 / 0 / 9

HEX #5626E8

RGB 86 38 232

HSL 254.85, 0.81%, 0.53%

LAB 36.35, 67.2, -88.01

 

CMYK 41 / 84 / 0 / 9

HEX #8A26E8

RGB 138 38 232

HSL 270.93, 0.81%, 0.53%

LAB 42.18, 72.72, -78.2

 

CMYK 18 / 84 / 0 / 9

HEX #BE26E8

RGB 190 38 232

HSL 287.01, 0.81%, 0.53%

LAB 49.69, 80.27, -65.64

 

CMYK 0 / 84 / 4 / 9

HEX #E826DE

RGB 232 38 222

HSL 303.09, 0.81%, 0.53%

LAB 55.9, 85.9, -49.64

 

CMYK 0 / 84 / 27 / 9

HEX #E826AA

RGB 232 38 170

HSL 319.18, 0.81%, 0.53%

LAB 53.43, 79.21, -23.52

 

CMYK 18 / 90 / 0 / 34

HEX #8B11A9

RGB 139 17 169

HSL 288.16, 0.82%, 0.36%

LAB 35.51, 65.17, -52.35

 

CMYK 18 / 90 / 0 / 19

HEX #A915CF

RGB 169 21 207

HSL 287.74, 0.82%, 0.45%

LAB 43.47, 75.92, -61.58

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 14 / 68 / 0 / 7

HEX #CB4BEC

RGB 203 75 236

HSL 287.7, 0.81%, 0.61%

LAB 55.87, 71.91, -57.84

 

CMYK 11 / 53 / 0 / 6

HEX #D670F0

RGB 214 112 240

HSL 287.81, 0.81%, 0.69%

LAB 63.49, 58.99, -47.86

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 0 / 84 / 82 / 9

HEX #E82629

RGB 232 38 41

HSL 359.07, 0.81%, 0.53%

LAB 50.34, 70.29, 48.47

 

CMYK 84 / 0 / 52 / 9

HEX #26E870

RGB 38 232 112

HSL 142.89, 0.81%, 0.53%

LAB 81.45, -70.13, 45.46

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 0 / 18 / 84 / 9

HEX #E8BE26

RGB 232 190 38

HSL 47.01, 0.81%, 0.53%

LAB 78.53, 1.58, 74.17

 

CMYK 84 / 0 / 18 / 9

HEX #26E8BE

RGB 38 232 190

HSL 167.01, 0.81%, 0.53%

LAB 82.83, -54.6, 7.71

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 0 / 84 / 82 / 9

HEX #E82629

RGB 232 38 41

HSL 359.07, 0.81%, 0.53%

LAB 50.34, 70.29, 48.47

 

CMYK 66 / 0 / 84 / 9

HEX #50E826

RGB 80 232 38

HSL 107.01, 0.81%, 0.53%

LAB 81.6, -70.99, 73.42

 

CMYK 84 / 0 / 2 / 9

HEX #26E8E4

RGB 38 232 228

HSL 178.76, 0.81%, 0.53%

LAB 83.82, -44.48, -10.88

 

CMYK 17 / 84 / 0 / 9

HEX #C126E8

RGB 193 38 232

HSL 287.94, 0.81%, 0.53%

LAB 50.16, 80.75, -64.86

 

CMYK 0 / 60 / 84 / 9

HEX #E85D26

RGB 232 93 38

HSL 17.01, 0.81%, 0.53%

LAB 57.2, 51.36, 56.02

 

CMYK 66 / 0 / 84 / 9

HEX #50E826

RGB 80 232 38

HSL 107.01, 0.81%, 0.53%

LAB 81.6, -70.99, 73.42

 

CMYK 84 / 24 / 0 / 9

HEX #26B1E8

RGB 38 177 232

HSL 197.01, 0.81%, 0.53%

LAB 67.79, -16.65, -37.49

 

Description

Color code: HEX #C126E8 | qconv.com Color code: HEX #C126E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 38 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 38 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 84 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 84% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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