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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C124A1 it is the complementary color #3EDB5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C124A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C124A1 shade: #C6249C, #D736AF, #E848C2, #F95AD5 and #FF6CE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C124A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C124A1 shade: #C124A1, #B0128E, #9F007B, #8E0068 and #7D0055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C124A1 shade: #C123A1, #C12376, #C1234C and #C12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C124A1 shade: #C123A1, #B723C1, #8C23C1, #6223C1 and #3723C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C124A1 shade matches the following richer shades: #C123A1 and #D411AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C124A1 shade: #C123A1, #AF3696, #9C488B, #8A5B80 and #776D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C124A1 shade: #8D23C1, #B723C1, #C123A2, #C12378 and #C1234D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C124A1 shade: #7C1667, #9F1D84, #C123A1, #D934B8 and #E057C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C124A1 shade: #C124A1, #C16223 and #23C1A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C124A1 shade: #C124A1, #A2C123 and #23A2C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C124A1 shade: #C124A1, #C16223, #23C143 and #2382C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C124A1 shade: #C124A1, #C19223, #23C143 and #2353C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 17 / 24

HEX #C124A1

RGB 193 36 161

HSL 312.23, 0.69%, 0.45%

LAB 45.87, 70.15, -30.48

 

Complementary color

CMYK 72 / 0 / 57 / 14

HEX #3EDB5E

RGB 62 219 94

HSL 132.23, 0.69%, 0.55%

LAB 77.58, -65.43, 49.23

 

CMYK 0 / 82 / 21 / 22

HEX #C6249C

RGB 198 36 156

HSL 315.56, 0.69%, 0.46%

LAB 46.54, 70.58, -26.39

 

CMYK 0 / 75 / 19 / 16

HEX #D736AF

RGB 215 54 175

HSL 314.91, 0.67%, 0.53%

LAB 52.04, 72.07, -28.85

 

CMYK 0 / 69 / 16 / 9

HEX #E848C2

RGB 232 72 194

HSL 314.25, 0.78%, 0.6%

LAB 57.74, 72.83, -30.79

 

CMYK 0 / 64 / 14 / 2

HEX #F95AD5

RGB 249 90 213

HSL 313.58, 0.93%, 0.66%

LAB 63.55, 73.08, -32.35

 

CMYK 0 / 58 / 9 / 0

HEX #FF6CE8

RGB 255 108 232

HSL 309.39, 1%, 0.71%

LAB 67.88, 70.13, -36.16

 

CMYK 0 / 81 / 17 / 24

HEX #C124A1

RGB 193 36 161

HSL 312.23, 0.69%, 0.45%

LAB 45.87, 70.15, -30.48

 

CMYK 0 / 90 / 19 / 31

HEX #B0128E

RGB 176 18 142

HSL 312.91, 0.81%, 0.38%

LAB 40.6, 67.63, -27.48

 

CMYK 0 / 100 / 23 / 38

HEX #9F007B

RGB 159 0 123

HSL 313.58, 1%, 0.31%

LAB 35.6, 64.05, -23.76

 

CMYK 0 / 100 / 27 / 44

HEX #8E0068

RGB 142 0 104

HSL 316.06, 1%, 0.28%

LAB 31.23, 58.28, -18.74

 

CMYK 0 / 100 / 32 / 51

HEX #7D0055

RGB 125 0 85

HSL 319.2, 1%, 0.25%

LAB 26.78, 52.41, -13.46

 

CMYK 0 / 82 / 17 / 24

HEX #C123A1

RGB 193 35 161

HSL 312.15, 0.69%, 0.45%

LAB 45.79, 70.38, -30.61

 

CMYK 0 / 82 / 39 / 24

HEX #C12376

RGB 193 35 118

HSL 328.48, 0.69%, 0.45%

LAB 44.01, 65.33, -7.2

 

CMYK 0 / 82 / 61 / 24

HEX #C1234C

RGB 193 35 76

HSL 344.43, 0.69%, 0.45%

LAB 42.86, 61.89, 17.36

 

CMYK 0 / 82 / 82 / 24

HEX #C12323

RGB 193 35 35

HSL 0, 0.69%, 0.45%

LAB 42.25, 60.04, 41.2

 

CMYK 0 / 82 / 17 / 24

HEX #C123A1

RGB 193 35 161

HSL 312.15, 0.69%, 0.45%

LAB 45.79, 70.38, -30.61

 

CMYK 5 / 82 / 0 / 24

HEX #B723C1

RGB 183 35 193

HSL 296.2, 0.69%, 0.45%

LAB 45.8, 73.13, -49.58

 

CMYK 27 / 82 / 0 / 24

HEX #8C23C1

RGB 140 35 193

HSL 279.87, 0.69%, 0.45%

LAB 38.95, 65.63, -60.99

 

CMYK 49 / 82 / 0 / 24

HEX #6223C1

RGB 98 35 193

HSL 263.92, 0.69%, 0.45%

LAB 33.24, 59.53, -70.55

 

CMYK 72 / 82 / 0 / 24

HEX #3723C1

RGB 55 35 193

HSL 247.59, 0.69%, 0.45%

LAB 29.07, 55.19, -77.58

 

CMYK 0 / 82 / 17 / 24

HEX #C123A1

RGB 193 35 161

HSL 312.15, 0.69%, 0.45%

LAB 45.79, 70.38, -30.61

 

CMYK 0 / 92 / 19 / 17

HEX #D411AC

RGB 212 17 172

HSL 312.31, 0.85%, 0.45%

LAB 48.73, 78.68, -32.29

 

CMYK 0 / 82 / 17 / 24

HEX #C123A1

RGB 193 35 161

HSL 312.15, 0.69%, 0.45%

LAB 45.79, 70.38, -30.61

 

CMYK 0 / 69 / 14 / 31

HEX #AF3696

RGB 175 54 150

HSL 312.4, 0.53%, 0.45%

LAB 44.17, 58.88, -26.77

 

CMYK 0 / 54 / 11 / 39

HEX #9C488B

RGB 156 72 139

HSL 312.14, 0.37%, 0.45%

LAB 43.61, 43.85, -21.24

 

CMYK 0 / 34 / 7 / 46

HEX #8A5B80

RGB 138 91 128

HSL 312.77, 0.21%, 0.45%

LAB 44.86, 25.42, -12.87

 

CMYK 0 / 8 / 2 / 53

HEX #776D75

RGB 119 109 117

HSL 312, 0.04%, 0.45%

LAB 47.16, 5.47, -3.03

 

CMYK 27 / 82 / 0 / 24

HEX #8D23C1

RGB 141 35 193

HSL 280.25, 0.69%, 0.45%

LAB 39.1, 65.8, -60.74

 

CMYK 5 / 82 / 0 / 24

HEX #B723C1

RGB 183 35 193

HSL 296.2, 0.69%, 0.45%

LAB 45.8, 73.13, -49.58

 

CMYK 0 / 82 / 16 / 24

HEX #C123A2

RGB 193 35 162

HSL 311.77, 0.69%, 0.45%

LAB 45.84, 70.51, -31.13

 

CMYK 0 / 82 / 38 / 24

HEX #C12378

RGB 193 35 120

HSL 327.72, 0.69%, 0.45%

LAB 44.08, 65.53, -8.33

 

CMYK 0 / 82 / 60 / 24

HEX #C1234D

RGB 193 35 77

HSL 344.05, 0.69%, 0.45%

LAB 42.88, 61.96, 16.77

 

CMYK 0 / 82 / 17 / 51

HEX #7C1667

RGB 124 22 103

HSL 312.35, 0.7%, 0.29%

LAB 29, 50.04, -21.84

 

CMYK 0 / 82 / 17 / 38

HEX #9F1D84

RGB 159 29 132

HSL 312.46, 0.69%, 0.37%

LAB 37.69, 60.43, -26.1

 

CMYK 0 / 82 / 17 / 24

HEX #C123A1

RGB 193 35 161

HSL 312.15, 0.69%, 0.45%

LAB 45.79, 70.38, -30.61

 

CMYK 0 / 76 / 15 / 15

HEX #D934B8

RGB 217 52 184

HSL 312, 0.68%, 0.53%

LAB 52.58, 74.31, -33.23

 

CMYK 0 / 61 / 13 / 12

HEX #E057C4

RGB 224 87 196

HSL 312.26, 0.69%, 0.61%

LAB 58.65, 65.36, -30.62

 

CMYK 0 / 81 / 17 / 24

HEX #C124A1

RGB 193 36 161

HSL 312.23, 0.69%, 0.45%

LAB 45.87, 70.15, -30.48

 

CMYK 0 / 49 / 82 / 24

HEX #C16223

RGB 193 98 35

HSL 23.92, 0.69%, 0.45%

LAB 52.06, 33.97, 50.4

 

CMYK 82 / 0 / 16 / 24

HEX #23C1A2

RGB 35 193 162

HSL 168.23, 0.69%, 0.45%

LAB 70.25, -46.01, 4.6

 

CMYK 0 / 81 / 17 / 24

HEX #C124A1

RGB 193 36 161

HSL 312.23, 0.69%, 0.45%

LAB 45.87, 70.15, -30.48

 

CMYK 16 / 0 / 82 / 24

HEX #A2C123

RGB 162 193 35

HSL 71.77, 0.69%, 0.45%

LAB 73.51, -29.93, 68.34

 

CMYK 82 / 16 / 0 / 24

HEX #23A2C1

RGB 35 162 193

HSL 191.77, 0.69%, 0.45%

LAB 61.7, -22.24, -25.35

 

CMYK 0 / 81 / 17 / 24

HEX #C124A1

RGB 193 36 161

HSL 312.23, 0.69%, 0.45%

LAB 45.87, 70.15, -30.48

 

CMYK 0 / 49 / 82 / 24

HEX #C16223

RGB 193 98 35

HSL 23.92, 0.69%, 0.45%

LAB 52.06, 33.97, 50.4

 

CMYK 82 / 0 / 65 / 24

HEX #23C143

RGB 35 193 67

HSL 132.15, 0.69%, 0.45%

LAB 68.68, -63.81, 50.85

 

CMYK 82 / 33 / 0 / 24

HEX #2382C1

RGB 35 130 193

HSL 203.92, 0.69%, 0.45%

LAB 52.03, -4.52, -40.41

 

CMYK 0 / 81 / 17 / 24

HEX #C124A1

RGB 193 36 161

HSL 312.23, 0.69%, 0.45%

LAB 45.87, 70.15, -30.48

 

CMYK 0 / 24 / 82 / 24

HEX #C19223

RGB 193 146 35

HSL 42.15, 0.69%, 0.45%

LAB 63.36, 7.85, 60.49

 

CMYK 82 / 0 / 65 / 24

HEX #23C143

RGB 35 193 67

HSL 132.15, 0.69%, 0.45%

LAB 68.68, -63.81, 50.85

 

CMYK 82 / 57 / 0 / 24

HEX #2353C1

RGB 35 83 193

HSL 221.77, 0.69%, 0.45%

LAB 38.54, 25.22, -62.05

 

Description

Color code: HEX #C124A1 | qconv.com Color code: HEX #C124A1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 36 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 36 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 17 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 17% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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