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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C10FA4 it is the complementary color #3EF05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C10FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C10FA4 shade: #C60F9F, #D721B2, #E833C5, #F945D8 and #FF57EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C10FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C10FA4 shade: #C10FA4, #B00091, #9F007E, #8E006B and #7D0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C10FA4 shade: #C20EA5, #C20E74, #C20E44, #C20E13 and #C20E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C10FA4 shade: #C20EA5, #AF0EC2, #7E0EC2, #4E0EC2 and #1D0EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C10FA4 shade matches the following richer shades: #C20EA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C10FA4 shade: #C20EA5, #B11F99, #A0308E, #8F4182 and #7E5277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C10FA4 shade: #7D0EC2, #AD0EC2, #C20EA7, #C20E77 and #C20E47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C10FA4 shade: #750863, #9C0B84, #C20EA5, #E811C5 and #EF33D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C10FA4 shade: #C10FA4, #C24D0E and #0EC295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C10FA4 shade: #C10FA4, #A7C20E and #0EA7C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C10FA4 shade: #C10FA4, #C24D0E, #0EC229 and #0E83C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C10FA4 shade: #C10FA4, #C2830E, #0EC229 and #0E4DC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 15 / 24

HEX #C10FA4

RGB 193 15 164

HSL 309.78, 0.86%, 0.41%

LAB 44.74, 74.25, -34.04

 

Complementary color

CMYK 74 / 0 / 62 / 6

HEX #3EF05B

RGB 62 240 91

HSL 129.78, 0.86%, 0.59%

LAB 84.02, -72.61, 57.96

 

CMYK 0 / 92 / 20 / 22

HEX #C60F9F

RGB 198 15 159

HSL 312.79, 0.86%, 0.42%

LAB 45.43, 74.58, -29.91

 

CMYK 0 / 85 / 17 / 16

HEX #D721B2

RGB 215 33 178

HSL 312.2, 0.73%, 0.49%

LAB 50.39, 77.6, -33.18

 

CMYK 0 / 78 / 15 / 9

HEX #E833C5

RGB 232 51 197

HSL 311.6, 0.8%, 0.55%

LAB 55.64, 79.58, -35.79

 

CMYK 0 / 72 / 13 / 2

HEX #F945D8

RGB 249 69 216

HSL 311, 0.94%, 0.62%

LAB 61.09, 80.77, -37.87

 

CMYK 0 / 66 / 8 / 0

HEX #FF57EB

RGB 255 87 235

HSL 307.14, 1%, 0.67%

LAB 65.02, 78.84, -42.29

 

CMYK 0 / 92 / 15 / 24

HEX #C10FA4

RGB 193 15 164

HSL 309.78, 0.86%, 0.41%

LAB 44.74, 74.25, -34.04

 

CMYK 0 / 100 / 18 / 31

HEX #B00091

RGB 176 0 145

HSL 310.57, 1%, 0.35%

LAB 40.04, 70.1, -30.19

 

CMYK 0 / 100 / 21 / 38

HEX #9F007E

RGB 159 0 126

HSL 312.45, 1%, 0.31%

LAB 35.75, 64.42, -25.41

 

CMYK 0 / 100 / 25 / 44

HEX #8E006B

RGB 142 0 107

HSL 314.79, 1%, 0.28%

LAB 31.38, 58.65, -20.44

 

CMYK 0 / 100 / 30 / 51

HEX #7D0058

RGB 125 0 88

HSL 317.76, 1%, 0.25%

LAB 26.92, 52.76, -15.24

 

CMYK 0 / 93 / 15 / 24

HEX #C20EA5

RGB 194 14 165

HSL 309.67, 0.87%, 0.41%

LAB 44.94, 74.69, -34.31

 

CMYK 0 / 93 / 40 / 24

HEX #C20E74

RGB 194 14 116

HSL 326, 0.87%, 0.41%

LAB 42.83, 69.15, -7.71

 

CMYK 0 / 93 / 65 / 24

HEX #C20E44

RGB 194 14 68

HSL 342, 0.87%, 0.41%

LAB 41.53, 65.6, 20.68

 

CMYK 0 / 93 / 90 / 24

HEX #C20E13

RGB 194 14 19

HSL 358.33, 0.87%, 0.41%

LAB 40.95, 63.95, 48.07

 

CMYK 0 / 93 / 93 / 24

HEX #C20E0E

RGB 194 14 14

HSL 0, 0.87%, 0.41%

LAB 40.92, 63.88, 50.08

 

CMYK 0 / 93 / 15 / 24

HEX #C20EA5

RGB 194 14 165

HSL 309.67, 0.87%, 0.41%

LAB 44.94, 74.69, -34.31

 

CMYK 10 / 93 / 0 / 24

HEX #AF0EC2

RGB 175 14 194

HSL 293.67, 0.87%, 0.41%

LAB 43.25, 75.63, -54.34

 

CMYK 35 / 93 / 0 / 24

HEX #7E0EC2

RGB 126 14 194

HSL 277.33, 0.87%, 0.41%

LAB 35.29, 68.68, -67.63

 

CMYK 60 / 93 / 0 / 24

HEX #4E0EC2

RGB 78 14 194

HSL 261.33, 0.87%, 0.41%

LAB 28.98, 63.99, -78.26

 

CMYK 85 / 93 / 0 / 24

HEX #1D0EC2

RGB 29 14 194

HSL 245, 0.87%, 0.41%

LAB 25.17, 61.71, -84.7

 

CMYK 0 / 93 / 15 / 24

HEX #C20EA5

RGB 194 14 165

HSL 309.67, 0.87%, 0.41%

LAB 44.94, 74.69, -34.31

 

CMYK 0 / 93 / 15 / 24

HEX #C20EA5

RGB 194 14 165

HSL 309.67, 0.87%, 0.41%

LAB 44.94, 74.69, -34.31

 

CMYK 0 / 82 / 14 / 31

HEX #B11F99

RGB 177 31 153

HSL 309.86, 0.7%, 0.41%

LAB 42.2, 66.81, -31.64

 

CMYK 0 / 70 / 11 / 37

HEX #A0308E

RGB 160 48 142

HSL 309.64, 0.54%, 0.41%

LAB 40.48, 56.11, -27.88

 

CMYK 0 / 55 / 9 / 44

HEX #8F4182

RGB 143 65 130

HSL 310, 0.38%, 0.41%

LAB 39.97, 41.83, -21.53

 

CMYK 0 / 35 / 6 / 51

HEX #7E5277

RGB 126 82 119

HSL 309.55, 0.21%, 0.41%

LAB 40.9, 24.65, -13.55

 

CMYK 36 / 93 / 0 / 24

HEX #7D0EC2

RGB 125 14 194

HSL 277, 0.87%, 0.41%

LAB 35.14, 68.56, -67.88

 

CMYK 11 / 93 / 0 / 24

HEX #AD0EC2

RGB 173 14 194

HSL 293, 0.87%, 0.41%

LAB 42.9, 75.31, -54.91

 

CMYK 0 / 93 / 14 / 24

HEX #C20EA7

RGB 194 14 167

HSL 309, 0.87%, 0.41%

LAB 45.04, 74.95, -35.34

 

CMYK 0 / 93 / 39 / 24

HEX #C20E77

RGB 194 14 119

HSL 325, 0.87%, 0.41%

LAB 42.94, 69.43, -9.41

 

CMYK 0 / 93 / 63 / 24

HEX #C20E47

RGB 194 14 71

HSL 341, 0.87%, 0.41%

LAB 41.59, 65.77, 18.86

 

CMYK 0 / 93 / 15 / 54

HEX #750863

RGB 117 8 99

HSL 309.91, 0.87%, 0.25%

LAB 26.32, 51.04, -23.53

 

CMYK 0 / 93 / 15 / 39

HEX #9C0B84

RGB 156 11 132

HSL 309.93, 0.87%, 0.33%

LAB 35.93, 63.26, -28.9

 

CMYK 0 / 93 / 15 / 24

HEX #C20EA5

RGB 194 14 165

HSL 309.67, 0.87%, 0.41%

LAB 44.94, 74.69, -34.31

 

CMYK 0 / 93 / 15 / 9

HEX #E811C5

RGB 232 17 197

HSL 309.77, 0.86%, 0.49%

LAB 53.59, 85.54, -39.01

 

CMYK 0 / 79 / 13 / 6

HEX #EF33D1

RGB 239 51 209

HSL 309.57, 0.85%, 0.57%

LAB 57.39, 82.64, -39.83

 

CMYK 0 / 92 / 15 / 24

HEX #C10FA4

RGB 193 15 164

HSL 309.78, 0.86%, 0.41%

LAB 44.74, 74.25, -34.04

 

CMYK 0 / 60 / 93 / 24

HEX #C24D0E

RGB 194 77 14

HSL 21, 0.87%, 0.41%

LAB 48.02, 44.34, 54.75

 

CMYK 93 / 0 / 23 / 24

HEX #0EC295

RGB 14 194 149

HSL 165, 0.87%, 0.41%

LAB 70.07, -51.06, 11.38

 

CMYK 0 / 92 / 15 / 24

HEX #C10FA4

RGB 193 15 164

HSL 309.78, 0.86%, 0.41%

LAB 44.74, 74.25, -34.04

 

CMYK 14 / 0 / 93 / 24

HEX #A7C20E

RGB 167 194 14

HSL 69, 0.87%, 0.41%

LAB 74.08, -28.85, 72.99

 

CMYK 93 / 14 / 0 / 24

HEX #0EA7C2

RGB 14 167 194

HSL 189, 0.87%, 0.41%

LAB 63.03, -25.78, -23.87

 

CMYK 0 / 92 / 15 / 24

HEX #C10FA4

RGB 193 15 164

HSL 309.78, 0.86%, 0.41%

LAB 44.74, 74.25, -34.04

 

CMYK 0 / 60 / 93 / 24

HEX #C24D0E

RGB 194 77 14

HSL 21, 0.87%, 0.41%

LAB 48.02, 44.34, 54.75

 

CMYK 93 / 0 / 79 / 24

HEX #0EC229

RGB 14 194 41

HSL 129, 0.87%, 0.41%

LAB 68.63, -68.03, 60.29

 

CMYK 93 / 32 / 0 / 24

HEX #0E83C2

RGB 14 131 194

HSL 201, 0.87%, 0.41%

LAB 52.09, -6.16, -40.91

 

CMYK 0 / 92 / 15 / 24

HEX #C10FA4

RGB 193 15 164

HSL 309.78, 0.86%, 0.41%

LAB 44.74, 74.25, -34.04

 

CMYK 0 / 32 / 93 / 24

HEX #C2830E

RGB 194 131 14

HSL 39, 0.87%, 0.41%

LAB 59.65, 16.04, 63.04

 

CMYK 93 / 0 / 79 / 24

HEX #0EC229

RGB 14 194 41

HSL 129, 0.87%, 0.41%

LAB 68.63, -68.03, 60.29

 

CMYK 93 / 60 / 0 / 24

HEX #0E4DC2

RGB 14 77 194

HSL 219, 0.87%, 0.41%

LAB 36.55, 28.26, -65.9

 

Description

Color code: HEX #C10FA4 | qconv.com Color code: HEX #C10FA4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 15 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 15 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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