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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C100B7 it is the complementary color #3EFF48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C100B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C100B7 shade: #C600B2, #D712C5, #E824D8, #F936EB and #FF48FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C100B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C100B7 shade: #C100B7, #B000A4, #9F0091, #8E007E and #7D006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C100B7 shade: #C100B7, #C10083, #C1004F, #C1001A and #C10000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C100B7 shade: #C100B7, #9700C1, #6300C1, #2F00C1 and #0000C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C100B7 shade matches the following richer shades: #C100B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C100B7 shade: #C100B7, #B20FA9, #A21F9B, #922F8D and #833E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C100B7 shade: #6400C1, #9700C1, #C100B8, #C10084 and #C10050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C100B7 shade: #6F0069, #980090, #C100B7, #EB00DE and #FF15F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C100B7 shade: #C100B7, #C13000 and #00C17D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C100B7 shade: #C100B7, #B8C100 and #00B8C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C100B7 shade: #C100B7, #C13000, #00C109 and #0091C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C100B7 shade: #C100B7, #C16A00, #00C109 and #0057C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

Complementary color

CMYK 76 / 0 / 72 / 0

HEX #3EFF48

RGB 62 255 72

HSL 123.11, 1%, 0.62%

LAB 88.45, -78.95, 69.98

 

CMYK 0 / 100 / 10 / 22

HEX #C600B2

RGB 198 0 178

HSL 306.06, 1%, 0.39%

LAB 45.93, 78.41, -40.41

 

CMYK 0 / 92 / 8 / 16

HEX #D712C5

RGB 215 18 197

HSL 305.48, 0.85%, 0.46%

LAB 50.58, 82.37, -43.95

 

CMYK 0 / 84 / 7 / 9

HEX #E824D8

RGB 232 36 216

HSL 304.9, 0.81%, 0.53%

LAB 55.46, 85.42, -46.94

 

CMYK 0 / 78 / 6 / 2

HEX #F936EB

RGB 249 54 235

HSL 304.31, 0.94%, 0.59%

LAB 60.58, 87.52, -49.35

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FE

RGB 255 72 254

HSL 300.33, 1%, 0.64%

LAB 64.2, 86.64, -54.1

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 100 / 7 / 31

HEX #B000A4

RGB 176 0 164

HSL 304.09, 1%, 0.35%

LAB 41.07, 72.66, -40.05

 

CMYK 0 / 100 / 9 / 38

HEX #9F0091

RGB 159 0 145

HSL 305.28, 1%, 0.31%

LAB 36.77, 66.97, -35.56

 

CMYK 0 / 100 / 11 / 44

HEX #8E007E

RGB 142 0 126

HSL 306.76, 1%, 0.28%

LAB 32.39, 61.17, -30.93

 

CMYK 0 / 100 / 14 / 51

HEX #7D006B

RGB 125 0 107

HSL 308.64, 1%, 0.25%

LAB 27.9, 55.24, -26.13

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 100 / 32 / 24

HEX #C10083

RGB 193 0 131

HSL 319.27, 1%, 0.38%

LAB 42.73, 71.81, -17.17

 

CMYK 0 / 100 / 59 / 24

HEX #C1004F

RGB 193 0 79

HSL 335.44, 1%, 0.38%

LAB 41.06, 67.44, 13.03

 

CMYK 0 / 100 / 87 / 24

HEX #C1001A

RGB 193 0 26

HSL 351.92, 1%, 0.38%

LAB 40.27, 65.3, 44.14

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 22 / 100 / 0 / 24

HEX #9700C1

RGB 151 0 193

HSL 286.94, 1%, 0.38%

LAB 38.6, 73.43, -61.47

 

CMYK 49 / 100 / 0 / 24

HEX #6300C1

RGB 99 0 193

HSL 270.78, 1%, 0.38%

LAB 30.65, 67.75, -74.82

 

CMYK 76 / 100 / 0 / 24

HEX #2F00C1

RGB 47 0 193

HSL 254.61, 1%, 0.38%

LAB 25.12, 64.92, -84.16

 

CMYK 100 / 100 / 0 / 24

HEX #0000C1

RGB 0 0 193

HSL 240, 1%, 0.38%

LAB 23.17, 64.22, -87.47

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 92 / 5 / 30

HEX #B20FA9

RGB 178 15 169

HSL 303.31, 0.84%, 0.38%

LAB 42.26, 72.15, -41.13

 

CMYK 0 / 81 / 4 / 36

HEX #A21F9B

RGB 162 31 155

HSL 303.21, 0.68%, 0.38%

LAB 39.63, 63.96, -37.08

 

CMYK 0 / 68 / 3 / 43

HEX #922F8D

RGB 146 47 141

HSL 303.03, 0.51%, 0.38%

LAB 37.96, 52.81, -31.38

 

CMYK 0 / 53 / 3 / 49

HEX #833E7F

RGB 131 62 127

HSL 303.48, 0.36%, 0.38%

LAB 37.49, 39.14, -23.67

 

CMYK 48 / 100 / 0 / 24

HEX #6400C1

RGB 100 0 193

HSL 271.09, 1%, 0.38%

LAB 30.78, 67.84, -74.6

 

CMYK 22 / 100 / 0 / 24

HEX #9700C1

RGB 151 0 193

HSL 286.94, 1%, 0.38%

LAB 38.6, 73.43, -61.47

 

CMYK 0 / 100 / 5 / 24

HEX #C100B8

RGB 193 0 184

HSL 302.8, 1%, 0.38%

LAB 45.36, 78.38, -44.92

 

CMYK 0 / 100 / 32 / 24

HEX #C10084

RGB 193 0 132

HSL 318.96, 1%, 0.38%

LAB 42.77, 71.92, -17.72

 

CMYK 0 / 100 / 59 / 24

HEX #C10050

RGB 193 0 80

HSL 335.13, 1%, 0.38%

LAB 41.08, 67.5, 12.43

 

CMYK 0 / 100 / 5 / 56

HEX #6F0069

RGB 111 0 105

HSL 303.24, 1%, 0.22%

LAB 24.95, 52.27, -29.7

 

CMYK 0 / 100 / 5 / 40

HEX #980090

RGB 152 0 144

HSL 303.16, 1%, 0.3%

LAB 35.38, 65.58, -37.24

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 100 / 6 / 8

HEX #EB00DE

RGB 235 0 222

HSL 303.32, 1%, 0.46%

LAB 55.01, 90.57, -51.03

 

CMYK 0 / 92 / 5 / 0

HEX #FF15F2

RGB 255 21 242

HSL 303.33, 1%, 0.54%

LAB 60.08, 95.05, -54.01

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 75 / 100 / 24

HEX #C13000

RGB 193 48 0

HSL 14.92, 1%, 0.38%

LAB 43.44, 55.61, 55.83

 

CMYK 100 / 0 / 35 / 24

HEX #00C17D

RGB 0 193 125

HSL 158.86, 1%, 0.38%

LAB 69.2, -56.69, 23.05

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 5 / 0 / 100 / 24

HEX #B8C100

RGB 184 193 0

HSL 62.8, 1%, 0.38%

LAB 75.03, -21.36, 75.77

 

CMYK 100 / 5 / 0 / 24

HEX #00B8C1

RGB 0 184 193

HSL 182.8, 1%, 0.38%

LAB 68.12, -34.84, -15.59

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 75 / 100 / 24

HEX #C13000

RGB 193 48 0

HSL 14.92, 1%, 0.38%

LAB 43.44, 55.61, 55.83

 

CMYK 100 / 0 / 95 / 24

HEX #00C109

RGB 0 193 9

HSL 122.8, 1%, 0.38%

LAB 68.14, -69.7, 66.44

 

CMYK 100 / 25 / 0 / 24

HEX #0091C1

RGB 0 145 193

HSL 194.92, 1%, 0.38%

LAB 56.19, -15, -33.91

 

CMYK 0 / 100 / 5 / 24

HEX #C100B7

RGB 193 0 183

HSL 303.11, 1%, 0.38%

LAB 45.3, 78.24, -44.43

 

CMYK 0 / 45 / 100 / 24

HEX #C16A00

RGB 193 106 0

HSL 32.95, 1%, 0.38%

LAB 53.65, 29.07, 61.42

 

CMYK 100 / 0 / 95 / 24

HEX #00C109

RGB 0 193 9

HSL 122.8, 1%, 0.38%

LAB 68.14, -69.7, 66.44

 

CMYK 100 / 55 / 0 / 24

HEX #0057C1

RGB 0 87 193

HSL 212.95, 1%, 0.38%

LAB 39.01, 20.71, -61.3

 

Description

Color code: HEX #C100B7 | qconv.com Color code: HEX #C100B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, none green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 0 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 5 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 5% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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