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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0FF92 it is the complementary color #3F006D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0FF92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0FF92 shade: #C5FF8D, #D6FFA0, #E7FFB3, #F8FFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0FF92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0FF92 shade: #C0FF92, #AFED7F, #9EDB6C, #8DC959 and #7CB746

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0FF92 shade: #C1FF93, #DDFF93, #FAFF93, #FFE693 and #FFC993

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0FF92 shade: #C1FF93, #A4FF93, #93FFA0, #93FFBD and #93FFDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0FF92 shade matches the following richer shades: #C1FF93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0FF92 shade: #C1FF93, #C2F69C, #C3EDA5, #C5E5AD and #C6DCB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0FF92 shade: #FBFF93, #DEFF93, #C2FF93, #A5FF93 and #93FF9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0FF92 shade: #91FF41, #A9FF6A, #C1FF93, #D8FFBD and #F0FFE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0FF92 shade: #C0FF92, #93FFE6 and #FF93ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0FF92 shade: #C0FF92, #93C2FF and #FF93C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0FF92 shade: #C0FF92, #93FFE6, #D093FF and #FF93AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0FF92 shade: #C0FF92, #93F7FF, #D093FF and #FF9B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 43 / 0

HEX #C0FF92

RGB 192 255 146

HSL 94.68, 1%, 0.79%

LAB 93.8, -38.04, 45.76

 

Complementary color

CMYK 42 / 100 / 0 / 57

HEX #3F006D

RGB 63 0 109

HSL 274.68, 1%, 0.21%

LAB 16.31, 45.68, -46.73

 

CMYK 23 / 0 / 45 / 0

HEX #C5FF8D

RGB 197 255 141

HSL 90.53, 1%, 0.78%

LAB 94.02, -36.9, 48.49

 

CMYK 16 / 0 / 37 / 0

HEX #D6FFA0

RGB 214 255 160

HSL 85.89, 1%, 0.81%

LAB 95.31, -28.6, 41.16

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB3

RGB 231 255 179

HSL 78.95, 1%, 0.85%

LAB 96.72, -20.07, 33.82

 

CMYK 3 / 0 / 22 / 0

HEX #F8FFC6

RGB 248 255 198

HSL 67.37, 1%, 0.89%

LAB 98.25, -11.39, 26.53

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 25 / 0 / 43 / 0

HEX #C0FF92

RGB 192 255 146

HSL 94.68, 1%, 0.79%

LAB 93.8, -38.04, 45.76

 

CMYK 26 / 0 / 46 / 7

HEX #AFED7F

RGB 175 237 127

HSL 93.82, 0.75%, 0.71%

LAB 87.59, -38.11, 46.9

 

CMYK 28 / 0 / 51 / 14

HEX #9EDB6C

RGB 158 219 108

HSL 92.97, 0.61%, 0.64%

LAB 81.3, -38.14, 48.03

 

CMYK 30 / 0 / 56 / 21

HEX #8DC959

RGB 141 201 89

HSL 92.14, 0.51%, 0.57%

LAB 74.92, -38.11, 49.13

 

CMYK 32 / 0 / 62 / 28

HEX #7CB746

RGB 124 183 70

HSL 91.33, 0.45%, 0.5%

LAB 68.46, -38.01, 50.11

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF93

RGB 221 255 147

HSL 78.89, 1%, 0.79%

LAB 95.58, -27.6, 47.9

 

CMYK 2 / 0 / 42 / 0

HEX #FAFF93

RGB 250 255 147

HSL 62.78, 1%, 0.79%

LAB 97.61, -16.74, 50.88

 

CMYK 0 / 10 / 42 / 0

HEX #FFE693

RGB 255 230 147

HSL 46.11, 1%, 0.79%

LAB 91.67, -2.45, 43.48

 

CMYK 0 / 21 / 42 / 0

HEX #FFC993

RGB 255 201 147

HSL 30, 1%, 0.79%

LAB 84.56, 12.43, 34.28

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 36 / 0 / 42 / 0

HEX #A4FF93

RGB 164 255 147

HSL 110.56, 1%, 0.79%

LAB 92.36, -47.07, 43.15

 

CMYK 42 / 0 / 37 / 0

HEX #93FFA0

RGB 147 255 160

HSL 127.22, 1%, 0.79%

LAB 91.8, -50.2, 35.91

 

CMYK 42 / 0 / 26 / 0

HEX #93FFBD

RGB 147 255 189

HSL 143.33, 1%, 0.79%

LAB 92.31, -45.25, 22

 

CMYK 42 / 0 / 15 / 0

HEX #93FFDA

RGB 147 255 218

HSL 159.44, 1%, 0.79%

LAB 92.92, -39.5, 7.98

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 21 / 0 / 37 / 4

HEX #C2F69C

RGB 194 246 156

HSL 94.67, 0.83%, 0.79%

LAB 91.59, -31.97, 38.05

 

CMYK 18 / 0 / 30 / 7

HEX #C3EDA5

RGB 195 237 165

HSL 95, 0.67%, 0.79%

LAB 89.34, -26.13, 30.57

 

CMYK 14 / 0 / 24 / 10

HEX #C5E5AD

RGB 197 229 173

HSL 94.29, 0.52%, 0.79%

LAB 87.45, -20.37, 23.92

 

CMYK 10 / 0 / 17 / 14

HEX #C6DCB6

RGB 198 220 182

HSL 94.74, 0.35%, 0.79%

LAB 85.29, -14.13, 16.24

 

CMYK 2 / 0 / 42 / 0

HEX #FBFF93

RGB 251 255 147

HSL 62.22, 1%, 0.79%

LAB 97.69, -16.36, 50.99

 

CMYK 13 / 0 / 42 / 0

HEX #DEFF93

RGB 222 255 147

HSL 78.33, 1%, 0.79%

LAB 95.65, -27.24, 48

 

CMYK 24 / 0 / 42 / 0

HEX #C2FF93

RGB 194 255 147

HSL 93.89, 1%, 0.79%

LAB 93.92, -37.23, 45.46

 

CMYK 35 / 0 / 42 / 0

HEX #A5FF93

RGB 165 255 147

HSL 110, 1%, 0.79%

LAB 92.41, -46.76, 43.22

 

CMYK 42 / 0 / 38 / 0

HEX #93FF9E

RGB 147 255 158

HSL 126.11, 1%, 0.79%

LAB 91.77, -50.51, 36.86

 

CMYK 43 / 0 / 75 / 0

HEX #91FF41

RGB 145 255 65

HSL 94.74, 1%, 0.63%

LAB 90.74, -60.85, 75.32

 

CMYK 34 / 0 / 58 / 0

HEX #A9FF6A

RGB 169 255 106

HSL 94.63, 1%, 0.71%

LAB 92.13, -50.12, 61.74

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 15 / 0 / 26 / 0

HEX #D8FFBD

RGB 216 255 189

HSL 95.45, 1%, 0.87%

LAB 95.91, -23.93, 27.52

 

CMYK 6 / 0 / 10 / 0

HEX #F0FFE6

RGB 240 255 230

HSL 96, 1%, 0.95%

LAB 98.34, -9.27, 10.26

 

CMYK 25 / 0 / 43 / 0

HEX #C0FF92

RGB 192 255 146

HSL 94.68, 1%, 0.79%

LAB 93.8, -38.04, 45.76

 

CMYK 42 / 0 / 10 / 0

HEX #93FFE6

RGB 147 255 230

HSL 166.11, 1%, 0.79%

LAB 93.21, -36.9, 2.2

 

CMYK 0 / 42 / 7 / 0

HEX #FF93ED

RGB 255 147 237

HSL 310, 1%, 0.79%

LAB 74.98, 52.76, -27.95

 

CMYK 25 / 0 / 43 / 0

HEX #C0FF92

RGB 192 255 146

HSL 94.68, 1%, 0.79%

LAB 93.8, -38.04, 45.76

 

CMYK 42 / 24 / 0 / 0

HEX #93C2FF

RGB 147 194 255

HSL 213.89, 1%, 0.79%

LAB 77.28, -0.15, -34.89

 

CMYK 0 / 42 / 24 / 0

HEX #FF93C2

RGB 255 147 194

HSL 333.89, 1%, 0.79%

LAB 73.56, 46.22, -6.48

 

CMYK 25 / 0 / 43 / 0

HEX #C0FF92

RGB 192 255 146

HSL 94.68, 1%, 0.79%

LAB 93.8, -38.04, 45.76

 

CMYK 42 / 0 / 10 / 0

HEX #93FFE6

RGB 147 255 230

HSL 166.11, 1%, 0.79%

LAB 93.21, -36.9, 2.2

 

CMYK 18 / 42 / 0 / 0

HEX #D093FF

RGB 208 147 255

HSL 273.89, 1%, 0.79%

LAB 70.52, 42.44, -45.06

 

CMYK 0 / 42 / 33 / 0

HEX #FF93AC

RGB 255 147 172

HSL 346.11, 1%, 0.79%

LAB 72.96, 43.36, 4.83

 

CMYK 25 / 0 / 43 / 0

HEX #C0FF92

RGB 192 255 146

HSL 94.68, 1%, 0.79%

LAB 93.8, -38.04, 45.76

 

CMYK 42 / 3 / 0 / 0

HEX #93F7FF

RGB 147 247 255

HSL 184.44, 1%, 0.79%

LAB 91.66, -27.31, -13.03

 

CMYK 18 / 42 / 0 / 0

HEX #D093FF

RGB 208 147 255

HSL 273.89, 1%, 0.79%

LAB 70.52, 42.44, -45.06

 

CMYK 0 / 39 / 42 / 0

HEX #FF9B93

RGB 255 155 147

HSL 4.44, 1%, 0.79%

LAB 74.07, 36.43, 20.18

 

Description

Color code: HEX #C0FF92 | qconv.com Color code: HEX #C0FF92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 255 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 255 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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