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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0F1C7 it is the complementary color #3F0E38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0F1C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0F1C7 shade: #C5F1C2, #D6FFD5, #E7FFE8 and #F8FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0F1C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0F1C7 shade: #C0F1C7, #AFDFB4, #9ECDA1, #8DBB8E and #7CA97B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0F1C7 shade: #C0F1C7, #C6F1C0, #D3F1C0, #E0F1C0 and #EEF1C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0F1C7 shade: #C0F1C7, #C0F1D4, #C0F1E1, #C0F1EE and #C0E6F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0F1C7 shade matches the following richer shades: #C0F1C7, #BAF7C2 and #B3FDBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0F1C7 shade: #C0F1C7, #C6EBCB, #CCE4D0, #D2DED4 and #D9D8D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0F1C7 shade: #D3F1C0, #C6F1C0, #C0F1C6, #C0F1D3 and #C0F1E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0F1C7 shade: #7CE28B, #9EE9A9, #C0F1C7 and #E2F8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0F1C7 shade: #C0F1C7, #C0E0F1 and #F1C0CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0F1C7 shade: #C0F1C7, #C6C0F1 and #F1C6C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0F1C7 shade: #C0F1C7, #C0E0F1, #F1C0EA and #F1D0C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0F1C7 shade: #C0F1C7, #C0D2F1, #F1C0EA and #F1DFC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

Complementary color

CMYK 0 / 78 / 11 / 75

HEX #3F0E38

RGB 63 14 56

HSL 308.57, 0.64%, 0.15%

LAB 13.57, 29.16, -14.99

 

CMYK 18 / 0 / 20 / 5

HEX #C5F1C2

RGB 197 241 194

HSL 116.17, 0.63%, 0.85%

LAB 91.09, -22.84, 18.12

 

CMYK 16 / 0 / 16 / 0

HEX #D6FFD5

RGB 214 255 213

HSL 118.57, 1%, 0.92%

LAB 96.25, -20.79, 15.77

 

CMYK 9 / 0 / 9 / 0

HEX #E7FFE8

RGB 231 255 232

HSL 122.5, 1%, 0.95%

LAB 97.77, -11.92, 8.34

 

CMYK 3 / 0 / 2 / 0

HEX #F8FFFB

RGB 248 255 251

HSL 145.71, 1%, 0.99%

LAB 99.39, -3, 1.1

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 22 / 0 / 19 / 13

HEX #AFDFB4

RGB 175 223 180

HSL 126.25, 0.43%, 0.78%

LAB 84.58, -23.79, 16.08

 

CMYK 23 / 0 / 21 / 20

HEX #9ECDA1

RGB 158 205 161

HSL 123.83, 0.32%, 0.71%

LAB 78.17, -23.98, 16.99

 

CMYK 25 / 0 / 24 / 27

HEX #8DBB8E

RGB 141 187 142

HSL 121.3, 0.25%, 0.64%

LAB 71.66, -24.18, 17.96

 

CMYK 27 / 0 / 27 / 34

HEX #7CA97B

RGB 124 169 123

HSL 118.7, 0.21%, 0.57%

LAB 65.03, -24.4, 18.99

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 18 / 0 / 20 / 5

HEX #C6F1C0

RGB 198 241 192

HSL 112.65, 0.64%, 0.85%

LAB 91.11, -22.84, 19.19

 

CMYK 12 / 0 / 20 / 5

HEX #D3F1C0

RGB 211 241 192

HSL 96.73, 0.64%, 0.85%

LAB 91.94, -18.42, 20.47

 

CMYK 7 / 0 / 20 / 5

HEX #E0F1C0

RGB 224 241 192

HSL 80.82, 0.64%, 0.85%

LAB 92.82, -13.88, 21.83

 

CMYK 1 / 0 / 20 / 5

HEX #EEF1C0

RGB 238 241 192

HSL 63.67, 0.64%, 0.85%

LAB 93.84, -8.89, 23.39

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 20 / 0 / 12 / 5

HEX #C0F1D4

RGB 192 241 212

HSL 144.49, 0.64%, 0.85%

LAB 91.18, -21.27, 8.88

 

CMYK 20 / 0 / 7 / 5

HEX #C0F1E1

RGB 192 241 225

HSL 160.41, 0.64%, 0.85%

LAB 91.48, -18.78, 2.57

 

CMYK 20 / 0 / 1 / 5

HEX #C0F1EE

RGB 192 241 238

HSL 176.33, 0.64%, 0.85%

LAB 91.81, -16.16, -3.72

 

CMYK 20 / 5 / 0 / 5

HEX #C0E6F1

RGB 192 230 241

HSL 193.47, 0.64%, 0.85%

LAB 88.99, -9.99, -9.45

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 25 / 0 / 21 / 3

HEX #BAF7C2

RGB 186 247 194

HSL 127.87, 0.79%, 0.85%

LAB 92.07, -29.29, 19.39

 

CMYK 29 / 0 / 25 / 1

HEX #B3FDBE

RGB 179 253 190

HSL 128.92, 0.95%, 0.85%

LAB 93.26, -34.96, 23.03

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 16 / 0 / 14 / 8

HEX #C6EBCB

RGB 198 235 203

HSL 128.11, 0.48%, 0.85%

LAB 89.74, -18.02, 11.55

 

CMYK 11 / 0 / 9 / 11

HEX #CCE4D0

RGB 204 228 208

HSL 130, 0.31%, 0.85%

LAB 88.39, -11.64, 7.07

 

CMYK 5 / 0 / 5 / 13

HEX #D2DED4

RGB 210 222 212

HSL 130, 0.15%, 0.85%

LAB 87.34, -5.85, 3.5

 

CMYK 0 / 0 / 0 / 15

HEX #D9D8D8

RGB 217 216 216

HSL 0, 0.01%, 0.85%

LAB 86.42, 0.34, 0.11

 

CMYK 12 / 0 / 20 / 5

HEX #D3F1C0

RGB 211 241 192

HSL 96.73, 0.64%, 0.85%

LAB 91.94, -18.42, 20.47

 

CMYK 18 / 0 / 20 / 5

HEX #C6F1C0

RGB 198 241 192

HSL 112.65, 0.64%, 0.85%

LAB 91.11, -22.84, 19.19

 

CMYK 20 / 0 / 18 / 5

HEX #C0F1C6

RGB 192 241 198

HSL 127.35, 0.64%, 0.85%

LAB 90.87, -23.8, 15.7

 

CMYK 20 / 0 / 12 / 5

HEX #C0F1D3

RGB 192 241 211

HSL 143.27, 0.64%, 0.85%

LAB 91.15, -21.46, 9.37

 

CMYK 20 / 0 / 7 / 5

HEX #C0F1E0

RGB 192 241 224

HSL 159.18, 0.64%, 0.85%

LAB 91.46, -18.98, 3.05

 

CMYK 45 / 0 / 38 / 11

HEX #7CE28B

RGB 124 226 139

HSL 128.82, 0.64%, 0.69%

LAB 82.13, -47.76, 33.51

 

CMYK 32 / 0 / 27 / 9

HEX #9EE9A9

RGB 158 233 169

HSL 128.8, 0.63%, 0.77%

LAB 86.21, -35.86, 23.92

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 9 / 0 / 8 / 3

HEX #E2F8E5

RGB 226 248 229

HSL 128.18, 0.61%, 0.93%

LAB 95.56, -10.62, 6.67

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 20 / 7 / 0 / 5

HEX #C0E0F1

RGB 192 224 241

HSL 200.82, 0.64%, 0.85%

LAB 87.42, -6.92, -11.79

 

CMYK 0 / 20 / 15 / 5

HEX #F1C0CD

RGB 241 192 205

HSL 344.08, 0.64%, 0.85%

LAB 82.28, 19.49, 0.17

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 18 / 20 / 0 / 5

HEX #C6C0F1

RGB 198 192 241

HSL 247.35, 0.64%, 0.85%

LAB 79.65, 11.87, -23.47

 

CMYK 0 / 18 / 20 / 5

HEX #F1C6C0

RGB 241 198 192

HSL 7.35, 0.64%, 0.85%

LAB 83.39, 14.34, 8.74

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 20 / 7 / 0 / 5

HEX #C0E0F1

RGB 192 224 241

HSL 200.82, 0.64%, 0.85%

LAB 87.42, -6.92, -11.79

 

CMYK 0 / 20 / 3 / 5

HEX #F1C0EA

RGB 241 192 234

HSL 308.57, 0.64%, 0.85%

LAB 83.09, 24.35, -14.16

 

CMYK 0 / 14 / 20 / 5

HEX #F1D0C0

RGB 241 208 192

HSL 19.59, 0.64%, 0.85%

LAB 85.82, 9.09, 12.2

 

CMYK 20 / 0 / 17 / 5

HEX #C0F1C7

RGB 192 241 199

HSL 128.57, 0.64%, 0.85%

LAB 90.89, -23.62, 15.21

 

CMYK 20 / 13 / 0 / 5

HEX #C0D2F1

RGB 192 210 241

HSL 217.96, 0.64%, 0.85%

LAB 83.78, 0.39, -17.25

 

CMYK 0 / 20 / 3 / 5

HEX #F1C0EA

RGB 241 192 234

HSL 308.57, 0.64%, 0.85%

LAB 83.09, 24.35, -14.16

 

CMYK 0 / 7 / 20 / 5

HEX #F1DFC0

RGB 241 223 192

HSL 37.96, 0.64%, 0.85%

LAB 89.52, 1.32, 17.43

 

Description

Color code: HEX #C0F1C7 | qconv.com Color code: HEX #C0F1C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 241 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 241 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 17 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 17% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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