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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0EF5B it is the complementary color #3F10A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0EF5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0EF5B shade: #C5EF56, #D6FF69, #E7FF7C, #F8FF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0EF5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0EF5B shade: #C0EF5B, #AFDD48, #9ECB35, #8DB922 and #7CA70F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0EF5B shade: #C0EE5C, #E7EE5C, #EECE5C, #EEA65C and #EE7F5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0EF5B shade: #C0EE5C, #98EE5C, #71EE5C, #5CEE6F and #5CEE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0EF5B shade matches the following richer shades: #C0EE5C and #C5FD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0EF5B shade: #C0EE5C, #BBE06B, #B5D279, #B0C387 and #ABB596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0EF5B shade: #EECF5C, #E7EE5C, #C0EE5C, #99EE5C and #72EE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0EF5B shade: #A1E216, #B2EB37, #C0EE5C, #CEF282 and #DDF6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0EF5B shade: #C0EF5B, #5CEEA8 and #E25CEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0EF5B shade: #C0EF5B, #5CC0EE and #EE5CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0EF5B shade: #C0EF5B, #5CEEA8, #8A5CEE and #EE5CA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0EF5B shade: #C0EF5B, #5CEED4, #8A5CEE and #EE5C77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 62 / 6

HEX #C0EF5B

RGB 192 239 91

HSL 79.05, 0.82%, 0.65%

LAB 88.78, -36.26, 64.64

 

Complementary color

CMYK 62 / 90 / 0 / 36

HEX #3F10A4

RGB 63 16 164

HSL 259.05, 0.82%, 0.35%

LAB 24.02, 54.84, -68.57

 

CMYK 18 / 0 / 64 / 6

HEX #C5EF56

RGB 197 239 86

HSL 76.47, 0.83%, 0.64%

LAB 89.05, -34.72, 67.04

 

CMYK 16 / 0 / 59 / 0

HEX #D6FF69

RGB 214 255 105

HSL 76.4, 1%, 0.71%

LAB 94.67, -34.16, 65.71

 

CMYK 9 / 0 / 51 / 0

HEX #E7FF7C

RGB 231 255 124

HSL 70.99, 1%, 0.74%

LAB 95.98, -26.14, 59.25

 

CMYK 3 / 0 / 44 / 0

HEX #F8FF8F

RGB 248 255 143

HSL 63.75, 1%, 0.78%

LAB 97.41, -17.89, 52.49

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 20 / 0 / 62 / 6

HEX #C0EF5B

RGB 192 239 91

HSL 79.05, 0.82%, 0.65%

LAB 88.78, -36.26, 64.64

 

CMYK 21 / 0 / 67 / 13

HEX #AFDD48

RGB 175 221 72

HSL 78.52, 0.69%, 0.57%

LAB 82.54, -35.88, 65.23

 

CMYK 22 / 0 / 74 / 20

HEX #9ECB35

RGB 158 203 53

HSL 78, 0.59%, 0.5%

LAB 76.22, -35.38, 65.39

 

CMYK 24 / 0 / 82 / 27

HEX #8DB922

RGB 141 185 34

HSL 77.48, 0.69%, 0.43%

LAB 69.81, -34.72, 64.82

 

CMYK 26 / 0 / 91 / 35

HEX #7CA70F

RGB 124 167 15

HSL 76.97, 0.84%, 0.36%

LAB 63.31, -33.84, 63.03

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 3 / 0 / 61 / 7

HEX #E7EE5C

RGB 231 238 92

HSL 62.88, 0.81%, 0.65%

LAB 91.19, -20.49, 67.62

 

CMYK 0 / 13 / 61 / 7

HEX #EECE5C

RGB 238 206 92

HSL 46.85, 0.81%, 0.65%

LAB 83.49, -1.69, 59.42

 

CMYK 0 / 30 / 61 / 7

HEX #EEA65C

RGB 238 166 92

HSL 30.41, 0.81%, 0.65%

LAB 73.69, 19.25, 48.29

 

CMYK 0 / 47 / 61 / 7

HEX #EE7F5C

RGB 238 127 92

HSL 14.38, 0.81%, 0.65%

LAB 65.06, 39.65, 37.98

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 36 / 0 / 61 / 7

HEX #98EE5C

RGB 152 238 92

HSL 95.34, 0.81%, 0.65%

LAB 86.3, -49.96, 60.89

 

CMYK 53 / 0 / 61 / 7

HEX #71EE5C

RGB 113 238 92

HSL 111.37, 0.81%, 0.65%

LAB 84.71, -61.53, 58.66

 

CMYK 61 / 0 / 53 / 7

HEX #5CEE6F

RGB 92 238 111

HSL 127.81, 0.81%, 0.65%

LAB 84.26, -64.29, 49.58

 

CMYK 61 / 0 / 37 / 7

HEX #5CEE96

RGB 92 238 150

HSL 143.84, 0.81%, 0.65%

LAB 84.81, -58.28, 31.3

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 22 / 0 / 69 / 1

HEX #C5FD4E

RGB 197 253 78

HSL 79.2, 0.98%, 0.65%

LAB 92.87, -41.48, 73.97

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 17 / 0 / 52 / 12

HEX #BBE06B

RGB 187 224 107

HSL 78.97, 0.65%, 0.65%

LAB 84.45, -29.88, 52.68

 

CMYK 14 / 0 / 42 / 18

HEX #B5D279

RGB 181 210 121

HSL 79.55, 0.5%, 0.65%

LAB 80.35, -24, 40.86

 

CMYK 10 / 0 / 31 / 24

HEX #B0C387

RGB 176 195 135

HSL 79, 0.33%, 0.65%

LAB 76.08, -16.66, 28.07

 

CMYK 6 / 0 / 17 / 29

HEX #ABB596

RGB 171 181 150

HSL 79.35, 0.17%, 0.65%

LAB 72.17, -9.04, 14.64

 

CMYK 0 / 13 / 61 / 7

HEX #EECF5C

RGB 238 207 92

HSL 47.26, 0.81%, 0.65%

LAB 83.74, -2.2, 59.7

 

CMYK 3 / 0 / 61 / 7

HEX #E7EE5C

RGB 231 238 92

HSL 62.88, 0.81%, 0.65%

LAB 91.19, -20.49, 67.62

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 36 / 0 / 61 / 7

HEX #99EE5C

RGB 153 238 92

HSL 94.93, 0.81%, 0.65%

LAB 86.35, -49.63, 60.95

 

CMYK 52 / 0 / 61 / 7

HEX #72EE5C

RGB 114 238 92

HSL 110.96, 0.81%, 0.65%

LAB 84.74, -61.27, 58.71

 

CMYK 29 / 0 / 90 / 11

HEX #A1E216

RGB 161 226 22

HSL 79.12, 0.82%, 0.49%

LAB 82.93, -45.46, 78.8

 

CMYK 24 / 0 / 77 / 8

HEX #B2EB37

RGB 178 235 55

HSL 79, 0.82%, 0.57%

LAB 86.58, -41.91, 74.98

 

CMYK 19 / 0 / 61 / 7

HEX #C0EE5C

RGB 192 238 92

HSL 78.9, 0.81%, 0.65%

LAB 88.51, -35.73, 63.94

 

CMYK 15 / 0 / 46 / 5

HEX #CEF282

RGB 206 242 130

HSL 79.29, 0.81%, 0.73%

LAB 90.89, -28.88, 49.96

 

CMYK 10 / 0 / 32 / 4

HEX #DDF6A7

RGB 221 246 167

HSL 78.99, 0.81%, 0.81%

LAB 93.48, -20.91, 35.38

 

CMYK 20 / 0 / 62 / 6

HEX #C0EF5B

RGB 192 239 91

HSL 79.05, 0.82%, 0.65%

LAB 88.78, -36.26, 64.64

 

CMYK 61 / 0 / 29 / 7

HEX #5CEEA8

RGB 92 238 168

HSL 151.23, 0.81%, 0.65%

LAB 85.12, -54.87, 22.54

 

CMYK 5 / 61 / 0 / 7

HEX #E25CEE

RGB 226 92 238

HSL 295.07, 0.81%, 0.65%

LAB 61.65, 70.6, -49.56

 

CMYK 20 / 0 / 62 / 6

HEX #C0EF5B

RGB 192 239 91

HSL 79.05, 0.82%, 0.65%

LAB 88.78, -36.26, 64.64

 

CMYK 61 / 19 / 0 / 7

HEX #5CC0EE

RGB 92 192 238

HSL 198.9, 0.81%, 0.65%

LAB 73.64, -15.81, -31.57

 

CMYK 0 / 61 / 19 / 7

HEX #EE5CC0

RGB 238 92 192

HSL 318.9, 0.81%, 0.65%

LAB 61.34, 66.47, -24.01

 

CMYK 20 / 0 / 62 / 6

HEX #C0EF5B

RGB 192 239 91

HSL 79.05, 0.82%, 0.65%

LAB 88.78, -36.26, 64.64

 

CMYK 61 / 0 / 29 / 7

HEX #5CEEA8

RGB 92 238 168

HSL 151.23, 0.81%, 0.65%

LAB 85.12, -54.87, 22.54

 

CMYK 42 / 61 / 0 / 7

HEX #8A5CEE

RGB 138 92 238

HSL 258.9, 0.81%, 0.65%

LAB 50.96, 50.85, -67.28

 

CMYK 0 / 61 / 32 / 7

HEX #EE5CA3

RGB 238 92 163

HSL 330.82, 0.81%, 0.65%

LAB 60.32, 62.75, -8.91

 

CMYK 20 / 0 / 62 / 6

HEX #C0EF5B

RGB 192 239 91

HSL 79.05, 0.82%, 0.65%

LAB 88.78, -36.26, 64.64

 

CMYK 61 / 0 / 11 / 7

HEX #5CEED4

RGB 92 238 212

HSL 169.32, 0.81%, 0.65%

LAB 86.1, -45.04, 1

 

CMYK 42 / 61 / 0 / 7

HEX #8A5CEE

RGB 138 92 238

HSL 258.9, 0.81%, 0.65%

LAB 50.96, 50.85, -67.28

 

CMYK 0 / 61 / 50 / 7

HEX #EE5C77

RGB 238 92 119

HSL 348.9, 0.81%, 0.65%

LAB 59.13, 58.28, 14.97

 

Description

Color code: HEX #C0EF5B | qconv.com Color code: HEX #C0EF5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 239 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 239 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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