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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0C6CE it is the complementary color #3F3931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0C6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0C6CE shade: #C5C6C9, #D6D8DC, #E7EAEF and #F8FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0C6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0C6CE shade: #C0C6CE, #AFB4BB, #9EA2A8, #8D9095 and #7C7E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0C6CE shade: #BFC5CE, #BFC1CE, #C1BFCE, #C5BFCE and #C9BFCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0C6CE shade: #BFC5CE, #BFC1CE and #BFBFCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0C6CE shade matches the following richer shades: #BFC5CE, #B6C4D7, #ADC3E0, #A4C1E9 and #9BC0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0C6CE shade: #BFC5CE, #C8C7C5, #D1C8BC, #DAC9B2 and #E3CBA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0C6CE shade: #BFCDCE, #BFC9CE, #BFC5CE, #BFC2CE and #C1BFCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0C6CE shade: #909BAA, #A8B0BC, #BFC5CE, #D6DAE0 and #EEEFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0C6CE shade: #C0C6CE, #CABFCE and #CBCEBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0C6CE shade: #C0C6CE, #CEBFC5 and #C5CEBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0C6CE shade: #C0C6CE, #CABFCE, #CEC7BF and #C3CEBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0C6CE shade: #C0C6CE, #CEBFCD, #CEC7BF and #BFCEC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 4 / 0 / 19

HEX #C0C6CE

RGB 192 198 206

HSL 214.29, 0.13%, 0.78%

LAB 79.64, -0.52, -4.71

 

Complementary color

CMYK 0 / 10 / 22 / 75

HEX #3F3931

RGB 63 57 49

HSL 34.29, 0.13%, 0.22%

LAB 24.34, 1.02, 5.94

 

CMYK 2 / 1 / 0 / 21

HEX #C5C6C9

RGB 197 198 201

HSL 225, 0.04%, 0.78%

LAB 79.88, 0.22, -1.63

 

CMYK 3 / 2 / 0 / 14

HEX #D6D8DC

RGB 214 216 220

HSL 220, 0.08%, 0.85%

LAB 86.29, 0.06, -2.21

 

CMYK 3 / 2 / 0 / 6

HEX #E7EAEF

RGB 231 234 239

HSL 217.5, 0.2%, 0.92%

LAB 92.6, -0.09, -2.78

 

CMYK 3 / 1 / 0 / 0

HEX #F8FCFF

RGB 248 252 255

HSL 205.71, 1%, 0.99%

LAB 98.75, -0.77, -1.9

 

CMYK 7 / 4 / 0 / 19

HEX #C0C6CE

RGB 192 198 206

HSL 214.29, 0.13%, 0.78%

LAB 79.64, -0.52, -4.71

 

CMYK 6 / 4 / 0 / 27

HEX #AFB4BB

RGB 175 180 187

HSL 215, 0.08%, 0.71%

LAB 73.12, -0.38, -4.17

 

CMYK 6 / 4 / 0 / 34

HEX #9EA2A8

RGB 158 162 168

HSL 216, 0.05%, 0.64%

LAB 66.47, -0.24, -3.61

 

CMYK 5 / 3 / 0 / 42

HEX #8D9095

RGB 141 144 149

HSL 217.5, 0.04%, 0.57%

LAB 59.69, -0.09, -3.03

 

CMYK 5 / 3 / 0 / 49

HEX #7C7E82

RGB 124 126 130

HSL 220, 0.02%, 0.5%

LAB 52.75, 0.07, -2.44

 

CMYK 7 / 4 / 0 / 19

HEX #BFC5CE

RGB 191 197 206

HSL 216, 0.13%, 0.78%

LAB 79.31, -0.33, -5.22

 

CMYK 7 / 6 / 0 / 19

HEX #BFC1CE

RGB 191 193 206

HSL 232, 0.13%, 0.78%

LAB 78.27, 1.8, -6.75

 

CMYK 6 / 7 / 0 / 19

HEX #C1BFCE

RGB 193 191 206

HSL 248, 0.13%, 0.78%

LAB 77.91, 3.54, -7.27

 

CMYK 4 / 7 / 0 / 19

HEX #C5BFCE

RGB 197 191 206

HSL 264, 0.13%, 0.78%

LAB 78.22, 4.89, -6.77

 

CMYK 2 / 7 / 0 / 19

HEX #C9BFCE

RGB 201 191 206

HSL 280, 0.13%, 0.78%

LAB 78.54, 6.25, -6.26

 

CMYK 7 / 4 / 0 / 19

HEX #BFC5CE

RGB 191 197 206

HSL 216, 0.13%, 0.78%

LAB 79.31, -0.33, -5.22

 

CMYK 7 / 6 / 0 / 19

HEX #BFC1CE

RGB 191 193 206

HSL 232, 0.13%, 0.78%

LAB 78.27, 1.8, -6.75

 

CMYK 7 / 7 / 0 / 19

HEX #BFBFCE

RGB 191 191 206

HSL 240, 0.13%, 0.78%

LAB 77.75, 2.87, -7.52

 

CMYK 7 / 4 / 0 / 19

HEX #BFC5CE

RGB 191 197 206

HSL 216, 0.13%, 0.78%

LAB 79.31, -0.33, -5.22

 

CMYK 15 / 9 / 0 / 16

HEX #B6C4D7

RGB 182 196 215

HSL 214.55, 0.29%, 0.78%

LAB 78.65, -0.91, -11.1

 

CMYK 23 / 13 / 0 / 12

HEX #ADC3E0

RGB 173 195 224

HSL 214.12, 0.45%, 0.78%

LAB 78.05, -1.21, -16.92

 

CMYK 30 / 17 / 0 / 9

HEX #A4C1E9

RGB 164 193 233

HSL 214.78, 0.61%, 0.78%

LAB 77.23, -0.7, -23.07

 

CMYK 36 / 21 / 0 / 5

HEX #9BC0F2

RGB 155 192 242

HSL 214.48, 0.77%, 0.78%

LAB 76.73, -0.42, -28.73

 

CMYK 7 / 4 / 0 / 19

HEX #BFC5CE

RGB 191 197 206

HSL 216, 0.13%, 0.78%

LAB 79.31, -0.33, -5.22

 

CMYK 0 / 0 / 1 / 22

HEX #C8C7C5

RGB 200 199 197

HSL 40, 0.03%, 0.78%

LAB 80.27, -0.01, 1.11

 

CMYK 0 / 4 / 10 / 18

HEX #D1C8BC

RGB 209 200 188

HSL 34.29, 0.19%, 0.78%

LAB 81.01, 1.07, 7.1

 

CMYK 0 / 8 / 18 / 15

HEX #DAC9B2

RGB 218 201 178

HSL 34.5, 0.35%, 0.78%

LAB 81.78, 2.23, 13.64

 

CMYK 0 / 11 / 26 / 11

HEX #E3CBA9

RGB 227 203 169

HSL 35.17, 0.51%, 0.78%

LAB 82.86, 3.25, 20.05

 

CMYK 7 / 0 / 0 / 19

HEX #BFCDCE

RGB 191 205 206

HSL 184, 0.13%, 0.78%

LAB 81.4, -4.54, -2.14

 

CMYK 7 / 2 / 0 / 19

HEX #BFC9CE

RGB 191 201 206

HSL 200, 0.13%, 0.78%

LAB 80.35, -2.44, -3.68

 

CMYK 7 / 4 / 0 / 19

HEX #BFC5CE

RGB 191 197 206

HSL 216, 0.13%, 0.78%

LAB 79.31, -0.33, -5.22

 

CMYK 7 / 6 / 0 / 19

HEX #BFC2CE

RGB 191 194 206

HSL 228, 0.13%, 0.78%

LAB 78.53, 1.27, -6.37

 

CMYK 6 / 7 / 0 / 19

HEX #C1BFCE

RGB 193 191 206

HSL 248, 0.13%, 0.78%

LAB 77.91, 3.54, -7.27

 

CMYK 15 / 9 / 0 / 33

HEX #909BAA

RGB 144 155 170

HSL 214.62, 0.13%, 0.62%

LAB 63.57, -0.74, -9.15

 

CMYK 11 / 6 / 0 / 26

HEX #A8B0BC

RGB 168 176 188

HSL 216, 0.13%, 0.7%

LAB 71.56, -0.39, -7.08

 

CMYK 7 / 4 / 0 / 19

HEX #BFC5CE

RGB 191 197 206

HSL 216, 0.13%, 0.78%

LAB 79.31, -0.33, -5.22

 

CMYK 4 / 3 / 0 / 12

HEX #D6DAE0

RGB 214 218 224

HSL 216, 0.14%, 0.86%

LAB 86.91, -0.23, -3.42

 

CMYK 2 / 1 / 0 / 5

HEX #EEEFF2

RGB 238 239 242

HSL 225, 0.13%, 0.94%

LAB 94.45, 0.21, -1.57

 

CMYK 7 / 4 / 0 / 19

HEX #C0C6CE

RGB 192 198 206

HSL 214.29, 0.13%, 0.78%

LAB 79.64, -0.52, -4.71

 

CMYK 2 / 7 / 0 / 19

HEX #CABFCE

RGB 202 191 206

HSL 284, 0.13%, 0.78%

LAB 78.62, 6.59, -6.13

 

CMYK 1 / 0 / 7 / 19

HEX #CBCEBF

RGB 203 206 191

HSL 72, 0.13%, 0.78%

LAB 82.16, -3.69, 7.09

 

CMYK 7 / 4 / 0 / 19

HEX #C0C6CE

RGB 192 198 206

HSL 214.29, 0.13%, 0.78%

LAB 79.64, -0.52, -4.71

 

CMYK 0 / 7 / 4 / 19

HEX #CEBFC5

RGB 206 191 197

HSL 336, 0.13%, 0.78%

LAB 78.7, 6.33, -1.12

 

CMYK 4 / 0 / 7 / 19

HEX #C5CEBF

RGB 197 206 191

HSL 96, 0.13%, 0.78%

LAB 81.72, -5.79, 6.39

 

CMYK 7 / 4 / 0 / 19

HEX #C0C6CE

RGB 192 198 206

HSL 214.29, 0.13%, 0.78%

LAB 79.64, -0.52, -4.71

 

CMYK 2 / 7 / 0 / 19

HEX #CABFCE

RGB 202 191 206

HSL 284, 0.13%, 0.78%

LAB 78.62, 6.59, -6.13

 

CMYK 0 / 3 / 7 / 19

HEX #CEC7BF

RGB 206 199 191

HSL 32, 0.13%, 0.78%

LAB 80.59, 1.03, 4.85

 

CMYK 5 / 0 / 7 / 19

HEX #C3CEBF

RGB 195 206 191

HSL 104, 0.13%, 0.78%

LAB 81.57, -6.49, 6.16

 

CMYK 7 / 4 / 0 / 19

HEX #C0C6CE

RGB 192 198 206

HSL 214.29, 0.13%, 0.78%

LAB 79.64, -0.52, -4.71

 

CMYK 0 / 7 / 0 / 19

HEX #CEBFCD

RGB 206 191 205

HSL 304, 0.13%, 0.78%

LAB 78.92, 7.78, -5.12

 

CMYK 0 / 3 / 7 / 19

HEX #CEC7BF

RGB 206 199 191

HSL 32, 0.13%, 0.78%

LAB 80.59, 1.03, 4.85

 

CMYK 7 / 0 / 7 / 19

HEX #BFCEC0

RGB 191 206 192

HSL 124, 0.13%, 0.78%

LAB 81.31, -7.69, 5.21

 

Description

Color code: HEX #C0C6CE | qconv.com Color code: HEX #C0C6CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 198 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 198 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 4 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 4% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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