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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0A9A5 it is the complementary color #3F565A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0A9A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0A9A5 shade: #C5A9A0, #D6BBB3, #E7CDC6, #F8DFD9 and #FFF1EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0A9A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0A9A5 shade: #C0A9A5, #AF9792, #9E857F, #8D736C and #7C6159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0A9A5 shade: #C0A8A4 and #C0A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0A9A5 shade: #C0A8A4, #C0B0A4, #C0B7A4, #C0BFA4 and #BAC0A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0A9A5 shade matches the following richer shades: #C0A8A4, #CCA098, #D9978B, #E58E7F and #F18573

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0A9A5 shade: #C0A8A4, #B3B1B1, #A7BABD, #9BC2C9 and #8ECBD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0A9A5 shade: #C0A4AF, #C0A4A8, #C0A8A4, #C0AFA4 and #C0B7A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0A9A5 shade: #9E7A74, #AF918C, #C0A8A4, #D1C0BD and #E2D7D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0A9A5 shade: #C0A9A5, #B7C0A4 and #A4ACC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0A9A5 shade: #C0A9A5, #A4C0A8 and #A8A4C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0A9A5 shade: #C0A9A5, #B7C0A4, #A4BCC0 and #ADA4C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0A9A5 shade: #C0A9A5, #AEC0A4, #A4BCC0 and #B6A4C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 14 / 25

HEX #C0A9A5

RGB 192 169 165

HSL 8.89, 0.18%, 0.7%

LAB 71.08, 7.66, 5.11

 

Complementary color

CMYK 30 / 4 / 0 / 65

HEX #3F565A

RGB 63 86 90

HSL 188.89, 0.18%, 0.3%

LAB 34.9, -7.63, -5.17

 

CMYK 0 / 14 / 19 / 23

HEX #C5A9A0

RGB 197 169 160

HSL 14.59, 0.24%, 0.7%

LAB 71.41, 8.73, 8.4

 

CMYK 0 / 13 / 16 / 16

HEX #D6BBB3

RGB 214 187 179

HSL 13.71, 0.3%, 0.77%

LAB 77.93, 8.32, 7.58

 

CMYK 0 / 11 / 14 / 9

HEX #E7CDC6

RGB 231 205 198

HSL 12.73, 0.41%, 0.84%

LAB 84.34, 7.95, 6.8

 

CMYK 0 / 10 / 13 / 3

HEX #F8DFD9

RGB 248 223 217

HSL 11.61, 0.69%, 0.91%

LAB 90.66, 7.61, 6.05

 

CMYK 0 / 5 / 7 / 0

HEX #FFF1EC

RGB 255 241 236

HSL 15.79, 1%, 0.96%

LAB 96.09, 3.87, 4.08

 

CMYK 0 / 12 / 14 / 25

HEX #C0A9A5

RGB 192 169 165

HSL 8.89, 0.18%, 0.7%

LAB 71.08, 7.66, 5.11

 

CMYK 0 / 14 / 17 / 31

HEX #AF9792

RGB 175 151 146

HSL 10.34, 0.15%, 0.63%

LAB 64.42, 8.06, 5.91

 

CMYK 0 / 16 / 20 / 38

HEX #9E857F

RGB 158 133 127

HSL 11.61, 0.14%, 0.56%

LAB 57.63, 8.51, 6.77

 

CMYK 0 / 18 / 23 / 45

HEX #8D736C

RGB 141 115 108

HSL 12.73, 0.13%, 0.49%

LAB 50.7, 9.03, 7.7

 

CMYK 0 / 22 / 28 / 51

HEX #7C6159

RGB 124 97 89

HSL 13.71, 0.16%, 0.42%

LAB 43.59, 9.64, 8.73

 

CMYK 0 / 13 / 15 / 25

HEX #C0A8A4

RGB 192 168 164

HSL 8.57, 0.18%, 0.7%

LAB 70.8, 8.05, 5.26

 

CMYK 0 / 15 / 15 / 25

HEX #C0A4A4

RGB 192 164 164

HSL 0, 0.18%, 0.7%

LAB 69.78, 10.23, 3.79

 

CMYK 0 / 13 / 15 / 25

HEX #C0A8A4

RGB 192 168 164

HSL 8.57, 0.18%, 0.7%

LAB 70.8, 8.05, 5.26

 

CMYK 0 / 8 / 15 / 25

HEX #C0B0A4

RGB 192 176 164

HSL 25.71, 0.18%, 0.7%

LAB 72.85, 3.71, 8.21

 

CMYK 0 / 5 / 15 / 25

HEX #C0B7A4

RGB 192 183 164

HSL 40.71, 0.18%, 0.7%

LAB 74.67, -0.05, 10.8

 

CMYK 0 / 1 / 15 / 25

HEX #C0BFA4

RGB 192 191 164

HSL 57.86, 0.18%, 0.7%

LAB 76.77, -4.28, 13.77

 

CMYK 3 / 0 / 15 / 25

HEX #BAC0A4

RGB 186 192 164

HSL 72.86, 0.18%, 0.7%

LAB 76.57, -7.01, 13.42

 

CMYK 0 / 13 / 15 / 25

HEX #C0A8A4

RGB 192 168 164

HSL 8.57, 0.18%, 0.7%

LAB 70.8, 8.05, 5.26

 

CMYK 0 / 22 / 25 / 20

HEX #CCA098

RGB 204 160 152

HSL 9.23, 0.34%, 0.7%

LAB 69.64, 15.1, 10.4

 

CMYK 0 / 30 / 36 / 15

HEX #D9978B

RGB 217 151 139

HSL 9.23, 0.51%, 0.7%

LAB 68.57, 23.27, 16.29

 

CMYK 0 / 38 / 45 / 10

HEX #E58E7F

RGB 229 142 127

HSL 8.82, 0.66%, 0.7%

LAB 67.68, 31.36, 21.95

 

CMYK 0 / 45 / 52 / 5

HEX #F18573

RGB 241 133 115

HSL 8.57, 0.82%, 0.7%

LAB 67.06, 39.48, 28.04

 

CMYK 0 / 13 / 15 / 25

HEX #C0A8A4

RGB 192 168 164

HSL 8.57, 0.18%, 0.7%

LAB 70.8, 8.05, 5.26

 

CMYK 0 / 1 / 1 / 30

HEX #B3B1B1

RGB 179 177 177

HSL 0, 0.01%, 0.7%

LAB 72.36, 0.71, 0.24

 

CMYK 12 / 2 / 0 / 26

HEX #A7BABD

RGB 167 186 189

HSL 188.18, 0.14%, 0.7%

LAB 74.19, -5.89, -3.74

 

CMYK 23 / 3 / 0 / 21

HEX #9BC2C9

RGB 155 194 201

HSL 189.13, 0.3%, 0.7%

LAB 75.93, -11.36, -7.79

 

CMYK 34 / 5 / 0 / 16

HEX #8ECBD6

RGB 142 203 214

HSL 189.17, 0.47%, 0.7%

LAB 78.06, -16.76, -11.71

 

CMYK 0 / 15 / 9 / 25

HEX #C0A4AF

RGB 192 164 175

HSL 336.43, 0.18%, 0.7%

LAB 70.07, 12.09, -1.88

 

CMYK 0 / 15 / 13 / 25

HEX #C0A4A8

RGB 192 164 168

HSL 351.43, 0.18%, 0.7%

LAB 69.88, 10.9, 1.73

 

CMYK 0 / 13 / 15 / 25

HEX #C0A8A4

RGB 192 168 164

HSL 8.57, 0.18%, 0.7%

LAB 70.8, 8.05, 5.26

 

CMYK 0 / 9 / 15 / 25

HEX #C0AFA4

RGB 192 175 164

HSL 23.57, 0.18%, 0.7%

LAB 72.59, 4.25, 7.84

 

CMYK 0 / 5 / 15 / 25

HEX #C0B7A4

RGB 192 183 164

HSL 40.71, 0.18%, 0.7%

LAB 74.67, -0.05, 10.8

 

CMYK 0 / 23 / 27 / 38

HEX #9E7A74

RGB 158 122 116

HSL 8.57, 0.18%, 0.54%

LAB 54.5, 13.08, 8.66

 

CMYK 0 / 17 / 20 / 31

HEX #AF918C

RGB 175 145 140

HSL 8.57, 0.18%, 0.62%

LAB 62.73, 10.44, 6.86

 

CMYK 0 / 13 / 15 / 25

HEX #C0A8A4

RGB 192 168 164

HSL 8.57, 0.18%, 0.7%

LAB 70.8, 8.05, 5.26

 

CMYK 0 / 8 / 10 / 18

HEX #D1C0BD

RGB 209 192 189

HSL 9, 0.18%, 0.78%

LAB 79, 5.47, 3.66

 

CMYK 0 / 5 / 6 / 11

HEX #E2D7D5

RGB 226 215 213

HSL 9.23, 0.18%, 0.86%

LAB 86.79, 3.43, 2.32

 

CMYK 0 / 12 / 14 / 25

HEX #C0A9A5

RGB 192 169 165

HSL 8.89, 0.18%, 0.7%

LAB 71.08, 7.66, 5.11

 

CMYK 5 / 0 / 15 / 25

HEX #B7C0A4

RGB 183 192 164

HSL 79.29, 0.18%, 0.7%

LAB 76.34, -8.1, 13.07

 

CMYK 15 / 10 / 0 / 25

HEX #A4ACC0

RGB 164 172 192

HSL 222.86, 0.18%, 0.7%

LAB 70.32, 1.31, -11.16

 

CMYK 0 / 12 / 14 / 25

HEX #C0A9A5

RGB 192 169 165

HSL 8.89, 0.18%, 0.7%

LAB 71.08, 7.66, 5.11

 

CMYK 15 / 0 / 13 / 25

HEX #A4C0A8

RGB 164 192 168

HSL 128.57, 0.18%, 0.7%

LAB 75.09, -14.13, 8.94

 

CMYK 13 / 15 / 0 / 25

HEX #A8A4C0

RGB 168 164 192

HSL 248.57, 0.18%, 0.7%

LAB 68.52, 7.04, -13.83

 

CMYK 0 / 12 / 14 / 25

HEX #C0A9A5

RGB 192 169 165

HSL 8.89, 0.18%, 0.7%

LAB 71.08, 7.66, 5.11

 

CMYK 5 / 0 / 15 / 25

HEX #B7C0A4

RGB 183 192 164

HSL 79.29, 0.18%, 0.7%

LAB 76.34, -8.1, 13.07

 

CMYK 15 / 2 / 0 / 25

HEX #A4BCC0

RGB 164 188 192

HSL 188.57, 0.18%, 0.7%

LAB 74.61, -7.31, -4.78

 

CMYK 10 / 15 / 0 / 25

HEX #ADA4C0

RGB 173 164 192

HSL 259.29, 0.18%, 0.7%

LAB 68.93, 8.71, -13.18

 

CMYK 0 / 12 / 14 / 25

HEX #C0A9A5

RGB 192 169 165

HSL 8.89, 0.18%, 0.7%

LAB 71.08, 7.66, 5.11

 

CMYK 9 / 0 / 15 / 25

HEX #AEC0A4

RGB 174 192 164

HSL 98.57, 0.18%, 0.7%

LAB 75.69, -11.34, 12.05

 

CMYK 15 / 2 / 0 / 25

HEX #A4BCC0

RGB 164 188 192

HSL 188.57, 0.18%, 0.7%

LAB 74.61, -7.31, -4.78

 

CMYK 5 / 15 / 0 / 25

HEX #B6A4C0

RGB 182 164 192

HSL 278.57, 0.18%, 0.7%

LAB 69.68, 11.76, -11.96

 

Description

Color code: HEX #C0A9A5 | qconv.com Color code: HEX #C0A9A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 169 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 169 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 14 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 14% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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