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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09D43 it is the complementary color #3F62BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09D43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C09D43 shade: #C59D3E, #D6AF51, #E7C164, #F8D377 and #FFE58A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09D43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C09D43 shade: #C09D43, #AF8B30, #9E791D, #8D670A and #7C5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C09D43 shade: #C09D43, #C07B43, #C05A43 and #C04343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C09D43 shade: #C09D43, #C0BF43, #A0C043, #7EC043 and #5CC043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C09D43 shade matches the following richer shades: #C09D43, #D4A62F, #E8AF1B and #FDB806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C09D43 shade: #C09D43, #AC9457, #988B6C, #838280 and #6F7994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C09D43 shade: #C05A43, #C07B43, #C09D43, #C0BE43 and #A1C043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C09D43 shade: #856C2C, #A48536, #C09D43, #CAAD62 and #D5BD81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C09D43 shade: #C09D43, #4DC043 and #6B43C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C09D43 shade: #C09D43, #43C09D and #9D43C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C09D43 shade: #C09D43, #4DC043, #4366C0 and #B643C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C09D43 shade: #C09D43, #43C05E, #4366C0 and #C043A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

Complementary color

CMYK 66 / 48 / 0 / 26

HEX #3F62BC

RGB 63 98 188

HSL 223.2, 0.5%, 0.49%

LAB 43.39, 17.13, -51.23

 

CMYK 0 / 20 / 69 / 23

HEX #C59D3E

RGB 197 157 62

HSL 42.22, 0.54%, 0.51%

LAB 66.77, 4.82, 53.46

 

CMYK 0 / 18 / 62 / 16

HEX #D6AF51

RGB 214 175 81

HSL 42.41, 0.62%, 0.58%

LAB 73.25, 3.68, 52.39

 

CMYK 0 / 16 / 57 / 9

HEX #E7C164

RGB 231 193 100

HSL 42.6, 0.73%, 0.65%

LAB 79.64, 2.7, 51.19

 

CMYK 0 / 15 / 52 / 3

HEX #F8D377

RGB 248 211 119

HSL 42.79, 0.9%, 0.72%

LAB 85.94, 1.85, 49.94

 

CMYK 0 / 10 / 46 / 0

HEX #FFE58A

RGB 255 229 138

HSL 46.67, 1%, 0.77%

LAB 91.29, -2.82, 47.43

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 21 / 73 / 31

HEX #AF8B30

RGB 175 139 48

HSL 42.99, 0.57%, 0.44%

LAB 59.7, 4.18, 51.5

 

CMYK 0 / 23 / 82 / 38

HEX #9E791D

RGB 158 121 29

HSL 42.79, 0.69%, 0.37%

LAB 52.99, 5.69, 51.87

 

CMYK 0 / 27 / 93 / 45

HEX #8D670A

RGB 141 103 10

HSL 42.6, 0.87%, 0.3%

LAB 46.16, 7.52, 50.94

 

CMYK 0 / 31 / 100 / 51

HEX #7C5500

RGB 124 85 0

HSL 41.13, 1%, 0.24%

LAB 39.21, 9.76, 47.55

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 36 / 65 / 25

HEX #C07B43

RGB 192 123 67

HSL 26.88, 0.5%, 0.51%

LAB 57.83, 21.59, 41.1

 

CMYK 0 / 53 / 65 / 25

HEX #C05A43

RGB 192 90 67

HSL 11.04, 0.5%, 0.51%

LAB 50.6, 39.2, 32.58

 

CMYK 0 / 65 / 65 / 25

HEX #C04343

RGB 192 67 67

HSL 0, 0.5%, 0.51%

LAB 46.48, 50.01, 27.52

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 1 / 65 / 25

HEX #C0BF43

RGB 192 191 67

HSL 59.52, 0.5%, 0.51%

LAB 75.37, -14.89, 60.17

 

CMYK 17 / 0 / 65 / 25

HEX #A0C043

RGB 160 192 67

HSL 75.36, 0.5%, 0.51%

LAB 73.27, -28.6, 57.24

 

CMYK 34 / 0 / 65 / 25

HEX #7EC043

RGB 126 192 67

HSL 91.68, 0.5%, 0.51%

LAB 71.24, -41.51, 54.47

 

CMYK 52 / 0 / 65 / 25

HEX #5CC043

RGB 92 192 67

HSL 108, 0.5%, 0.51%

LAB 69.74, -52.33, 52.41

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 22 / 78 / 17

HEX #D4A62F

RGB 212 166 47

HSL 43.27, 0.66%, 0.51%

LAB 70.51, 5.84, 63.61

 

CMYK 0 / 25 / 88 / 9

HEX #E8AF1B

RGB 232 175 27

HSL 43.32, 0.82%, 0.51%

LAB 74.76, 9.19, 73.74

 

CMYK 0 / 27 / 98 / 1

HEX #FDB806

RGB 253 184 6

HSL 43.24, 0.98%, 0.51%

LAB 79.14, 13.22, 81.04

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 14 / 49 / 33

HEX #AC9457

RGB 172 148 87

HSL 43.06, 0.34%, 0.51%

LAB 62.2, 0.78, 35.38

 

CMYK 0 / 9 / 29 / 40

HEX #988B6C

RGB 152 139 108

HSL 42.27, 0.18%, 0.51%

LAB 58.25, -0.16, 18.38

 

CMYK 0 / 1 / 2 / 49

HEX #838280

RGB 131 130 128

HSL 40, 0.01%, 0.51%

LAB 54.4, -0.01, 1.21

 

CMYK 25 / 18 / 0 / 42

HEX #6F7994

RGB 111 121 148

HSL 223.78, 0.15%, 0.51%

LAB 50.91, 2.59, -15.83

 

CMYK 0 / 53 / 65 / 25

HEX #C05A43

RGB 192 90 67

HSL 11.04, 0.5%, 0.51%

LAB 50.6, 39.2, 32.58

 

CMYK 0 / 36 / 65 / 25

HEX #C07B43

RGB 192 123 67

HSL 26.88, 0.5%, 0.51%

LAB 57.83, 21.59, 41.1

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 1 / 65 / 25

HEX #C0BE43

RGB 192 190 67

HSL 59.04, 0.5%, 0.51%

LAB 75.1, -14.38, 59.89

 

CMYK 16 / 0 / 65 / 25

HEX #A1C043

RGB 161 192 67

HSL 74.88, 0.5%, 0.51%

LAB 73.34, -28.2, 57.33

 

CMYK 0 / 19 / 67 / 48

HEX #856C2C

RGB 133 108 44

HSL 43.15, 0.5%, 0.35%

LAB 46.83, 2.27, 38.51

 

CMYK 0 / 19 / 67 / 36

HEX #A48536

RGB 164 133 54

HSL 43.09, 0.5%, 0.43%

LAB 57.01, 2.91, 45.69

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 0 / 14 / 51 / 21

HEX #CAAD62

RGB 202 173 98

HSL 43.27, 0.5%, 0.59%

LAB 71.78, 0.99, 42.12

 

CMYK 0 / 11 / 39 / 16

HEX #D5BD81

RGB 213 189 129

HSL 42.86, 0.5%, 0.67%

LAB 77.36, 0.15, 33.45

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 60 / 0 / 65 / 25

HEX #4DC043

RGB 77 192 67

HSL 115.2, 0.5%, 0.51%

LAB 69.24, -56.19, 51.72

 

CMYK 44 / 65 / 0 / 25

HEX #6B43C0

RGB 107 67 192

HSL 259.2, 0.5%, 0.51%

LAB 39.49, 45.73, -59.71

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 65 / 0 / 18 / 25

HEX #43C09D

RGB 67 192 157

HSL 163.2, 0.5%, 0.51%

LAB 70.4, -42.74, 7.62

 

CMYK 18 / 65 / 0 / 25

HEX #9D43C0

RGB 157 67 192

HSL 283.2, 0.5%, 0.51%

LAB 45.62, 56.57, -49.51

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 60 / 0 / 65 / 25

HEX #4DC043

RGB 77 192 67

HSL 115.2, 0.5%, 0.51%

LAB 69.24, -56.19, 51.72

 

CMYK 65 / 47 / 0 / 25

HEX #4366C0

RGB 67 102 192

HSL 223.2, 0.5%, 0.51%

LAB 44.94, 16.69, -51.05

 

CMYK 5 / 65 / 0 / 25

HEX #B643C0

RGB 182 67 192

HSL 295.2, 0.5%, 0.51%

LAB 49.21, 62.4, -43.57

 

CMYK 0 / 18 / 65 / 25

HEX #C09D43

RGB 192 157 67

HSL 43.2, 0.5%, 0.51%

LAB 66.31, 2.94, 50.57

 

CMYK 65 / 0 / 51 / 25

HEX #43C05E

RGB 67 192 94

HSL 132.96, 0.5%, 0.51%

LAB 69.26, -55.07, 39.23

 

CMYK 65 / 47 / 0 / 25

HEX #4366C0

RGB 67 102 192

HSL 223.2, 0.5%, 0.51%

LAB 44.94, 16.69, -51.05

 

CMYK 0 / 65 / 14 / 25

HEX #C043A5

RGB 192 67 165

HSL 312.96, 0.5%, 0.51%

LAB 49.42, 60.47, -27.34

 

Description

Color code: HEX #C09D43 | qconv.com Color code: HEX #C09D43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 157 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 157 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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