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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C09B77 it is the complementary color #3F6488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C09B77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C09B77 shade: #C59B72, #D6AD85, #E7BF98, #F8D1AB and #FFE3BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C09B77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C09B77 shade: #C09B77, #AF8964, #9E7751, #8D653E and #7C532B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C09B77 shade: #C09B76, #C08776 and #C07676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C09B77 shade: #C09B76, #C0AE76, #BDC076, #AAC076 and #96C076

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C09B77 shade matches the following richer shades: #C09B76, #D09A66, #E09A56 and #F09A46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C09B77 shade: #C09B76, #B09B86, #A09B96, #909BA7 and #7F9BB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C09B77 shade: #C0767A, #C08676, #C09A76, #C0AD76 and #BFC076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C09B77 shade: #9C7148, #B3865A, #C09B76, #CDAF93 and #DAC4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C09B77 shade: #C09B77, #8EC076 and #7C76C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C09B77 shade: #C09B77, #76C09A and #9A76C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C09B77 shade: #C09B77, #8EC076, #769CC0 and #A976C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C09B77 shade: #C09B77, #77C076, #769CC0 and #BF76C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 38 / 25

HEX #C09B77

RGB 192 155 119

HSL 29.59, 0.37%, 0.61%

LAB 66.51, 8.76, 24.08

 

Complementary color

CMYK 54 / 26 / 0 / 47

HEX #3F6488

RGB 63 100 136

HSL 209.59, 0.37%, 0.39%

LAB 41.13, -2.23, -23.99

 

CMYK 0 / 21 / 42 / 23

HEX #C59B72

RGB 197 155 114

HSL 29.64, 0.42%, 0.61%

LAB 66.92, 10.23, 27.45

 

CMYK 0 / 19 / 38 / 16

HEX #D6AD85

RGB 214 173 133

HSL 29.63, 0.5%, 0.68%

LAB 73.47, 9.5, 26.21

 

CMYK 0 / 17 / 34 / 9

HEX #E7BF98

RGB 231 191 152

HSL 29.62, 0.62%, 0.75%

LAB 79.91, 8.88, 25.05

 

CMYK 0 / 16 / 31 / 3

HEX #F8D1AB

RGB 248 209 171

HSL 29.61, 0.85%, 0.82%

LAB 86.25, 8.32, 23.96

 

CMYK 0 / 11 / 25 / 0

HEX #FFE3BE

RGB 255 227 190

HSL 34.15, 1%, 0.87%

LAB 91.65, 4.13, 21.6

 

CMYK 0 / 19 / 38 / 25

HEX #C09B77

RGB 192 155 119

HSL 29.59, 0.37%, 0.61%

LAB 66.51, 8.76, 24.08

 

CMYK 0 / 22 / 43 / 31

HEX #AF8964

RGB 175 137 100

HSL 29.6, 0.32%, 0.54%

LAB 59.82, 9.5, 25.36

 

CMYK 0 / 25 / 49 / 38

HEX #9E7751

RGB 158 119 81

HSL 29.61, 0.32%, 0.47%

LAB 53.01, 10.38, 26.75

 

CMYK 0 / 28 / 56 / 45

HEX #8D653E

RGB 141 101 62

HSL 29.62, 0.39%, 0.4%

LAB 46.07, 11.44, 28.27

 

CMYK 0 / 33 / 65 / 51

HEX #7C532B

RGB 124 83 43

HSL 29.63, 0.49%, 0.33%

LAB 38.98, 12.75, 29.91

 

CMYK 0 / 19 / 39 / 25

HEX #C09B76

RGB 192 155 118

HSL 30, 0.37%, 0.61%

LAB 66.49, 8.64, 24.6

 

CMYK 0 / 30 / 39 / 25

HEX #C08776

RGB 192 135 118

HSL 13.78, 0.37%, 0.61%

LAB 61.52, 19.66, 17.87

 

CMYK 0 / 39 / 39 / 25

HEX #C07676

RGB 192 118 118

HSL 0, 0.37%, 0.61%

LAB 57.53, 29.02, 12.34

 

CMYK 0 / 19 / 39 / 25

HEX #C09B76

RGB 192 155 118

HSL 30, 0.37%, 0.61%

LAB 66.49, 8.64, 24.6

 

CMYK 0 / 9 / 39 / 25

HEX #C0AE76

RGB 192 174 118

HSL 45.41, 0.37%, 0.61%

LAB 71.41, -1.62, 31.11

 

CMYK 2 / 0 / 39 / 25

HEX #BDC076

RGB 189 192 118

HSL 62.43, 0.37%, 0.61%

LAB 75.96, -12.24, 36.93

 

CMYK 11 / 0 / 39 / 25

HEX #AAC076

RGB 170 192 118

HSL 77.84, 0.37%, 0.61%

LAB 74.54, -19.69, 34.83

 

CMYK 22 / 0 / 39 / 25

HEX #96C076

RGB 150 192 118

HSL 94.05, 0.37%, 0.61%

LAB 73.21, -27.2, 32.85

 

CMYK 0 / 19 / 39 / 25

HEX #C09B76

RGB 192 155 118

HSL 30, 0.37%, 0.61%

LAB 66.49, 8.64, 24.6

 

CMYK 0 / 26 / 51 / 18

HEX #D09A66

RGB 208 154 102

HSL 29.43, 0.53%, 0.61%

LAB 67.64, 14.09, 35.05

 

CMYK 0 / 31 / 62 / 12

HEX #E09A56

RGB 224 154 86

HSL 29.57, 0.69%, 0.61%

LAB 69.21, 19.45, 45.64

 

CMYK 0 / 36 / 71 / 6

HEX #F09A46

RGB 240 154 70

HSL 29.65, 0.85%, 0.61%

LAB 70.93, 25.14, 55.73

 

CMYK 0 / 19 / 39 / 25

HEX #C09B76

RGB 192 155 118

HSL 30, 0.37%, 0.61%

LAB 66.49, 8.64, 24.6

 

CMYK 0 / 12 / 24 / 31

HEX #B09B86

RGB 176 155 134

HSL 30, 0.21%, 0.61%

LAB 65.27, 4.37, 13.85

 

CMYK 0 / 3 / 6 / 37

HEX #A09B96

RGB 160 155 150

HSL 30, 0.05%, 0.61%

LAB 64.26, 0.9, 3.26

 

CMYK 14 / 7 / 0 / 35

HEX #909BA7

RGB 144 155 167

HSL 211.3, 0.12%, 0.61%

LAB 63.48, -1.39, -7.6

 

CMYK 31 / 15 / 0 / 28

HEX #7F9BB7

RGB 127 155 183

HSL 210, 0.28%, 0.61%

LAB 62.82, -3.06, -17.7

 

CMYK 0 / 39 / 36 / 25

HEX #C0767A

RGB 192 118 122

HSL 356.76, 0.37%, 0.61%

LAB 57.63, 29.5, 10.16

 

CMYK 0 / 30 / 39 / 25

HEX #C08676

RGB 192 134 118

HSL 12.97, 0.37%, 0.61%

LAB 61.28, 20.22, 17.54

 

CMYK 0 / 20 / 39 / 25

HEX #C09A76

RGB 192 154 118

HSL 29.19, 0.37%, 0.61%

LAB 66.23, 9.19, 24.26

 

CMYK 0 / 10 / 39 / 25

HEX #C0AD76

RGB 192 173 118

HSL 44.59, 0.37%, 0.61%

LAB 71.15, -1.09, 30.77

 

CMYK 1 / 0 / 39 / 25

HEX #BFC076

RGB 191 192 118

HSL 60.81, 0.37%, 0.61%

LAB 76.12, -11.44, 37.17

 

CMYK 0 / 28 / 54 / 39

HEX #9C7148

RGB 156 113 72

HSL 29.29, 0.37%, 0.45%

LAB 51.09, 12.06, 29.3

 

CMYK 0 / 25 / 50 / 30

HEX #B3865A

RGB 179 134 90

HSL 29.66, 0.37%, 0.53%

LAB 59.32, 11.81, 30.3

 

CMYK 0 / 19 / 39 / 25

HEX #C09B76

RGB 192 155 118

HSL 30, 0.37%, 0.61%

LAB 66.49, 8.64, 24.6

 

CMYK 0 / 15 / 28 / 20

HEX #CDAF93

RGB 205 175 147

HSL 28.97, 0.37%, 0.69%

LAB 73.38, 6.66, 18.39

 

CMYK 0 / 10 / 20 / 15

HEX #DAC4AF

RGB 218 196 175

HSL 29.3, 0.37%, 0.77%

LAB 80.45, 4.41, 13.36

 

CMYK 0 / 19 / 38 / 25

HEX #C09B77

RGB 192 155 119

HSL 29.59, 0.37%, 0.61%

LAB 66.51, 8.76, 24.08

 

CMYK 26 / 0 / 39 / 25

HEX #8EC076

RGB 142 192 118

HSL 100.54, 0.37%, 0.61%

LAB 72.73, -30.07, 32.13

 

CMYK 35 / 39 / 0 / 25

HEX #7C76C0

RGB 124 118 192

HSL 244.86, 0.37%, 0.61%

LAB 53, 19.94, -38.01

 

CMYK 0 / 19 / 38 / 25

HEX #C09B77

RGB 192 155 119

HSL 29.59, 0.37%, 0.61%

LAB 66.51, 8.76, 24.08

 

CMYK 39 / 0 / 20 / 25

HEX #76C09A

RGB 118 192 154

HSL 149.19, 0.37%, 0.61%

LAB 72.15, -31.57, 11.98

 

CMYK 20 / 39 / 0 / 25

HEX #9A76C0

RGB 154 118 192

HSL 269.19, 0.37%, 0.61%

LAB 55.72, 28.71, -33.56

 

CMYK 0 / 19 / 38 / 25

HEX #C09B77

RGB 192 155 119

HSL 29.59, 0.37%, 0.61%

LAB 66.51, 8.76, 24.08

 

CMYK 26 / 0 / 39 / 25

HEX #8EC076

RGB 142 192 118

HSL 100.54, 0.37%, 0.61%

LAB 72.73, -30.07, 32.13

 

CMYK 39 / 19 / 0 / 25

HEX #769CC0

RGB 118 156 192

HSL 209.19, 0.37%, 0.61%

LAB 62.87, -3.85, -22.73

 

CMYK 12 / 39 / 0 / 25

HEX #A976C0

RGB 169 118 192

HSL 281.35, 0.37%, 0.61%

LAB 57.27, 33.31, -31.03

 

CMYK 0 / 19 / 38 / 25

HEX #C09B77

RGB 192 155 119

HSL 29.59, 0.37%, 0.61%

LAB 66.51, 8.76, 24.08

 

CMYK 38 / 0 / 39 / 25

HEX #77C076

RGB 119 192 118

HSL 119.19, 0.37%, 0.61%

LAB 71.51, -37.79, 30.3

 

CMYK 39 / 19 / 0 / 25

HEX #769CC0

RGB 118 156 192

HSL 209.19, 0.37%, 0.61%

LAB 62.87, -3.85, -22.73

 

CMYK 1 / 39 / 0 / 25

HEX #BF76C0

RGB 191 118 192

HSL 299.19, 0.37%, 0.61%

LAB 59.74, 40.17, -27

 

Description

Color code: HEX #C09B77 | qconv.com Color code: HEX #C09B77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 155 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 155 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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