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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0888B it is the complementary color #3F7774. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0888B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0888B shade: #C58886, #D69A99, #E7ACAC, #F8BEBF and #FFD0D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0888B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0888B shade: #C0888B, #AF7678, #9E6465, #8D5252 and #7C403F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0888B shade: #BF8689 and #BF8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0888B shade: #BF8689, #BF8699, #BF86A8, #BF86B7 and #B886BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0888B shade matches the following richer shades: #BF8689, #CE777C, #DD696F, #EC5A61 and #FB4B54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0888B shade: #BF8689, #B09597, #A1A4A4, #93B3B1 and #84C2BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0888B shade: #BF86A8, #BF8699, #BF868A, #BF9286 and #BFA186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0888B shade: #9F5458, #B16B6F, #BF8689, #CDA1A4 and #DCBCBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0888B shade: #C0888B, #B8BF86 and #86A1BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0888B shade: #C0888B, #8ABF86 and #868ABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0888B shade: #C0888B, #B8BF86, #86BFBB and #8E86BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0888B shade: #C0888B, #A6BF86, #86BFBB and #9F86BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 28 / 25

HEX #C0888B

RGB 192 136 139

HSL 356.79, 0.31%, 0.64%

LAB 62.24, 21.85, 6.96

 

Complementary color

CMYK 47 / 0 / 3 / 53

HEX #3F7774

RGB 63 119 116

HSL 176.79, 0.31%, 0.36%

LAB 46.33, -19.22, -4.1

 

CMYK 0 / 31 / 32 / 23

HEX #C58886

RGB 197 136 134

HSL 1.9, 0.35%, 0.65%

LAB 62.68, 23.09, 10.51

 

CMYK 0 / 28 / 29 / 16

HEX #D69A99

RGB 214 154 153

HSL 0.98, 0.43%, 0.72%

LAB 69.26, 22.3, 9.44

 

CMYK 0 / 26 / 26 / 9

HEX #E7ACAC

RGB 231 172 172

HSL 0, 0.55%, 0.79%

LAB 75.74, 21.59, 8.47

 

CMYK 0 / 23 / 23 / 3

HEX #F8BEBF

RGB 248 190 191

HSL 358.97, 0.81%, 0.86%

LAB 82.13, 20.95, 7.56

 

CMYK 0 / 18 / 18 / 0

HEX #FFD0D2

RGB 255 208 210

HSL 357.45, 1%, 0.91%

LAB 87.5, 16.81, 5.25

 

CMYK 0 / 29 / 28 / 25

HEX #C0888B

RGB 192 136 139

HSL 356.79, 0.31%, 0.64%

LAB 62.24, 21.85, 6.96

 

CMYK 0 / 33 / 31 / 31

HEX #AF7678

RGB 175 118 120

HSL 357.89, 0.26%, 0.57%

LAB 55.51, 22.66, 8.03

 

CMYK 0 / 37 / 36 / 38

HEX #9E6465

RGB 158 100 101

HSL 358.97, 0.23%, 0.51%

LAB 48.66, 23.58, 9.24

 

CMYK 0 / 42 / 42 / 45

HEX #8D5252

RGB 141 82 82

HSL 0, 0.26%, 0.44%

LAB 41.7, 24.61, 10.65

 

CMYK 0 / 48 / 49 / 51

HEX #7C403F

RGB 124 64 63

HSL 0.98, 0.33%, 0.37%

LAB 34.62, 25.78, 12.35

 

CMYK 0 / 30 / 28 / 25

HEX #BF8689

RGB 191 134 137

HSL 356.84, 0.31%, 0.64%

LAB 61.6, 22.29, 7.17

 

CMYK 0 / 30 / 30 / 25

HEX #BF8686

RGB 191 134 134

HSL 0, 0.31%, 0.64%

LAB 61.52, 21.88, 8.78

 

CMYK 0 / 30 / 28 / 25

HEX #BF8689

RGB 191 134 137

HSL 356.84, 0.31%, 0.64%

LAB 61.6, 22.29, 7.17

 

CMYK 0 / 30 / 20 / 25

HEX #BF8699

RGB 191 134 153

HSL 340, 0.31%, 0.64%

LAB 62.02, 24.67, -1.33

 

CMYK 0 / 30 / 12 / 25

HEX #BF86A8

RGB 191 134 168

HSL 324.21, 0.31%, 0.64%

LAB 62.47, 27.12, -9.21

 

CMYK 0 / 30 / 4 / 25

HEX #BF86B7

RGB 191 134 183

HSL 308.42, 0.31%, 0.64%

LAB 62.97, 29.77, -16.97

 

CMYK 4 / 30 / 0 / 25

HEX #B886BF

RGB 184 134 191

HSL 292.63, 0.31%, 0.64%

LAB 62.51, 28.96, -22.25

 

CMYK 0 / 30 / 28 / 25

HEX #BF8689

RGB 191 134 137

HSL 356.84, 0.31%, 0.64%

LAB 61.6, 22.29, 7.17

 

CMYK 0 / 42 / 40 / 19

HEX #CE777C

RGB 206 119 124

HSL 356.55, 0.47%, 0.64%

LAB 59.68, 34.51, 12.16

 

CMYK 0 / 52 / 50 / 13

HEX #DD696F

RGB 221 105 111

HSL 356.9, 0.63%, 0.64%

LAB 58.62, 45.85, 18.51

 

CMYK 0 / 62 / 59 / 7

HEX #EC5A61

RGB 236 90 97

HSL 357.12, 0.79%, 0.64%

LAB 58.04, 56.8, 26.24

 

CMYK 0 / 70 / 67 / 2

HEX #FB4B54

RGB 251 75 84

HSL 356.93, 0.96%, 0.64%

LAB 58.21, 66.63, 34.44

 

CMYK 0 / 30 / 28 / 25

HEX #BF8689

RGB 191 134 137

HSL 356.84, 0.31%, 0.64%

LAB 61.6, 22.29, 7.17

 

CMYK 0 / 15 / 14 / 31

HEX #B09597

RGB 176 149 151

HSL 355.56, 0.15%, 0.64%

LAB 64.13, 10.38, 2.68

 

CMYK 2 / 0 / 0 / 36

HEX #A1A4A4

RGB 161 164 164

HSL 180, 0.02%, 0.64%

LAB 67.13, -1.06, -0.38

 

CMYK 18 / 0 / 1 / 30

HEX #93B3B1

RGB 147 179 177

HSL 176.25, 0.17%, 0.64%

LAB 70.61, -11.24, -2.6

 

CMYK 32 / 0 / 2 / 24

HEX #84C2BE

RGB 132 194 190

HSL 176.13, 0.34%, 0.64%

LAB 74.32, -20.65, -4.34

 

CMYK 0 / 30 / 12 / 25

HEX #BF86A8

RGB 191 134 168

HSL 324.21, 0.31%, 0.64%

LAB 62.47, 27.12, -9.21

 

CMYK 0 / 30 / 20 / 25

HEX #BF8699

RGB 191 134 153

HSL 340, 0.31%, 0.64%

LAB 62.02, 24.67, -1.33

 

CMYK 0 / 30 / 28 / 25

HEX #BF868A

RGB 191 134 138

HSL 355.79, 0.31%, 0.64%

LAB 61.62, 22.43, 6.64

 

CMYK 0 / 24 / 30 / 25

HEX #BF9286

RGB 191 146 134

HSL 12.63, 0.31%, 0.64%

LAB 64.45, 15.23, 12.91

 

CMYK 0 / 16 / 30 / 25

HEX #BFA186

RGB 191 161 134

HSL 28.42, 0.31%, 0.64%

LAB 68.23, 6.99, 18.18

 

CMYK 0 / 47 / 45 / 38

HEX #9F5458

RGB 159 84 88

HSL 356.8, 0.31%, 0.48%

LAB 44.82, 31.36, 11.72

 

CMYK 0 / 40 / 37 / 31

HEX #B16B6F

RGB 177 107 111

HSL 356.57, 0.31%, 0.56%

LAB 52.96, 28.4, 9.72

 

CMYK 0 / 30 / 28 / 25

HEX #BF8689

RGB 191 134 137

HSL 356.84, 0.31%, 0.64%

LAB 61.6, 22.29, 7.17

 

CMYK 0 / 21 / 20 / 20

HEX #CDA1A4

RGB 205 161 164

HSL 355.91, 0.31%, 0.72%

LAB 70.28, 16.71, 4.67

 

CMYK 0 / 15 / 14 / 14

HEX #DCBCBE

RGB 220 188 190

HSL 356.25, 0.31%, 0.8%

LAB 78.98, 11.72, 3.22

 

CMYK 0 / 29 / 28 / 25

HEX #C0888B

RGB 192 136 139

HSL 356.79, 0.31%, 0.64%

LAB 62.24, 21.85, 6.96

 

CMYK 4 / 0 / 30 / 25

HEX #B8BF86

RGB 184 191 134

HSL 67.37, 0.31%, 0.64%

LAB 75.56, -11.71, 28.02

 

CMYK 30 / 16 / 0 / 25

HEX #86A1BF

RGB 134 161 191

HSL 211.58, 0.31%, 0.64%

LAB 65.22, -2.3, -18.51

 

CMYK 0 / 29 / 28 / 25

HEX #C0888B

RGB 192 136 139

HSL 356.79, 0.31%, 0.64%

LAB 62.24, 21.85, 6.96

 

CMYK 28 / 0 / 30 / 25

HEX #8ABF86

RGB 138 191 134

HSL 115.79, 0.31%, 0.64%

LAB 72.49, -28.52, 23.35

 

CMYK 30 / 28 / 0 / 25

HEX #868ABF

RGB 134 138 191

HSL 235.79, 0.31%, 0.64%

LAB 58.98, 10.78, -28.06

 

CMYK 0 / 29 / 28 / 25

HEX #C0888B

RGB 192 136 139

HSL 356.79, 0.31%, 0.64%

LAB 62.24, 21.85, 6.96

 

CMYK 4 / 0 / 30 / 25

HEX #B8BF86

RGB 184 191 134

HSL 67.37, 0.31%, 0.64%

LAB 75.56, -11.71, 28.02

 

CMYK 30 / 0 / 2 / 25

HEX #86BFBB

RGB 134 191 187

HSL 175.79, 0.31%, 0.64%

LAB 73.49, -19.24, -3.92

 

CMYK 26 / 30 / 0 / 25

HEX #8E86BF

RGB 142 134 191

HSL 248.42, 0.31%, 0.64%

LAB 58.57, 15.52, -28.65

 

CMYK 0 / 29 / 28 / 25

HEX #C0888B

RGB 192 136 139

HSL 356.79, 0.31%, 0.64%

LAB 62.24, 21.85, 6.96

 

CMYK 13 / 0 / 30 / 25

HEX #A6BF86

RGB 166 191 134

HSL 86.32, 0.31%, 0.64%

LAB 74.25, -18.53, 26.03

 

CMYK 30 / 0 / 2 / 25

HEX #86BFBB

RGB 134 191 187

HSL 175.79, 0.31%, 0.64%

LAB 73.49, -19.24, -3.92

 

CMYK 17 / 30 / 0 / 25

HEX #9F86BF

RGB 159 134 191

HSL 266.32, 0.31%, 0.64%

LAB 60.05, 20.84, -26.23

 

Description

Color code: HEX #C0888B | qconv.com Color code: HEX #C0888B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 136 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 136 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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