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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07F76 it is the complementary color #3F8089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07F76 shade: #C57F71, #D69184, #E7A397, #F8B5AA and #FFC7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07F76 shade: #C07F76, #AF6D63, #9E5B50, #8D493D and #7C372A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07F76 shade: #C07F76 and #C07676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07F76 shade: #C07F76, #C09376, #C0A776, #C0BB76 and #B1C076

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07F76 shade matches the following richer shades: #C07F76, #D07366, #E06756 and #F05B46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07F76 shade: #C07F76, #B08B86, #A09896, #90A4A7 and #7FB0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07F76 shade: #C07695, #C07681, #C07F76, #C09276 and #C0A676

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07F76 shade: #9C5248, #B3655A, #C07F76, #CD9A93 and #DAB4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07F76 shade: #C07F76, #A9C076 and #768BC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07F76 shade: #C07F76, #76C07F and #7F76C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07F76 shade: #C07F76, #A9C076, #76B7C0 and #8E76C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07F76 shade: #C07F76, #92C076, #76B7C0 and #A476C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

Complementary color

CMYK 54 / 7 / 0 / 46

HEX #3F8089

RGB 63 128 137

HSL 187.3, 0.37%, 0.39%

LAB 49.86, -18.04, -11.24

 

CMYK 0 / 36 / 43 / 23

HEX #C57F71

RGB 197 127 113

HSL 10, 0.42%, 0.61%

LAB 60.11, 25.48, 18.86

 

CMYK 0 / 32 / 38 / 16

HEX #D69184

RGB 214 145 132

HSL 9.51, 0.5%, 0.68%

LAB 66.68, 24.51, 17.52

 

CMYK 0 / 29 / 35 / 9

HEX #E7A397

RGB 231 163 151

HSL 9, 0.63%, 0.75%

LAB 73.17, 23.65, 16.31

 

CMYK 0 / 27 / 31 / 3

HEX #F8B5AA

RGB 248 181 170

HSL 8.46, 0.85%, 0.82%

LAB 79.56, 22.87, 15.2

 

CMYK 0 / 22 / 26 / 0

HEX #FFC7BD

RGB 255 199 189

HSL 9.09, 1%, 0.87%

LAB 84.88, 18.5, 12.65

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 38 / 43 / 31

HEX #AF6D63

RGB 175 109 99

HSL 7.89, 0.32%, 0.54%

LAB 52.9, 25.09, 16.63

 

CMYK 0 / 42 / 49 / 38

HEX #9E5B50

RGB 158 91 80

HSL 8.46, 0.33%, 0.47%

LAB 46.08, 26.23, 18.24

 

CMYK 0 / 48 / 57 / 45

HEX #8D493D

RGB 141 73 61

HSL 9, 0.4%, 0.4%

LAB 39.18, 27.52, 20.13

 

CMYK 0 / 56 / 66 / 51

HEX #7C372A

RGB 124 55 42

HSL 9.51, 0.49%, 0.33%

LAB 32.22, 28.94, 22.44

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 39 / 39 / 25

HEX #C07676

RGB 192 118 118

HSL 0, 0.37%, 0.61%

LAB 57.53, 29.02, 12.34

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 23 / 39 / 25

HEX #C09376

RGB 192 147 118

HSL 23.51, 0.37%, 0.61%

LAB 64.47, 13.04, 21.89

 

CMYK 0 / 13 / 39 / 25

HEX #C0A776

RGB 192 167 118

HSL 39.73, 0.37%, 0.61%

LAB 69.58, 2.13, 28.71

 

CMYK 0 / 3 / 39 / 25

HEX #C0BB76

RGB 192 187 118

HSL 55.95, 0.37%, 0.61%

LAB 74.86, -8.46, 35.57

 

CMYK 8 / 0 / 39 / 25

HEX #B1C076

RGB 177 192 118

HSL 72.16, 0.37%, 0.61%

LAB 75.05, -16.97, 35.58

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 45 / 51 / 18

HEX #D07366

RGB 208 115 102

HSL 7.36, 0.53%, 0.61%

LAB 58.63, 35.13, 23.38

 

CMYK 0 / 54 / 62 / 12

HEX #E06756

RGB 224 103 86

HSL 7.39, 0.69%, 0.61%

LAB 58.24, 45.95, 32.38

 

CMYK 0 / 62 / 71 / 6

HEX #F05B46

RGB 240 91 70

HSL 7.41, 0.85%, 0.61%

LAB 58.46, 56.17, 42.07

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 21 / 24 / 31

HEX #B08B86

RGB 176 139 134

HSL 7.14, 0.21%, 0.61%

LAB 61.15, 13.26, 8.02

 

CMYK 0 / 5 / 6 / 37

HEX #A09896

RGB 160 152 150

HSL 12, 0.05%, 0.61%

LAB 63.45, 2.56, 2.09

 

CMYK 14 / 2 / 0 / 35

HEX #90A4A7

RGB 144 164 167

HSL 187.83, 0.12%, 0.61%

LAB 65.96, -6.33, -3.93

 

CMYK 31 / 4 / 0 / 28

HEX #7FB0B7

RGB 127 176 183

HSL 187.5, 0.28%, 0.61%

LAB 68.74, -14.45, -8.81

 

CMYK 0 / 39 / 22 / 25

HEX #C07695

RGB 192 118 149

HSL 334.86, 0.37%, 0.61%

LAB 58.35, 33.2, -4.42

 

CMYK 0 / 39 / 33 / 25

HEX #C07681

RGB 192 118 129

HSL 351.08, 0.37%, 0.61%

LAB 57.8, 30.39, 6.35

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 24 / 39 / 25

HEX #C09276

RGB 192 146 118

HSL 22.7, 0.37%, 0.61%

LAB 64.22, 13.59, 21.55

 

CMYK 0 / 14 / 39 / 25

HEX #C0A676

RGB 192 166 118

HSL 38.92, 0.37%, 0.61%

LAB 69.32, 2.67, 28.36

 

CMYK 0 / 47 / 54 / 39

HEX #9C5248

RGB 156 82 72

HSL 7.14, 0.37%, 0.45%

LAB 43.61, 29.64, 19.69

 

CMYK 0 / 44 / 50 / 30

HEX #B3655A

RGB 179 101 90

HSL 7.42, 0.37%, 0.53%

LAB 51.42, 30.16, 19.97

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 0 / 25 / 28 / 20

HEX #CD9A93

RGB 205 154 147

HSL 7.24, 0.37%, 0.69%

LAB 68.17, 18.05, 11.09

 

CMYK 0 / 17 / 20 / 15

HEX #DAB4AF

RGB 218 180 175

HSL 6.98, 0.37%, 0.77%

LAB 76.46, 12.93, 7.69

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 12 / 0 / 39 / 25

HEX #A9C076

RGB 169 192 118

HSL 78.65, 0.37%, 0.61%

LAB 74.47, -20.07, 34.72

 

CMYK 39 / 28 / 0 / 25

HEX #768BC0

RGB 118 139 192

HSL 222.97, 0.37%, 0.61%

LAB 58.15, 5.85, -30

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 39 / 0 / 34 / 25

HEX #76C07F

RGB 118 192 127

HSL 127.3, 0.37%, 0.61%

LAB 71.61, -36.63, 25.71

 

CMYK 34 / 39 / 0 / 25

HEX #7F76C0

RGB 127 118 192

HSL 247.3, 0.37%, 0.61%

LAB 53.25, 20.78, -37.61

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 12 / 0 / 39 / 25

HEX #A9C076

RGB 169 192 118

HSL 78.65, 0.37%, 0.61%

LAB 74.47, -20.07, 34.72

 

CMYK 39 / 5 / 0 / 25

HEX #76B7C0

RGB 118 183 192

HSL 187.3, 0.37%, 0.61%

LAB 70.54, -18.37, -11.12

 

CMYK 26 / 39 / 0 / 25

HEX #8E76C0

RGB 142 118 192

HSL 259.46, 0.37%, 0.61%

LAB 54.57, 25.11, -35.44

 

CMYK 0 / 34 / 39 / 25

HEX #C07F76

RGB 192 127 118

HSL 7.3, 0.37%, 0.61%

LAB 59.61, 24.08, 15.24

 

CMYK 24 / 0 / 39 / 25

HEX #92C076

RGB 146 192 118

HSL 97.3, 0.37%, 0.61%

LAB 72.97, -28.65, 32.49

 

CMYK 39 / 5 / 0 / 25

HEX #76B7C0

RGB 118 183 192

HSL 187.3, 0.37%, 0.61%

LAB 70.54, -18.37, -11.12

 

CMYK 15 / 39 / 0 / 25

HEX #A476C0

RGB 164 118 192

HSL 277.3, 0.37%, 0.61%

LAB 56.74, 31.77, -31.89

 

Description

Color code: HEX #C07F76 | qconv.com Color code: HEX #C07F76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 127 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 127 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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