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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C07392 it is the complementary color #3F8C6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C07392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C07392 shade: #C5738D, #D685A0, #E797B3, #F8A9C6 and #FFBBD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C07392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C07392 shade: #C07392, #AF617F, #9E4F6C, #8D3D59 and #7C2B46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C07392 shade: #BF7291, #BF727C and #BF7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C07392 shade: #BF7291, #BF72A6, #BF72BB, #AF72BF and #9A72BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C07392 shade matches the following richer shades: #BF7291, #D0618E, #E0518B and #F14087

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C07392 shade: #BF7291, #AF8294, #9E9397, #8EA39B and #7DB49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C07392 shade: #BF72BB, #BF72A7, #BF7292, #BF727D and #BF7B72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C07392 shade: #9A4567, #B2557B, #BF7291, #CC8EA7 and #D9ABBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C07392 shade: #C07392, #BFAE72 and #72B1BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C07392 shade: #C07392, #92BF72 and #7292BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C07392 shade: #C07392, #BFAE72, #72BF9F and #7283BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C07392 shade: #C07392, #B9BF72, #72BF9F and #7872BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 24 / 25

HEX #C07392

RGB 192 115 146

HSL 335.84, 0.38%, 0.6%

LAB 57.6, 34.38, -3.79

 

Complementary color

CMYK 55 / 0 / 22 / 45

HEX #3F8C6D

RGB 63 140 109

HSL 155.84, 0.38%, 0.4%

LAB 52.86, -31.57, 9.45

 

CMYK 0 / 42 / 28 / 23

HEX #C5738D

RGB 197 115 141

HSL 340.98, 0.41%, 0.61%

LAB 58.09, 35.46, -0.1

 

CMYK 0 / 38 / 25 / 16

HEX #D685A0

RGB 214 133 160

HSL 340, 0.5%, 0.68%

LAB 64.65, 34.6, -1.15

 

CMYK 0 / 35 / 23 / 9

HEX #E797B3

RGB 231 151 179

HSL 339, 0.63%, 0.75%

LAB 71.13, 33.79, -2.07

 

CMYK 0 / 32 / 20 / 3

HEX #F8A9C6

RGB 248 169 198

HSL 337.97, 0.85%, 0.82%

LAB 77.53, 33.04, -2.92

 

CMYK 0 / 27 / 15 / 0

HEX #FFBBD9

RGB 255 187 217

HSL 333.53, 1%, 0.87%

LAB 82.81, 28.89, -5.32

 

CMYK 0 / 40 / 24 / 25

HEX #C07392

RGB 192 115 146

HSL 335.84, 0.38%, 0.6%

LAB 57.6, 34.38, -3.79

 

CMYK 0 / 45 / 27 / 31

HEX #AF617F

RGB 175 97 127

HSL 336.92, 0.33%, 0.53%

LAB 50.92, 35.25, -2.74

 

CMYK 0 / 50 / 32 / 38

HEX #9E4F6C

RGB 158 79 108

HSL 337.97, 0.33%, 0.46%

LAB 44.15, 36.14, -1.49

 

CMYK 0 / 57 / 37 / 45

HEX #8D3D59

RGB 141 61 89

HSL 339, 0.4%, 0.4%

LAB 37.34, 36.99, 0.06

 

CMYK 0 / 65 / 44 / 51

HEX #7C2B46

RGB 124 43 70

HSL 340, 0.49%, 0.33%

LAB 30.53, 37.67, 2.07

 

CMYK 0 / 40 / 24 / 25

HEX #BF7291

RGB 191 114 145

HSL 335.84, 0.38%, 0.6%

LAB 57.23, 34.41, -3.78

 

CMYK 0 / 40 / 35 / 25

HEX #BF727C

RGB 191 114 124

HSL 352.21, 0.38%, 0.6%

LAB 56.65, 31.55, 7.6

 

CMYK 0 / 40 / 40 / 25

HEX #BF7272

RGB 191 114 114

HSL 0, 0.38%, 0.6%

LAB 56.41, 30.34, 13.08

 

CMYK 0 / 40 / 24 / 25

HEX #BF7291

RGB 191 114 145

HSL 335.84, 0.38%, 0.6%

LAB 57.23, 34.41, -3.78

 

CMYK 0 / 40 / 13 / 25

HEX #BF72A6

RGB 191 114 166

HSL 319.48, 0.38%, 0.6%

LAB 57.91, 37.71, -14.92

 

CMYK 0 / 40 / 2 / 25

HEX #BF72BB

RGB 191 114 187

HSL 303.12, 0.38%, 0.6%

LAB 58.69, 41.38, -25.77

 

CMYK 8 / 40 / 0 / 25

HEX #AF72BF

RGB 175 114 191

HSL 287.53, 0.38%, 0.6%

LAB 56.99, 37.18, -30.84

 

CMYK 19 / 40 / 0 / 25

HEX #9A72BF

RGB 154 114 191

HSL 271.17, 0.38%, 0.6%

LAB 54.73, 30.77, -34.54

 

CMYK 0 / 40 / 24 / 25

HEX #BF7291

RGB 191 114 145

HSL 335.84, 0.38%, 0.6%

LAB 57.23, 34.41, -3.78

 

CMYK 0 / 53 / 32 / 18

HEX #D0618E

RGB 208 97 142

HSL 335.68, 0.54%, 0.6%

LAB 56, 48.62, -3.58

 

CMYK 0 / 64 / 38 / 12

HEX #E0518B

RGB 224 81 139

HSL 335.66, 0.7%, 0.6%

LAB 55.68, 60.48, -2

 

CMYK 0 / 73 / 44 / 5

HEX #F14087

RGB 241 64 135

HSL 335.93, 0.86%, 0.6%

LAB 56.2, 71.06, 1.47

 

CMYK 0 / 40 / 24 / 25

HEX #BF7291

RGB 191 114 145

HSL 335.84, 0.38%, 0.6%

LAB 57.23, 34.41, -3.78

 

CMYK 0 / 26 / 15 / 31

HEX #AF8294

RGB 175 130 148

HSL 336, 0.22%, 0.6%

LAB 59.17, 20.17, -2.85

 

CMYK 0 / 7 / 4 / 38

HEX #9E9397

RGB 158 147 151

HSL 338.18, 0.05%, 0.6%

LAB 61.97, 4.8, -0.65

 

CMYK 13 / 0 / 5 / 36

HEX #8EA39B

RGB 142 163 155

HSL 157.14, 0.1%, 0.6%

LAB 65.21, -8.97, 1.66

 

CMYK 31 / 0 / 12 / 29

HEX #7DB49E

RGB 125 180 158

HSL 156, 0.27%, 0.6%

LAB 69.09, -22.78, 5.48

 

CMYK 0 / 40 / 2 / 25

HEX #BF72BB

RGB 191 114 187

HSL 303.12, 0.38%, 0.6%

LAB 58.69, 41.38, -25.77

 

CMYK 0 / 40 / 13 / 25

HEX #BF72A7

RGB 191 114 167

HSL 318.7, 0.38%, 0.6%

LAB 57.94, 37.87, -15.44

 

CMYK 0 / 40 / 24 / 25

HEX #BF7292

RGB 191 114 146

HSL 335.06, 0.38%, 0.6%

LAB 57.26, 34.56, -4.32

 

CMYK 0 / 40 / 35 / 25

HEX #BF727D

RGB 191 114 125

HSL 351.43, 0.38%, 0.6%

LAB 56.68, 31.67, 7.05

 

CMYK 0 / 36 / 40 / 25

HEX #BF7B72

RGB 191 123 114

HSL 7.01, 0.38%, 0.6%

LAB 58.47, 25.42, 15.93

 

CMYK 0 / 55 / 33 / 40

HEX #9A4567

RGB 154 69 103

HSL 336, 0.38%, 0.44%

LAB 41.38, 39.27, -2.55

 

CMYK 0 / 52 / 31 / 30

HEX #B2557B

RGB 178 85 123

HSL 335.48, 0.38%, 0.52%

LAB 48.75, 42.05, -3.49

 

CMYK 0 / 40 / 24 / 25

HEX #BF7291

RGB 191 114 145

HSL 335.84, 0.38%, 0.6%

LAB 57.23, 34.41, -3.78

 

CMYK 0 / 30 / 18 / 20

HEX #CC8EA7

RGB 204 142 167

HSL 335.81, 0.38%, 0.68%

LAB 65.73, 27.2, -3.65

 

CMYK 0 / 21 / 13 / 15

HEX #D9ABBD

RGB 217 171 189

HSL 336.52, 0.38%, 0.76%

LAB 74.54, 19.63, -2.75

 

CMYK 0 / 40 / 24 / 25

HEX #C07392

RGB 192 115 146

HSL 335.84, 0.38%, 0.6%

LAB 57.6, 34.38, -3.79

 

CMYK 0 / 9 / 40 / 25

HEX #BFAE72

RGB 191 174 114

HSL 46.75, 0.38%, 0.6%

LAB 71.26, -2.48, 33.01

 

CMYK 40 / 7 / 0 / 25

HEX #72B1BF

RGB 114 177 191

HSL 190.91, 0.38%, 0.6%

LAB 68.59, -16.56, -13.51

 

CMYK 0 / 40 / 24 / 25

HEX #C07392

RGB 192 115 146

HSL 335.84, 0.38%, 0.6%

LAB 57.6, 34.38, -3.79

 

CMYK 24 / 0 / 40 / 25

HEX #92BF72

RGB 146 191 114

HSL 95.06, 0.38%, 0.6%

LAB 72.62, -28.72, 34.1

 

CMYK 40 / 24 / 0 / 25

HEX #7292BF

RGB 114 146 191

HSL 215.06, 0.38%, 0.6%

LAB 59.8, 0.44, -26.91

 

CMYK 0 / 40 / 24 / 25

HEX #C07392

RGB 192 115 146

HSL 335.84, 0.38%, 0.6%

LAB 57.6, 34.38, -3.79

 

CMYK 0 / 9 / 40 / 25

HEX #BFAE72

RGB 191 174 114

HSL 46.75, 0.38%, 0.6%

LAB 71.26, -2.48, 33.01

 

CMYK 40 / 0 / 17 / 25

HEX #72BF9F

RGB 114 191 159

HSL 155.06, 0.38%, 0.6%

LAB 71.79, -31.18, 8.73

 

CMYK 40 / 31 / 0 / 25

HEX #7283BF

RGB 114 131 191

HSL 226.75, 0.38%, 0.6%

LAB 55.66, 9.17, -33.34

 

CMYK 0 / 40 / 24 / 25

HEX #C07392

RGB 192 115 146

HSL 335.84, 0.38%, 0.6%

LAB 57.6, 34.38, -3.79

 

CMYK 3 / 0 / 40 / 25

HEX #B9BF72

RGB 185 191 114

HSL 64.68, 0.38%, 0.6%

LAB 75.32, -13.77, 38.1

 

CMYK 40 / 0 / 17 / 25

HEX #72BF9F

RGB 114 191 159

HSL 155.06, 0.38%, 0.6%

LAB 71.79, -31.18, 8.73

 

CMYK 37 / 40 / 0 / 25

HEX #7872BF

RGB 120 114 191

HSL 244.68, 0.38%, 0.6%

LAB 51.6, 20.96, -39.67

 

Description

Color code: HEX #C07392 | qconv.com Color code: HEX #C07392 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 115 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 115 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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