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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C06B4E it is the complementary color #3F94B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C06B4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C06B4E shade: #C56B49, #D67D5C, #E78F6F, #F8A182 and #FFB395

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C06B4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C06B4E shade: #C06B4E, #AF593B, #9E4728, #8D3515 and #7C2302

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C06B4E shade: #C06A4D and #C04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C06B4E shade: #C06A4D, #C0894D, #C0A84D, #B9C04D and #9AC04D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C06B4E shade matches the following richer shades: #C06A4D, #D4613A, #E75726 and #FA4E13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C06B4E shade: #C06A4D, #AD7461, #997D74, #868787 and #73909B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C06B4E shade: #C04D6E, #C04D4F, #C06A4D, #C0894D and #C0A74D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C06B4E shade: #8A4730, #A9573B, #C06A4D, #CB846C and #D69D8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C06B4E shade: #C06B4E, #8CC04D and #4D5EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C06B4E shade: #C06B4E, #4DC06A and #6A4DC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C06B4E shade: #C06B4E, #8CC04D, #4DA3C0 and #814DC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C06B4E shade: #C06B4E, #6AC04D, #4DA3C0 and #A34DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 59 / 25

HEX #C06B4E

RGB 192 107 78

HSL 15.26, 0.48%, 0.53%

LAB 54.31, 31.08, 30.96

 

Complementary color

CMYK 64 / 16 / 0 / 31

HEX #3F94B1

RGB 63 148 177

HSL 195.26, 0.48%, 0.47%

LAB 57.47, -16.48, -22.75

 

CMYK 0 / 46 / 63 / 23

HEX #C56B49

RGB 197 107 73

HSL 16.45, 0.52%, 0.53%

LAB 54.93, 32.72, 34.66

 

CMYK 0 / 42 / 57 / 16

HEX #D67D5C

RGB 214 125 92

HSL 16.23, 0.6%, 0.6%

LAB 61.43, 31.34, 32.75

 

CMYK 0 / 38 / 52 / 9

HEX #E78F6F

RGB 231 143 111

HSL 16, 0.71%, 0.67%

LAB 67.86, 30.09, 31.04

 

CMYK 0 / 35 / 48 / 3

HEX #F8A182

RGB 248 161 130

HSL 15.76, 0.89%, 0.74%

LAB 74.23, 28.97, 29.48

 

CMYK 0 / 30 / 42 / 0

HEX #FFB395

RGB 255 179 149

HSL 16.98, 1%, 0.79%

LAB 79.43, 24.14, 26.4

 

CMYK 0 / 44 / 59 / 25

HEX #C06B4E

RGB 192 107 78

HSL 15.26, 0.48%, 0.53%

LAB 54.31, 31.08, 30.96

 

CMYK 0 / 49 / 66 / 31

HEX #AF593B

RGB 175 89 59

HSL 15.52, 0.5%, 0.46%

LAB 47.72, 32.53, 33.02

 

CMYK 0 / 55 / 75 / 38

HEX #9E4728

RGB 158 71 40

HSL 15.76, 0.6%, 0.39%

LAB 41.1, 34.12, 35.3

 

CMYK 0 / 62 / 85 / 45

HEX #8D3515

RGB 141 53 21

HSL 16, 0.74%, 0.32%

LAB 34.52, 35.76, 37.61

 

CMYK 0 / 72 / 98 / 51

HEX #7C2302

RGB 124 35 2

HSL 16.23, 0.97%, 0.25%

LAB 28.09, 37.2, 39.18

 

CMYK 0 / 45 / 60 / 25

HEX #C06A4D

RGB 192 106 77

HSL 15.13, 0.48%, 0.53%

LAB 54.08, 31.54, 31.23

 

CMYK 0 / 60 / 60 / 25

HEX #C04D4D

RGB 192 77 77

HSL 0, 0.48%, 0.53%

LAB 48.32, 46.2, 23.92

 

CMYK 0 / 45 / 60 / 25

HEX #C06A4D

RGB 192 106 77

HSL 15.13, 0.48%, 0.53%

LAB 54.08, 31.54, 31.23

 

CMYK 0 / 29 / 60 / 25

HEX #C0894D

RGB 192 137 77

HSL 31.3, 0.48%, 0.53%

LAB 61.34, 14.57, 40.04

 

CMYK 0 / 13 / 60 / 25

HEX #C0A84D

RGB 192 168 77

HSL 47.48, 0.48%, 0.53%

LAB 69.29, -2.28, 49.23

 

CMYK 4 / 0 / 60 / 25

HEX #B9C04D

RGB 185 192 77

HSL 63.65, 0.48%, 0.53%

LAB 75.17, -17.67, 55.59

 

CMYK 20 / 0 / 60 / 25

HEX #9AC04D

RGB 154 192 77

HSL 79.83, 0.48%, 0.53%

LAB 72.96, -30.21, 52.53

 

CMYK 0 / 45 / 60 / 25

HEX #C06A4D

RGB 192 106 77

HSL 15.13, 0.48%, 0.53%

LAB 54.08, 31.54, 31.23

 

CMYK 0 / 54 / 73 / 17

HEX #D4613A

RGB 212 97 58

HSL 15.19, 0.64%, 0.53%

LAB 54.92, 42.83, 43.25

 

CMYK 0 / 62 / 84 / 9

HEX #E75726

RGB 231 87 38

HSL 15.23, 0.8%, 0.53%

LAB 56.03, 53.65, 54.94

 

CMYK 0 / 69 / 92 / 2

HEX #FA4E13

RGB 250 78 19

HSL 15.32, 0.96%, 0.53%

LAB 57.87, 63.25, 64.55

 

CMYK 0 / 45 / 60 / 25

HEX #C06A4D

RGB 192 106 77

HSL 15.13, 0.48%, 0.53%

LAB 54.08, 31.54, 31.23

 

CMYK 0 / 33 / 44 / 32

HEX #AD7461

RGB 173 116 97

HSL 15, 0.32%, 0.53%

LAB 54.28, 20.13, 19.63

 

CMYK 0 / 18 / 24 / 40

HEX #997D74

RGB 153 125 116

HSL 14.59, 0.15%, 0.53%

LAB 54.76, 9.35, 8.96

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 26 / 7 / 0 / 39

HEX #73909B

RGB 115 144 155

HSL 196.5, 0.17%, 0.53%

LAB 58, -7.56, -9.18

 

CMYK 0 / 60 / 43 / 25

HEX #C04D6E

RGB 192 77 110

HSL 342.78, 0.48%, 0.53%

LAB 49.06, 49.1, 5.06

 

CMYK 0 / 60 / 59 / 25

HEX #C04D4F

RGB 192 77 79

HSL 358.96, 0.48%, 0.53%

LAB 48.36, 46.34, 22.78

 

CMYK 0 / 45 / 60 / 25

HEX #C06A4D

RGB 192 106 77

HSL 15.13, 0.48%, 0.53%

LAB 54.08, 31.54, 31.23

 

CMYK 0 / 29 / 60 / 25

HEX #C0894D

RGB 192 137 77

HSL 31.3, 0.48%, 0.53%

LAB 61.34, 14.57, 40.04

 

CMYK 0 / 13 / 60 / 25

HEX #C0A74D

RGB 192 167 77

HSL 46.96, 0.48%, 0.53%

LAB 69.03, -1.75, 48.93

 

CMYK 0 / 49 / 65 / 46

HEX #8A4730

RGB 138 71 48

HSL 15.33, 0.48%, 0.36%

LAB 38.06, 26.35, 26.44

 

CMYK 0 / 49 / 65 / 34

HEX #A9573B

RGB 169 87 59

HSL 15.27, 0.48%, 0.45%

LAB 46.4, 31.17, 31.23

 

CMYK 0 / 45 / 60 / 25

HEX #C06A4D

RGB 192 106 77

HSL 15.13, 0.48%, 0.53%

LAB 54.08, 31.54, 31.23

 

CMYK 0 / 35 / 47 / 20

HEX #CB846C

RGB 203 132 108

HSL 15.16, 0.48%, 0.61%

LAB 61.9, 24.61, 24.22

 

CMYK 0 / 27 / 36 / 16

HEX #D69D8A

RGB 214 157 138

HSL 15, 0.48%, 0.69%

LAB 69.64, 18.73, 18.28

 

CMYK 0 / 44 / 59 / 25

HEX #C06B4E

RGB 192 107 78

HSL 15.26, 0.48%, 0.53%

LAB 54.31, 31.08, 30.96

 

CMYK 27 / 0 / 60 / 25

HEX #8CC04D

RGB 140 192 77

HSL 87.13, 0.48%, 0.53%

LAB 72.1, -35.56, 51.33

 

CMYK 60 / 51 / 0 / 25

HEX #4D5EC0

RGB 77 94 192

HSL 231.13, 0.48%, 0.53%

LAB 43.34, 23.57, -53.59

 

CMYK 0 / 44 / 59 / 25

HEX #C06B4E

RGB 192 107 78

HSL 15.26, 0.48%, 0.53%

LAB 54.31, 31.08, 30.96

 

CMYK 60 / 0 / 45 / 25

HEX #4DC06A

RGB 77 192 106

HSL 135.13, 0.48%, 0.53%

LAB 69.7, -51.12, 33.82

 

CMYK 45 / 60 / 0 / 25

HEX #6A4DC0

RGB 106 77 192

HSL 255.13, 0.48%, 0.53%

LAB 41.5, 39.89, -56.46

 

CMYK 0 / 44 / 59 / 25

HEX #C06B4E

RGB 192 107 78

HSL 15.26, 0.48%, 0.53%

LAB 54.31, 31.08, 30.96

 

CMYK 27 / 0 / 60 / 25

HEX #8CC04D

RGB 140 192 77

HSL 87.13, 0.48%, 0.53%

LAB 72.1, -35.56, 51.33

 

CMYK 60 / 15 / 0 / 25

HEX #4DA3C0

RGB 77 163 192

HSL 195.13, 0.48%, 0.53%

LAB 62.99, -17.28, -22.71

 

CMYK 33 / 60 / 0 / 25

HEX #814DC0

RGB 129 77 192

HSL 267.13, 0.48%, 0.53%

LAB 43.92, 45.07, -52.43

 

CMYK 0 / 44 / 59 / 25

HEX #C06B4E

RGB 192 107 78

HSL 15.26, 0.48%, 0.53%

LAB 54.31, 31.08, 30.96

 

CMYK 45 / 0 / 60 / 25

HEX #6AC04D

RGB 106 192 77

HSL 104.87, 0.48%, 0.53%

LAB 70.39, -47.22, 48.93

 

CMYK 60 / 15 / 0 / 25

HEX #4DA3C0

RGB 77 163 192

HSL 195.13, 0.48%, 0.53%

LAB 62.99, -17.28, -22.71

 

CMYK 15 / 60 / 0 / 25

HEX #A34DC0

RGB 163 77 192

HSL 284.87, 0.48%, 0.53%

LAB 48.13, 53.35, -45.45

 

Description

Color code: HEX #C06B4E | qconv.com Color code: HEX #C06B4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 107 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 107 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 59 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 59% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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