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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C06B48 it is the complementary color #3F94B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C06B48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C06B48 shade: #C56B43, #D67D56, #E78F69, #F8A17C and #FFB38F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C06B48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C06B48 shade: #C06B48, #AF5935, #9E4722, #8D350F and #7C2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C06B48 shade: #C06B48, #C04B48 and #C04848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C06B48 shade: #C06B48, #C08B48, #C0AC48, #B4C048 and #94C048

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C06B48 shade matches the following richer shades: #C06B48, #D46334, #E85B21 and #FB520D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C06B48 shade: #C06B48, #AC735C, #987C70, #858484 and #718C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C06B48 shade: #C04866, #C04A48, #C06A48, #C08A48 and #C0AA48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C06B48 shade: #88482E, #A65939, #C06B48, #CB8467 and #D59D86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C06B48 shade: #C06B48, #86C048 and #4856C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C06B48 shade: #C06B48, #48C06A and #6A48C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C06B48 shade: #C06B48, #86C048, #489EC0 and #8248C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C06B48 shade: #C06B48, #62C048, #489EC0 and #A648C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

Complementary color

CMYK 66 / 19 / 0 / 28

HEX #3F94B7

RGB 63 148 183

HSL 197.5, 0.49%, 0.48%

LAB 57.71, -14.54, -25.8

 

CMYK 0 / 46 / 66 / 23

HEX #C56B43

RGB 197 107 67

HSL 18.46, 0.53%, 0.52%

LAB 54.86, 32.34, 37.83

 

CMYK 0 / 42 / 60 / 16

HEX #D67D56

RGB 214 125 86

HSL 18.28, 0.61%, 0.59%

LAB 61.34, 30.89, 35.91

 

CMYK 0 / 38 / 55 / 9

HEX #E78F69

RGB 231 143 105

HSL 18.1, 0.72%, 0.66%

LAB 67.76, 29.59, 34.16

 

CMYK 0 / 35 / 50 / 3

HEX #F8A17C

RGB 248 161 124

HSL 17.9, 0.9%, 0.73%

LAB 74.13, 28.42, 32.57

 

CMYK 0 / 30 / 44 / 0

HEX #FFB38F

RGB 255 179 143

HSL 19.29, 1%, 0.78%

LAB 79.32, 23.51, 29.44

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 0 / 49 / 70 / 31

HEX #AF5935

RGB 175 89 53

HSL 17.7, 0.54%, 0.45%

LAB 47.64, 32.17, 36.24

 

CMYK 0 / 55 / 78 / 38

HEX #9E4722

RGB 158 71 34

HSL 17.9, 0.65%, 0.38%

LAB 41.04, 33.85, 38.41

 

CMYK 0 / 62 / 89 / 45

HEX #8D350F

RGB 141 53 15

HSL 18.1, 0.81%, 0.31%

LAB 34.48, 35.6, 40.27

 

CMYK 0 / 72 / 100 / 51

HEX #7C2300

RGB 124 35 0

HSL 16.94, 1%, 0.24%

LAB 28.08, 37.16, 39.98

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 0 / 61 / 63 / 25

HEX #C04B48

RGB 192 75 72

HSL 1.5, 0.49%, 0.52%

LAB 47.89, 46.78, 26.33

 

CMYK 0 / 63 / 63 / 25

HEX #C04848

RGB 192 72 72

HSL 0, 0.49%, 0.52%

LAB 47.38, 48.14, 25.68

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 0 / 28 / 63 / 25

HEX #C08B48

RGB 192 139 72

HSL 33.5, 0.49%, 0.52%

LAB 61.77, 13.11, 43.1

 

CMYK 0 / 10 / 63 / 25

HEX #C0AC48

RGB 192 172 72

HSL 50, 0.49%, 0.52%

LAB 70.3, -4.75, 52.66

 

CMYK 6 / 0 / 63 / 25

HEX #B4C048

RGB 180 192 72

HSL 66, 0.49%, 0.52%

LAB 74.74, -20.09, 57.16

 

CMYK 23 / 0 / 63 / 25

HEX #94C048

RGB 148 192 72

HSL 82, 0.49%, 0.52%

LAB 72.54, -32.95, 54.13

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 0 / 53 / 75 / 17

HEX #D46334

RGB 212 99 52

HSL 17.63, 0.65%, 0.52%

LAB 55.25, 41.58, 46.64

 

CMYK 0 / 61 / 86 / 9

HEX #E85B21

RGB 232 91 33

HSL 17.49, 0.81%, 0.52%

LAB 56.83, 52.13, 57.72

 

CMYK 0 / 67 / 95 / 2

HEX #FB520D

RGB 251 82 13

HSL 17.39, 0.97%, 0.52%

LAB 58.58, 62.01, 66.54

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 0 / 33 / 47 / 33

HEX #AC735C

RGB 172 115 92

HSL 17.25, 0.33%, 0.52%

LAB 53.82, 19.74, 21.86

 

CMYK 0 / 18 / 26 / 40

HEX #987C70

RGB 152 124 112

HSL 18, 0.16%, 0.52%

LAB 54.3, 8.92, 10.62

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 25 / 7 / 0 / 41

HEX #718C97

RGB 113 140 151

HSL 197.37, 0.15%, 0.52%

LAB 56.59, -6.93, -9

 

CMYK 0 / 63 / 47 / 25

HEX #C04866

RGB 192 72 102

HSL 345, 0.49%, 0.52%

LAB 48.01, 50.56, 8.42

 

CMYK 0 / 61 / 63 / 25

HEX #C04A48

RGB 192 74 72

HSL 1, 0.49%, 0.52%

LAB 47.72, 47.24, 26.11

 

CMYK 0 / 45 / 63 / 25

HEX #C06A48

RGB 192 106 72

HSL 17, 0.49%, 0.52%

LAB 54.01, 31.18, 33.92

 

CMYK 0 / 28 / 63 / 25

HEX #C08A48

RGB 192 138 72

HSL 33, 0.49%, 0.52%

LAB 61.53, 13.66, 42.81

 

CMYK 0 / 11 / 63 / 25

HEX #C0AA48

RGB 192 170 72

HSL 49, 0.49%, 0.52%

LAB 69.77, -3.69, 52.07

 

CMYK 0 / 47 / 66 / 47

HEX #88482E

RGB 136 72 46

HSL 17.33, 0.49%, 0.36%

LAB 37.96, 24.79, 27.42

 

CMYK 0 / 46 / 66 / 35

HEX #A65939

RGB 166 89 57

HSL 17.61, 0.49%, 0.44%

LAB 46.37, 28.72, 32.22

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 0 / 35 / 49 / 20

HEX #CB8467

RGB 203 132 103

HSL 17.4, 0.49%, 0.6%

LAB 61.81, 24.12, 26.89

 

CMYK 0 / 26 / 37 / 16

HEX #D59D86

RGB 213 157 134

HSL 17.47, 0.48%, 0.68%

LAB 69.46, 17.86, 20.21

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 30 / 0 / 63 / 25

HEX #86C048

RGB 134 192 72

HSL 89, 0.49%, 0.52%

LAB 71.71, -38.21, 53

 

CMYK 63 / 55 / 0 / 25

HEX #4856C0

RGB 72 86 192

HSL 233, 0.49%, 0.52%

LAB 40.96, 27.74, -57.46

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 63 / 0 / 45 / 25

HEX #48C06A

RGB 72 192 106

HSL 137, 0.49%, 0.52%

LAB 69.55, -52.19, 33.61

 

CMYK 45 / 63 / 0 / 25

HEX #6A48C0

RGB 106 72 192

HSL 257, 0.49%, 0.52%

LAB 40.42, 42.75, -58.21

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 30 / 0 / 63 / 25

HEX #86C048

RGB 134 192 72

HSL 89, 0.49%, 0.52%

LAB 71.71, -38.21, 53

 

CMYK 63 / 18 / 0 / 25

HEX #489EC0

RGB 72 158 192

HSL 197, 0.49%, 0.52%

LAB 61.34, -15.53, -25.26

 

CMYK 32 / 63 / 0 / 25

HEX #8248C0

RGB 130 72 192

HSL 269, 0.49%, 0.52%

LAB 43.04, 47.96, -53.83

 

CMYK 0 / 44 / 63 / 25

HEX #C06B48

RGB 192 107 72

HSL 17.5, 0.49%, 0.52%

LAB 54.23, 30.64, 34.19

 

CMYK 49 / 0 / 63 / 25

HEX #62C048

RGB 98 192 72

HSL 107, 0.49%, 0.52%

LAB 70.01, -50.13, 50.63

 

CMYK 63 / 18 / 0 / 25

HEX #489EC0

RGB 72 158 192

HSL 197, 0.49%, 0.52%

LAB 61.34, -15.53, -25.26

 

CMYK 14 / 63 / 0 / 25

HEX #A648C0

RGB 166 72 192

HSL 287, 0.49%, 0.52%

LAB 47.68, 56.43, -46.14

 

Description

Color code: HEX #C06B48 | qconv.com Color code: HEX #C06B48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 107 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 107 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 63 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 63% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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