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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05D30 it is the complementary color #3FA2CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05D30 shade: #C55D2B, #D66F3E, #E78151, #F89364 and #FFA577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05D30 shade: #C05D30, #AF4B1D, #9E390A, #8D2700 and #7C1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05D30 shade: #BF5C2F, #BF362F and #BF2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05D30 shade: #BF5C2F, #BF832F, #BFAA2F, #AEBF2F and #87BF2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05D30 shade matches the following richer shades: #BF5C2F, #D3551C and #E64E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05D30 shade: #BF5C2F, #AC6443, #986B56, #85726A and #72797D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05D30 shade: #BF2F51, #BF342F, #BF5B2F, #BF812F and #BFA72F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05D30 shade: #7D3C1F, #9E4C27, #BF5C2F, #D17247 and #D98B68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05D30 shade: #C05D30, #77BF2F and #2F3EBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05D30 shade: #C05D30, #2FBF5B and #5B2FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05D30 shade: #C05D30, #77BF2F, #2F94BF and #772FBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05D30 shade: #C05D30, #4CBF2F, #2F94BF and #A22FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

Complementary color

CMYK 70 / 22 / 0 / 19

HEX #3FA2CF

RGB 63 162 207

HSL 198.75, 0.6%, 0.53%

LAB 62.85, -14.31, -31.34

 

CMYK 0 / 53 / 78 / 23

HEX #C55D2B

RGB 197 93 43

HSL 19.48, 0.64%, 0.47%

LAB 51.69, 38.42, 46.66

 

CMYK 0 / 48 / 71 / 16

HEX #D66F3E

RGB 214 111 62

HSL 19.34, 0.65%, 0.54%

LAB 58.05, 36.75, 44.71

 

CMYK 0 / 44 / 65 / 9

HEX #E78151

RGB 231 129 81

HSL 19.2, 0.76%, 0.61%

LAB 64.39, 35.21, 42.77

 

CMYK 0 / 41 / 60 / 3

HEX #F89364

RGB 248 147 100

HSL 19.05, 0.91%, 0.68%

LAB 70.69, 33.8, 40.93

 

CMYK 0 / 35 / 53 / 0

HEX #FFA577

RGB 255 165 119

HSL 20.29, 1%, 0.73%

LAB 75.76, 28.63, 37.48

 

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

CMYK 0 / 57 / 83 / 31

HEX #AF4B1D

RGB 175 75 29

HSL 18.9, 0.72%, 0.4%

LAB 44.57, 38.38, 45.16

 

CMYK 0 / 64 / 94 / 38

HEX #9E390A

RGB 158 57 10

HSL 19.05, 0.88%, 0.33%

LAB 38.23, 40.12, 46.25

 

CMYK 0 / 72 / 100 / 45

HEX #8D2700

RGB 141 39 0

HSL 16.6, 1%, 0.28%

LAB 32.06, 41.62, 44.47

 

CMYK 0 / 83 / 100 / 51

HEX #7C1500

RGB 124 21 0

HSL 10.16, 1%, 0.24%

LAB 26.22, 42.32, 38.36

 

CMYK 0 / 52 / 75 / 25

HEX #BF5C2F

RGB 191 92 47

HSL 18.75, 0.61%, 0.47%

LAB 50.61, 36.73, 43.31

 

CMYK 0 / 72 / 75 / 25

HEX #BF362F

RGB 191 54 47

HSL 2.92, 0.61%, 0.47%

LAB 44.12, 53.88, 36.36

 

CMYK 0 / 75 / 75 / 25

HEX #BF2F2F

RGB 191 47 47

HSL 0, 0.61%, 0.47%

LAB 43.23, 56.33, 35.39

 

CMYK 0 / 52 / 75 / 25

HEX #BF5C2F

RGB 191 92 47

HSL 18.75, 0.61%, 0.47%

LAB 50.61, 36.73, 43.31

 

CMYK 0 / 31 / 75 / 25

HEX #BF832F

RGB 191 131 47

HSL 35, 0.61%, 0.47%

LAB 59.45, 15.66, 52.27

 

CMYK 0 / 11 / 75 / 25

HEX #BFAA2F

RGB 191 170 47

HSL 51.25, 0.61%, 0.47%

LAB 69.49, -5.49, 61.93

 

CMYK 9 / 0 / 75 / 25

HEX #AEBF2F

RGB 174 191 47

HSL 67.08, 0.61%, 0.47%

LAB 73.85, -23.51, 65.49

 

CMYK 29 / 0 / 75 / 25

HEX #87BF2F

RGB 135 191 47

HSL 83.33, 0.61%, 0.47%

LAB 71.29, -39.14, 62.18

 

CMYK 0 / 52 / 75 / 25

HEX #BF5C2F

RGB 191 92 47

HSL 18.75, 0.61%, 0.47%

LAB 50.61, 36.73, 43.31

 

CMYK 0 / 60 / 87 / 17

HEX #D3551C

RGB 211 85 28

HSL 18.69, 0.77%, 0.47%

LAB 52.32, 47.17, 54.54

 

CMYK 0 / 66 / 96 / 10

HEX #E64E09

RGB 230 78 9

HSL 18.73, 0.92%, 0.47%

LAB 54.33, 56.6, 62.98

 

CMYK 0 / 52 / 75 / 25

HEX #BF5C2F

RGB 191 92 47

HSL 18.75, 0.61%, 0.47%

LAB 50.61, 36.73, 43.31

 

CMYK 0 / 42 / 61 / 33

HEX #AC6443

RGB 172 100 67

HSL 18.86, 0.44%, 0.47%

LAB 49.85, 25.87, 31

 

CMYK 0 / 30 / 43 / 40

HEX #986B56

RGB 152 107 86

HSL 19.09, 0.28%, 0.47%

LAB 49.33, 15.24, 18.92

 

CMYK 0 / 14 / 20 / 48

HEX #85726A

RGB 133 114 106

HSL 17.78, 0.11%, 0.47%

LAB 49.57, 6.04, 7.17

 

CMYK 9 / 3 / 0 / 51

HEX #72797D

RGB 114 121 125

HSL 201.82, 0.05%, 0.47%

LAB 50.37, -1.76, -3.09

 

CMYK 0 / 75 / 58 / 25

HEX #BF2F51

RGB 191 47 81

HSL 345.83, 0.61%, 0.47%

LAB 43.8, 58.2, 15.46

 

CMYK 0 / 73 / 75 / 25

HEX #BF342F

RGB 191 52 47

HSL 2.08, 0.61%, 0.47%

LAB 43.85, 54.61, 36.07

 

CMYK 0 / 52 / 75 / 25

HEX #BF5B2F

RGB 191 91 47

HSL 18.33, 0.61%, 0.47%

LAB 50.41, 37.24, 43.1

 

CMYK 0 / 32 / 75 / 25

HEX #BF812F

RGB 191 129 47

HSL 34.17, 0.61%, 0.47%

LAB 58.96, 16.77, 51.78

 

CMYK 0 / 13 / 75 / 25

HEX #BFA72F

RGB 191 167 47

HSL 50, 0.61%, 0.47%

LAB 68.69, -3.9, 61.17

 

CMYK 0 / 52 / 75 / 51

HEX #7D3C1F

RGB 125 60 31

HSL 18.51, 0.6%, 0.31%

LAB 33.33, 25.91, 30.28

 

CMYK 0 / 52 / 75 / 38

HEX #9E4C27

RGB 158 76 39

HSL 18.66, 0.6%, 0.39%

LAB 42.13, 31.43, 36.94

 

CMYK 0 / 52 / 75 / 25

HEX #BF5C2F

RGB 191 92 47

HSL 18.75, 0.61%, 0.47%

LAB 50.61, 36.73, 43.31

 

CMYK 0 / 45 / 66 / 18

HEX #D17247

RGB 209 114 71

HSL 18.7, 0.6%, 0.55%

LAB 58.08, 33.7, 39.88

 

CMYK 0 / 36 / 52 / 15

HEX #D98B68

RGB 217 139 104

HSL 18.58, 0.6%, 0.63%

LAB 65.13, 26.06, 30.99

 

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

CMYK 38 / 0 / 75 / 25

HEX #77BF2F

RGB 119 191 47

HSL 90, 0.61%, 0.47%

LAB 70.45, -44.95, 61.07

 

CMYK 75 / 68 / 0 / 25

HEX #2F3EBF

RGB 47 62 191

HSL 233.75, 0.61%, 0.47%

LAB 33.59, 39.16, -68.96

 

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

CMYK 75 / 0 / 52 / 25

HEX #2FBF5B

RGB 47 191 91

HSL 138.33, 0.61%, 0.47%

LAB 68.48, -58.57, 39.65

 

CMYK 52 / 75 / 0 / 25

HEX #5B2FBF

RGB 91 47 191

HSL 258.33, 0.61%, 0.47%

LAB 34.02, 52.99, -68.12

 

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

CMYK 38 / 0 / 75 / 25

HEX #77BF2F

RGB 119 191 47

HSL 90, 0.61%, 0.47%

LAB 70.45, -44.95, 61.07

 

CMYK 75 / 23 / 0 / 25

HEX #2F94BF

RGB 47 148 191

HSL 197.92, 0.61%, 0.47%

LAB 57.6, -14.19, -30.53

 

CMYK 38 / 75 / 0 / 25

HEX #772FBF

RGB 119 47 191

HSL 270, 0.61%, 0.47%

LAB 37.33, 57.42, -62.58

 

CMYK 0 / 52 / 75 / 25

HEX #C05D30

RGB 192 93 48

HSL 18.75, 0.6%, 0.47%

LAB 50.98, 36.65, 43.23

 

CMYK 60 / 0 / 75 / 25

HEX #4CBF2F

RGB 76 191 47

HSL 107.92, 0.61%, 0.47%

LAB 68.75, -57.75, 58.84

 

CMYK 75 / 23 / 0 / 25

HEX #2F94BF

RGB 47 148 191

HSL 197.92, 0.61%, 0.47%

LAB 57.6, -14.19, -30.53

 

CMYK 15 / 75 / 0 / 25

HEX #A22FBF

RGB 162 47 191

HSL 287.92, 0.61%, 0.47%

LAB 43.47, 65.38, -52.33

 

Description

Color code: HEX #C05D30 | qconv.com Color code: HEX #C05D30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 93 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 93 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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