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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05215 it is the complementary color #3FADEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05215 shade: #C55210, #D66423, #E77636, #F88849 and #FF9A5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05215 shade: #C05215, #AF4002, #9E2E00, #8D1C00 and #7C0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05215 shade: #C05215, #C02415 and #C01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05215 shade: #C05215, #C08015, #C0AE15, #A4C015 and #76C015

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05215 shade matches the following richer shades: #C05215 and #D24D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05215 shade: #C05215, #AF5726, #9E5C38, #8C6149 and #7B665A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05215 shade: #C01534, #C02315, #C05115, #C07F15 and #C0AC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05215 shade: #76320D, #9B4211, #C05215, #E56219 and #E97B3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05215 shade: #C05215, #62C015 and #151DC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05215 shade: #C05215, #15C051 and #5115C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05215 shade: #C05215, #62C015, #1584C0 and #7315C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05215 shade: #C05215, #2FC015, #1584C0 and #A715C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

Complementary color

CMYK 73 / 26 / 0 / 8

HEX #3FADEA

RGB 63 173 234

HSL 201.4, 0.8%, 0.58%

LAB 67.19, -11.31, -39.47

 

CMYK 0 / 58 / 92 / 23

HEX #C55210

RGB 197 82 16

HSL 21.88, 0.85%, 0.42%

LAB 49.43, 43.13, 55.39

 

CMYK 0 / 53 / 84 / 16

HEX #D66423

RGB 214 100 35

HSL 21.79, 0.72%, 0.49%

LAB 55.62, 41.28, 54.77

 

CMYK 0 / 49 / 77 / 9

HEX #E77636

RGB 231 118 54

HSL 21.69, 0.79%, 0.56%

LAB 61.84, 39.5, 53.29

 

CMYK 0 / 45 / 71 / 3

HEX #F88849

RGB 248 136 73

HSL 21.6, 0.93%, 0.63%

LAB 68.05, 37.84, 51.55

 

CMYK 0 / 40 / 64 / 0

HEX #FF9A5C

RGB 255 154 92

HSL 22.82, 1%, 0.68%

LAB 72.99, 32.4, 47.99

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 0 / 63 / 99 / 31

HEX #AF4002

RGB 175 64 2

HSL 21.5, 0.98%, 0.35%

LAB 42.44, 43.13, 52.85

 

CMYK 0 / 71 / 100 / 38

HEX #9E2E00

RGB 158 46 0

HSL 17.47, 1%, 0.31%

LAB 36.41, 44.76, 48.68

 

CMYK 0 / 80 / 100 / 45

HEX #8D1C00

RGB 141 28 0

HSL 11.91, 1%, 0.28%

LAB 30.62, 45.61, 43.47

 

CMYK 0 / 92 / 100 / 51

HEX #7C0A00

RGB 124 10 0

HSL 4.84, 1%, 0.24%

LAB 25.27, 45.03, 37.48

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 0 / 81 / 89 / 25

HEX #C02415

RGB 192 36 21

HSL 5.26, 0.8%, 0.42%

LAB 42.03, 59.17, 47.82

 

CMYK 0 / 89 / 89 / 25

HEX #C01515

RGB 192 21 21

HSL 0, 0.8%, 0.42%

LAB 40.89, 62.43, 46.96

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 0 / 33 / 89 / 25

HEX #C08015

RGB 192 128 21

HSL 37.54, 0.8%, 0.42%

LAB 58.69, 16.93, 60.66

 

CMYK 0 / 9 / 89 / 25

HEX #C0AE15

RGB 192 174 21

HSL 53.68, 0.8%, 0.42%

LAB 70.55, -7.94, 69.97

 

CMYK 15 / 0 / 89 / 25

HEX #A4C015

RGB 164 192 21

HSL 69.82, 0.8%, 0.42%

LAB 73.32, -29.02, 71.24

 

CMYK 39 / 0 / 89 / 25

HEX #76C015

RGB 118 192 21

HSL 85.96, 0.8%, 0.42%

LAB 70.6, -46.8, 67.89

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 0 / 63 / 98 / 18

HEX #D24D04

RGB 210 77 4

HSL 21.26, 0.96%, 0.42%

LAB 50.71, 50.05, 60.18

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 0 / 50 / 78 / 31

HEX #AF5726

RGB 175 87 38

HSL 21.46, 0.64%, 0.42%

LAB 47.07, 32.52, 43.34

 

CMYK 0 / 42 / 65 / 38

HEX #9E5C38

RGB 158 92 56

HSL 21.18, 0.48%, 0.42%

LAB 45.92, 23.61, 31.96

 

CMYK 0 / 31 / 48 / 45

HEX #8C6149

RGB 140 97 73

HSL 21.49, 0.31%, 0.42%

LAB 45.09, 14.43, 20.65

 

CMYK 0 / 17 / 27 / 52

HEX #7B665A

RGB 123 102 90

HSL 21.82, 0.15%, 0.42%

LAB 44.87, 6.4, 9.91

 

CMYK 0 / 89 / 73 / 25

HEX #C01534

RGB 192 21 52

HSL 349.12, 0.8%, 0.42%

LAB 41.2, 63.32, 30.14

 

CMYK 0 / 82 / 89 / 25

HEX #C02315

RGB 192 35 21

HSL 4.91, 0.8%, 0.42%

LAB 41.94, 59.44, 47.75

 

CMYK 0 / 58 / 89 / 25

HEX #C05115

RGB 192 81 21

HSL 21.05, 0.8%, 0.42%

LAB 48.44, 41.8, 52.71

 

CMYK 0 / 34 / 89 / 25

HEX #C07F15

RGB 192 127 21

HSL 37.19, 0.8%, 0.42%

LAB 58.45, 17.48, 60.47

 

CMYK 0 / 10 / 89 / 25

HEX #C0AC15

RGB 192 172 21

HSL 52.98, 0.8%, 0.42%

LAB 70.01, -6.89, 69.54

 

CMYK 0 / 58 / 89 / 54

HEX #76320D

RGB 118 50 13

HSL 21.14, 0.8%, 0.26%

LAB 29.82, 27.71, 35.6

 

CMYK 0 / 57 / 89 / 39

HEX #9B4211

RGB 155 66 17

HSL 21.3, 0.8%, 0.34%

LAB 39.42, 34.68, 44.46

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 0 / 57 / 89 / 10

HEX #E56219

RGB 229 98 25

HSL 21.47, 0.8%, 0.5%

LAB 57.52, 47.69, 60.88

 

CMYK 0 / 47 / 73 / 9

HEX #E97B3F

RGB 233 123 63

HSL 21.18, 0.79%, 0.58%

LAB 63.22, 38.12, 50.58

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 49 / 0 / 89 / 25

HEX #62C015

RGB 98 192 21

HSL 92.98, 0.8%, 0.42%

LAB 69.72, -53.35, 66.8

 

CMYK 89 / 85 / 0 / 25

HEX #151DC0

RGB 21 29 192

HSL 237.19, 0.8%, 0.42%

LAB 26.29, 55.83, -81.66

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 89 / 0 / 58 / 25

HEX #15C051

RGB 21 192 81

HSL 141.05, 0.8%, 0.42%

LAB 68.35, -63.04, 44.21

 

CMYK 58 / 89 / 0 / 25

HEX #5115C0

RGB 81 21 192

HSL 261.05, 0.8%, 0.42%

LAB 29.64, 62.04, -75.97

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 49 / 0 / 89 / 25

HEX #62C015

RGB 98 192 21

HSL 92.98, 0.8%, 0.42%

LAB 69.72, -53.35, 66.8

 

CMYK 89 / 31 / 0 / 25

HEX #1584C0

RGB 21 132 192

HSL 201.05, 0.8%, 0.42%

LAB 52.36, -7.13, -39.33

 

CMYK 40 / 89 / 0 / 25

HEX #7315C0

RGB 115 21 192

HSL 272.98, 0.8%, 0.42%

LAB 33.96, 65.57, -68.71

 

CMYK 0 / 57 / 89 / 25

HEX #C05215

RGB 192 82 21

HSL 21.4, 0.8%, 0.42%

LAB 48.63, 41.32, 52.85

 

CMYK 76 / 0 / 89 / 25

HEX #2FC015

RGB 47 192 21

HSL 110.88, 0.8%, 0.42%

LAB 68.28, -65.12, 65

 

CMYK 89 / 31 / 0 / 25

HEX #1584C0

RGB 21 132 192

HSL 201.05, 0.8%, 0.42%

LAB 52.36, -7.13, -39.33

 

CMYK 13 / 89 / 0 / 25

HEX #A715C0

RGB 167 21 192

HSL 291.23, 0.8%, 0.42%

LAB 42.09, 73.02, -55.11

 

Description

Color code: HEX #C05215 | qconv.com Color code: HEX #C05215 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 82 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 82 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 89 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 89% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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