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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C05493 it is the complementary color #3FAB6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C05493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C05493 shade: #C5548E, #D666A1, #E778B4, #F88AC7 and #FF9CDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C05493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C05493 shade: #C05493, #AF4280, #9E306D, #8D1E5A and #7C0C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C05493 shade: #BF5392, #BF5375, #BF5358 and #BF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C05493 shade: #BF5392, #BF53AF, #B253BF, #9553BF and #7853BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C05493 shade matches the following richer shades: #BF5392, #D24095, #E52D99 and #F81A9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C05493 shade: #BF5392, #AC668F, #99798C, #868C89 and #739F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C05493 shade: #B353BF, #BF53AF, #BF5392, #BF5375 and #BF5359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C05493 shade: #8C3467, #AA3F7E, #BF5392, #CA71A5 and #D58FB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C05493 shade: #C05493, #BF9653 and #53BDBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C05493 shade: #C05493, #92BF53 and #5392BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C05493 shade: #C05493, #BF9653, #53BF80 and #537DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C05493 shade: #C05493, #BFB653, #53BF80 and #535CBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 23 / 25

HEX #C05493

RGB 192 84 147

HSL 325, 0.46%, 0.54%

LAB 51.44, 50.39, -13.58

 

Complementary color

CMYK 63 / 0 / 37 / 33

HEX #3FAB6C

RGB 63 171 108

HSL 145, 0.46%, 0.46%

LAB 62.73, -45.37, 23.58

 

CMYK 0 / 57 / 28 / 23

HEX #C5548E

RGB 197 84 142

HSL 329.2, 0.49%, 0.55%

LAB 52.02, 51.27, -9.67

 

CMYK 0 / 52 / 25 / 16

HEX #D666A1

RGB 214 102 161

HSL 328.39, 0.58%, 0.62%

LAB 58.39, 50.64, -11

 

CMYK 0 / 48 / 22 / 9

HEX #E778B4

RGB 231 120 180

HSL 327.57, 0.7%, 0.69%

LAB 64.74, 49.92, -12.12

 

CMYK 0 / 44 / 20 / 3

HEX #F88AC7

RGB 248 138 199

HSL 326.73, 0.89%, 0.76%

LAB 71.05, 49.16, -13.09

 

CMYK 0 / 39 / 15 / 0

HEX #FF9CDA

RGB 255 156 218

HSL 322.42, 1%, 0.81%

LAB 76.13, 45.17, -15.83

 

CMYK 0 / 56 / 23 / 25

HEX #C05493

RGB 192 84 147

HSL 325, 0.46%, 0.54%

LAB 51.44, 50.39, -13.58

 

CMYK 0 / 62 / 27 / 31

HEX #AF4280

RGB 175 66 128

HSL 325.87, 0.45%, 0.47%

LAB 45.04, 50.83, -12.11

 

CMYK 0 / 70 / 31 / 38

HEX #9E306D

RGB 158 48 109

HSL 326.73, 0.53%, 0.4%

LAB 38.7, 50.91, -10.22

 

CMYK 0 / 79 / 36 / 45

HEX #8D1E5A

RGB 141 30 90

HSL 327.57, 0.65%, 0.34%

LAB 32.55, 50.3, -7.69

 

CMYK 0 / 90 / 43 / 51

HEX #7C0C47

RGB 124 12 71

HSL 328.39, 0.82%, 0.27%

LAB 26.74, 48.46, -4.16

 

CMYK 0 / 57 / 24 / 25

HEX #BF5392

RGB 191 83 146

HSL 325, 0.46%, 0.54%

LAB 51.08, 50.41, -13.55

 

CMYK 0 / 57 / 39 / 25

HEX #BF5375

RGB 191 83 117

HSL 341.11, 0.46%, 0.54%

LAB 50.15, 46.72, 2.4

 

CMYK 0 / 57 / 54 / 25

HEX #BF5358

RGB 191 83 88

HSL 357.22, 0.46%, 0.54%

LAB 49.46, 43.85, 18.83

 

CMYK 0 / 57 / 57 / 25

HEX #BF5353

RGB 191 83 83

HSL 0, 0.46%, 0.54%

LAB 49.36, 43.44, 21.68

 

CMYK 0 / 57 / 24 / 25

HEX #BF5392

RGB 191 83 146

HSL 325, 0.46%, 0.54%

LAB 51.08, 50.41, -13.55

 

CMYK 0 / 57 / 8 / 25

HEX #BF53AF

RGB 191 83 175

HSL 308.89, 0.46%, 0.54%

LAB 52.24, 54.84, -28.83

 

CMYK 7 / 57 / 0 / 25

HEX #B253BF

RGB 178 83 191

HSL 292.78, 0.46%, 0.54%

LAB 51.17, 54.13, -39.93

 

CMYK 22 / 57 / 0 / 25

HEX #9553BF

RGB 149 83 191

HSL 276.67, 0.46%, 0.54%

LAB 47.41, 46.56, -46.12

 

CMYK 37 / 57 / 0 / 25

HEX #7853BF

RGB 120 83 191

HSL 260.56, 0.46%, 0.54%

LAB 44.15, 39.33, -51.53

 

CMYK 0 / 57 / 24 / 25

HEX #BF5392

RGB 191 83 146

HSL 325, 0.46%, 0.54%

LAB 51.08, 50.41, -13.55

 

CMYK 0 / 70 / 29 / 18

HEX #D24095

RGB 210 64 149

HSL 325.07, 0.62%, 0.54%

LAB 51.31, 64.23, -14.69

 

CMYK 0 / 80 / 33 / 10

HEX #E52D99

RGB 229 45 153

HSL 324.78, 0.78%, 0.54%

LAB 52.77, 75.14, -14.55

 

CMYK 0 / 90 / 37 / 3

HEX #F81A9C

RGB 248 26 156

HSL 324.86, 0.94%, 0.54%

LAB 55.17, 83.16, -12.36

 

CMYK 0 / 57 / 24 / 25

HEX #BF5392

RGB 191 83 146

HSL 325, 0.46%, 0.54%

LAB 51.08, 50.41, -13.55

 

CMYK 0 / 41 / 17 / 33

HEX #AC668F

RGB 172 102 143

HSL 324.86, 0.3%, 0.54%

LAB 52.13, 33.91, -10.46

 

CMYK 0 / 21 / 8 / 40

HEX #99798C

RGB 153 121 140

HSL 324.38, 0.14%, 0.54%

LAB 54.39, 15.72, -5.56

 

CMYK 4 / 0 / 2 / 45

HEX #868C89

RGB 134 140 137

HSL 150, 0.03%, 0.54%

LAB 57.68, -2.79, 0.83

 

CMYK 28 / 0 / 16 / 38

HEX #739F86

RGB 115 159 134

HSL 145.91, 0.19%, 0.54%

LAB 61.79, -20.3, 8.29

 

CMYK 6 / 57 / 0 / 25

HEX #B353BF

RGB 179 83 191

HSL 293.33, 0.46%, 0.54%

LAB 51.3, 54.4, -39.71

 

CMYK 0 / 57 / 8 / 25

HEX #BF53AF

RGB 191 83 175

HSL 308.89, 0.46%, 0.54%

LAB 52.24, 54.84, -28.83

 

CMYK 0 / 57 / 24 / 25

HEX #BF5392

RGB 191 83 146

HSL 325, 0.46%, 0.54%

LAB 51.08, 50.41, -13.55

 

CMYK 0 / 57 / 39 / 25

HEX #BF5375

RGB 191 83 117

HSL 341.11, 0.46%, 0.54%

LAB 50.15, 46.72, 2.4

 

CMYK 0 / 57 / 53 / 25

HEX #BF5359

RGB 191 83 89

HSL 356.67, 0.46%, 0.54%

LAB 49.48, 43.93, 18.26

 

CMYK 0 / 63 / 26 / 45

HEX #8C3467

RGB 140 52 103

HSL 325.23, 0.46%, 0.38%

LAB 36, 42.95, -10.82

 

CMYK 0 / 63 / 26 / 33

HEX #AA3F7E

RGB 170 63 126

HSL 324.67, 0.46%, 0.46%

LAB 43.66, 50.38, -13.05

 

CMYK 0 / 57 / 24 / 25

HEX #BF5392

RGB 191 83 146

HSL 325, 0.46%, 0.54%

LAB 51.08, 50.41, -13.55

 

CMYK 0 / 44 / 18 / 21

HEX #CA71A5

RGB 202 113 165

HSL 324.94, 0.46%, 0.62%

LAB 59.05, 41.76, -12.48

 

CMYK 0 / 33 / 14 / 16

HEX #D58FB8

RGB 213 143 184

HSL 324.86, 0.45%, 0.7%

LAB 67.47, 32.56, -10.52

 

CMYK 0 / 56 / 23 / 25

HEX #C05493

RGB 192 84 147

HSL 325, 0.46%, 0.54%

LAB 51.44, 50.39, -13.58

 

CMYK 0 / 21 / 57 / 25

HEX #BF9653

RGB 191 150 83

HSL 37.22, 0.46%, 0.54%

LAB 64.57, 7.47, 40.79

 

CMYK 57 / 1 / 0 / 25

HEX #53BDBF

RGB 83 189 191

HSL 181.11, 0.46%, 0.54%

LAB 70.87, -29.63, -10.23

 

CMYK 0 / 56 / 23 / 25

HEX #C05493

RGB 192 84 147

HSL 325, 0.46%, 0.54%

LAB 51.44, 50.39, -13.58

 

CMYK 24 / 0 / 57 / 25

HEX #92BF53

RGB 146 191 83

HSL 85, 0.46%, 0.54%

LAB 72.23, -32.28, 48.85

 

CMYK 57 / 24 / 0 / 25

HEX #5392BF

RGB 83 146 191

HSL 205, 0.46%, 0.54%

LAB 58.19, -7.07, -29.53

 

CMYK 0 / 56 / 23 / 25

HEX #C05493

RGB 192 84 147

HSL 325, 0.46%, 0.54%

LAB 51.44, 50.39, -13.58

 

CMYK 0 / 21 / 57 / 25

HEX #BF9653

RGB 191 150 83

HSL 37.22, 0.46%, 0.54%

LAB 64.57, 7.47, 40.79

 

CMYK 57 / 0 / 33 / 25

HEX #53BF80

RGB 83 191 128

HSL 145, 0.46%, 0.54%

LAB 69.94, -45.45, 22.68

 

CMYK 57 / 35 / 0 / 25

HEX #537DBF

RGB 83 125 191

HSL 216.67, 0.46%, 0.54%

LAB 52.14, 5.2, -38.98

 

CMYK 0 / 56 / 23 / 25

HEX #C05493

RGB 192 84 147

HSL 325, 0.46%, 0.54%

LAB 51.44, 50.39, -13.58

 

CMYK 0 / 5 / 57 / 25

HEX #BFB653

RGB 191 182 83

HSL 55, 0.46%, 0.54%

LAB 73, -9.61, 50.6

 

CMYK 57 / 0 / 33 / 25

HEX #53BF80

RGB 83 191 128

HSL 145, 0.46%, 0.54%

LAB 69.94, -45.45, 22.68

 

CMYK 57 / 52 / 0 / 25

HEX #535CBF

RGB 83 92 191

HSL 235, 0.46%, 0.54%

LAB 43.14, 25.66, -53.31

 

Description

Color code: HEX #C05493 | qconv.com Color code: HEX #C05493 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 84 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 84 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 23 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 23% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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