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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C04537 it is the complementary color #3FBAC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C04537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C04537 shade: #C54532, #D65745, #E76958, #F87B6B and #FF8D7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C04537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C04537 shade: #C04537, #AF3324, #9E2111, #8D0F00 and #7C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C04537 shade: #BD4437 and #BD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C04537 shade: #BD4437, #BD6937, #BD8D37, #BDB137 and #A5BD37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C04537 shade matches the following richer shades: #BD4437, #D13523 and #E5250F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C04537 shade: #BD4437, #A9544A, #96645E, #827472 and #6E8386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C04537 shade: #BD3771, #BD374D, #BD4437, #BD6837 and #BD8C37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C04537 shade: #7D2D24, #9D392D, #BD4437, #CC5E51 and #D57B71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C04537 shade: #C04537, #95BD37 and #375FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C04537 shade: #C04537, #37BD44 and #4437BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C04537 shade: #C04537, #95BD37, #37B0BD and #5F37BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C04537 shade: #C04537, #6CBD37, #37B0BD and #8737BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 71 / 25

HEX #C04537

RGB 192 69 55

HSL 6.13, 0.55%, 0.48%

LAB 46.63, 48.5, 34.69

 

Complementary color

CMYK 69 / 7 / 0 / 22

HEX #3FBAC8

RGB 63 186 200

HSL 186.13, 0.55%, 0.52%

LAB 69.71, -28.9, -16.95

 

CMYK 0 / 65 / 75 / 23

HEX #C54532

RGB 197 69 50

HSL 7.76, 0.6%, 0.48%

LAB 47.44, 50, 38.63

 

CMYK 0 / 59 / 68 / 16

HEX #D65745

RGB 214 87 69

HSL 7.45, 0.64%, 0.55%

LAB 53.54, 48.88, 35.81

 

CMYK 0 / 55 / 62 / 9

HEX #E76958

RGB 231 105 88

HSL 7.13, 0.75%, 0.63%

LAB 59.7, 47.66, 33.32

 

CMYK 0 / 50 / 57 / 3

HEX #F87B6B

RGB 248 123 107

HSL 6.81, 0.91%, 0.7%

LAB 65.89, 46.43, 31.13

 

CMYK 0 / 45 / 51 / 0

HEX #FF8D7E

RGB 255 141 126

HSL 6.98, 1%, 0.75%

LAB 70.74, 41.57, 27.2

 

CMYK 0 / 64 / 71 / 25

HEX #C04537

RGB 192 69 55

HSL 6.13, 0.55%, 0.48%

LAB 46.63, 48.5, 34.69

 

CMYK 0 / 71 / 79 / 31

HEX #AF3324

RGB 175 51 36

HSL 6.47, 0.66%, 0.41%

LAB 40.59, 49.37, 37.85

 

CMYK 0 / 79 / 89 / 38

HEX #9E2111

RGB 158 33 17

HSL 6.81, 0.81%, 0.34%

LAB 34.8, 49.71, 41.02

 

CMYK 0 / 89 / 100 / 45

HEX #8D0F00

RGB 141 15 0

HSL 6.38, 1%, 0.28%

LAB 29.42, 49.01, 42.56

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 64 / 71 / 26

HEX #BD4437

RGB 189 68 55

HSL 5.82, 0.55%, 0.48%

LAB 45.95, 47.89, 33.77

 

CMYK 0 / 71 / 71 / 26

HEX #BD3737

RGB 189 55 55

HSL 0, 0.55%, 0.48%

LAB 43.98, 53.22, 31.47

 

CMYK 0 / 64 / 71 / 26

HEX #BD4437

RGB 189 68 55

HSL 5.82, 0.55%, 0.48%

LAB 45.95, 47.89, 33.77

 

CMYK 0 / 44 / 71 / 26

HEX #BD6937

RGB 189 105 55

HSL 22.39, 0.55%, 0.48%

LAB 53.17, 29.45, 41.91

 

CMYK 0 / 25 / 71 / 26

HEX #BD8D37

RGB 189 141 55

HSL 38.51, 0.55%, 0.48%

LAB 61.78, 9.66, 51.08

 

CMYK 0 / 6 / 71 / 26

HEX #BDB137

RGB 189 177 55

HSL 54.63, 0.55%, 0.48%

LAB 71.24, -9.65, 60.62

 

CMYK 13 / 0 / 71 / 26

HEX #A5BD37

RGB 165 189 55

HSL 70.75, 0.55%, 0.48%

LAB 72.67, -25.88, 61.4

 

CMYK 0 / 64 / 71 / 26

HEX #BD4437

RGB 189 68 55

HSL 5.82, 0.55%, 0.48%

LAB 45.95, 47.89, 33.77

 

CMYK 0 / 75 / 83 / 18

HEX #D13523

RGB 209 53 35

HSL 6.21, 0.71%, 0.48%

LAB 47.27, 59.48, 47.02

 

CMYK 0 / 84 / 93 / 10

HEX #E5250F

RGB 229 37 15

HSL 6.17, 0.88%, 0.48%

LAB 49.52, 69.25, 58.59

 

CMYK 0 / 64 / 71 / 26

HEX #BD4437

RGB 189 68 55

HSL 5.82, 0.55%, 0.48%

LAB 45.95, 47.89, 33.77

 

CMYK 0 / 50 / 56 / 34

HEX #A9544A

RGB 169 84 74

HSL 6.32, 0.39%, 0.48%

LAB 46, 33.91, 21.99

 

CMYK 0 / 33 / 37 / 41

HEX #96645E

RGB 150 100 94

HSL 6.43, 0.23%, 0.48%

LAB 47.5, 19.43, 11.65

 

CMYK 0 / 11 / 12 / 49

HEX #827472

RGB 130 116 114

HSL 7.5, 0.07%, 0.48%

LAB 50.04, 5.05, 3.07

 

CMYK 18 / 2 / 0 / 47

HEX #6E8386

RGB 110 131 134

HSL 187.5, 0.1%, 0.48%

LAB 53.24, -6.88, -4.16

 

CMYK 0 / 71 / 40 / 26

HEX #BD3771

RGB 189 55 113

HSL 334.03, 0.55%, 0.48%

LAB 45.28, 57.63, -2.32

 

CMYK 0 / 71 / 59 / 26

HEX #BD374D

RGB 189 55 77

HSL 350.15, 0.55%, 0.48%

LAB 44.36, 54.51, 18.62

 

CMYK 0 / 64 / 71 / 26

HEX #BD4437

RGB 189 68 55

HSL 5.82, 0.55%, 0.48%

LAB 45.95, 47.89, 33.77

 

CMYK 0 / 45 / 71 / 26

HEX #BD6837

RGB 189 104 55

HSL 21.94, 0.55%, 0.48%

LAB 52.94, 29.99, 41.66

 

CMYK 0 / 26 / 71 / 26

HEX #BD8C37

RGB 189 140 55

HSL 38.06, 0.55%, 0.48%

LAB 61.53, 10.21, 50.82

 

CMYK 0 / 64 / 71 / 51

HEX #7D2D24

RGB 125 45 36

HSL 6.07, 0.55%, 0.32%

LAB 30.31, 34.15, 23.89

 

CMYK 0 / 64 / 71 / 38

HEX #9D392D

RGB 157 57 45

HSL 6.43, 0.55%, 0.4%

LAB 38.35, 40.91, 29.32

 

CMYK 0 / 64 / 71 / 26

HEX #BD4437

RGB 189 68 55

HSL 5.82, 0.55%, 0.48%

LAB 45.95, 47.89, 33.77

 

CMYK 0 / 54 / 60 / 20

HEX #CC5E51

RGB 204 94 81

HSL 6.34, 0.55%, 0.56%

LAB 53.42, 42.66, 28.51

 

CMYK 0 / 42 / 47 / 16

HEX #D57B71

RGB 213 123 113

HSL 6, 0.54%, 0.64%

LAB 61.22, 33.87, 20.72

 

CMYK 0 / 64 / 71 / 25

HEX #C04537

RGB 192 69 55

HSL 6.13, 0.55%, 0.48%

LAB 46.63, 48.5, 34.69

 

CMYK 21 / 0 / 71 / 26

HEX #95BD37

RGB 149 189 55

HSL 77.91, 0.55%, 0.48%

LAB 71.6, -32.36, 59.97

 

CMYK 71 / 50 / 0 / 26

HEX #375FBD

RGB 55 95 189

HSL 222.09, 0.55%, 0.48%

LAB 42.26, 18.18, -53.65

 

CMYK 0 / 64 / 71 / 25

HEX #C04537

RGB 192 69 55

HSL 6.13, 0.55%, 0.48%

LAB 46.63, 48.5, 34.69

 

CMYK 71 / 0 / 64 / 26

HEX #37BD44

RGB 55 189 68

HSL 125.82, 0.55%, 0.48%

LAB 67.74, -59.57, 49.48

 

CMYK 64 / 71 / 0 / 26

HEX #4437BD

RGB 68 55 189

HSL 245.82, 0.55%, 0.48%

LAB 33.21, 45.07, -68.35

 

CMYK 0 / 64 / 71 / 25

HEX #C04537

RGB 192 69 55

HSL 6.13, 0.55%, 0.48%

LAB 46.63, 48.5, 34.69

 

CMYK 21 / 0 / 71 / 26

HEX #95BD37

RGB 149 189 55

HSL 77.91, 0.55%, 0.48%

LAB 71.6, -32.36, 59.97

 

CMYK 71 / 7 / 0 / 26

HEX #37B0BD

RGB 55 176 189

HSL 185.82, 0.55%, 0.48%

LAB 66.16, -28.4, -16.27

 

CMYK 50 / 71 / 0 / 26

HEX #5F37BD

RGB 95 55 189

HSL 257.91, 0.55%, 0.48%

LAB 35.67, 49.09, -64.22

 

CMYK 0 / 64 / 71 / 25

HEX #C04537

RGB 192 69 55

HSL 6.13, 0.55%, 0.48%

LAB 46.63, 48.5, 34.69

 

CMYK 43 / 0 / 71 / 26

HEX #6CBD37

RGB 108 189 55

HSL 96.27, 0.55%, 0.48%

LAB 69.37, -47.31, 56.99

 

CMYK 71 / 7 / 0 / 26

HEX #37B0BD

RGB 55 176 189

HSL 185.82, 0.55%, 0.48%

LAB 66.16, -28.4, -16.27

 

CMYK 29 / 71 / 0 / 26

HEX #8737BD

RGB 135 55 189

HSL 275.82, 0.55%, 0.48%

LAB 40.5, 56.51, -56.15

 

Description

Color code: HEX #C04537 | qconv.com Color code: HEX #C04537 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 69 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 69 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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