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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C0346F it is the complementary color #3FCB90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C0346F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C0346F shade: #C5346A, #D6467D, #E75890, #F86AA3 and #FF7CB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C0346F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C0346F shade: #C0346F, #AF225C, #9E1049, #8D0036 and #7C0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C0346F shade: #C0346F, #C03449 and #C03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C0346F shade: #C0346F, #C03495, #C034BA, #A034C0 and #7A34C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C0346F shade matches the following richer shades: #C0346F, #D3206C and #E70D69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C0346F shade: #C0346F, #AC4872, #985C75, #847078 and #70837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C0346F shade: #C034BB, #C03496, #C03471, #C0344B and #C04234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C0346F shade: #7F2249, #9F2B5C, #C0346F, #CE4F85 and #D76F9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C0346F shade: #C0346F, #C09F34 and #34A8C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C0346F shade: #C0346F, #71C034 and #3471C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C0346F shade: #C0346F, #C09F34, #34C083 and #3455C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C0346F shade: #C0346F, #B6C034, #34C083 and #3D34C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

Complementary color

CMYK 69 / 0 / 29 / 20

HEX #3FCB90

RGB 63 203 144

HSL 154.71, 0.57%, 0.52%

LAB 73.4, -50.94, 18.83

 

CMYK 0 / 74 / 46 / 23

HEX #C5346A

RGB 197 52 106

HSL 337.66, 0.58%, 0.49%

LAB 46.13, 60.28, 3.41

 

CMYK 0 / 67 / 42 / 16

HEX #D6467D

RGB 214 70 125

HSL 337.08, 0.64%, 0.56%

LAB 52.01, 60.46, 0.77

 

CMYK 0 / 62 / 38 / 9

HEX #E75890

RGB 231 88 144

HSL 336.5, 0.75%, 0.63%

LAB 58.02, 60.2, -1.38

 

CMYK 0 / 57 / 34 / 3

HEX #F86AA3

RGB 248 106 163

HSL 335.92, 0.91%, 0.69%

LAB 64.09, 59.7, -3.15

 

CMYK 0 / 51 / 29 / 0

HEX #FF7CB6

RGB 255 124 182

HSL 333.44, 1%, 0.74%

LAB 68.79, 55.91, -6.86

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 81 / 47 / 31

HEX #AF225C

RGB 175 34 92

HSL 335.32, 0.67%, 0.41%

LAB 39.63, 58.51, 2.23

 

CMYK 0 / 90 / 54 / 38

HEX #9E1049

RGB 158 16 73

HSL 335.92, 0.82%, 0.34%

LAB 34.23, 56.58, 6.28

 

CMYK 0 / 100 / 62 / 45

HEX #8D0036

RGB 141 0 54

HSL 337.02, 1%, 0.28%

LAB 29.23, 53.4, 11.39

 

CMYK 0 / 100 / 72 / 51

HEX #7C0023

RGB 124 0 35

HSL 343.06, 1%, 0.24%

LAB 24.97, 48, 17.99

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 73 / 62 / 25

HEX #C03449

RGB 192 52 73

HSL 351, 0.57%, 0.48%

LAB 44.44, 56.26, 21.28

 

CMYK 0 / 73 / 73 / 25

HEX #C03434

RGB 192 52 52

HSL 0, 0.57%, 0.48%

LAB 44.1, 55.13, 33.52

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 73 / 22 / 25

HEX #C03495

RGB 192 52 149

HSL 318.43, 0.57%, 0.48%

LAB 46.75, 63.74, -21.94

 

CMYK 0 / 73 / 3 / 25

HEX #C034BA

RGB 192 52 186

HSL 302.57, 0.57%, 0.48%

LAB 48.52, 69.11, -41.08

 

CMYK 17 / 73 / 0 / 25

HEX #A034C0

RGB 160 52 192

HSL 286.29, 0.57%, 0.48%

LAB 43.85, 63.4, -52.32

 

CMYK 36 / 73 / 0 / 25

HEX #7A34C0

RGB 122 52 192

HSL 270, 0.57%, 0.48%

LAB 38.55, 56.03, -61.16

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 85 / 49 / 17

HEX #D3206C

RGB 211 32 108

HSL 334.53, 0.74%, 0.48%

LAB 46.93, 69.52, 3.66

 

CMYK 0 / 94 / 55 / 9

HEX #E70D69

RGB 231 13 105

HSL 334.68, 0.89%, 0.48%

LAB 49.85, 76.73, 10.21

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 58 / 34 / 33

HEX #AC4872

RGB 172 72 114

HSL 334.8, 0.41%, 0.48%

LAB 45.11, 45.29, -3.51

 

CMYK 0 / 39 / 23 / 40

HEX #985C75

RGB 152 92 117

HSL 335, 0.25%, 0.48%

LAB 46.46, 28.09, -3.65

 

CMYK 0 / 15 / 9 / 48

HEX #847078

RGB 132 112 120

HSL 336, 0.08%, 0.48%

LAB 49.31, 9.28, -1.51

 

CMYK 15 / 0 / 6 / 49

HEX #70837B

RGB 112 131 123

HSL 154.74, 0.08%, 0.48%

LAB 53.07, -8.6, 2

 

CMYK 0 / 73 / 3 / 25

HEX #C034BB

RGB 192 52 187

HSL 302.14, 0.57%, 0.48%

LAB 48.57, 69.27, -41.58

 

CMYK 0 / 73 / 22 / 25

HEX #C03496

RGB 192 52 150

HSL 318, 0.57%, 0.48%

LAB 46.8, 63.88, -22.47

 

CMYK 0 / 73 / 41 / 25

HEX #C03471

RGB 192 52 113

HSL 333.86, 0.57%, 0.48%

LAB 45.43, 59.55, -2.03

 

CMYK 0 / 73 / 61 / 25

HEX #C0344B

RGB 192 52 75

HSL 350.14, 0.57%, 0.48%

LAB 44.48, 56.39, 20.11

 

CMYK 0 / 66 / 73 / 25

HEX #C04234

RGB 192 66 52

HSL 6, 0.57%, 0.48%

LAB 46.11, 49.65, 35.8

 

CMYK 0 / 73 / 43 / 50

HEX #7F2249

RGB 127 34 73

HSL 334.84, 0.58%, 0.32%

LAB 29.76, 42.9, -0.97

 

CMYK 0 / 73 / 42 / 38

HEX #9F2B5C

RGB 159 43 92

HSL 334.66, 0.57%, 0.4%

LAB 37.61, 51.15, -1.08

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 62 / 35 / 19

HEX #CE4F85

RGB 206 79 133

HSL 334.49, 0.56%, 0.56%

LAB 52.29, 55.2, -3.76

 

CMYK 0 / 48 / 28 / 16

HEX #D76F9B

RGB 215 111 155

HSL 334.62, 0.57%, 0.64%

LAB 60.05, 45.7, -5.04

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 17 / 73 / 25

HEX #C09F34

RGB 192 159 52

HSL 45.86, 0.57%, 0.48%

LAB 66.71, 1.04, 57.42

 

CMYK 73 / 13 / 0 / 25

HEX #34A8C0

RGB 52 168 192

HSL 190.29, 0.57%, 0.48%

LAB 63.79, -23.84, -21.56

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 41 / 0 / 73 / 25

HEX #71C034

RGB 113 192 52

HSL 93.86, 0.57%, 0.48%

LAB 70.5, -47.09, 59.3

 

CMYK 73 / 41 / 0 / 25

HEX #3471C0

RGB 52 113 192

HSL 213.86, 0.57%, 0.48%

LAB 47.43, 7.42, -47.11

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 0 / 17 / 73 / 25

HEX #C09F34

RGB 192 159 52

HSL 45.86, 0.57%, 0.48%

LAB 66.71, 1.04, 57.42

 

CMYK 73 / 0 / 32 / 25

HEX #34C083

RGB 52 192 131

HSL 153.86, 0.57%, 0.48%

LAB 69.52, -51, 20.38

 

CMYK 73 / 56 / 0 / 25

HEX #3455C0

RGB 52 85 192

HSL 225.86, 0.57%, 0.48%

LAB 39.64, 25.37, -59.65

 

CMYK 0 / 73 / 42 / 25

HEX #C0346F

RGB 192 52 111

HSL 334.71, 0.57%, 0.48%

LAB 45.37, 59.35, -0.89

 

CMYK 5 / 0 / 73 / 25

HEX #B6C034

RGB 182 192 52

HSL 64.29, 0.57%, 0.48%

LAB 74.76, -20.41, 64.91

 

CMYK 73 / 0 / 32 / 25

HEX #34C083

RGB 52 192 131

HSL 153.86, 0.57%, 0.48%

LAB 69.52, -51, 20.38

 

CMYK 68 / 73 / 0 / 25

HEX #3D34C0

RGB 61 52 192

HSL 243.86, 0.57%, 0.48%

LAB 32.38, 46.87, -71.51

 

Description

Color code: HEX #C0346F | qconv.com Color code: HEX #C0346F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 52 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 52 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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