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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C019A4 it is the complementary color #3FE65B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C019A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C019A4 shade: #C5199F, #D62BB2, #E73DC5, #F84FD8 and #FF61EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C019A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C019A4 shade: #C019A4, #AF0791, #9E007E, #8D006B and #7C0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C019A4 shade: #C219A5, #C21978, #C2194A, #C2191D and #C21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C019A4 shade: #C219A5, #B019C2, #8319C2, #5519C2 and #2819C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C019A4 shade matches the following richer shades: #C219A5 and #D307B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C019A4 shade: #C219A5, #B02A99, #9E3C8E, #8C4E82 and #7B6076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C019A4 shade: #8419C2, #B119C2, #C219A5, #C21978 and #C2194B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C019A4 shade: #790F67, #9D1486, #C219A5, #E222C2 and #E746CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C019A4 shade: #C019A4, #C25719 and #19C29A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C019A4 shade: #C019A4, #A5C219 and #19A5C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C019A4 shade: #C019A4, #C25719, #19C235 and #1984C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C019A4 shade: #C019A4, #C28919, #19C235 and #1951C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 15 / 25

HEX #C019A4

RGB 192 25 164

HSL 310.06, 0.77%, 0.43%

LAB 45.06, 72.61, -33.56

 

Complementary color

CMYK 73 / 0 / 60 / 10

HEX #3FE65B

RGB 63 230 91

HSL 130.06, 0.77%, 0.57%

LAB 80.96, -69.26, 54.5

 

CMYK 0 / 87 / 19 / 23

HEX #C5199F

RGB 197 25 159

HSL 313.26, 0.77%, 0.44%

LAB 45.73, 72.96, -29.45

 

CMYK 0 / 80 / 17 / 16

HEX #D62BB2

RGB 214 43 178

HSL 312.63, 0.68%, 0.5%

LAB 50.96, 75.22, -32.3

 

CMYK 0 / 74 / 15 / 9

HEX #E73DC5

RGB 231 61 197

HSL 312, 0.78%, 0.57%

LAB 56.44, 76.58, -34.54

 

CMYK 0 / 68 / 13 / 3

HEX #F84FD8

RGB 248 79 216

HSL 311.36, 0.92%, 0.64%

LAB 62.09, 77.28, -36.33

 

CMYK 0 / 62 / 8 / 0

HEX #FF61EB

RGB 255 97 235

HSL 307.59, 1%, 0.69%

LAB 66.37, 75.08, -40.18

 

CMYK 0 / 87 / 15 / 25

HEX #C019A4

RGB 192 25 164

HSL 310.06, 0.77%, 0.43%

LAB 45.06, 72.61, -33.56

 

CMYK 0 / 96 / 17 / 31

HEX #AF0791

RGB 175 7 145

HSL 310.71, 0.92%, 0.36%

LAB 40.1, 69.17, -30.11

 

CMYK 0 / 100 / 20 / 38

HEX #9E007E

RGB 158 0 126

HSL 312.15, 1%, 0.31%

LAB 35.55, 64.23, -25.74

HEX #9E007E

CMYK 0 / 100 / 24 / 45

HEX #8D006B

RGB 141 0 107

HSL 314.47, 1%, 0.28%

LAB 31.17, 58.44, -20.78

HEX #8D006B

CMYK 0 / 100 / 29 / 51

HEX #7C0058

RGB 124 0 88

HSL 317.42, 1%, 0.24%

LAB 26.71, 52.55, -15.59

HEX #7C0058

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 87 / 38 / 24

HEX #C21978

RGB 194 25 120

HSL 326.27, 0.77%, 0.43%

LAB 43.54, 67.89, -9.13

 

CMYK 0 / 87 / 62 / 24

HEX #C2194A

RGB 194 25 74

HSL 342.6, 0.77%, 0.43%

LAB 42.24, 64.23, 17.84

 

CMYK 0 / 87 / 85 / 24

HEX #C2191D

RGB 194 25 29

HSL 358.58, 0.77%, 0.43%

LAB 41.62, 62.41, 43.85

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 9 / 87 / 0 / 24

HEX #B019C2

RGB 176 25 194

HSL 293.61, 0.77%, 0.43%

LAB 43.97, 74.14, -53.16

 

CMYK 32 / 87 / 0 / 24

HEX #8319C2

RGB 131 25 194

HSL 277.63, 0.77%, 0.43%

LAB 36.77, 67.15, -65.17

 

CMYK 56 / 87 / 0 / 24

HEX #5519C2

RGB 85 25 194

HSL 261.3, 0.77%, 0.43%

LAB 30.69, 61.74, -75.39

 

CMYK 79 / 87 / 0 / 24

HEX #2819C2

RGB 40 25 194

HSL 245.33, 0.77%, 0.43%

LAB 26.85, 58.66, -81.88

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 97 / 16 / 17

HEX #D307B1

RGB 211 7 177

HSL 310, 0.94%, 0.43%

LAB 48.48, 80.03, -35.64

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 76 / 13 / 31

HEX #B02A99

RGB 176 42 153

HSL 310.3, 0.61%, 0.43%

LAB 43.04, 63.64, -30.33

 

CMYK 0 / 62 / 10 / 38

HEX #9E3C8E

RGB 158 60 142

HSL 309.8, 0.45%, 0.43%

LAB 41.93, 50.64, -25.63

 

CMYK 0 / 44 / 7 / 45

HEX #8C4E82

RGB 140 78 130

HSL 309.68, 0.28%, 0.43%

LAB 42.21, 33.92, -18.11

 

CMYK 0 / 22 / 4 / 52

HEX #7B6076

RGB 123 96 118

HSL 311.11, 0.12%, 0.43%

LAB 44.07, 14.97, -8.19

 

CMYK 32 / 87 / 0 / 24

HEX #8419C2

RGB 132 25 194

HSL 277.99, 0.77%, 0.43%

LAB 36.92, 67.29, -64.92

 

CMYK 9 / 87 / 0 / 24

HEX #B119C2

RGB 177 25 194

HSL 293.96, 0.77%, 0.43%

LAB 44.14, 74.31, -52.88

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 87 / 38 / 24

HEX #C21978

RGB 194 25 120

HSL 326.27, 0.77%, 0.43%

LAB 43.54, 67.89, -9.13

 

CMYK 0 / 87 / 61 / 24

HEX #C2194B

RGB 194 25 75

HSL 342.25, 0.77%, 0.43%

LAB 42.27, 64.29, 17.24

 

CMYK 0 / 88 / 15 / 53

HEX #790F67

RGB 121 15 103

HSL 310.19, 0.78%, 0.27%

LAB 27.81, 51.12, -23.75

 

CMYK 0 / 87 / 15 / 38

HEX #9D1486

RGB 157 20 134

HSL 310.07, 0.77%, 0.35%

LAB 36.72, 62.29, -28.88

 

CMYK 0 / 87 / 15 / 24

HEX #C219A5

RGB 194 25 165

HSL 310.3, 0.77%, 0.43%

LAB 45.47, 73.14, -33.48

 

CMYK 0 / 85 / 14 / 11

HEX #E222C2

RGB 226 34 194

HSL 310, 0.77%, 0.51%

LAB 53.18, 81.68, -37.99

 

CMYK 0 / 70 / 12 / 9

HEX #E746CC

RGB 231 70 204

HSL 310.06, 0.77%, 0.59%

LAB 57.78, 74.68, -36.46

 

CMYK 0 / 87 / 15 / 25

HEX #C019A4

RGB 192 25 164

HSL 310.06, 0.77%, 0.43%

LAB 45.06, 72.61, -33.56

 

CMYK 0 / 55 / 87 / 24

HEX #C25719

RGB 194 87 25

HSL 22.01, 0.77%, 0.43%

LAB 49.92, 39.71, 52.59

 

CMYK 87 / 0 / 21 / 24

HEX #19C29A

RGB 25 194 154

HSL 165.8, 0.77%, 0.43%

LAB 70.26, -49.23, 8.96

 

CMYK 0 / 87 / 15 / 25

HEX #C019A4

RGB 192 25 164

HSL 310.06, 0.77%, 0.43%

LAB 45.06, 72.61, -33.56

 

CMYK 15 / 0 / 87 / 24

HEX #A5C219

RGB 165 194 25

HSL 70.3, 0.77%, 0.43%

LAB 73.97, -29.46, 71.07

 

CMYK 87 / 15 / 0 / 24

HEX #19A5C2

RGB 25 165 194

HSL 190.3, 0.77%, 0.43%

LAB 62.52, -24.2, -24.66

 

CMYK 0 / 87 / 15 / 25

HEX #C019A4

RGB 192 25 164

HSL 310.06, 0.77%, 0.43%

LAB 45.06, 72.61, -33.56

 

CMYK 0 / 55 / 87 / 24

HEX #C25719

RGB 194 87 25

HSL 22.01, 0.77%, 0.43%

LAB 49.92, 39.71, 52.59

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 32 / 0 / 24

HEX #1984C2

RGB 25 132 194

HSL 202.01, 0.77%, 0.43%

LAB 52.51, -6.13, -40.23

 

CMYK 0 / 87 / 15 / 25

HEX #C019A4

RGB 192 25 164

HSL 310.06, 0.77%, 0.43%

LAB 45.06, 72.61, -33.56

 

CMYK 0 / 29 / 87 / 24

HEX #C28919

RGB 194 137 25

HSL 39.76, 0.77%, 0.43%

LAB 61.16, 12.95, 61.67

 

CMYK 87 / 0 / 73 / 24

HEX #19C235

RGB 25 194 53

HSL 129.94, 0.77%, 0.43%

LAB 68.79, -66.41, 56.45

 

CMYK 87 / 58 / 0 / 24

HEX #1951C2

RGB 25 81 194

HSL 220.12, 0.77%, 0.43%

LAB 37.82, 26.17, -63.82

 

Description

Color code: HEX #C019A4 | qconv.com Color code: HEX #C019A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 25 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 25 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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