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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C015BD it is the complementary color #3FEA42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C015BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C015BD shade: #C515B8, #D627CB, #E739DE, #F84BF1 and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C015BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C015BD shade: #C015BD, #AF03AA, #9E0097, #8D0084 and #7C0071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C015BD shade: #C015BD, #C0158F, #C01561, #C01533 and #C01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C015BD shade: #C015BD, #9515C0, #6715C0, #3915C0 and #1515C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C015BD shade matches the following richer shades: #C015BD and #D204CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C015BD shade: #C015BD, #AF26AD, #9E389C, #8C498B and #7B5A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C015BD shade: #6815C0, #9515C0, #C015BD, #C01590 and #C01562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C015BD shade: #760D74, #9B1199, #C015BD, #E519E1 and #E93FE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C015BD shade: #C015BD, #C03A15 and #15C07F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C015BD shade: #C015BD, #BDC015 and #15BDC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C015BD shade: #C015BD, #C03A15, #15C018 and #159BC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C015BD shade: #C015BD, #C06D15, #15C018 and #1568C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

Complementary color

CMYK 73 / 0 / 72 / 8

HEX #3FEA42

RGB 63 234 66

HSL 121.05, 0.8%, 0.58%

LAB 82, -72.93, 65.48

 

CMYK 0 / 89 / 7 / 23

HEX #C515B8

RGB 197 21 184

HSL 304.43, 0.81%, 0.43%

LAB 46.8, 76.95, -42.58

 

CMYK 0 / 82 / 5 / 16

HEX #D627CB

RGB 214 39 203

HSL 303.77, 0.69%, 0.5%

LAB 51.9, 79.61, -45.33

 

CMYK 0 / 75 / 4 / 9

HEX #E739DE

RGB 231 57 222

HSL 303.1, 0.78%, 0.56%

LAB 57.26, 81.3, -47.5

 

CMYK 0 / 70 / 3 / 3

HEX #F84BF1

RGB 248 75 241

HSL 302.43, 0.93%, 0.63%

LAB 62.79, 82.28, -49.21

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 98 / 3 / 31

HEX #AF03AA

RGB 175 3 170

HSL 301.74, 0.97%, 0.35%

LAB 41.35, 73.04, -43.22

 

CMYK 0 / 100 / 4 / 38

HEX #9E0097

RGB 158 0 151

HSL 302.66, 1%, 0.31%

LAB 36.94, 67.66, -38.98

 

CMYK 0 / 100 / 6 / 45

HEX #8D0084

RGB 141 0 132

HSL 303.83, 1%, 0.28%

LAB 32.54, 61.86, -34.45

 

CMYK 0 / 100 / 9 / 51

HEX #7C0071

RGB 124 0 113

HSL 305.32, 1%, 0.24%

LAB 28.05, 55.92, -29.77

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 89 / 26 / 25

HEX #C0158F

RGB 192 21 143

HSL 317.19, 0.8%, 0.42%

LAB 43.84, 70.62, -22.82

 

CMYK 0 / 89 / 49 / 25

HEX #C01561

RGB 192 21 97

HSL 333.33, 0.8%, 0.42%

LAB 42.16, 66.04, 3.16

 

CMYK 0 / 89 / 73 / 25

HEX #C01533

RGB 192 21 51

HSL 349.47, 0.8%, 0.42%

LAB 41.19, 63.28, 30.74

 

CMYK 0 / 89 / 89 / 25

HEX #C01515

RGB 192 21 21

HSL 0, 0.8%, 0.42%

LAB 40.89, 62.43, 46.96

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 22 / 89 / 0 / 25

HEX #9515C0

RGB 149 21 192

HSL 284.91, 0.8%, 0.42%

LAB 39.12, 70.21, -60.05

 

CMYK 46 / 89 / 0 / 25

HEX #6715C0

RGB 103 21 192

HSL 268.77, 0.8%, 0.42%

LAB 32.32, 64.19, -71.46

 

CMYK 70 / 89 / 0 / 25

HEX #3915C0

RGB 57 21 192

HSL 252.63, 0.8%, 0.42%

LAB 27.33, 60.32, -79.87

 

CMYK 89 / 89 / 0 / 25

HEX #1515C0

RGB 21 21 192

HSL 240, 0.8%, 0.42%

LAB 25.26, 58.9, -83.37

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 98 / 2 / 18

HEX #D204CE

RGB 210 4 206

HSL 301.17, 0.96%, 0.42%

LAB 49.79, 83.99, -50.47

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 78 / 1 / 31

HEX #AF26AD

RGB 175 38 173

HSL 300.88, 0.64%, 0.42%

LAB 43.53, 67.62, -41.52

 

CMYK 0 / 65 / 1 / 38

HEX #9E389C

RGB 158 56 156

HSL 301.18, 0.48%, 0.42%

LAB 42, 54.74, -33.98

 

CMYK 0 / 48 / 1 / 45

HEX #8C498B

RGB 140 73 139

HSL 300.9, 0.31%, 0.42%

LAB 41.54, 38.36, -24.62

 

CMYK 0 / 27 / 1 / 52

HEX #7B5A7A

RGB 123 90 122

HSL 301.82, 0.15%, 0.42%

LAB 42.66, 19.39, -12.75

 

CMYK 46 / 89 / 0 / 25

HEX #6815C0

RGB 104 21 192

HSL 269.12, 0.8%, 0.42%

LAB 32.45, 64.3, -71.24

 

CMYK 22 / 89 / 0 / 25

HEX #9515C0

RGB 149 21 192

HSL 284.91, 0.8%, 0.42%

LAB 39.12, 70.21, -60.05

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 89 / 25 / 25

HEX #C01590

RGB 192 21 144

HSL 316.84, 0.8%, 0.42%

LAB 43.88, 70.74, -23.35

 

CMYK 0 / 89 / 49 / 25

HEX #C01562

RGB 192 21 98

HSL 332.98, 0.8%, 0.42%

LAB 42.19, 66.12, 2.57

 

CMYK 0 / 89 / 2 / 54

HEX #760D74

RGB 118 13 116

HSL 301.14, 0.8%, 0.26%

LAB 27.85, 52.94, -32.09

 

CMYK 0 / 89 / 1 / 39

HEX #9B1199

RGB 155 17 153

HSL 300.87, 0.8%, 0.34%

LAB 37.24, 65.24, -39.74

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 89 / 2 / 10

HEX #E519E1

RGB 229 25 225

HSL 301.18, 0.8%, 0.5%

LAB 54.85, 87.87, -53.04

 

CMYK 0 / 73 / 1 / 9

HEX #E93FE6

RGB 233 63 230

HSL 301.06, 0.79%, 0.58%

LAB 58.59, 81.19, -49.87

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 70 / 89 / 25

HEX #C03A15

RGB 192 58 21

HSL 12.98, 0.8%, 0.42%

LAB 44.64, 51.93, 49.8

 

CMYK 89 / 0 / 34 / 25

HEX #15C07F

RGB 21 192 127

HSL 157.19, 0.8%, 0.42%

LAB 69.03, -54.99, 21.79

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 2 / 0 / 89 / 25

HEX #BDC015

RGB 189 192 21

HSL 61.05, 0.8%, 0.42%

LAB 75.18, -18.43, 73.52

 

CMYK 89 / 2 / 0 / 25

HEX #15BDC0

RGB 21 189 192

HSL 181.05, 0.8%, 0.42%

LAB 69.73, -36.73, -12.61

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 70 / 89 / 25

HEX #C03A15

RGB 192 58 21

HSL 12.98, 0.8%, 0.42%

LAB 44.64, 51.93, 49.8

 

CMYK 89 / 0 / 88 / 25

HEX #15C018

RGB 21 192 24

HSL 121.05, 0.8%, 0.42%

LAB 67.97, -67.91, 64.02

 

CMYK 89 / 19 / 0 / 25

HEX #159BC0

RGB 21 155 192

HSL 192.98, 0.8%, 0.42%

LAB 59.35, -19.92, -28.42

 

CMYK 0 / 89 / 2 / 25

HEX #C015BD

RGB 192 21 189

HSL 301.05, 0.8%, 0.42%

LAB 46.2, 76.78, -46.52

 

CMYK 0 / 43 / 89 / 25

HEX #C06D15

RGB 192 109 21

HSL 30.88, 0.8%, 0.42%

LAB 54.24, 27.32, 57.19

 

CMYK 89 / 0 / 88 / 25

HEX #15C018

RGB 21 192 24

HSL 121.05, 0.8%, 0.42%

LAB 67.97, -67.91, 64.02

 

CMYK 89 / 46 / 0 / 25

HEX #1568C0

RGB 21 104 192

HSL 210.88, 0.8%, 0.42%

LAB 44.04, 10.04, -52.58

 

Description

Color code: HEX #C015BD | qconv.com Color code: HEX #C015BD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 21 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 21 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 2 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 2% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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