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Color name
HEX #C3FDA4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3FDA4 it is the complementary color #3C025B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3FDA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3FDA4 shade: #C8FD9F, #D9FFB2, #EAFFC5, #FBFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3FDA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3FDA4 shade: #C3FDA4, #B2EB91, #A1D97E, #90C76B and #7FB558

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3FDA4 shade: #C3FDA5, #DBFDA5, #F3FDA5, #FDEFA5 and #FDD7A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3FDA4 shade: #C3FDA5, #ABFDA5, #A5FDB5, #A5FDCD and #A5FDE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3FDA4 shade matches the following richer shades: #C3FDA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3FDA4 shade: #C3FDA5, #C5F5AC, #C8EEB3, #CAE6BB and #CCDFC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3FDA4 shade: #F2FDA5, #DBFDA5, #C3FDA5, #ACFDA5 and #A5FDB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3FDA4 shade: #8EFB54, #A9FC7C, #C3FDA5, #DEFDCD and #F9FEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3FDA4 shade: #C3FDA4, #A5FDEF and #FDA5E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3FDA4 shade: #C3FDA4, #A5C3FD and #FDA5C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3FDA4 shade: #C3FDA4, #A5FDEF, #DEA5FD and #FDA5B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3FDA4 shade: #C3FDA4, #A5EFFD, #DEA5FD and #FDB2A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 35 / 1

HEX #C3FDA4

RGB 195 253 164

HSL 99.1, 0.96%, 0.82%

LAB 93.68, -33.76, 36.84

 

Complementary color

CMYK 34 / 98 / 0 / 64

HEX #3C025B

RGB 60 2 91

HSL 279.1, 0.96%, 0.18%

LAB 14.17, 40.53, -38.33

 

CMYK 21 / 0 / 37 / 1

HEX #C8FD9F

RGB 200 253 159

HSL 93.83, 0.96%, 0.81%

LAB 93.9, -32.72, 39.65

 

CMYK 15 / 0 / 30 / 0

HEX #D9FFB2

RGB 217 255 178

HSL 89.61, 1%, 0.85%

LAB 95.78, -25.16, 32.89

 

CMYK 8 / 0 / 23 / 0

HEX #EAFFC5

RGB 234 255 197

HSL 81.72, 1%, 0.89%

LAB 97.25, -16.49, 25.5

 

CMYK 2 / 0 / 15 / 0

HEX #FBFFD8

RGB 251 255 216

HSL 66.15, 1%, 0.92%

LAB 98.82, -7.72, 18.22

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA4

RGB 195 253 164

HSL 99.1, 0.96%, 0.82%

LAB 93.68, -33.76, 36.84

 

CMYK 24 / 0 / 38 / 8

HEX #B2EB91

RGB 178 235 145

HSL 98, 0.69%, 0.75%

LAB 87.45, -33.89, 37.95

 

CMYK 26 / 0 / 42 / 15

HEX #A1D97E

RGB 161 217 126

HSL 96.92, 0.54%, 0.67%

LAB 81.13, -34.01, 39.1

 

CMYK 28 / 0 / 46 / 22

HEX #90C76B

RGB 144 199 107

HSL 95.87, 0.45%, 0.6%

LAB 74.72, -34.11, 40.28

 

CMYK 30 / 0 / 51 / 29

HEX #7FB558

RGB 127 181 88

HSL 94.84, 0.39%, 0.53%

LAB 68.21, -34.16, 41.46

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA5

RGB 195 253 165

HSL 99.55, 0.96%, 0.82%

LAB 93.7, -33.63, 36.36

 

CMYK 13 / 0 / 35 / 1

HEX #DBFDA5

RGB 219 253 165

HSL 83.18, 0.96%, 0.82%

LAB 95.17, -25.24, 38.58

 

CMYK 4 / 0 / 35 / 1

HEX #F3FDA5

RGB 243 253 165

HSL 66.82, 0.96%, 0.82%

LAB 96.83, -16.46, 41.06

 

CMYK 0 / 6 / 35 / 1

HEX #FDEFA5

RGB 253 239 165

HSL 50.45, 0.96%, 0.82%

LAB 94.03, -5.8, 37.54

 

CMYK 0 / 15 / 35 / 1

HEX #FDD7A5

RGB 253 215 165

HSL 34.09, 0.96%, 0.82%

LAB 88.06, 6.39, 29.61

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA5

RGB 195 253 165

HSL 99.55, 0.96%, 0.82%

LAB 93.7, -33.63, 36.36

 

CMYK 32 / 0 / 35 / 1

HEX #ABFDA5

RGB 171 253 165

HSL 115.91, 0.96%, 0.82%

LAB 92.41, -41.46, 34.43

 

CMYK 35 / 0 / 28 / 1

HEX #A5FDB5

RGB 165 253 181

HSL 130.91, 0.96%, 0.82%

LAB 92.39, -40.73, 26.3

 

CMYK 35 / 0 / 19 / 1

HEX #A5FDCD

RGB 165 253 205

HSL 147.27, 0.96%, 0.82%

LAB 92.86, -36.4, 14.7

 

CMYK 35 / 0 / 9 / 1

HEX #A5FDE5

RGB 165 253 229

HSL 163.64, 0.96%, 0.82%

LAB 93.41, -31.57, 3.11

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA5

RGB 195 253 165

HSL 99.55, 0.96%, 0.82%

LAB 93.7, -33.63, 36.36

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA5

RGB 195 253 165

HSL 99.55, 0.96%, 0.82%

LAB 93.7, -33.63, 36.36

 

CMYK 20 / 0 / 30 / 4

HEX #C5F5AC

RGB 197 245 172

HSL 99.45, 0.78%, 0.82%

LAB 91.75, -28.22, 30.28

 

CMYK 16 / 0 / 25 / 7

HEX #C8EEB3

RGB 200 238 179

HSL 98.64, 0.63%, 0.82%

LAB 90.18, -22.79, 24.6

 

CMYK 12 / 0 / 19 / 10

HEX #CAE6BB

RGB 202 230 187

HSL 99.07, 0.46%, 0.82%

LAB 88.32, -16.91, 17.92

 

CMYK 9 / 0 / 13 / 13

HEX #CCDFC2

RGB 204 223 194

HSL 99.31, 0.31%, 0.82%

LAB 86.75, -11.56, 12.07

 

CMYK 4 / 0 / 35 / 1

HEX #F2FDA5

RGB 242 253 165

HSL 67.5, 0.96%, 0.82%

LAB 96.76, -16.83, 40.95

 

CMYK 13 / 0 / 35 / 1

HEX #DBFDA5

RGB 219 253 165

HSL 83.18, 0.96%, 0.82%

LAB 95.17, -25.24, 38.58

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA5

RGB 195 253 165

HSL 99.55, 0.96%, 0.82%

LAB 93.7, -33.63, 36.36

 

CMYK 32 / 0 / 35 / 1

HEX #ACFDA5

RGB 172 253 165

HSL 115.23, 0.96%, 0.82%

LAB 92.46, -41.14, 34.5

 

CMYK 35 / 0 / 28 / 1

HEX #A5FDB5

RGB 165 253 181

HSL 130.91, 0.96%, 0.82%

LAB 92.39, -40.73, 26.3

 

CMYK 43 / 0 / 67 / 2

HEX #8EFB54

RGB 142 251 84

HSL 99.16, 0.95%, 0.66%

LAB 89.57, -58.96, 67.49

 

CMYK 33 / 0 / 51 / 1

HEX #A9FC7C

RGB 169 252 124

HSL 98.91, 0.96%, 0.74%

LAB 91.47, -47.03, 52.97

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA5

RGB 195 253 165

HSL 99.55, 0.96%, 0.82%

LAB 93.7, -33.63, 36.36

 

CMYK 12 / 0 / 19 / 1

HEX #DEFDCD

RGB 222 253 205

HSL 98.75, 0.92%, 0.9%

LAB 96.07, -18.45, 19.68

 

CMYK 2 / 0 / 4 / 0

HEX #F9FEF5

RGB 249 254 245

HSL 93.33, 0.82%, 0.98%

LAB 99.07, -3.21, 3.71

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA4

RGB 195 253 164

HSL 99.1, 0.96%, 0.82%

LAB 93.68, -33.76, 36.84

 

CMYK 35 / 0 / 6 / 1

HEX #A5FDEF

RGB 165 253 239

HSL 170.45, 0.96%, 0.82%

LAB 93.66, -29.41, -1.69

 

CMYK 0 / 35 / 9 / 1

HEX #FDA5E7

RGB 253 165 231

HSL 315, 0.96%, 0.82%

LAB 78.21, 41.98, -19.79

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA4

RGB 195 253 164

HSL 99.1, 0.96%, 0.82%

LAB 93.68, -33.76, 36.84

 

CMYK 35 / 23 / 0 / 1

HEX #A5C3FD

RGB 165 195 253

HSL 219.55, 0.96%, 0.82%

LAB 78.53, 3.46, -31.8

 

CMYK 0 / 35 / 23 / 1

HEX #FDA5C3

RGB 253 165 195

HSL 339.55, 0.96%, 0.82%

LAB 77.12, 36.44, -1.81

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA4

RGB 195 253 164

HSL 99.1, 0.96%, 0.82%

LAB 93.68, -33.76, 36.84

 

CMYK 35 / 0 / 6 / 1

HEX #A5FDEF

RGB 165 253 239

HSL 170.45, 0.96%, 0.82%

LAB 93.66, -29.41, -1.69

 

CMYK 12 / 35 / 0 / 1

HEX #DEA5FD

RGB 222 165 253

HSL 278.86, 0.96%, 0.82%

LAB 75.78, 36.41, -35.68

 

CMYK 0 / 35 / 30 / 1

HEX #FDA5B2

RGB 253 165 178

HSL 351.14, 0.96%, 0.82%

LAB 76.68, 34.13, 6.85

 

CMYK 23 / 0 / 35 / 1

HEX #C3FDA4

RGB 195 253 164

HSL 99.1, 0.96%, 0.82%

LAB 93.68, -33.76, 36.84

 

CMYK 35 / 6 / 0 / 1

HEX #A5EFFD

RGB 165 239 253

HSL 189.55, 0.96%, 0.82%

LAB 90.24, -19.43, -14.03

 

CMYK 12 / 35 / 0 / 1

HEX #DEA5FD

RGB 222 165 253

HSL 278.86, 0.96%, 0.82%

LAB 75.78, 36.41, -35.68

 

CMYK 0 / 30 / 35 / 1

HEX #FDB2A5

RGB 253 178 165

HSL 8.86, 0.96%, 0.82%

LAB 79.29, 25.71, 17.6

 

Description

Color code: HEX #C3FDA4 | qconv.com Color code: HEX #C3FDA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 253 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 253 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 35 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 35% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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