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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3EFBE it is the complementary color #3C1041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3EFBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3EFBE shade: #C8EFB9, #D9FFCC, #EAFFDF and #FBFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3EFBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3EFBE shade: #C3EFBE, #B2DDAB, #A1CB98, #90B985 and #7FA772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3EFBE shade: #C2EEBD, #CFEEBD, #DDEEBD, #EAEEBD and #EEE5BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3EFBE shade: #C2EEBD, #BDEEC5, #BDEED3, #BDEEE0 and #BDEEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3EFBE shade matches the following richer shades: #C2EEBD, #BDF5B7 and #B8FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3EFBE shade: #C2EEBD, #C7E8C4, #CDE1CA, #D2DAD1 and #D7D4D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3EFBE shade: #DDEEBD, #D0EEBD, #C3EEBD, #BDEEC5 and #BDEED2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3EFBE shade: #85DE7B, #A4E69C, #C2EEBD and #E1F6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3EFBE shade: #C3EFBE, #BDEAEE and #EEBDD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3EFBE shade: #C3EFBE, #BDC3EE and #EEBDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3EFBE shade: #C3EFBE, #BDEAEE, #E8BDEE and #EEC1BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3EFBE shade: #C3EFBE, #BDDBEE, #E8BDEE and #EED0BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 21 / 6

HEX #C3EFBE

RGB 195 239 190

HSL 113.88, 0.6%, 0.84%

LAB 90.35, -23.21, 19.13

 

Complementary color

CMYK 8 / 75 / 0 / 75

HEX #3C1041

RGB 60 16 65

HSL 293.88, 0.6%, 0.16%

LAB 13.9, 29.18, -20.88

 

CMYK 16 / 0 / 23 / 6

HEX #C8EFB9

RGB 200 239 185

HSL 103.33, 0.63%, 0.83%

LAB 90.56, -22.33, 22.05

 

CMYK 15 / 0 / 20 / 0

HEX #D9FFCC

RGB 217 255 204

HSL 104.71, 1%, 0.9%

LAB 96.26, -21.27, 20.4

 

CMYK 8 / 0 / 13 / 0

HEX #EAFFDF

RGB 234 255 223

HSL 99.38, 1%, 0.94%

LAB 97.77, -12.45, 12.98

 

CMYK 2 / 0 / 5 / 0

HEX #FBFFF2

RGB 251 255 242

HSL 78.46, 1%, 0.97%

LAB 99.39, -3.56, 5.74

 

CMYK 18 / 0 / 21 / 6

HEX #C3EFBE

RGB 195 239 190

HSL 113.88, 0.6%, 0.84%

LAB 90.35, -23.21, 19.13

 

CMYK 19 / 0 / 23 / 13

HEX #B2DDAB

RGB 178 221 171

HSL 111.6, 0.42%, 0.77%

LAB 84.03, -23.35, 20.05

 

CMYK 21 / 0 / 25 / 20

HEX #A1CB98

RGB 161 203 152

HSL 109.41, 0.33%, 0.7%

LAB 77.61, -23.51, 21.02

 

CMYK 22 / 0 / 28 / 27

HEX #90B985

RGB 144 185 133

HSL 107.31, 0.27%, 0.62%

LAB 71.09, -23.67, 22.05

 

CMYK 24 / 0 / 32 / 35

HEX #7FA772

RGB 127 167 114

HSL 105.28, 0.23%, 0.55%

LAB 64.45, -23.85, 23.14

 

CMYK 18 / 0 / 21 / 7

HEX #C2EEBD

RGB 194 238 189

HSL 113.88, 0.59%, 0.84%

LAB 89.99, -23.22, 19.14

 

CMYK 13 / 0 / 21 / 7

HEX #CFEEBD

RGB 207 238 189

HSL 97.96, 0.59%, 0.84%

LAB 90.82, -18.81, 20.42

 

CMYK 7 / 0 / 21 / 7

HEX #DDEEBD

RGB 221 238 189

HSL 80.82, 0.59%, 0.84%

LAB 91.77, -13.91, 21.89

 

CMYK 2 / 0 / 21 / 7

HEX #EAEEBD

RGB 234 238 189

HSL 64.9, 0.59%, 0.84%

LAB 92.71, -9.26, 23.33

 

CMYK 0 / 4 / 21 / 7

HEX #EEE5BD

RGB 238 229 189

HSL 48.98, 0.59%, 0.84%

LAB 90.73, -3.27, 20.63

 

CMYK 18 / 0 / 21 / 7

HEX #C2EEBD

RGB 194 238 189

HSL 113.88, 0.59%, 0.84%

LAB 89.99, -23.22, 19.14

 

CMYK 21 / 0 / 17 / 7

HEX #BDEEC5

RGB 189 238 197

HSL 129.8, 0.59%, 0.84%

LAB 89.86, -23.5, 14.77

 

CMYK 21 / 0 / 11 / 7

HEX #BDEED3

RGB 189 238 211

HSL 146.94, 0.59%, 0.84%

LAB 90.17, -20.94, 7.93

 

CMYK 21 / 0 / 6 / 7

HEX #BDEEE0

RGB 189 238 224

HSL 162.86, 0.59%, 0.84%

LAB 90.48, -18.42, 1.61

 

CMYK 21 / 0 / 0 / 7

HEX #BDEEED

RGB 189 238 237

HSL 178.78, 0.59%, 0.84%

LAB 90.82, -15.77, -4.68

 

CMYK 18 / 0 / 21 / 7

HEX #C2EEBD

RGB 194 238 189

HSL 113.88, 0.59%, 0.84%

LAB 89.99, -23.22, 19.14

 

CMYK 23 / 0 / 25 / 4

HEX #BDF5B7

RGB 189 245 183

HSL 114.19, 0.76%, 0.84%

LAB 91.48, -29.21, 24.24

 

CMYK 27 / 0 / 30 / 2

HEX #B8FBB0

RGB 184 251 176

HSL 113.6, 0.9%, 0.84%

LAB 92.72, -34.74, 29.43

 

CMYK 18 / 0 / 21 / 7

HEX #C2EEBD

RGB 194 238 189

HSL 113.88, 0.59%, 0.84%

LAB 89.99, -23.22, 19.14

 

CMYK 14 / 0 / 16 / 9

HEX #C7E8C4

RGB 199 232 196

HSL 115, 0.44%, 0.84%

LAB 88.85, -17.43, 13.95

 

CMYK 9 / 0 / 10 / 12

HEX #CDE1CA

RGB 205 225 202

HSL 112.17, 0.28%, 0.84%

LAB 87.53, -10.85, 8.99

 

CMYK 4 / 0 / 4 / 15

HEX #D2DAD1

RGB 210 218 209

HSL 113.33, 0.11%, 0.84%

LAB 86.23, -4.33, 3.48

 

CMYK 0 / 2 / 0 / 15

HEX #D7D4D8

RGB 215 212 216

HSL 285, 0.05%, 0.84%

LAB 85.25, 1.75, -1.62

 

CMYK 7 / 0 / 21 / 7

HEX #DDEEBD

RGB 221 238 189

HSL 80.82, 0.59%, 0.84%

LAB 91.77, -13.91, 21.89

 

CMYK 13 / 0 / 21 / 7

HEX #D0EEBD

RGB 208 238 189

HSL 96.73, 0.59%, 0.84%

LAB 90.89, -18.46, 20.52

 

CMYK 18 / 0 / 21 / 7

HEX #C3EEBD

RGB 195 238 189

HSL 112.65, 0.59%, 0.84%

LAB 90.06, -22.89, 19.24

 

CMYK 21 / 0 / 17 / 7

HEX #BDEEC5

RGB 189 238 197

HSL 129.8, 0.59%, 0.84%

LAB 89.86, -23.5, 14.77

 

CMYK 21 / 0 / 12 / 7

HEX #BDEED2

RGB 189 238 210

HSL 145.71, 0.59%, 0.84%

LAB 90.15, -21.13, 8.42

 

CMYK 40 / 0 / 45 / 13

HEX #85DE7B

RGB 133 222 123

HSL 113.94, 0.6%, 0.68%

LAB 81.1, -45.84, 40.26

 

CMYK 29 / 0 / 32 / 10

HEX #A4E69C

RGB 164 230 156

HSL 113.51, 0.6%, 0.76%

LAB 85.45, -34.7, 29.61

 

CMYK 18 / 0 / 21 / 7

HEX #C2EEBD

RGB 194 238 189

HSL 113.88, 0.59%, 0.84%

LAB 89.99, -23.22, 19.14

 

CMYK 9 / 0 / 10 / 4

HEX #E1F6DE

RGB 225 246 222

HSL 112.5, 0.57%, 0.92%

LAB 94.82, -11.18, 9.2

 

CMYK 18 / 0 / 21 / 6

HEX #C3EFBE

RGB 195 239 190

HSL 113.88, 0.6%, 0.84%

LAB 90.35, -23.21, 19.13

 

CMYK 21 / 2 / 0 / 7

HEX #BDEAEE

RGB 189 234 238

HSL 184.9, 0.59%, 0.84%

LAB 89.78, -13.56, -6.73

 

CMYK 0 / 21 / 10 / 7

HEX #EEBDD7

RGB 238 189 215

HSL 328.16, 0.59%, 0.84%

LAB 81.55, 21.65, -6.29

 

CMYK 18 / 0 / 21 / 6

HEX #C3EFBE

RGB 195 239 190

HSL 113.88, 0.6%, 0.84%

LAB 90.35, -23.21, 19.13

 

CMYK 21 / 18 / 0 / 7

HEX #BDC3EE

RGB 189 195 238

HSL 232.65, 0.59%, 0.84%

LAB 79.63, 6.82, -21.95

 

CMYK 0 / 21 / 18 / 7

HEX #EEBDC3

RGB 238 189 195

HSL 352.65, 0.59%, 0.84%

LAB 81.02, 18.46, 3.69

 

CMYK 18 / 0 / 21 / 6

HEX #C3EFBE

RGB 195 239 190

HSL 113.88, 0.6%, 0.84%

LAB 90.35, -23.21, 19.13

 

CMYK 21 / 2 / 0 / 7

HEX #BDEAEE

RGB 189 234 238

HSL 184.9, 0.59%, 0.84%

LAB 89.78, -13.56, -6.73

 

CMYK 3 / 21 / 0 / 7

HEX #E8BDEE

RGB 232 189 238

HSL 292.65, 0.59%, 0.84%

LAB 81.69, 23.72, -18.49

 

CMYK 0 / 19 / 21 / 7

HEX #EEC1BD

RGB 238 193 189

HSL 4.9, 0.59%, 0.84%

LAB 81.83, 15.44, 8.08

 

CMYK 18 / 0 / 21 / 6

HEX #C3EFBE

RGB 195 239 190

HSL 113.88, 0.6%, 0.84%

LAB 90.35, -23.21, 19.13

 

CMYK 21 / 8 / 0 / 7

HEX #BDDBEE

RGB 189 219 238

HSL 203.27, 0.59%, 0.84%

LAB 85.83, -5.89, -12.6

 

CMYK 3 / 21 / 0 / 7

HEX #E8BDEE

RGB 232 189 238

HSL 292.65, 0.59%, 0.84%

LAB 81.69, 23.72, -18.49

 

CMYK 0 / 13 / 21 / 7

HEX #EED0BD

RGB 238 208 189

HSL 23.27, 0.59%, 0.84%

LAB 85.49, 7.55, 13.28

 

Description

Color code: HEX #C3EFBE | qconv.com Color code: HEX #C3EFBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 239 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 239 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 21 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 21% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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