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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3E2E5 it is the complementary color #3C1D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3E2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3E2E5 shade: #C8E2E0, #D9F4F3, #EAFFFF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3E2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3E2E5 shade: #C3E2E5, #B2D0D2, #A1BEBF, #90ACAC and #7F9A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3E2E5 shade: #C2E1E4, #C2D8E4, #C2CFE4, #C2C5E4 and #C8C2E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3E2E5 shade: #C2E1E4, #C2D8E4, #C2CFE4, #C2C5E4 and #C2C2E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3E2E5 shade matches the following richer shades: #C2E1E4, #BBE7EC, #B4EDF3 and #ADF3FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3E2E5 shade: #C2E1E4, #C9DCDD, #D0D6D6, #D7D0CF and #DECAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3E2E5 shade: #C2E4D5, #C2E4DE, #C2E2E4, #C2D8E4 and #C2CFE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3E2E5 shade: #88C6CC, #A5D4D8, #C2E1E4, #DFEFF1 and #FCFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3E2E5 shade: #C3E2E5, #CCC2E4 and #E4DAC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3E2E5 shade: #C3E2E5, #E4C2E2 and #E2E4C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3E2E5 shade: #C3E2E5, #CCC2E4, #E4C5C2 and #DBE4C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3E2E5 shade: #C3E2E5, #D6C2E4, #E4C5C2 and #D0E4C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 1 / 0 / 10

HEX #C3E2E5

RGB 195 226 229

HSL 185.29, 0.4%, 0.83%

LAB 87.8, -9.53, -4.89

 

Complementary color

CMYK 0 / 52 / 57 / 76

HEX #3C1D1A

RGB 60 29 26

HSL 5.29, 0.4%, 0.17%

LAB 15.03, 14.74, 8.8

 

CMYK 12 / 0 / 1 / 11

HEX #C8E2E0

RGB 200 226 224

HSL 175.38, 0.31%, 0.84%

LAB 87.99, -8.94, -1.94

 

CMYK 11 / 0 / 0 / 4

HEX #D9F4F3

RGB 217 244 243

HSL 177.78, 0.55%, 0.9%

LAB 94.28, -8.95, -2.51

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 15 / 1 / 0 / 10

HEX #C3E2E5

RGB 195 226 229

HSL 185.29, 0.4%, 0.83%

LAB 87.8, -9.53, -4.89

 

CMYK 15 / 1 / 0 / 18

HEX #B2D0D2

RGB 178 208 210

HSL 183.75, 0.26%, 0.76%

LAB 81.42, -9.53, -4.35

 

CMYK 16 / 1 / 0 / 25

HEX #A1BEBF

RGB 161 190 191

HSL 182, 0.19%, 0.69%

LAB 74.93, -9.55, -3.8

 

CMYK 16 / 0 / 0 / 33

HEX #90ACAC

RGB 144 172 172

HSL 180, 0.14%, 0.62%

LAB 68.32, -9.57, -3.22

 

CMYK 18 / 0 / 1 / 40

HEX #7F9A99

RGB 127 154 153

HSL 177.78, 0.12%, 0.55%

LAB 61.59, -9.62, -2.63

 

CMYK 15 / 1 / 0 / 11

HEX #C2E1E4

RGB 194 225 228

HSL 185.29, 0.39%, 0.83%

LAB 87.45, -9.53, -4.9

 

CMYK 15 / 5 / 0 / 11

HEX #C2D8E4

RGB 194 216 228

HSL 201.18, 0.39%, 0.83%

LAB 85.09, -4.9, -8.38

 

CMYK 15 / 9 / 0 / 11

HEX #C2CFE4

RGB 194 207 228

HSL 217.06, 0.39%, 0.83%

LAB 82.75, -0.18, -11.86

 

CMYK 15 / 14 / 0 / 11

HEX #C2C5E4

RGB 194 197 228

HSL 234.71, 0.39%, 0.83%

LAB 80.18, 5.13, -15.72

 

CMYK 12 / 15 / 0 / 11

HEX #C8C2E4

RGB 200 194 228

HSL 250.59, 0.39%, 0.83%

LAB 79.88, 8.67, -16.13

 

CMYK 15 / 1 / 0 / 11

HEX #C2E1E4

RGB 194 225 228

HSL 185.29, 0.39%, 0.83%

LAB 87.45, -9.53, -4.9

 

CMYK 15 / 5 / 0 / 11

HEX #C2D8E4

RGB 194 216 228

HSL 201.18, 0.39%, 0.83%

LAB 85.09, -4.9, -8.38

 

CMYK 15 / 9 / 0 / 11

HEX #C2CFE4

RGB 194 207 228

HSL 217.06, 0.39%, 0.83%

LAB 82.75, -0.18, -11.86

 

CMYK 15 / 14 / 0 / 11

HEX #C2C5E4

RGB 194 197 228

HSL 234.71, 0.39%, 0.83%

LAB 80.18, 5.13, -15.72

 

CMYK 15 / 15 / 0 / 11

HEX #C2C2E4

RGB 194 194 228

HSL 240, 0.39%, 0.83%

LAB 79.42, 6.75, -16.87

 

CMYK 15 / 1 / 0 / 11

HEX #C2E1E4

RGB 194 225 228

HSL 185.29, 0.39%, 0.83%

LAB 87.45, -9.53, -4.9

 

CMYK 21 / 2 / 0 / 7

HEX #BBE7EC

RGB 187 231 236

HSL 186.12, 0.56%, 0.83%

LAB 88.81, -13.07, -7.13

 

CMYK 26 / 2 / 0 / 5

HEX #B4EDF3

RGB 180 237 243

HSL 185.71, 0.72%, 0.83%

LAB 90.2, -16.61, -8.78

 

CMYK 31 / 3 / 0 / 2

HEX #ADF3FA

RGB 173 243 250

HSL 185.45, 0.89%, 0.83%

LAB 91.63, -19.97, -10.34

 

CMYK 15 / 1 / 0 / 11

HEX #C2E1E4

RGB 194 225 228

HSL 185.29, 0.39%, 0.83%

LAB 87.45, -9.53, -4.9

 

CMYK 9 / 0 / 0 / 13

HEX #C9DCDD

RGB 201 220 221

HSL 183, 0.23%, 0.83%

LAB 86.42, -6.12, -2.67

 

CMYK 3 / 0 / 0 / 16

HEX #D0D6D6

RGB 208 214 214

HSL 180, 0.07%, 0.83%

LAB 85.18, -2.03, -0.72

 

CMYK 0 / 3 / 4 / 16

HEX #D7D0CF

RGB 215 208 207

HSL 7.5, 0.09%, 0.83%

LAB 84, 2.23, 1.34

 

CMYK 0 / 9 / 10 / 13

HEX #DECAC8

RGB 222 202 200

HSL 5.45, 0.25%, 0.83%

LAB 82.88, 6.65, 3.52

 

CMYK 15 / 0 / 7 / 11

HEX #C2E4D5

RGB 194 228 213

HSL 153.53, 0.39%, 0.83%

LAB 87.85, -14.01, 3.59

 

CMYK 15 / 0 / 3 / 11

HEX #C2E4DE

RGB 194 228 222

HSL 169.41, 0.39%, 0.83%

LAB 88.08, -12.26, -0.81

 

CMYK 15 / 1 / 0 / 11

HEX #C2E2E4

RGB 194 226 228

HSL 183.53, 0.39%, 0.83%

LAB 87.71, -10.04, -4.51

 

CMYK 15 / 5 / 0 / 11

HEX #C2D8E4

RGB 194 216 228

HSL 201.18, 0.39%, 0.83%

LAB 85.09, -4.9, -8.38

 

CMYK 15 / 9 / 0 / 11

HEX #C2CFE4

RGB 194 207 228

HSL 217.06, 0.39%, 0.83%

LAB 82.75, -0.18, -11.86

 

CMYK 33 / 3 / 0 / 20

HEX #88C6CC

RGB 136 198 204

HSL 185.29, 0.4%, 0.67%

LAB 76.06, -18.26, -9.34

 

CMYK 24 / 2 / 0 / 15

HEX #A5D4D8

RGB 165 212 216

HSL 184.71, 0.4%, 0.75%

LAB 81.86, -14.31, -6.99

 

CMYK 15 / 1 / 0 / 11

HEX #C2E1E4

RGB 194 225 228

HSL 185.29, 0.39%, 0.83%

LAB 87.45, -9.53, -4.9

 

CMYK 7 / 1 / 0 / 5

HEX #DFEFF1

RGB 223 239 241

HSL 186.67, 0.39%, 0.91%

LAB 93.35, -4.88, -2.79

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFD

RGB 252 253 253

HSL 180, 0.2%, 0.99%

LAB 99.24, -0.32, -0.13

 

CMYK 15 / 1 / 0 / 10

HEX #C3E2E5

RGB 195 226 229

HSL 185.29, 0.4%, 0.83%

LAB 87.8, -9.53, -4.89

 

CMYK 11 / 15 / 0 / 11

HEX #CCC2E4

RGB 204 194 228

HSL 257.65, 0.39%, 0.83%

LAB 80.19, 9.96, -15.62

 

CMYK 0 / 4 / 15 / 11

HEX #E4DAC2

RGB 228 218 194

HSL 42.35, 0.39%, 0.83%

LAB 87.26, -0.52, 13.04

 

CMYK 15 / 1 / 0 / 10

HEX #C3E2E5

RGB 195 226 229

HSL 185.29, 0.4%, 0.83%

LAB 87.8, -9.53, -4.89

 

CMYK 0 / 15 / 1 / 11

HEX #E4C2E2

RGB 228 194 226

HSL 303.53, 0.39%, 0.83%

LAB 82.15, 17.5, -11.42

 

CMYK 1 / 0 / 15 / 11

HEX #E2E4C2

RGB 226 228 194

HSL 63.53, 0.39%, 0.83%

LAB 89.65, -6.35, 16.39

 

CMYK 15 / 1 / 0 / 10

HEX #C3E2E5

RGB 195 226 229

HSL 185.29, 0.4%, 0.83%

LAB 87.8, -9.53, -4.89

 

CMYK 11 / 15 / 0 / 11

HEX #CCC2E4

RGB 204 194 228

HSL 257.65, 0.39%, 0.83%

LAB 80.19, 9.96, -15.62

 

CMYK 0 / 14 / 15 / 11

HEX #E4C5C2

RGB 228 197 194

HSL 5.29, 0.39%, 0.83%

LAB 82.01, 10.46, 5.54

 

CMYK 4 / 0 / 15 / 11

HEX #DBE4C2

RGB 219 228 194

HSL 75.88, 0.39%, 0.83%

LAB 89.13, -8.84, 15.59

 

CMYK 15 / 1 / 0 / 10

HEX #C3E2E5

RGB 195 226 229

HSL 185.29, 0.4%, 0.83%

LAB 87.8, -9.53, -4.89

 

CMYK 6 / 15 / 0 / 11

HEX #D6C2E4

RGB 214 194 228

HSL 275.29, 0.39%, 0.83%

LAB 81.01, 13.22, -14.32

 

CMYK 0 / 14 / 15 / 11

HEX #E4C5C2

RGB 228 197 194

HSL 5.29, 0.39%, 0.83%

LAB 82.01, 10.46, 5.54

 

CMYK 9 / 0 / 15 / 11

HEX #D0E4C2

RGB 208 228 194

HSL 95.29, 0.39%, 0.83%

LAB 88.35, -12.69, 14.37

 

Description

Color code: HEX #C3E2E5 | qconv.com Color code: HEX #C3E2E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 226 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 226 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 1 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 1% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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