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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3DC2A it is the complementary color #3C23D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3DC2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3DC2A shade: #C8DC25, #D9EE38, #EAFF4B, #FBFF5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3DC2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3DC2A shade: #C3DC2A, #B2CA17, #A1B804, #90A600 and #7F9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3DC2A shade: #C2DC28, #DCC428, #DC9428, #DC6328 and #DC3328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3DC2A shade: #C2DC28, #92DC28, #61DC28, #31DC28 and #28DC4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3DC2A shade matches the following richer shades: #C2DC28 and #D1F013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3DC2A shade: #C2DC28, #B4C73C, #A5B350, #979F64 and #888B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3DC2A shade: #DC9428, #DCC428, #C4DC28, #94DC28 and #64DC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3DC2A shade: #869818, #A6BC1E, #C2DC28, #CCE14B and #D6E76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3DC2A shade: #C3DC2A, #28DC64 and #AC28DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3DC2A shade: #C3DC2A, #28C4DC and #DC28C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3DC2A shade: #C3DC2A, #28DC64, #4028DC and #DC28A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3DC2A shade: #C3DC2A, #28DC9A, #4028DC and #DC286A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 81 / 14

HEX #C3DC2A

RGB 195 220 42

HSL 68.43, 0.72%, 0.51%

LAB 83.42, -28.93, 76.1

 

Complementary color

CMYK 72 / 84 / 0 / 16

HEX #3C23D5

RGB 60 35 213

HSL 248.43, 0.72%, 0.49%

LAB 31.73, 61.27, -84.83

 

CMYK 9 / 0 / 83 / 14

HEX #C8DC25

RGB 200 220 37

HSL 66.56, 0.72%, 0.5%

LAB 83.76, -27.04, 77.72

 

CMYK 9 / 0 / 76 / 7

HEX #D9EE38

RGB 217 238 56

HSL 66.92, 0.84%, 0.58%

LAB 89.95, -27.97, 78.71

 

CMYK 8 / 0 / 71 / 0

HEX #EAFF4B

RGB 234 255 75

HSL 67, 1%, 0.65%

LAB 95.8, -28.29, 78.7

 

CMYK 2 / 0 / 63 / 0

HEX #FBFF5E

RGB 251 255 94

HSL 61.49, 1%, 0.68%

LAB 97.16, -20.52, 73.59

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 11 / 0 / 81 / 14

HEX #C3DC2A

RGB 195 220 42

HSL 68.43, 0.72%, 0.51%

LAB 83.42, -28.93, 76.1

 

CMYK 12 / 0 / 89 / 21

HEX #B2CA17

RGB 178 202 23

HSL 68.04, 0.8%, 0.44%

LAB 77.14, -27.92, 74.4

 

CMYK 13 / 0 / 98 / 28

HEX #A1B804

RGB 161 184 4

HSL 67.67, 0.96%, 0.37%

LAB 70.78, -26.72, 71.39

 

CMYK 13 / 0 / 100 / 35

HEX #90A600

RGB 144 166 0

HSL 67.95, 1%, 0.33%

LAB 64.32, -25.28, 66.47

 

CMYK 14 / 0 / 100 / 42

HEX #7F9400

RGB 127 148 0

HSL 68.51, 1%, 0.29%

LAB 57.74, -23.76, 60.99

 

CMYK 12 / 0 / 82 / 14

HEX #C2DC28

RGB 194 220 40

HSL 68.67, 0.72%, 0.51%

LAB 83.34, -29.41, 76.5

 

CMYK 0 / 11 / 82 / 14

HEX #DCC428

RGB 220 196 40

HSL 52, 0.72%, 0.51%

LAB 78.95, -6.63, 73.54

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

CMYK 0 / 55 / 82 / 14

HEX #DC6328

RGB 220 99 40

HSL 19.67, 0.72%, 0.51%

LAB 56.38, 44.2, 53.72

 

CMYK 0 / 77 / 82 / 14

HEX #DC3328

RGB 220 51 40

HSL 3.67, 0.72%, 0.51%

LAB 49.17, 63.55, 47.05

 

CMYK 12 / 0 / 82 / 14

HEX #C2DC28

RGB 194 220 40

HSL 68.67, 0.72%, 0.51%

LAB 83.34, -29.41, 76.5

 

CMYK 34 / 0 / 82 / 14

HEX #92DC28

RGB 146 220 40

HSL 84.67, 0.72%, 0.51%

LAB 80.43, -47.86, 72.83

 

CMYK 56 / 0 / 82 / 14

HEX #61DC28

RGB 97 220 40

HSL 101, 0.72%, 0.51%

LAB 78.39, -63.04, 70.23

 

CMYK 78 / 0 / 82 / 14

HEX #31DC28

RGB 49 220 40

HSL 117, 0.72%, 0.51%

LAB 77.28, -72.39, 68.8

 

CMYK 82 / 0 / 64 / 14

HEX #28DC4F

RGB 40 220 79

HSL 133, 0.72%, 0.51%

LAB 77.4, -70.38, 55.49

 

CMYK 12 / 0 / 82 / 14

HEX #C2DC28

RGB 194 220 40

HSL 68.67, 0.72%, 0.51%

LAB 83.34, -29.41, 76.5

 

CMYK 13 / 0 / 92 / 6

HEX #D1F013

RGB 209 240 19

HSL 68.42, 0.88%, 0.51%

LAB 89.82, -33.08, 85.94

 

CMYK 12 / 0 / 82 / 14

HEX #C2DC28

RGB 194 220 40

HSL 68.67, 0.72%, 0.51%

LAB 83.34, -29.41, 76.5

 

CMYK 10 / 0 / 70 / 22

HEX #B4C73C

RGB 180 199 60

HSL 68.2, 0.55%, 0.51%

LAB 76.6, -24.27, 63.82

 

CMYK 8 / 0 / 55 / 30

HEX #A5B350

RGB 165 179 80

HSL 68.48, 0.39%, 0.51%

LAB 70.05, -19.18, 48.08

 

CMYK 5 / 0 / 37 / 38

HEX #979F64

RGB 151 159 100

HSL 68.14, 0.24%, 0.51%

LAB 63.59, -12.5, 29.86

 

CMYK 2 / 0 / 14 / 45

HEX #888B78

RGB 136 139 120

HSL 69.47, 0.08%, 0.51%

LAB 57.13, -4.65, 9.79

 

CMYK 0 / 33 / 82 / 14

HEX #DC9428

RGB 220 148 40

HSL 36, 0.72%, 0.51%

LAB 66.94, 18.73, 63.15

 

CMYK 0 / 11 / 82 / 14

HEX #DCC428

RGB 220 196 40

HSL 52, 0.72%, 0.51%

LAB 78.95, -6.63, 73.54

 

CMYK 11 / 0 / 82 / 14

HEX #C4DC28

RGB 196 220 40

HSL 68, 0.72%, 0.51%

LAB 83.48, -28.59, 76.67

 

CMYK 33 / 0 / 82 / 14

HEX #94DC28

RGB 148 220 40

HSL 84, 0.72%, 0.51%

LAB 80.54, -47.15, 72.96

 

CMYK 55 / 0 / 82 / 14

HEX #64DC28

RGB 100 220 40

HSL 100, 0.72%, 0.51%

LAB 78.49, -62.26, 70.35

 

CMYK 12 / 0 / 84 / 40

HEX #869818

RGB 134 152 24

HSL 68.44, 0.73%, 0.35%

LAB 59.52, -22.16, 58.24

 

CMYK 12 / 0 / 84 / 26

HEX #A6BC1E

RGB 166 188 30

HSL 68.35, 0.72%, 0.43%

LAB 72.34, -26.04, 68.67

 

CMYK 12 / 0 / 82 / 14

HEX #C2DC28

RGB 194 220 40

HSL 68.67, 0.72%, 0.51%

LAB 83.34, -29.41, 76.5

 

CMYK 9 / 0 / 67 / 12

HEX #CCE14B

RGB 204 225 75

HSL 68.4, 0.71%, 0.59%

LAB 85.6, -26.15, 67.85

 

CMYK 7 / 0 / 52 / 9

HEX #D6E76F

RGB 214 231 111

HSL 68.5, 0.71%, 0.67%

LAB 88.25, -22.43, 55.78

 

CMYK 11 / 0 / 81 / 14

HEX #C3DC2A

RGB 195 220 42

HSL 68.43, 0.72%, 0.51%

LAB 83.42, -28.93, 76.1

 

CMYK 82 / 0 / 55 / 14

HEX #28DC64

RGB 40 220 100

HSL 140, 0.72%, 0.51%

LAB 77.61, -67.8, 46.43

 

CMYK 22 / 82 / 0 / 14

HEX #AC28DC

RGB 172 40 220

HSL 284, 0.72%, 0.51%

LAB 46.25, 74.7, -64.52

 

CMYK 11 / 0 / 81 / 14

HEX #C3DC2A

RGB 195 220 42

HSL 68.43, 0.72%, 0.51%

LAB 83.42, -28.93, 76.1

 

CMYK 82 / 11 / 0 / 14

HEX #28C4DC

RGB 40 196 220

HSL 188, 0.72%, 0.51%

LAB 72.96, -30.13, -22.98

 

CMYK 0 / 82 / 11 / 14

HEX #DC28C4

RGB 220 40 196

HSL 308, 0.72%, 0.51%

LAB 52.64, 79.57, -40.06

 

CMYK 11 / 0 / 81 / 14

HEX #C3DC2A

RGB 195 220 42

HSL 68.43, 0.72%, 0.51%

LAB 83.42, -28.93, 76.1

 

CMYK 82 / 0 / 55 / 14

HEX #28DC64

RGB 40 220 100

HSL 140, 0.72%, 0.51%

LAB 77.61, -67.8, 46.43

 

CMYK 71 / 82 / 0 / 14

HEX #4028DC

RGB 64 40 220

HSL 248, 0.72%, 0.51%

LAB 33.51, 61.47, -85.91

 

CMYK 0 / 82 / 27 / 14

HEX #DC28A0

RGB 220 40 160

HSL 320, 0.72%, 0.51%

LAB 51, 75.02, -21.54

 

CMYK 11 / 0 / 81 / 14

HEX #C3DC2A

RGB 195 220 42

HSL 68.43, 0.72%, 0.51%

LAB 83.42, -28.93, 76.1

 

CMYK 82 / 0 / 30 / 14

HEX #28DC9A

RGB 40 220 154

HSL 158, 0.72%, 0.51%

LAB 78.44, -58.17, 20.45

 

CMYK 71 / 82 / 0 / 14

HEX #4028DC

RGB 64 40 220

HSL 248, 0.72%, 0.51%

LAB 33.51, 61.47, -85.91

 

CMYK 0 / 82 / 52 / 14

HEX #DC286A

RGB 220 40 106

HSL 338, 0.72%, 0.51%

LAB 49.22, 69.86, 8.4

 

Description

Color code: HEX #C3DC2A | qconv.com Color code: HEX #C3DC2A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 220 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 220 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 81 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 81% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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