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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3D02E it is the complementary color #3C2FD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3D02E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3D02E shade: #C8D029, #D9E23C, #EAF44F, #FBFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3D02E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3D02E shade: #C3D02E, #B2BE1B, #A1AC08, #909A00 and #7F8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3D02E shade: #C4D12D, #D1B22D, #D1862D, #D15A2D and #D12E2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3D02E shade: #C4D12D, #98D12D, #6BD12D, #3FD12D and #2DD147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3D02E shade matches the following richer shades: #C4D12D, #D5E519 and #E6FA04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3D02E shade: #C4D12D, #B2BC42, #A1A757, #90936B and #7E7E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3D02E shade: #D1842D, #D1B02D, #C6D12D, #9AD12D and #6FD12D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3D02E shade: #848D1F, #A4AF26, #C4D12D, #CDD84F and #D7DF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3D02E shade: #C3D02E, #2DD159 and #9A2DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3D02E shade: #C3D02E, #2DC6D1 and #D12DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3D02E shade: #C3D02E, #2DD159, #382DD1 and #D12DA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3D02E shade: #C3D02E, #2DD18A, #382DD1 and #D12D74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 78 / 18

HEX #C3D02E

RGB 195 208 46

HSL 64.81, 0.64%, 0.5%

LAB 80.13, -23.06, 72.12

 

Complementary color

CMYK 71 / 78 / 0 / 18

HEX #3C2FD1

RGB 60 47 209

HSL 244.81, 0.64%, 0.5%

LAB 33.13, 54.71, -80.2

 

CMYK 4 / 0 / 80 / 18

HEX #C8D029

RGB 200 208 41

HSL 62.87, 0.67%, 0.49%

LAB 80.49, -21.14, 73.95

 

CMYK 4 / 0 / 73 / 11

HEX #D9E23C

RGB 217 226 60

HSL 63.25, 0.74%, 0.56%

LAB 86.74, -22.1, 74.53

 

CMYK 4 / 0 / 68 / 4

HEX #EAF44F

RGB 234 244 79

HSL 63.64, 0.88%, 0.63%

LAB 92.91, -22.91, 74.46

 

CMYK 2 / 0 / 62 / 0

HEX #FBFF62

RGB 251 255 98

HSL 61.53, 1%, 0.69%

LAB 97.19, -20.28, 72.05

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 6 / 0 / 78 / 18

HEX #C3D02E

RGB 195 208 46

HSL 64.81, 0.64%, 0.5%

LAB 80.13, -23.06, 72.12

 

CMYK 6 / 0 / 86 / 25

HEX #B2BE1B

RGB 178 190 27

HSL 64.42, 0.75%, 0.43%

LAB 73.79, -22.02, 70.9

 

CMYK 6 / 0 / 95 / 33

HEX #A1AC08

RGB 161 172 8

HSL 64.02, 0.91%, 0.35%

LAB 67.35, -20.77, 68.3

 

CMYK 6 / 0 / 100 / 40

HEX #909A00

RGB 144 154 0

HSL 63.9, 1%, 0.3%

LAB 60.82, -19.27, 63.86

 

CMYK 7 / 0 / 100 / 47

HEX #7F8800

RGB 127 136 0

HSL 63.97, 1%, 0.27%

LAB 54.15, -17.64, 58.32

 

CMYK 6 / 0 / 78 / 18

HEX #C4D12D

RGB 196 209 45

HSL 64.76, 0.65%, 0.5%

LAB 80.47, -23.16, 72.74

 

CMYK 0 / 15 / 78 / 18

HEX #D1B22D

RGB 209 178 45

HSL 48.66, 0.65%, 0.5%

LAB 73.28, -1.9, 66.7

 

CMYK 0 / 36 / 78 / 18

HEX #D1862D

RGB 209 134 45

HSL 32.56, 0.65%, 0.5%

LAB 62.33, 21.73, 56.63

 

CMYK 0 / 57 / 78 / 18

HEX #D15A2D

RGB 209 90 45

HSL 16.46, 0.65%, 0.5%

LAB 53.01, 44.56, 47.64

 

CMYK 0 / 78 / 78 / 18

HEX #D12E2D

RGB 209 46 45

HSL 0.37, 0.65%, 0.5%

LAB 46.58, 61.95, 41.13

 

CMYK 6 / 0 / 78 / 18

HEX #C4D12D

RGB 196 209 45

HSL 64.76, 0.65%, 0.5%

LAB 80.47, -23.16, 72.74

 

CMYK 27 / 0 / 78 / 18

HEX #98D12D

RGB 152 209 45

HSL 80.85, 0.65%, 0.5%

LAB 77.56, -40.76, 69.01

 

CMYK 49 / 0 / 78 / 18

HEX #6BD12D

RGB 107 209 45

HSL 97.32, 0.65%, 0.5%

LAB 75.4, -56.05, 66.23

 

CMYK 70 / 0 / 78 / 18

HEX #3FD12D

RGB 63 209 45

HSL 113.41, 0.65%, 0.5%

LAB 74.09, -66.59, 64.53

 

CMYK 78 / 0 / 66 / 18

HEX #2DD147

RGB 45 209 71

HSL 129.51, 0.65%, 0.5%

LAB 73.94, -67.24, 55

 

CMYK 6 / 0 / 78 / 18

HEX #C4D12D

RGB 196 209 45

HSL 64.76, 0.65%, 0.5%

LAB 80.47, -23.16, 72.74

 

CMYK 7 / 0 / 89 / 10

HEX #D5E519

RGB 213 229 25

HSL 64.71, 0.8%, 0.5%

LAB 87.12, -26.24, 83.13

 

CMYK 8 / 0 / 98 / 2

HEX #E6FA04

RGB 230 250 4

HSL 64.88, 0.97%, 0.5%

LAB 93.97, -29.38, 91.03

 

CMYK 6 / 0 / 78 / 18

HEX #C4D12D

RGB 196 209 45

HSL 64.76, 0.65%, 0.5%

LAB 80.47, -23.16, 72.74

 

CMYK 5 / 0 / 65 / 26

HEX #B2BC42

RGB 178 188 66

HSL 64.92, 0.48%, 0.5%

LAB 73.43, -19.33, 58.22

 

CMYK 4 / 0 / 48 / 35

HEX #A1A757

RGB 161 167 87

HSL 64.5, 0.31%, 0.5%

LAB 66.45, -14.04, 40.36

 

CMYK 2 / 0 / 27 / 42

HEX #90936B

RGB 144 147 107

HSL 64.5, 0.16%, 0.5%

LAB 59.76, -7.96, 20.87

 

CMYK 2 / 2 / 0 / 50

HEX #7E7E80

RGB 126 126 128

HSL 240, 0.01%, 0.5%

LAB 52.86, 0.4, -1.09

 

CMYK 0 / 37 / 78 / 18

HEX #D1842D

RGB 209 132 45

HSL 31.83, 0.65%, 0.5%

LAB 61.87, 22.81, 56.19

 

CMYK 0 / 16 / 78 / 18

HEX #D1B02D

RGB 209 176 45

HSL 47.93, 0.65%, 0.5%

LAB 72.76, -0.85, 66.23

 

CMYK 5 / 0 / 78 / 18

HEX #C6D12D

RGB 198 209 45

HSL 64.02, 0.65%, 0.5%

LAB 80.63, -22.33, 72.93

 

CMYK 26 / 0 / 78 / 18

HEX #9AD12D

RGB 154 209 45

HSL 80.12, 0.65%, 0.5%

LAB 77.67, -40, 69.16

 

CMYK 47 / 0 / 78 / 18

HEX #6FD12D

RGB 111 209 45

HSL 95.85, 0.65%, 0.5%

LAB 75.56, -54.85, 66.43

 

CMYK 6 / 0 / 78 / 45

HEX #848D1F

RGB 132 141 31

HSL 64.91, 0.64%, 0.34%

LAB 56.14, -17.13, 53.13

 

CMYK 6 / 0 / 78 / 31

HEX #A4AF26

RGB 164 175 38

HSL 64.82, 0.64%, 0.42%

LAB 68.53, -20.21, 63.14

 

CMYK 6 / 0 / 78 / 18

HEX #C4D12D

RGB 196 209 45

HSL 64.76, 0.65%, 0.5%

LAB 80.47, -23.16, 72.74

 

CMYK 5 / 0 / 63 / 15

HEX #CDD84F

RGB 205 216 79

HSL 64.82, 0.64%, 0.58%

LAB 83.26, -21.17, 63.88

 

CMYK 4 / 0 / 49 / 13

HEX #D7DF71

RGB 215 223 113

HSL 64.36, 0.63%, 0.66%

LAB 86.21, -17.96, 52.46

 

CMYK 6 / 0 / 78 / 18

HEX #C3D02E

RGB 195 208 46

HSL 64.81, 0.64%, 0.5%

LAB 80.13, -23.06, 72.12

 

CMYK 78 / 0 / 57 / 18

HEX #2DD159

RGB 45 209 89

HSL 136.1, 0.65%, 0.5%

LAB 74.11, -65.16, 47.37

 

CMYK 26 / 78 / 0 / 18

HEX #9A2DD1

RGB 154 45 209

HSL 279.88, 0.65%, 0.5%

LAB 43.29, 68.08, -63.14

 

CMYK 6 / 0 / 78 / 18

HEX #C3D02E

RGB 195 208 46

HSL 64.81, 0.64%, 0.5%

LAB 80.13, -23.06, 72.12

 

CMYK 78 / 5 / 0 / 18

HEX #2DC6D1

RGB 45 198 209

HSL 184.02, 0.65%, 0.5%

LAB 73.25, -34.05, -16.55

 

CMYK 0 / 78 / 5 / 18

HEX #D12DC6

RGB 209 45 198

HSL 304.02, 0.65%, 0.5%

LAB 51.28, 76.49, -43.5

 

CMYK 6 / 0 / 78 / 18

HEX #C3D02E

RGB 195 208 46

HSL 64.81, 0.64%, 0.5%

LAB 80.13, -23.06, 72.12

 

CMYK 78 / 0 / 57 / 18

HEX #2DD159

RGB 45 209 89

HSL 136.1, 0.65%, 0.5%

LAB 74.11, -65.16, 47.37

 

CMYK 73 / 78 / 0 / 18

HEX #382DD1

RGB 56 45 209

HSL 244.02, 0.65%, 0.5%

LAB 32.53, 55.38, -81.2

 

CMYK 0 / 78 / 21 / 18

HEX #D12DA5

RGB 209 45 165

HSL 316.1, 0.65%, 0.5%

LAB 49.68, 71.93, -26.72

 

CMYK 6 / 0 / 78 / 18

HEX #C3D02E

RGB 195 208 46

HSL 64.81, 0.64%, 0.5%

LAB 80.13, -23.06, 72.12

 

CMYK 78 / 0 / 34 / 18

HEX #2DD18A

RGB 45 209 138

HSL 154.02, 0.65%, 0.5%

LAB 74.82, -56.93, 23.88

 

CMYK 73 / 78 / 0 / 18

HEX #382DD1

RGB 56 45 209

HSL 244.02, 0.65%, 0.5%

LAB 32.53, 55.38, -81.2

 

CMYK 0 / 78 / 44 / 18

HEX #D12D74

RGB 209 45 116

HSL 334.02, 0.65%, 0.5%

LAB 47.87, 66.58, 0.07

 

Description

Color code: HEX #C3D02E | qconv.com Color code: HEX #C3D02E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 208 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 208 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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