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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3D501 it is the complementary color #3C2AFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3D501. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3D501 shade: #C8D500, #D9E70F, #EAF922, #FBFF35 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3D501. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3D501 shade: #C3D501, #B2C300, #A1B100, #909F00 and #7F8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3D501 shade: #C3D501, #D5AD01, #D57401, #D53B01 and #D50201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3D501 shade: #C3D501, #89D501, #50D501, #17D501 and #01D523

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3D501 shade matches the following richer shades: #C3D501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3D501 shade: #C3D501, #B4C312, #A6B223, #97A135 and #898F46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3D501 shade: #D57501, #D5AE01, #C3D501, #8AD501 and #52D501

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3D501 shade: #778300, #9DAC00, #C3D501, #E8FD01 and #ECFD2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3D501 shade: #C3D501, #01D53D and #9101D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3D501 shade: #C3D501, #01C3D5 and #D501C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3D501 shade: #C3D501, #01D53D, #1201D5 and #D50199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3D501 shade: #C3D501, #01D57C, #1201D5 and #D50159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

Complementary color

CMYK 76 / 83 / 0 / 0

HEX #3C2AFE

RGB 60 42 254

HSL 245.09, 0.99%, 0.58%

LAB 37.43, 69.94, -98.7

 

CMYK 6 / 0 / 100 / 16

HEX #C8D500

RGB 200 213 0

HSL 63.66, 1%, 0.42%

LAB 81.77, -24.31, 81.29

 

CMYK 6 / 0 / 94 / 9

HEX #D9E70F

RGB 217 231 15

HSL 63.89, 0.88%, 0.48%

LAB 87.94, -25.68, 85.17

 

CMYK 6 / 0 / 86 / 2

HEX #EAF922

RGB 234 249 34

HSL 64.19, 0.95%, 0.55%

LAB 94.04, -26.9, 87.82

 

CMYK 2 / 0 / 79 / 0

HEX #FBFF35

RGB 251 255 53

HSL 61.19, 1%, 0.6%

LAB 96.94, -22.34, 86.68

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 9 / 0 / 100 / 24

HEX #B2C300

RGB 178 195 0

HSL 65.23, 1%, 0.38%

LAB 75.14, -24.89, 75.64

 

CMYK 9 / 0 / 100 / 31

HEX #A1B100

RGB 161 177 0

HSL 65.42, 1%, 0.35%

LAB 68.77, -23.36, 70.35

 

CMYK 9 / 0 / 100 / 38

HEX #909F00

RGB 144 159 0

HSL 65.66, 1%, 0.31%

LAB 62.28, -21.8, 64.94

 

CMYK 10 / 0 / 100 / 45

HEX #7F8D00

RGB 127 141 0

HSL 65.96, 1%, 0.28%

LAB 55.65, -20.22, 59.43

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 0 / 19 / 100 / 16

HEX #D5AD01

RGB 213 173 1

HSL 48.68, 0.99%, 0.42%

LAB 72.25, 1.61, 74.83

 

CMYK 0 / 46 / 100 / 16

HEX #D57401

RGB 213 116 1

HSL 32.55, 0.99%, 0.42%

LAB 58.64, 32.14, 65.74

 

CMYK 0 / 72 / 100 / 16

HEX #D53B01

RGB 213 59 1

HSL 16.42, 0.99%, 0.42%

LAB 48.61, 58.17, 60.12

 

CMYK 0 / 99 / 100 / 16

HEX #D50201

RGB 213 2 1

HSL 0.28, 0.99%, 0.42%

LAB 44.51, 69.77, 58.37

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 36 / 0 / 100 / 16

HEX #89D501

RGB 137 213 1

HSL 81.51, 0.99%, 0.42%

LAB 77.82, -49.06, 76.48

 

CMYK 62 / 0 / 100 / 16

HEX #50D501

RGB 80 213 1

HSL 97.64, 0.99%, 0.42%

LAB 75.64, -65.86, 73.82

 

CMYK 89 / 0 / 100 / 16

HEX #17D501

RGB 23 213 1

HSL 113.77, 0.99%, 0.42%

LAB 74.68, -74.17, 72.66

 

CMYK 100 / 0 / 84 / 16

HEX #01D523

RGB 1 213 35

HSL 129.62, 0.99%, 0.42%

LAB 74.65, -74.2, 67.49

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 8 / 0 / 91 / 24

HEX #B4C312

RGB 180 195 18

HSL 65.08, 0.83%, 0.42%

LAB 75.31, -23.81, 73.81

 

CMYK 7 / 0 / 80 / 30

HEX #A6B223

RGB 166 178 35

HSL 65.03, 0.67%, 0.42%

LAB 69.52, -20.96, 64.95

 

CMYK 6 / 0 / 67 / 37

HEX #97A135

RGB 151 161 53

HSL 65.56, 0.5%, 0.42%

LAB 63.61, -17.96, 52.7

 

CMYK 4 / 0 / 51 / 44

HEX #898F46

RGB 137 143 70

HSL 64.93, 0.34%, 0.42%

LAB 57.47, -13.23, 37.72

 

CMYK 0 / 45 / 100 / 16

HEX #D57501

RGB 213 117 1

HSL 32.83, 0.99%, 0.42%

LAB 58.85, 31.62, 65.87

 

CMYK 0 / 18 / 100 / 16

HEX #D5AE01

RGB 213 174 1

HSL 48.96, 0.99%, 0.42%

LAB 72.51, 1.09, 75.01

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 35 / 0 / 100 / 16

HEX #8AD501

RGB 138 213 1

HSL 81.23, 0.99%, 0.42%

LAB 77.87, -48.71, 76.54

 

CMYK 62 / 0 / 100 / 16

HEX #52D501

RGB 82 213 1

HSL 97.08, 0.99%, 0.42%

LAB 75.69, -65.4, 73.89

 

CMYK 9 / 0 / 100 / 49

HEX #778300

RGB 119 131 0

HSL 65.5, 1%, 0.26%

LAB 52.01, -18.67, 56.44

 

CMYK 9 / 0 / 100 / 33

HEX #9DAC00

RGB 157 172 0

HSL 65.23, 1%, 0.34%

LAB 67.03, -22.62, 68.92

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 8 / 0 / 100 / 1

HEX #E8FD01

RGB 232 253 1

HSL 65, 0.99%, 0.5%

LAB 94.91, -29.98, 92.01

 

CMYK 7 / 0 / 83 / 1

HEX #ECFD2A

RGB 236 253 42

HSL 64.83, 0.98%, 0.58%

LAB 95.27, -27.77, 87.35

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 100 / 0 / 71 / 16

HEX #01D53D

RGB 1 213 61

HSL 136.98, 0.99%, 0.42%

LAB 74.78, -72.45, 59.66

 

CMYK 32 / 100 / 0 / 16

HEX #9101D5

RGB 145 1 213

HSL 280.75, 0.99%, 0.42%

LAB 39.32, 76.25, -71.98

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 100 / 8 / 0 / 16

HEX #01C3D5

RGB 1 195 213

HSL 185.09, 0.99%, 0.42%

LAB 72.12, -33.68, -20.47

 

CMYK 0 / 100 / 8 / 16

HEX #D501C3

RGB 213 1 195

HSL 305.09, 0.99%, 0.42%

LAB 49.63, 83.2, -44.33

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 100 / 0 / 71 / 16

HEX #01D53D

RGB 1 213 61

HSL 136.98, 0.99%, 0.42%

LAB 74.78, -72.45, 59.66

 

CMYK 92 / 100 / 0 / 16

HEX #1201D5

RGB 18 1 213

HSL 244.81, 0.99%, 0.42%

LAB 26.6, 69.06, -93.43

 

CMYK 0 / 100 / 28 / 16

HEX #D50199

RGB 213 1 153

HSL 316.98, 0.99%, 0.42%

LAB 47.58, 78.07, -22.74

 

CMYK 8 / 0 / 100 / 16

HEX #C3D501

RGB 195 213 1

HSL 65.09, 0.99%, 0.42%

LAB 81.4, -26.39, 80.76

 

CMYK 100 / 0 / 42 / 16

HEX #01D57C

RGB 1 213 124

HSL 154.81, 0.99%, 0.42%

LAB 75.48, -63.84, 31.94

 

CMYK 92 / 100 / 0 / 16

HEX #1201D5

RGB 18 1 213

HSL 244.81, 0.99%, 0.42%

LAB 26.6, 69.06, -93.43

 

CMYK 0 / 100 / 58 / 16

HEX #D50159

RGB 213 1 89

HSL 335.09, 0.99%, 0.42%

LAB 45.48, 72.58, 13.47

 

Description

Color code: HEX #C3D501 | qconv.com Color code: HEX #C3D501 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 213 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 213 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 100% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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