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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C16A it is the complementary color #3C3E95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C16A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C16A shade: #C8C165, #D9D378, #EAE58B, #FBF79E and #FFFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C16A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C16A shade: #C3C16A, #B2AF57, #A19D44, #908B31 and #7F791E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C16A shade: #C3C169, #C3A969, #C39069, #C37869 and #C36969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C16A shade: #C3C169, #ADC369, #94C369, #7CC369 and #69C36E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C16A shade matches the following richer shades: #C3C169, #D4D158, #E5E147 and #F6F136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C16A shade: #C3C169, #B2B17A, #A1A18B, #90909C and #7F80AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C16A shade: #C39069, #C3A869, #C3C069, #AEC369 and #96C369

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C16A shade: #9C9A3E, #B7B54B, #C3C169, #CFCD86 and #DAD9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C16A shade: #C3C16A, #69C378 and #9C69C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C16A shade: #C3C16A, #69C3C0 and #C069C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C16A shade: #C3C16A, #69C378, #696CC3 and #C369B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C16A shade: #C3C16A, #69C393, #696CC3 and #C36999

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 46 / 24

HEX #C3C16A

RGB 195 193 106

HSL 58.65, 0.43%, 0.59%

LAB 76.55, -11.6, 43.81

 

Complementary color

CMYK 60 / 58 / 0 / 42

HEX #3C3E95

RGB 60 62 149

HSL 238.65, 0.43%, 0.41%

LAB 30.82, 26.17, -48.29

 

CMYK 0 / 4 / 50 / 22

HEX #C8C165

RGB 200 193 101

HSL 55.76, 0.47%, 0.59%

LAB 76.9, -10.03, 46.78

 

CMYK 0 / 3 / 45 / 15

HEX #D9D378

RGB 217 211 120

HSL 56.29, 0.56%, 0.66%

LAB 83.28, -10.53, 45.59

 

CMYK 0 / 2 / 41 / 8

HEX #EAE58B

RGB 234 229 139

HSL 56.84, 0.69%, 0.73%

LAB 89.58, -10.95, 44.42

 

CMYK 0 / 2 / 37 / 2

HEX #FBF79E

RGB 251 247 158

HSL 57.42, 0.92%, 0.8%

LAB 95.79, -11.31, 43.27

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 1 / 46 / 24

HEX #C3C16A

RGB 195 193 106

HSL 58.65, 0.43%, 0.59%

LAB 76.55, -11.6, 43.81

 

CMYK 0 / 2 / 51 / 30

HEX #B2AF57

RGB 178 175 87

HSL 58.02, 0.37%, 0.52%

LAB 70.04, -11.1, 44.99

 

CMYK 0 / 2 / 58 / 37

HEX #A19D44

RGB 161 157 68

HSL 57.42, 0.41%, 0.45%

LAB 63.43, -10.49, 46.12

 

CMYK 0 / 3 / 66 / 44

HEX #908B31

RGB 144 139 49

HSL 56.84, 0.49%, 0.38%

LAB 56.7, -9.71, 47.04

 

CMYK 0 / 5 / 76 / 50

HEX #7F791E

RGB 127 121 30

HSL 56.29, 0.62%, 0.31%

LAB 49.83, -8.71, 47.45

 

CMYK 0 / 1 / 46 / 24

HEX #C3C169

RGB 195 193 105

HSL 58.67, 0.43%, 0.59%

LAB 76.53, -11.7, 44.29

 

CMYK 0 / 13 / 46 / 24

HEX #C3A969

RGB 195 169 105

HSL 42.67, 0.43%, 0.59%

LAB 70.17, 0.88, 36.41

 

CMYK 0 / 26 / 46 / 24

HEX #C39069

RGB 195 144 105

HSL 26, 0.43%, 0.59%

LAB 63.81, 14.47, 28.24

 

CMYK 0 / 38 / 46 / 24

HEX #C37869

RGB 195 120 105

HSL 10, 0.43%, 0.59%

LAB 58.09, 27.66, 20.64

 

CMYK 0 / 46 / 46 / 24

HEX #C36969

RGB 195 105 105

HSL 0, 0.43%, 0.59%

LAB 54.79, 35.72, 16.15

 

CMYK 0 / 1 / 46 / 24

HEX #C3C169

RGB 195 193 105

HSL 58.67, 0.43%, 0.59%

LAB 76.53, -11.7, 44.29

 

CMYK 11 / 0 / 46 / 24

HEX #ADC369

RGB 173 195 105

HSL 74.67, 0.43%, 0.59%

LAB 75.41, -21.52, 42.53

 

CMYK 24 / 0 / 46 / 24

HEX #94C369

RGB 148 195 105

HSL 91.33, 0.43%, 0.59%

LAB 73.77, -31.04, 40.14

 

CMYK 36 / 0 / 46 / 24

HEX #7CC369

RGB 124 195 105

HSL 107.33, 0.43%, 0.59%

LAB 72.45, -39.41, 38.21

 

CMYK 46 / 0 / 44 / 24

HEX #69C36E

RGB 105 195 110

HSL 123.33, 0.43%, 0.59%

LAB 71.66, -44.55, 34.5

 

CMYK 0 / 1 / 46 / 24

HEX #C3C169

RGB 195 193 105

HSL 58.67, 0.43%, 0.59%

LAB 76.53, -11.7, 44.29

 

CMYK 0 / 1 / 58 / 17

HEX #D4D158

RGB 212 209 88

HSL 58.55, 0.59%, 0.59%

LAB 82, -14.24, 58.91

 

CMYK 0 / 2 / 69 / 10

HEX #E5E147

RGB 229 225 71

HSL 58.48, 0.75%, 0.59%

LAB 87.47, -16.17, 71.81

 

CMYK 0 / 2 / 78 / 4

HEX #F6F136

RGB 246 241 54

HSL 58.44, 0.91%, 0.59%

LAB 92.91, -17.65, 82.75

 

CMYK 0 / 1 / 46 / 24

HEX #C3C169

RGB 195 193 105

HSL 58.67, 0.43%, 0.59%

LAB 76.53, -11.7, 44.29

 

CMYK 0 / 1 / 31 / 30

HEX #B2B17A

RGB 178 177 122

HSL 58.93, 0.27%, 0.59%

LAB 71.09, -8.35, 28.34

 

CMYK 0 / 0 / 14 / 37

HEX #A1A18B

RGB 161 161 139

HSL 60, 0.1%, 0.59%

LAB 65.69, -3.92, 11.47

 

CMYK 8 / 8 / 0 / 39

HEX #90909C

RGB 144 144 156

HSL 240, 0.06%, 0.59%

LAB 60.14, 2.42, -6.33

 

CMYK 27 / 26 / 0 / 32

HEX #7F80AD

RGB 127 128 173

HSL 238.7, 0.22%, 0.59%

LAB 55.04, 9.89, -23.91

 

CMYK 0 / 26 / 46 / 24

HEX #C39069

RGB 195 144 105

HSL 26, 0.43%, 0.59%

LAB 63.81, 14.47, 28.24

 

CMYK 0 / 14 / 46 / 24

HEX #C3A869

RGB 195 168 105

HSL 42, 0.43%, 0.59%

LAB 69.91, 1.41, 36.08

 

CMYK 0 / 2 / 46 / 24

HEX #C3C069

RGB 195 192 105

HSL 58, 0.43%, 0.59%

LAB 76.27, -11.19, 43.96

 

CMYK 11 / 0 / 46 / 24

HEX #AEC369

RGB 174 195 105

HSL 74, 0.43%, 0.59%

LAB 75.48, -21.13, 42.64

 

CMYK 23 / 0 / 46 / 24

HEX #96C369

RGB 150 195 105

HSL 90, 0.43%, 0.59%

LAB 73.89, -30.3, 40.32

 

CMYK 0 / 1 / 60 / 39

HEX #9C9A3E

RGB 156 154 62

HSL 58.72, 0.43%, 0.43%

LAB 62.11, -11.53, 47.31

 

CMYK 0 / 1 / 59 / 28

HEX #B7B54B

RGB 183 181 75

HSL 58.89, 0.43%, 0.51%

LAB 71.98, -13.07, 52.92

 

CMYK 0 / 1 / 46 / 24

HEX #C3C169

RGB 195 193 105

HSL 58.67, 0.43%, 0.59%

LAB 76.53, -11.7, 44.29

 

CMYK 0 / 1 / 35 / 19

HEX #CFCD86

RGB 207 205 134

HSL 58.36, 0.43%, 0.67%

LAB 81.1, -9.94, 35.64

 

CMYK 0 / 0 / 25 / 15

HEX #DAD9A4

RGB 218 217 164

HSL 58.89, 0.42%, 0.75%

LAB 85.61, -8.04, 26.31

 

CMYK 0 / 1 / 46 / 24

HEX #C3C16A

RGB 195 193 106

HSL 58.65, 0.43%, 0.59%

LAB 76.55, -11.6, 43.81

 

CMYK 46 / 0 / 38 / 24

HEX #69C378

RGB 105 195 120

HSL 130, 0.43%, 0.59%

LAB 71.82, -42.97, 29.55

 

CMYK 20 / 46 / 0 / 24

HEX #9C69C3

RGB 156 105 195

HSL 274, 0.43%, 0.59%

LAB 53.07, 37.38, -39.41

 

CMYK 0 / 1 / 46 / 24

HEX #C3C16A

RGB 195 193 106

HSL 58.65, 0.43%, 0.59%

LAB 76.55, -11.6, 43.81

 

CMYK 46 / 0 / 2 / 24

HEX #69C3C0

RGB 105 195 192

HSL 178, 0.43%, 0.59%

LAB 73.44, -27.63, -6.87

 

CMYK 2 / 46 / 0 / 24

HEX #C069C3

RGB 192 105 195

HSL 298, 0.43%, 0.59%

LAB 57.32, 47.87, -32.46

 

CMYK 0 / 1 / 46 / 24

HEX #C3C16A

RGB 195 193 106

HSL 58.65, 0.43%, 0.59%

LAB 76.55, -11.6, 43.81

 

CMYK 46 / 0 / 38 / 24

HEX #69C378

RGB 105 195 120

HSL 130, 0.43%, 0.59%

LAB 71.82, -42.97, 29.55

 

CMYK 46 / 45 / 0 / 24

HEX #696CC3

RGB 105 108 195

HSL 238, 0.43%, 0.59%

LAB 49.09, 21.89, -46.02

 

CMYK 0 / 46 / 8 / 24

HEX #C369B4

RGB 195 105 180

HSL 310, 0.43%, 0.59%

LAB 57.08, 46.09, -24.21

 

CMYK 0 / 1 / 46 / 24

HEX #C3C16A

RGB 195 193 106

HSL 58.65, 0.43%, 0.59%

LAB 76.55, -11.6, 43.81

 

CMYK 46 / 0 / 25 / 24

HEX #69C393

RGB 105 195 147

HSL 148, 0.43%, 0.59%

LAB 72.32, -37.98, 15.92

 

CMYK 46 / 45 / 0 / 24

HEX #696CC3

RGB 105 108 195

HSL 238, 0.43%, 0.59%

LAB 49.09, 21.89, -46.02

 

CMYK 0 / 46 / 22 / 24

HEX #C36999

RGB 195 105 153

HSL 328, 0.43%, 0.59%

LAB 56.09, 41.76, -10.06

 

Description

Color code: HEX #C3C16A | qconv.com Color code: HEX #C3C16A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 193 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 193 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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