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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3C57C it is the complementary color #3C3A83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3C57C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3C57C shade: #C8C577, #D9D78A, #EAE99D, #FBFBB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3C57C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3C57C shade: #C3C57C, #B2B369, #A1A156, #908F43 and #7F7D30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3C57C shade: #C3C57B, #C5B37B, #C59F7B, #C58B7B and #C57B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3C57C shade: #C3C57B, #AFC57B, #9BC57B, #87C57B and #7BC583

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3C57C shade matches the following richer shades: #C3C57B, #D1D46C, #E0E35D and #EEF34E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3C57C shade: #C3C57B, #B5B68B, #A6A69A, #9897A9 and #8988B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3C57C shade: #C59F7B, #C5B37B, #C4C57B, #B0C57B and #9CC57B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3C57C shade: #A3A548, #B6B85F, #C3C57B, #D0D298 and #DDDEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3C57C shade: #C3C57C, #7BC58B and #A97BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3C57C shade: #C3C57C, #7BC4C5 and #C57BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3C57C shade: #C3C57C, #7BC58B, #7D7BC5 and #C57BB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3C57C shade: #C3C57C, #7BC5A1, #7D7BC5 and #C57B9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

Complementary color

CMYK 54 / 56 / 0 / 49

HEX #3C3A83

RGB 60 58 131

HSL 241.64, 0.39%, 0.37%

LAB 28.45, 22.62, -41.02

 

CMYK 0 / 1 / 41 / 22

HEX #C8C577

RGB 200 197 119

HSL 57.78, 0.42%, 0.63%

LAB 78.19, -10.3, 39.44

 

CMYK 0 / 1 / 36 / 15

HEX #D9D78A

RGB 217 215 138

HSL 58.48, 0.51%, 0.7%

LAB 84.58, -10.65, 38.27

 

CMYK 0 / 0 / 33 / 8

HEX #EAE99D

RGB 234 233 157

HSL 59.22, 0.65%, 0.77%

LAB 90.87, -10.95, 37.13

 

CMYK 0 / 0 / 30 / 2

HEX #FBFBB0

RGB 251 251 176

HSL 60, 0.9%, 0.84%

LAB 97.08, -11.2, 36.05

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

CMYK 1 / 0 / 41 / 30

HEX #B2B369

RGB 178 179 105

HSL 60.81, 0.33%, 0.56%

LAB 71.37, -11.4, 37.59

 

CMYK 0 / 0 / 47 / 37

HEX #A1A156

RGB 161 161 86

HSL 60, 0.3%, 0.48%

LAB 64.75, -11, 38.82

 

CMYK 0 / 1 / 53 / 44

HEX #908F43

RGB 144 143 67

HSL 59.22, 0.36%, 0.41%

LAB 58.02, -10.49, 40.02

 

CMYK 0 / 2 / 62 / 50

HEX #7F7D30

RGB 127 125 48

HSL 58.48, 0.45%, 0.34%

LAB 51.14, -9.82, 41.11

 

CMYK 1 / 0 / 38 / 23

HEX #C3C57B

RGB 195 197 123

HSL 61.62, 0.39%, 0.63%

LAB 77.85, -11.85, 36.89

 

CMYK 0 / 9 / 38 / 23

HEX #C5B37B

RGB 197 179 123

HSL 45.41, 0.39%, 0.63%

LAB 73.25, -1.68, 30.95

 

CMYK 0 / 19 / 38 / 23

HEX #C59F7B

RGB 197 159 123

HSL 29.19, 0.39%, 0.63%

LAB 68.09, 9.08, 24.11

 

CMYK 0 / 29 / 38 / 23

HEX #C58B7B

RGB 197 139 123

HSL 12.97, 0.39%, 0.63%

LAB 63.15, 20.05, 17.38

 

CMYK 0 / 38 / 38 / 23

HEX #C57B7B

RGB 197 123 123

HSL 0, 0.39%, 0.63%

LAB 59.4, 28.82, 12.18

 

CMYK 1 / 0 / 38 / 23

HEX #C3C57B

RGB 195 197 123

HSL 61.62, 0.39%, 0.63%

LAB 77.85, -11.85, 36.89

 

CMYK 11 / 0 / 38 / 23

HEX #AFC57B

RGB 175 197 123

HSL 77.84, 0.39%, 0.63%

LAB 76.36, -19.64, 34.67

 

CMYK 21 / 0 / 38 / 23

HEX #9BC57B

RGB 155 197 123

HSL 94.05, 0.39%, 0.63%

LAB 75.03, -27.11, 32.69

 

CMYK 31 / 0 / 38 / 23

HEX #87C57B

RGB 135 197 123

HSL 110.27, 0.39%, 0.63%

LAB 73.88, -34.1, 30.96

 

CMYK 38 / 0 / 34 / 23

HEX #7BC583

RGB 123 197 131

HSL 126.49, 0.39%, 0.63%

LAB 73.4, -36.69, 26.04

 

CMYK 1 / 0 / 38 / 23

HEX #C3C57B

RGB 195 197 123

HSL 61.62, 0.39%, 0.63%

LAB 77.85, -11.85, 36.89

 

CMYK 1 / 0 / 49 / 17

HEX #D1D46C

RGB 209 212 108

HSL 61.73, 0.55%, 0.63%

LAB 82.77, -15.36, 50.61

 

CMYK 1 / 0 / 59 / 11

HEX #E0E35D

RGB 224 227 93

HSL 61.34, 0.71%, 0.63%

LAB 87.76, -17.9, 63.35

 

CMYK 2 / 0 / 68 / 5

HEX #EEF34E

RGB 238 243 78

HSL 61.82, 0.87%, 0.63%

LAB 92.94, -20.88, 74.95

 

CMYK 1 / 0 / 38 / 23

HEX #C3C57B

RGB 195 197 123

HSL 61.62, 0.39%, 0.63%

LAB 77.85, -11.85, 36.89

 

CMYK 1 / 0 / 24 / 29

HEX #B5B68B

RGB 181 182 139

HSL 61.4, 0.23%, 0.63%

LAB 72.99, -7.49, 21.84

 

CMYK 0 / 0 / 7 / 35

HEX #A6A69A

RGB 166 166 154

HSL 60, 0.06%, 0.63%

LAB 67.81, -2.2, 6.21

 

CMYK 10 / 11 / 0 / 34

HEX #9897A9

RGB 152 151 169

HSL 243.33, 0.09%, 0.63%

LAB 63.07, 4, -9.26

 

CMYK 26 / 26 / 0 / 28

HEX #8988B8

RGB 137 136 184

HSL 241.25, 0.25%, 0.63%

LAB 58.4, 11.09, -24.96

 

CMYK 0 / 19 / 38 / 23

HEX #C59F7B

RGB 197 159 123

HSL 29.19, 0.39%, 0.63%

LAB 68.09, 9.08, 24.11

 

CMYK 0 / 9 / 38 / 23

HEX #C5B37B

RGB 197 179 123

HSL 45.41, 0.39%, 0.63%

LAB 73.25, -1.68, 30.95

 

CMYK 1 / 0 / 38 / 23

HEX #C4C57B

RGB 196 197 123

HSL 60.81, 0.39%, 0.63%

LAB 77.93, -11.45, 37.01

 

CMYK 11 / 0 / 38 / 23

HEX #B0C57B

RGB 176 197 123

HSL 77.03, 0.39%, 0.63%

LAB 76.43, -19.26, 34.78

 

CMYK 21 / 0 / 38 / 23

HEX #9CC57B

RGB 156 197 123

HSL 93.24, 0.39%, 0.63%

LAB 75.1, -26.75, 32.79

 

CMYK 1 / 0 / 56 / 35

HEX #A3A548

RGB 163 165 72

HSL 61.29, 0.39%, 0.46%

LAB 65.88, -13.51, 47.04

 

CMYK 1 / 0 / 48 / 28

HEX #B6B85F

RGB 182 184 95

HSL 61.35, 0.39%, 0.55%

LAB 72.93, -13.36, 44.59

 

CMYK 1 / 0 / 38 / 23

HEX #C3C57B

RGB 195 197 123

HSL 61.62, 0.39%, 0.63%

LAB 77.85, -11.85, 36.89

 

CMYK 1 / 0 / 28 / 18

HEX #D0D298

RGB 208 210 152

HSL 62.07, 0.39%, 0.71%

LAB 82.79, -9.86, 28.6

 

CMYK 0 / 0 / 18 / 13

HEX #DDDEB5

RGB 221 222 181

HSL 61.46, 0.38%, 0.79%

LAB 87.46, -7.07, 20.05

 

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

CMYK 38 / 0 / 29 / 23

HEX #7BC58B

RGB 123 197 139

HSL 132.97, 0.39%, 0.63%

LAB 73.55, -35.3, 22.01

 

CMYK 14 / 38 / 0 / 23

HEX #A97BC5

RGB 169 123 197

HSL 277.3, 0.39%, 0.63%

LAB 58.63, 31.58, -31.75

 

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

CMYK 38 / 1 / 0 / 23

HEX #7BC4C5

RGB 123 196 197

HSL 180.81, 0.39%, 0.63%

LAB 74.65, -22.43, -7.71

 

CMYK 0 / 38 / 1 / 23

HEX #C57BC4

RGB 197 123 196

HSL 300.81, 0.39%, 0.63%

LAB 61.67, 40.12, -26.23

 

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

CMYK 38 / 0 / 29 / 23

HEX #7BC58B

RGB 123 197 139

HSL 132.97, 0.39%, 0.63%

LAB 73.55, -35.3, 22.01

 

CMYK 37 / 38 / 0 / 23

HEX #7D7BC5

RGB 125 123 197

HSL 241.62, 0.39%, 0.63%

LAB 54.61, 18.61, -38.33

 

CMYK 0 / 38 / 8 / 23

HEX #C57BB5

RGB 197 123 181

HSL 312.97, 0.39%, 0.63%

LAB 61.11, 37.42, -18.59

 

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

CMYK 38 / 0 / 18 / 23

HEX #7BC5A1

RGB 123 197 161

HSL 150.81, 0.39%, 0.63%

LAB 74.01, -31.07, 10.86

 

CMYK 37 / 38 / 0 / 23

HEX #7D7BC5

RGB 125 123 197

HSL 241.62, 0.39%, 0.63%

LAB 54.61, 18.61, -38.33

 

CMYK 0 / 38 / 19 / 23

HEX #C57B9F

RGB 197 123 159

HSL 330.81, 0.39%, 0.63%

LAB 60.37, 33.79, -7.12

 

Description

Color code: HEX #C3C57C | qconv.com Color code: HEX #C3C57C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 197 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 197 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 37 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 37% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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