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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B816 it is the complementary color #3C47E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3B816 shade: #C8B811, #D9CA24, #EADC37, #FBEE4A and #FFFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3B816 shade: #C3B816, #B2A603, #A19400, #908200 and #7F7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3B816 shade: #C5BA15, #C58A15, #C55B15, #C52C15 and #C51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3B816 shade: #C5BA15, #A1C515, #71C515, #42C515 and #15C518

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3B816 shade matches the following richer shades: #C5BA15 and #D7C904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3B816 shade: #C5BA15, #B3AA27, #A19B39, #908B4B and #7E7C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3B816 shade: #C55C15, #C58A15, #C5B915, #A2C515 and #73C515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3B816 shade: #7B740D, #A09711, #C5BA15, #E6D91E and #EADF43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3B816 shade: #C3B816, #15C52D and #7315C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3B816 shade: #C3B816, #15C5B9 and #B915C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3B816 shade: #C3B816, #15C52D, #1521C5 and #C515AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3B816 shade: #C3B816, #15C561, #1521C5 and #C51579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 89 / 24

HEX #C3B816

RGB 195 184 22

HSL 56.18, 0.8%, 0.43%

LAB 73.51, -11.77, 72.23

 

Complementary color

CMYK 74 / 70 / 0 / 9

HEX #3C47E9

RGB 60 71 233

HSL 236.18, 0.8%, 0.57%

LAB 40.16, 49.36, -82.34

 

CMYK 0 / 8 / 92 / 22

HEX #C8B811

RGB 200 184 17

HSL 54.75, 0.84%, 0.43%

LAB 73.93, -9.67, 73.58

 

CMYK 0 / 7 / 83 / 15

HEX #D9CA24

RGB 217 202 36

HSL 55.03, 0.72%, 0.5%

LAB 80.25, -11.09, 75.54

 

CMYK 0 / 6 / 76 / 8

HEX #EADC37

RGB 234 220 55

HSL 55.31, 0.81%, 0.57%

LAB 86.48, -12.3, 76.35

 

CMYK 0 / 5 / 71 / 2

HEX #FBEE4A

RGB 251 238 74

HSL 55.59, 0.96%, 0.64%

LAB 92.64, -13.35, 76.42

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 6 / 89 / 24

HEX #C3B816

RGB 195 184 22

HSL 56.18, 0.8%, 0.43%

LAB 73.51, -11.77, 72.23

 

CMYK 0 / 7 / 98 / 30

HEX #B2A603

RGB 178 166 3

HSL 55.89, 0.97%, 0.35%

LAB 67.08, -10.24, 69.36

 

CMYK 0 / 8 / 100 / 37

HEX #A19400

RGB 161 148 0

HSL 55.16, 1%, 0.32%

LAB 60.57, -8.44, 64.34

 

CMYK 0 / 10 / 100 / 44

HEX #908200

RGB 144 130 0

HSL 54.17, 1%, 0.28%

LAB 53.91, -6.54, 58.83

 

CMYK 0 / 12 / 100 / 50

HEX #7F7000

RGB 127 112 0

HSL 52.91, 1%, 0.25%

LAB 47.11, -4.56, 53.19

 

CMYK 0 / 6 / 89 / 23

HEX #C5BA15

RGB 197 186 21

HSL 56.25, 0.81%, 0.43%

LAB 74.22, -11.94, 73.04

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 0 / 54 / 89 / 23

HEX #C55B15

RGB 197 91 21

HSL 23.86, 0.81%, 0.43%

LAB 51.16, 38.81, 55.14

 

CMYK 0 / 78 / 89 / 23

HEX #C52C15

RGB 197 44 21

HSL 7.84, 0.81%, 0.43%

LAB 43.84, 58.38, 49.61

 

CMYK 0 / 89 / 89 / 23

HEX #C51515

RGB 197 21 21

HSL 0, 0.81%, 0.43%

LAB 41.94, 63.77, 48.2

 

CMYK 0 / 6 / 89 / 23

HEX #C5BA15

RGB 197 186 21

HSL 56.25, 0.81%, 0.43%

LAB 74.22, -11.94, 73.04

 

CMYK 18 / 0 / 89 / 23

HEX #A1C515

RGB 161 197 21

HSL 72.27, 0.81%, 0.43%

LAB 74.55, -32.6, 72.16

 

CMYK 43 / 0 / 89 / 23

HEX #71C515

RGB 113 197 21

HSL 88.64, 0.81%, 0.43%

LAB 71.89, -50.52, 68.88

 

CMYK 66 / 0 / 89 / 23

HEX #42C515

RGB 66 197 21

HSL 104.66, 0.81%, 0.43%

LAB 70.28, -63.28, 66.87

 

CMYK 89 / 0 / 88 / 23

HEX #15C518

RGB 21 197 24

HSL 121.02, 0.81%, 0.43%

LAB 69.58, -69.33, 65.43

 

CMYK 0 / 6 / 89 / 23

HEX #C5BA15

RGB 197 186 21

HSL 56.25, 0.81%, 0.43%

LAB 74.22, -11.94, 73.04

 

CMYK 0 / 7 / 98 / 16

HEX #D7C904

RGB 215 201 4

HSL 56.02, 0.96%, 0.43%

LAB 79.74, -11.95, 79.97

 

CMYK 0 / 6 / 89 / 23

HEX #C5BA15

RGB 197 186 21

HSL 56.25, 0.81%, 0.43%

LAB 74.22, -11.94, 73.04

 

CMYK 0 / 5 / 78 / 30

HEX #B3AA27

RGB 179 170 39

HSL 56.14, 0.64%, 0.43%

LAB 68.37, -11.08, 63.16

 

CMYK 0 / 4 / 65 / 37

HEX #A19B39

RGB 161 155 57

HSL 56.54, 0.48%, 0.43%

LAB 62.77, -10.21, 50.39

 

CMYK 0 / 3 / 48 / 44

HEX #908B4B

RGB 144 139 75

HSL 55.65, 0.32%, 0.43%

LAB 56.98, -7.56, 34.69

 

CMYK 0 / 2 / 27 / 51

HEX #7E7C5C

RGB 126 124 92

HSL 56.47, 0.16%, 0.43%

LAB 51.41, -4.79, 17.8

 

CMYK 0 / 53 / 89 / 23

HEX #C55C15

RGB 197 92 21

HSL 24.2, 0.81%, 0.43%

LAB 51.36, 38.3, 55.29

 

CMYK 0 / 30 / 89 / 23

HEX #C58A15

RGB 197 138 21

HSL 39.89, 0.81%, 0.43%

LAB 61.74, 13.64, 63.29

 

CMYK 0 / 6 / 89 / 23

HEX #C5B915

RGB 197 185 21

HSL 55.91, 0.81%, 0.43%

LAB 73.95, -11.42, 72.83

 

CMYK 18 / 0 / 89 / 23

HEX #A2C515

RGB 162 197 21

HSL 71.93, 0.81%, 0.43%

LAB 74.62, -32.19, 72.24

 

CMYK 42 / 0 / 89 / 23

HEX #73C515

RGB 115 197 21

HSL 87.95, 0.81%, 0.43%

LAB 71.98, -49.85, 68.99

 

CMYK 0 / 6 / 89 / 52

HEX #7B740D

RGB 123 116 13

HSL 56.18, 0.81%, 0.27%

LAB 47.92, -8.43, 50.85

 

CMYK 0 / 6 / 89 / 37

HEX #A09711

RGB 160 151 17

HSL 56.22, 0.81%, 0.35%

LAB 61.35, -10.22, 62.22

 

CMYK 0 / 6 / 89 / 23

HEX #C5BA15

RGB 197 186 21

HSL 56.25, 0.81%, 0.43%

LAB 74.22, -11.94, 73.04

 

CMYK 0 / 6 / 87 / 10

HEX #E6D91E

RGB 230 217 30

HSL 56.1, 0.8%, 0.51%

LAB 85.27, -13.2, 81.37

 

CMYK 0 / 5 / 71 / 8

HEX #EADF43

RGB 234 223 67

HSL 56.05, 0.8%, 0.59%

LAB 87.33, -13.3, 73.23

 

CMYK 0 / 6 / 89 / 24

HEX #C3B816

RGB 195 184 22

HSL 56.18, 0.8%, 0.43%

LAB 73.51, -11.77, 72.23

 

CMYK 89 / 0 / 77 / 23

HEX #15C52D

RGB 21 197 45

HSL 128.18, 0.81%, 0.43%

LAB 69.67, -68.2, 60.06

 

CMYK 42 / 89 / 0 / 23

HEX #7315C5

RGB 115 21 197

HSL 272.05, 0.81%, 0.43%

LAB 34.42, 66.66, -70.88

 

CMYK 0 / 6 / 89 / 24

HEX #C3B816

RGB 195 184 22

HSL 56.18, 0.8%, 0.43%

LAB 73.51, -11.77, 72.23

 

CMYK 89 / 0 / 6 / 23

HEX #15C5B9

RGB 21 197 185

HSL 175.91, 0.81%, 0.43%

LAB 71.96, -42.39, -5.46

 

CMYK 6 / 89 / 0 / 23

HEX #B915C5

RGB 185 21 197

HSL 295.91, 0.81%, 0.43%

LAB 45.47, 76.8, -52.42

 

CMYK 0 / 6 / 89 / 24

HEX #C3B816

RGB 195 184 22

HSL 56.18, 0.8%, 0.43%

LAB 73.51, -11.77, 72.23

 

CMYK 89 / 0 / 77 / 23

HEX #15C52D

RGB 21 197 45

HSL 128.18, 0.81%, 0.43%

LAB 69.67, -68.2, 60.06

 

CMYK 89 / 83 / 0 / 23

HEX #1521C5

RGB 21 33 197

HSL 235.91, 0.81%, 0.43%

LAB 27.51, 55.59, -82.57

 

CMYK 0 / 89 / 12 / 23

HEX #C515AD

RGB 197 21 173

HSL 308.18, 0.81%, 0.43%

LAB 46.21, 75.43, -37.03

 

CMYK 0 / 6 / 89 / 24

HEX #C3B816

RGB 195 184 22

HSL 56.18, 0.8%, 0.43%

LAB 73.51, -11.77, 72.23

 

CMYK 89 / 0 / 51 / 23

HEX #15C561

RGB 21 197 97

HSL 145.91, 0.81%, 0.43%

LAB 70.14, -62.32, 38.69

 

CMYK 89 / 83 / 0 / 23

HEX #1521C5

RGB 21 33 197

HSL 235.91, 0.81%, 0.43%

LAB 27.51, 55.59, -82.57

 

CMYK 0 / 89 / 39 / 23

HEX #C51579

RGB 197 21 121

HSL 325.91, 0.81%, 0.43%

LAB 43.93, 69.35, -9.11

 

Description

Color code: HEX #C3B816 | qconv.com Color code: HEX #C3B816 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 184 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 184 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 89 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 89% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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