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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3B6EB it is the complementary color #3C4914. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3B6EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3B6EB shade: #C8B6E6, #D9C8F9, #EADAFF, #FBECFF and #FFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3B6EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3B6EB shade: #C3B6EB, #B2A4D8, #A192C5, #9080B2 and #7F6E9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3B6EB shade: #C3B6EB, #D1B6EB, #DFB6EB, #EBB6E8 and #EBB6DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3B6EB shade: #C3B6EB and #B6B6EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3B6EB shade matches the following richer shades: #C3B6EB, #BFAFF2 and #BCA8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3B6EB shade: #C3B6EB, #C7BEE3, #CBC5DC, #CFCDD4 and #D2D4CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3B6EB shade: #B6C6EB, #B6B8EB, #C3B6EB, #D1B6EB and #DFB6EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3B6EB shade: #8E76D9, #A996E2, #C3B6EB, #DED7F4 and #F9F7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3B6EB shade: #C3B6EB, #EBB6D4 and #BFEBB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3B6EB shade: #C3B6EB, #EBC3B6 and #B6EBC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3B6EB shade: #C3B6EB, #EBB6D4, #DFEBB6 and #B6EBCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3B6EB shade: #C3B6EB, #EBB6C4, #DFEBB6 and #B6EBDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

Complementary color

CMYK 18 / 0 / 73 / 71

HEX #3C4914

RGB 60 73 20

HSL 74.72, 0.57%, 0.18%

LAB 28.84, -14.13, 28.88

 

CMYK 13 / 21 / 0 / 10

HEX #C8B6E6

RGB 200 182 230

HSL 262.5, 0.49%, 0.81%

LAB 76.95, 15.58, -21.63

 

CMYK 13 / 20 / 0 / 2

HEX #D9C8F9

RGB 217 200 249

HSL 260.82, 0.8%, 0.88%

LAB 83.39, 15.18, -21.91

 

CMYK 8 / 15 / 0 / 0

HEX #EADAFF

RGB 234 218 255

HSL 265.95, 1%, 0.93%

LAB 89.33, 12.23, -16

 

CMYK 2 / 7 / 0 / 0

HEX #FBECFF

RGB 251 236 255

HSL 287.37, 1%, 0.96%

LAB 95.04, 8.38, -7.33

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 18 / 24 / 0 / 15

HEX #B2A4D8

RGB 178 164 216

HSL 256.15, 0.4%, 0.75%

LAB 70.16, 15.51, -24.52

 

CMYK 18 / 26 / 0 / 23

HEX #A192C5

RGB 161 146 197

HSL 257.65, 0.31%, 0.67%

LAB 63.48, 15.98, -24.33

 

CMYK 19 / 28 / 0 / 30

HEX #9080B2

RGB 144 128 178

HSL 259.2, 0.25%, 0.6%

LAB 56.67, 16.51, -24.16

 

CMYK 20 / 31 / 0 / 38

HEX #7F6E9F

RGB 127 110 159

HSL 260.82, 0.2%, 0.53%

LAB 49.7, 17.09, -24.02

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 11 / 23 / 0 / 8

HEX #D1B6EB

RGB 209 182 235

HSL 270.57, 0.57%, 0.82%

LAB 77.88, 19.48, -22.85

 

CMYK 5 / 23 / 0 / 8

HEX #DFB6EB

RGB 223 182 235

HSL 286.42, 0.57%, 0.82%

LAB 79.12, 23.98, -20.84

 

CMYK 0 / 23 / 1 / 8

HEX #EBB6E8

RGB 235 182 232

HSL 303.4, 0.57%, 0.82%

LAB 80.15, 27.33, -17.57

 

CMYK 0 / 23 / 7 / 8

HEX #EBB6DA

RGB 235 182 218

HSL 319.25, 0.57%, 0.82%

LAB 79.72, 24.86, -10.67

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 23 / 23 / 0 / 8

HEX #B6B6EB

RGB 182 182 235

HSL 240, 0.57%, 0.82%

LAB 75.7, 11.09, -26.37

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 21 / 28 / 0 / 5

HEX #BFAFF2

RGB 191 175 242

HSL 254.33, 0.72%, 0.82%

LAB 74.92, 19.25, -31.3

 

CMYK 25 / 33 / 0 / 2

HEX #BCA8FA

RGB 188 168 250

HSL 254.63, 0.89%, 0.82%

LAB 73.28, 24.08, -38.17

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 12 / 16 / 0 / 11

HEX #C7BEE3

RGB 199 190 227

HSL 254.59, 0.4%, 0.82%

LAB 78.76, 10.29, -17.28

 

CMYK 8 / 10 / 0 / 14

HEX #CBC5DC

RGB 203 197 220

HSL 255.65, 0.25%, 0.82%

LAB 80.63, 6.42, -10.69

 

CMYK 2 / 3 / 0 / 17

HEX #CFCDD4

RGB 207 205 212

HSL 257.14, 0.08%, 0.82%

LAB 82.74, 1.98, -3.23

 

CMYK 1 / 0 / 3 / 17

HEX #D2D4CD

RGB 210 212 205

HSL 77.14, 0.08%, 0.82%

LAB 84.58, -1.93, 3.21

 

CMYK 23 / 16 / 0 / 8

HEX #B6C6EB

RGB 182 198 235

HSL 221.89, 0.57%, 0.82%

LAB 79.8, 2.4, -20.13

 

CMYK 23 / 22 / 0 / 8

HEX #B6B8EB

RGB 182 184 235

HSL 237.74, 0.57%, 0.82%

LAB 76.21, 9.99, -25.6

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 11 / 23 / 0 / 8

HEX #D1B6EB

RGB 209 182 235

HSL 270.57, 0.57%, 0.82%

LAB 77.88, 19.48, -22.85

 

CMYK 5 / 23 / 0 / 8

HEX #DFB6EB

RGB 223 182 235

HSL 286.42, 0.57%, 0.82%

LAB 79.12, 23.98, -20.84

 

CMYK 35 / 46 / 0 / 15

HEX #8E76D9

RGB 142 118 217

HSL 254.55, 0.57%, 0.66%

LAB 55.8, 31.53, -47.68

 

CMYK 25 / 34 / 0 / 11

HEX #A996E2

RGB 169 150 226

HSL 255, 0.57%, 0.74%

LAB 66.32, 22.95, -36.02

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 9 / 12 / 0 / 4

HEX #DED7F4

RGB 222 215 244

HSL 254.48, 0.57%, 0.9%

LAB 87.32, 7.8, -13.3

 

CMYK 2 / 2 / 0 / 1

HEX #F9F7FD

RGB 249 247 253

HSL 260, 0.6%, 0.98%

LAB 97.53, 1.73, -2.65

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 0 / 23 / 10 / 8

HEX #EBB6D4

RGB 235 182 212

HSL 326.04, 0.57%, 0.82%

LAB 79.54, 23.84, -7.69

 

CMYK 19 / 0 / 23 / 8

HEX #BFEBB6

RGB 191 235 182

HSL 109.81, 0.57%, 0.82%

LAB 88.86, -23.94, 21.16

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 0 / 17 / 23 / 8

HEX #EBC3B6

RGB 235 195 182

HSL 14.72, 0.57%, 0.82%

LAB 81.88, 12.26, 11.85

 

CMYK 23 / 0 / 17 / 8

HEX #B6EBC3

RGB 182 235 195

HSL 134.72, 0.57%, 0.82%

LAB 88.59, -24.67, 13.96

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 0 / 23 / 10 / 8

HEX #EBB6D4

RGB 235 182 212

HSL 326.04, 0.57%, 0.82%

LAB 79.54, 23.84, -7.69

 

CMYK 5 / 0 / 23 / 8

HEX #DFEBB6

RGB 223 235 182

HSL 73.58, 0.57%, 0.82%

LAB 91, -12.74, 24.44

 

CMYK 23 / 0 / 13 / 8

HEX #B6EBCD

RGB 182 235 205

HSL 146.04, 0.57%, 0.82%

LAB 88.81, -22.82, 9.06

 

CMYK 17 / 23 / 0 / 8

HEX #C3B6EB

RGB 195 182 235

HSL 254.72, 0.57%, 0.82%

LAB 76.71, 15.08, -24.73

 

CMYK 0 / 23 / 17 / 8

HEX #EBB6C4

RGB 235 182 196

HSL 344.15, 0.57%, 0.82%

LAB 79.1, 21.26, 0.32

 

CMYK 5 / 0 / 23 / 8

HEX #DFEBB6

RGB 223 235 182

HSL 73.58, 0.57%, 0.82%

LAB 91, -12.74, 24.44

 

CMYK 23 / 0 / 6 / 8

HEX #B6EBDD

RGB 182 235 221

HSL 164.15, 0.57%, 0.82%

LAB 89.2, -19.68, 1.26

 

Description

Color code: HEX #C3B6EB | qconv.com Color code: HEX #C3B6EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 182 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 182 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 23 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 23% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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