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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AF4D it is the complementary color #3C50B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AF4D shade: #C8AF48, #D9C15B, #EAD36E, #FBE581 and #FFF794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AF4D shade: #C3AF4D, #B29D3A, #A18B27, #907914 and #7F6701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AF4D shade: #C3AE4B, #C38E4B, #C36E4B, #C34D4B and #C34B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AF4D shade: #C3AE4B, #B7C34B, #96C34B, #76C34B and #56C34B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AF4D shade matches the following richer shades: #C3AE4B, #D6BB37, #E9C824 and #FDD511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AF4D shade: #C3AE4B, #AFA15E, #9C9572, #888885 and #757B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AF4D shade: #C36D4B, #C38D4B, #C3AD4B, #B9C34B and #99C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AF4D shade: #8C7C2E, #AB9839, #C3AE4B, #CDBC6A and #D7CA89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AF4D shade: #C3AF4D, #4BC34D and #7D4BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AF4D shade: #C3AF4D, #4BC3AD and #AD4BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AF4D shade: #C3AF4D, #4BC34D, #4B61C3 and #C34BC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AF4D shade: #C3AF4D, #4BC371, #4B61C3 and #C34B9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 61 / 24

HEX #C3AF4D

RGB 195 175 77

HSL 49.83, 0.5%, 0.53%

LAB 71.42, -4.7, 51.69

 

Complementary color

CMYK 66 / 55 / 0 / 30

HEX #3C50B2

RGB 60 80 178

HSL 229.83, 0.5%, 0.47%

LAB 37.68, 24.67, -54.58

 

CMYK 0 / 13 / 64 / 22

HEX #C8AF48

RGB 200 175 72

HSL 48.28, 0.54%, 0.53%

LAB 71.83, -2.89, 54.53

 

CMYK 0 / 11 / 58 / 15

HEX #D9C15B

RGB 217 193 91

HSL 48.57, 0.62%, 0.6%

LAB 78.26, -3.8, 53.48

 

CMYK 0 / 10 / 53 / 8

HEX #EAD36E

RGB 234 211 110

HSL 48.87, 0.75%, 0.67%

LAB 84.59, -4.56, 52.33

 

CMYK 0 / 9 / 49 / 2

HEX #FBE581

RGB 251 229 129

HSL 49.18, 0.94%, 0.75%

LAB 90.84, -5.22, 51.14

 

CMYK 0 / 3 / 42 / 0

HEX #FFF794

RGB 255 247 148

HSL 55.51, 1%, 0.79%

LAB 95.96, -10.82, 48.42

 

CMYK 0 / 10 / 61 / 24

HEX #C3AF4D

RGB 195 175 77

HSL 49.83, 0.5%, 0.53%

LAB 71.42, -4.7, 51.69

 

CMYK 0 / 12 / 67 / 30

HEX #B29D3A

RGB 178 157 58

HSL 49.5, 0.51%, 0.46%

LAB 64.87, -3.74, 52.64

 

CMYK 0 / 14 / 76 / 37

HEX #A18B27

RGB 161 139 39

HSL 49.18, 0.61%, 0.39%

LAB 58.22, -2.57, 53.17

 

CMYK 0 / 16 / 86 / 44

HEX #907914

RGB 144 121 20

HSL 48.87, 0.76%, 0.32%

LAB 51.44, -1.12, 52.8

 

CMYK 0 / 19 / 99 / 50

HEX #7F6701

RGB 127 103 1

HSL 48.57, 0.98%, 0.25%

LAB 44.54, 0.63, 51.13

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 27 / 62 / 24

HEX #C38E4B

RGB 195 142 75

HSL 33.5, 0.5%, 0.53%

LAB 62.89, 12.96, 42.97

 

CMYK 0 / 44 / 62 / 24

HEX #C36E4B

RGB 195 110 75

HSL 17.5, 0.5%, 0.53%

LAB 55.34, 30.46, 33.99

 

CMYK 0 / 61 / 62 / 24

HEX #C34D4B

RGB 195 77 75

HSL 1, 0.5%, 0.53%

LAB 48.78, 47.12, 25.8

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 6 / 0 / 62 / 24

HEX #B7C34B

RGB 183 195 75

HSL 66, 0.5%, 0.53%

LAB 75.83, -20.13, 57.12

 

CMYK 23 / 0 / 62 / 24

HEX #96C34B

RGB 150 195 75

HSL 82.5, 0.5%, 0.53%

LAB 73.56, -33.33, 54

 

CMYK 39 / 0 / 62 / 24

HEX #76C34B

RGB 118 195 75

HSL 98.5, 0.5%, 0.53%

LAB 71.82, -44.82, 51.58

 

CMYK 56 / 0 / 62 / 24

HEX #56C34B

RGB 86 195 75

HSL 114.5, 0.5%, 0.53%

LAB 70.54, -54.26, 49.79

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 13 / 74 / 16

HEX #D6BB37

RGB 214 187 55

HSL 49.81, 0.66%, 0.53%

LAB 76.14, -4.04, 66.13

 

CMYK 0 / 14 / 85 / 9

HEX #E9C824

RGB 233 200 36

HSL 49.95, 0.82%, 0.53%

LAB 81.16, -3.2, 76.88

 

CMYK 0 / 16 / 93 / 1

HEX #FDD511

RGB 253 213 17

HSL 49.83, 0.98%, 0.53%

LAB 86.26, -1.62, 85.01

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 8 / 46 / 31

HEX #AFA15E

RGB 175 161 94

HSL 49.63, 0.34%, 0.53%

LAB 66.07, -4.3, 36.59

 

CMYK 0 / 4 / 27 / 39

HEX #9C9572

RGB 156 149 114

HSL 50, 0.18%, 0.53%

LAB 61.46, -3.21, 19.45

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 23 / 19 / 0 / 40

HEX #757B98

RGB 117 123 152

HSL 229.71, 0.15%, 0.53%

LAB 52.08, 4.38, -16.35

 

CMYK 0 / 44 / 62 / 24

HEX #C36D4B

RGB 195 109 75

HSL 17, 0.5%, 0.53%

LAB 55.12, 30.99, 33.72

 

CMYK 0 / 28 / 62 / 24

HEX #C38D4B

RGB 195 141 75

HSL 33, 0.5%, 0.53%

LAB 62.64, 13.51, 42.68

 

CMYK 0 / 11 / 62 / 24

HEX #C3AD4B

RGB 195 173 75

HSL 49, 0.5%, 0.53%

LAB 70.87, -3.78, 52

 

CMYK 5 / 0 / 62 / 24

HEX #B9C34B

RGB 185 195 75

HSL 65, 0.5%, 0.53%

LAB 75.98, -19.31, 57.33

 

CMYK 22 / 0 / 62 / 24

HEX #99C34B

RGB 153 195 75

HSL 81, 0.5%, 0.53%

LAB 73.75, -32.17, 54.25

 

CMYK 0 / 11 / 67 / 45

HEX #8C7C2E

RGB 140 124 46

HSL 49.79, 0.51%, 0.36%

LAB 52.05, -3.47, 43.37

 

CMYK 0 / 11 / 67 / 33

HEX #AB9839

RGB 171 152 57

HSL 50, 0.5%, 0.45%

LAB 62.85, -4.2, 50.75

 

CMYK 0 / 11 / 62 / 24

HEX #C3AE4B

RGB 195 174 75

HSL 49.5, 0.5%, 0.53%

LAB 71.13, -4.31, 52.29

 

CMYK 0 / 8 / 48 / 20

HEX #CDBC6A

RGB 205 188 106

HSL 49.7, 0.5%, 0.61%

LAB 76.06, -4.93, 43.41

 

CMYK 0 / 6 / 36 / 16

HEX #D7CA89

RGB 215 202 137

HSL 50, 0.49%, 0.69%

LAB 81.01, -4.91, 34.11

 

CMYK 0 / 10 / 61 / 24

HEX #C3AF4D

RGB 195 175 77

HSL 49.83, 0.5%, 0.53%

LAB 71.42, -4.7, 51.69

 

CMYK 62 / 0 / 61 / 24

HEX #4BC34D

RGB 75 195 77

HSL 121, 0.5%, 0.53%

LAB 70.22, -56.68, 48.45

 

CMYK 36 / 62 / 0 / 24

HEX #7D4BC3

RGB 125 75 195

HSL 265, 0.5%, 0.53%

LAB 43.26, 45.99, -55.26

 

CMYK 0 / 10 / 61 / 24

HEX #C3AF4D

RGB 195 175 77

HSL 49.83, 0.5%, 0.53%

LAB 71.42, -4.7, 51.69

 

CMYK 62 / 0 / 11 / 24

HEX #4BC3AD

RGB 75 195 173

HSL 169, 0.5%, 0.53%

LAB 71.92, -38.7, 1.13

 

CMYK 11 / 62 / 0 / 24

HEX #AD4BC3

RGB 173 75 195

HSL 289, 0.5%, 0.53%

LAB 49.32, 57.35, -45.21

 

CMYK 0 / 10 / 61 / 24

HEX #C3AF4D

RGB 195 175 77

HSL 49.83, 0.5%, 0.53%

LAB 71.42, -4.7, 51.69

 

CMYK 62 / 0 / 61 / 24

HEX #4BC34D

RGB 75 195 77

HSL 121, 0.5%, 0.53%

LAB 70.22, -56.68, 48.45

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

CMYK 0 / 62 / 1 / 24

HEX #C34BC1

RGB 195 75 193

HSL 301, 0.5%, 0.53%

LAB 52.38, 62.43, -39.01

 

CMYK 0 / 10 / 61 / 24

HEX #C3AF4D

RGB 195 175 77

HSL 49.83, 0.5%, 0.53%

LAB 71.42, -4.7, 51.69

 

CMYK 62 / 0 / 42 / 24

HEX #4BC371

RGB 75 195 113

HSL 139, 0.5%, 0.53%

LAB 70.68, -51.56, 31.49

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

CMYK 0 / 62 / 19 / 24

HEX #C34B9D

RGB 195 75 157

HSL 319, 0.5%, 0.53%

LAB 50.77, 56.78, -20.49

 

Description

Color code: HEX #C3AF4D | qconv.com Color code: HEX #C3AF4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 175 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 175 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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