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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3AC92 it is the complementary color #3C536D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3AC92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3AC92 shade: #C8AC8D, #D9BEA0, #EAD0B3, #FBE2C6 and #FFF4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3AC92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3AC92 shade: #C3AC92, #B29A7F, #A1886C, #907659 and #7F6446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3AC92 shade: #C3AC92, #C39F92 and #C39292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3AC92 shade: #C3AC92, #C3B992, #BFC392, #B2C392 and #A5C392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3AC92 shade matches the following richer shades: #C3AC92, #D0AD84, #DEAE77, #ECAE69 and #F9AF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3AC92 shade: #C3AC92, #B5ABA0, #A8AAAD, #9AA9BB and #8CA9C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3AC92 shade: #C39293, #C39E92, #C3AB92, #C3B892 and #C0C392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3AC92 shade: #A5835D, #B49877, #C3AC92, #D1C0AD and #E0D4C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3AC92 shade: #C3AC92, #A0C392 and #9892C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3AC92 shade: #C3AC92, #92C3AB and #AB92C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3AC92 shade: #C3AC92, #A0C392, #92AAC3 and #B592C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3AC92 shade: #C3AC92, #92C393, #92AAC3 and #C392C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

Complementary color

CMYK 45 / 24 / 0 / 57

HEX #3C536D

RGB 60 83 109

HSL 211.84, 0.29%, 0.33%

LAB 34.5, -1.17, -17.7

 

CMYK 0 / 14 / 30 / 22

HEX #C8AC8D

RGB 200 172 141

HSL 31.53, 0.35%, 0.67%

LAB 72.03, 5.51, 19.72

 

CMYK 0 / 12 / 26 / 15

HEX #D9BEA0

RGB 217 190 160

HSL 31.58, 0.43%, 0.74%

LAB 78.53, 5.05, 18.69

 

CMYK 0 / 11 / 24 / 8

HEX #EAD0B3

RGB 234 208 179

HSL 31.64, 0.57%, 0.81%

LAB 84.92, 4.65, 17.72

 

CMYK 0 / 10 / 21 / 2

HEX #FBE2C6

RGB 251 226 198

HSL 31.7, 0.87%, 0.88%

LAB 91.22, 4.28, 16.81

 

CMYK 0 / 4 / 15 / 0

HEX #FFF4D9

RGB 255 244 217

HSL 42.63, 1%, 0.93%

LAB 96.4, -0.66, 14.33

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 0 / 13 / 29 / 30

HEX #B29A7F

RGB 178 154 127

HSL 31.76, 0.25%, 0.6%

LAB 65.05, 4.7, 17.46

 

CMYK 0 / 16 / 33 / 37

HEX #A1886C

RGB 161 136 108

HSL 31.7, 0.22%, 0.53%

LAB 58.29, 5.22, 18.57

 

CMYK 0 / 18 / 38 / 44

HEX #907659

RGB 144 118 89

HSL 31.64, 0.24%, 0.46%

LAB 51.39, 5.84, 19.79

 

CMYK 0 / 21 / 45 / 50

HEX #7F6446

RGB 127 100 70

HSL 31.58, 0.29%, 0.39%

LAB 44.33, 6.59, 21.13

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 0 / 18 / 25 / 24

HEX #C39F92

RGB 195 159 146

HSL 15.92, 0.29%, 0.67%

LAB 68.37, 11.33, 11.79

 

CMYK 0 / 25 / 25 / 24

HEX #C39292

RGB 195 146 146

HSL 0, 0.29%, 0.67%

LAB 65.15, 18.48, 7.22

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 0 / 5 / 25 / 24

HEX #C3B992

RGB 195 185 146

HSL 47.76, 0.29%, 0.67%

LAB 75.06, -2.68, 21.11

 

CMYK 2 / 0 / 25 / 24

HEX #BFC392

RGB 191 195 146

HSL 64.9, 0.29%, 0.67%

LAB 77.39, -9.44, 24.23

 

CMYK 9 / 0 / 25 / 24

HEX #B2C392

RGB 178 195 146

HSL 80.82, 0.29%, 0.67%

LAB 76.42, -14.33, 22.75

 

CMYK 15 / 0 / 25 / 24

HEX #A5C392

RGB 165 195 146

HSL 96.73, 0.29%, 0.67%

LAB 75.52, -19.09, 21.37

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 0 / 17 / 37 / 18

HEX #D0AD84

RGB 208 173 132

HSL 32.37, 0.45%, 0.67%

LAB 72.87, 7, 25.84

 

CMYK 0 / 22 / 46 / 13

HEX #DEAE77

RGB 222 174 119

HSL 32.04, 0.61%, 0.67%

LAB 74.28, 10.68, 34.85

 

CMYK 0 / 26 / 56 / 7

HEX #ECAE69

RGB 236 174 105

HSL 31.6, 0.78%, 0.67%

LAB 75.53, 15.14, 43.95

 

CMYK 0 / 30 / 63 / 2

HEX #F9AF5B

RGB 249 175 91

HSL 31.9, 0.93%, 0.67%

LAB 77.01, 18.95, 52.92

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 0 / 6 / 12 / 29

HEX #B5ABA0

RGB 181 171 160

HSL 31.43, 0.12%, 0.67%

LAB 70.52, 1.67, 6.94

 

CMYK 3 / 2 / 0 / 32

HEX #A8AAAD

RGB 168 170 173

HSL 216, 0.03%, 0.67%

LAB 69.53, -0.13, -1.8

 

CMYK 18 / 10 / 0 / 27

HEX #9AA9BB

RGB 154 169 187

HSL 212.73, 0.2%, 0.67%

LAB 68.63, -1.41, -11

 

CMYK 30 / 16 / 0 / 22

HEX #8CA9C8

RGB 140 169 200

HSL 211, 0.35%, 0.67%

LAB 68.11, -2.7, -19.07

 

CMYK 0 / 25 / 25 / 24

HEX #C39293

RGB 195 146 147

HSL 358.78, 0.29%, 0.67%

LAB 65.17, 18.62, 6.69

 

CMYK 0 / 19 / 25 / 24

HEX #C39E92

RGB 195 158 146

HSL 14.69, 0.29%, 0.67%

LAB 68.12, 11.87, 11.44

 

CMYK 0 / 12 / 25 / 24

HEX #C3AB92

RGB 195 171 146

HSL 30.61, 0.29%, 0.67%

LAB 71.42, 4.8, 16.07

 

CMYK 0 / 6 / 25 / 24

HEX #C3B892

RGB 195 184 146

HSL 46.53, 0.29%, 0.67%

LAB 74.8, -2.15, 20.75

 

CMYK 2 / 0 / 25 / 24

HEX #C0C392

RGB 192 195 146

HSL 63.67, 0.29%, 0.67%

LAB 77.47, -9.06, 24.35

 

CMYK 0 / 21 / 44 / 35

HEX #A5835D

RGB 165 131 93

HSL 31.67, 0.29%, 0.51%

LAB 57.1, 7.87, 25.48

 

CMYK 0 / 16 / 34 / 29

HEX #B49877

RGB 180 152 119

HSL 32.46, 0.29%, 0.59%

LAB 64.56, 5.54, 21.25

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 0 / 8 / 17 / 18

HEX #D1C0AD

RGB 209 192 173

HSL 31.67, 0.28%, 0.75%

LAB 78.62, 2.89, 11.74

 

CMYK 0 / 5 / 11 / 12

HEX #E0D4C7

RGB 224 212 199

HSL 31.2, 0.29%, 0.83%

LAB 85.53, 1.95, 7.9

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 18 / 0 / 25 / 24

HEX #A0C392

RGB 160 195 146

HSL 102.86, 0.29%, 0.67%

LAB 75.19, -20.87, 20.87

 

CMYK 22 / 25 / 0 / 24

HEX #9892C3

RGB 152 146 195

HSL 247.35, 0.29%, 0.67%

LAB 62.65, 12.67, -24.54

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 25 / 0 / 12 / 24

HEX #92C3AB

RGB 146 195 171

HSL 150.61, 0.29%, 0.67%

LAB 74.88, -21.05, 6.87

 

CMYK 12 / 25 / 0 / 24

HEX #AB92C3

RGB 171 146 195

HSL 270.61, 0.29%, 0.67%

LAB 64.29, 18.77, -21.89

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 18 / 0 / 25 / 24

HEX #A0C392

RGB 160 195 146

HSL 102.86, 0.29%, 0.67%

LAB 75.19, -20.87, 20.87

 

CMYK 25 / 13 / 0 / 24

HEX #92AAC3

RGB 146 170 195

HSL 210.61, 0.29%, 0.67%

LAB 68.61, -2.66, -15.52

 

CMYK 7 / 25 / 0 / 24

HEX #B592C3

RGB 181 146 195

HSL 282.86, 0.29%, 0.67%

LAB 65.22, 22.06, -20.39

 

CMYK 0 / 12 / 25 / 24

HEX #C3AC92

RGB 195 172 146

HSL 31.84, 0.29%, 0.67%

LAB 71.68, 4.26, 16.43

 

CMYK 25 / 0 / 25 / 24

HEX #92C393

RGB 146 195 147

HSL 121.22, 0.29%, 0.67%

LAB 74.35, -25.55, 19.04

 

CMYK 25 / 13 / 0 / 24

HEX #92AAC3

RGB 146 170 195

HSL 210.61, 0.29%, 0.67%

LAB 68.61, -2.66, -15.52

 

CMYK 0 / 25 / 1 / 24

HEX #C392C2

RGB 195 146 194

HSL 301.22, 0.29%, 0.67%

LAB 66.56, 26.54, -17.66

 

Description

Color code: HEX #C3AC92 | qconv.com Color code: HEX #C3AC92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 172 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 172 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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