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Color name
HEX #C3A19C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3A19C it is the complementary color #3C5E63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3A19C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3A19C shade: #C8A197, #D9B3AA, #EAC5BD, #FBD7D0 and #FFE9E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3A19C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3A19C shade: #C3A19C, #B28F89, #A17D76, #906B63 and #7F5950

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3A19C shade: #C3A19C and #C39C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3A19C shade: #C3A19C, #C3AB9C, #C3B69C, #C3C19C and #BBC39C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3A19C shade matches the following richer shades: #C3A19C, #D0978F, #DD8E82, #EA8475 and #F67B69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3A19C shade: #C3A19C, #B6AAA8, #AAB4B5, #9DBDC2 and #90C7CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3A19C shade: #C39CAC, #C39CA2, #C3A09C, #C3AB9C and #C3B59C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3A19C shade: #A47068, #B48882, #C3A19C, #D3B9B5 and #E2D2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3A19C shade: #C3A19C, #B7C39C and #9CA7C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3A19C shade: #C3A19C, #9CC3A0 and #A09CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3A19C shade: #C3A19C, #B7C39C, #9CBFC3 and #A89CC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3A19C shade: #C3A19C, #ABC39C, #9CBFC3 and #B49CC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

Complementary color

CMYK 39 / 5 / 0 / 61

HEX #3C5E63

RGB 60 94 99

HSL 187.69, 0.25%, 0.31%

LAB 37.6, -10.85, -6.77

 

CMYK 0 / 20 / 25 / 22

HEX #C8A197

RGB 200 161 151

HSL 12.24, 0.31%, 0.69%

LAB 69.47, 12.88, 10.65

 

CMYK 0 / 18 / 22 / 15

HEX #D9B3AA

RGB 217 179 170

HSL 11.49, 0.38%, 0.76%

LAB 76, 12.35, 9.74

 

CMYK 0 / 16 / 19 / 8

HEX #EAC5BD

RGB 234 197 189

HSL 10.67, 0.52%, 0.83%

LAB 82.43, 11.87, 8.89

 

CMYK 0 / 14 / 17 / 2

HEX #FBD7D0

RGB 251 215 208

HSL 9.77, 0.84%, 0.9%

LAB 88.76, 11.43, 8.08

 

CMYK 0 / 9 / 11 / 0

HEX #FFE9E3

RGB 255 233 227

HSL 12.86, 1%, 0.95%

LAB 93.92, 6.5, 5.61

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 0 / 20 / 23 / 30

HEX #B28F89

RGB 178 143 137

HSL 8.78, 0.21%, 0.62%

LAB 62.44, 12.26, 8.19

 

CMYK 0 / 22 / 27 / 37

HEX #A17D76

RGB 161 125 118

HSL 9.77, 0.19%, 0.55%

LAB 55.64, 12.86, 9.16

 

CMYK 0 / 26 / 31 / 44

HEX #906B63

RGB 144 107 99

HSL 10.67, 0.19%, 0.48%

LAB 48.69, 13.57, 10.23

 

CMYK 0 / 30 / 37 / 50

HEX #7F5950

RGB 127 89 80

HSL 11.49, 0.23%, 0.41%

LAB 41.59, 14.39, 11.45

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 0 / 20 / 20 / 24

HEX #C39C9C

RGB 195 156 156

HSL 0, 0.25%, 0.69%

LAB 67.86, 14.47, 5.5

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 0 / 12 / 20 / 24

HEX #C3AB9C

RGB 195 171 156

HSL 23.08, 0.25%, 0.69%

LAB 71.64, 6.28, 10.91

 

CMYK 0 / 7 / 20 / 24

HEX #C3B69C

RGB 195 182 156

HSL 40, 0.25%, 0.69%

LAB 74.48, 0.36, 14.91

 

CMYK 0 / 1 / 20 / 24

HEX #C3C19C

RGB 195 193 156

HSL 56.92, 0.25%, 0.69%

LAB 77.37, -5.44, 18.93

 

CMYK 4 / 0 / 20 / 24

HEX #BBC39C

RGB 187 195 156

HSL 72.31, 0.25%, 0.69%

LAB 77.28, -9.47, 18.71

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 0 / 27 / 31 / 18

HEX #D0978F

RGB 208 151 143

HSL 7.38, 0.41%, 0.69%

LAB 67.67, 20.3, 12.67

 

CMYK 0 / 36 / 41 / 13

HEX #DD8E82

RGB 221 142 130

HSL 7.91, 0.57%, 0.69%

LAB 66.77, 28.61, 18.89

 

CMYK 0 / 44 / 50 / 8

HEX #EA8475

RGB 234 132 117

HSL 7.69, 0.74%, 0.69%

LAB 65.97, 37.53, 25.32

 

CMYK 0 / 50 / 57 / 4

HEX #F67B69

RGB 246 123 105

HSL 7.66, 0.89%, 0.69%

LAB 65.58, 45.55, 31.77

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 0 / 7 / 8 / 29

HEX #B6AAA8

RGB 182 170 168

HSL 8.57, 0.09%, 0.69%

LAB 70.54, 3.96, 2.57

 

CMYK 6 / 1 / 0 / 29

HEX #AAB4B5

RGB 170 180 181

HSL 185.45, 0.07%, 0.69%

LAB 72.58, -3.28, -1.72

 

CMYK 19 / 3 / 0 / 24

HEX #9DBDC2

RGB 157 189 194

HSL 188.11, 0.23%, 0.69%

LAB 74.48, -9.66, -6.12

 

CMYK 30 / 4 / 0 / 19

HEX #90C7CF

RGB 144 199 207

HSL 187.62, 0.4%, 0.69%

LAB 76.85, -15.82, -9.73

 

CMYK 0 / 20 / 12 / 24

HEX #C39CAC

RGB 195 156 172

HSL 335.38, 0.25%, 0.69%

LAB 68.28, 17.07, -2.8

 

CMYK 0 / 20 / 17 / 24

HEX #C39CA2

RGB 195 156 162

HSL 350.77, 0.25%, 0.69%

LAB 68.01, 15.41, 2.38

 

CMYK 0 / 18 / 20 / 24

HEX #C3A09C

RGB 195 160 156

HSL 6.15, 0.25%, 0.69%

LAB 68.86, 12.27, 6.93

 

CMYK 0 / 12 / 20 / 24

HEX #C3AB9C

RGB 195 171 156

HSL 23.08, 0.25%, 0.69%

LAB 71.64, 6.28, 10.91

 

CMYK 0 / 7 / 20 / 24

HEX #C3B59C

RGB 195 181 156

HSL 38.46, 0.25%, 0.69%

LAB 74.22, 0.9, 14.55

 

CMYK 0 / 32 / 37 / 36

HEX #A47068

RGB 164 112 104

HSL 8, 0.25%, 0.53%

LAB 52.38, 19.55, 12.78

 

CMYK 0 / 24 / 28 / 29

HEX #B48882

RGB 180 136 130

HSL 7.2, 0.25%, 0.61%

LAB 60.71, 15.92, 9.74

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 0 / 12 / 14 / 17

HEX #D3B9B5

RGB 211 185 181

HSL 8, 0.25%, 0.77%

LAB 77.21, 8.61, 5.43

 

CMYK 0 / 7 / 8 / 11

HEX #E2D2CF

RGB 226 210 207

HSL 9.47, 0.25%, 0.85%

LAB 85.39, 5.02, 3.47

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 6 / 0 / 20 / 24

HEX #B7C39C

RGB 183 195 156

HSL 78.46, 0.25%, 0.69%

LAB 76.98, -10.95, 18.25

 

CMYK 20 / 14 / 0 / 24

HEX #9CA7C3

RGB 156 167 195

HSL 223.08, 0.25%, 0.69%

LAB 68.49, 2.13, -15.62

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 20 / 0 / 18 / 24

HEX #9CC3A0

RGB 156 195 160

HSL 126.15, 0.25%, 0.69%

LAB 75.22, -19.86, 13.38

 

CMYK 18 / 20 / 0 / 24

HEX #A09CC3

RGB 160 156 195

HSL 246.15, 0.25%, 0.69%

LAB 65.9, 9.55, -19.53

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 6 / 0 / 20 / 24

HEX #B7C39C

RGB 183 195 156

HSL 78.46, 0.25%, 0.69%

LAB 76.98, -10.95, 18.25

 

CMYK 20 / 2 / 0 / 24

HEX #9CBFC3

RGB 156 191 195

HSL 186.15, 0.25%, 0.69%

LAB 74.99, -10.8, -5.91

 

CMYK 14 / 20 / 0 / 24

HEX #A89CC3

RGB 168 156 195

HSL 258.46, 0.25%, 0.69%

LAB 66.55, 12.15, -18.47

 

CMYK 0 / 17 / 20 / 24

HEX #C3A19C

RGB 195 161 156

HSL 7.69, 0.25%, 0.69%

LAB 69.11, 11.72, 7.29

 

CMYK 12 / 0 / 20 / 24

HEX #ABC39C

RGB 171 195 156

HSL 96.92, 0.25%, 0.69%

LAB 76.12, -15.31, 16.93

 

CMYK 20 / 2 / 0 / 24

HEX #9CBFC3

RGB 156 191 195

HSL 186.15, 0.25%, 0.69%

LAB 74.99, -10.8, -5.91

 

CMYK 8 / 20 / 0 / 24

HEX #B49CC3

RGB 180 156 195

HSL 276.92, 0.25%, 0.69%

LAB 67.59, 16.13, -16.8

 

Description

Color code: HEX #C3A19C | qconv.com Color code: HEX #C3A19C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 161 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 161 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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