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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3A682 it is the complementary color #3C597D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3A682. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3A682 shade: #C8A67D, #D9B890, #EACAA3, #FBDCB6 and #FFEEC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3A682. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3A682 shade: #C3A682, #B2946F, #A1825C, #907049 and #7F5E36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3A682 shade: #C3A683, #C39583, #C38483 and #C38383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3A682 shade: #C3A683, #C3B783, #BDC383, #ACC383 and #9AC383

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3A682 shade matches the following richer shades: #C3A683, #D2A874, #E1A965, #EFAB56 and #FEAD47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3A682 shade: #C3A683, #B4A591, #A5A3A0, #96A1AF and #87A0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3A682 shade: #C38483, #C39583, #C3A683, #C3B783 and #BDC383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3A682 shade: #A47E4F, #B59267, #C3A683, #D0BA9E and #DECEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3A682 shade: #C3A682, #93C383 and #8C83C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3A682 shade: #C3A682, #83C3A6 and #A683C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3A682 shade: #C3A682, #93C383, #839FC3 and #B383C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3A682 shade: #C3A682, #83C386, #839FC3 and #C383C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 33 / 24

HEX #C3A682

RGB 195 166 130

HSL 33.23, 0.35%, 0.64%

LAB 69.81, 5.34, 22.59

 

Complementary color

CMYK 52 / 29 / 0 / 51

HEX #3C597D

RGB 60 89 125

HSL 213.23, 0.35%, 0.36%

LAB 37.09, 0.22, -23.6

 

CMYK 0 / 17 / 38 / 22

HEX #C8A67D

RGB 200 166 125

HSL 32.8, 0.41%, 0.64%

LAB 70.2, 6.73, 25.9

 

CMYK 0 / 15 / 34 / 15

HEX #D9B890

RGB 217 184 144

HSL 32.88, 0.49%, 0.71%

LAB 76.71, 6.14, 24.74

 

CMYK 0 / 14 / 30 / 8

HEX #EACAA3

RGB 234 202 163

HSL 32.96, 0.63%, 0.78%

LAB 83.11, 5.63, 23.65

 

CMYK 0 / 12 / 27 / 2

HEX #FBDCB6

RGB 251 220 182

HSL 33.04, 0.9%, 0.85%

LAB 89.43, 5.18, 22.63

 

CMYK 0 / 7 / 21 / 0

HEX #FFEEC9

RGB 255 238 201

HSL 41.11, 1%, 0.89%

LAB 94.58, 0.04, 20

 

CMYK 0 / 15 / 33 / 24

HEX #C3A682

RGB 195 166 130

HSL 33.23, 0.35%, 0.64%

LAB 69.81, 5.34, 22.59

 

CMYK 0 / 17 / 38 / 30

HEX #B2946F

RGB 178 148 111

HSL 33.13, 0.3%, 0.57%

LAB 63.17, 5.92, 23.77

 

CMYK 0 / 19 / 43 / 37

HEX #A1825C

RGB 161 130 92

HSL 33.04, 0.27%, 0.5%

LAB 56.4, 6.62, 25.05

 

CMYK 0 / 22 / 49 / 44

HEX #907049

RGB 144 112 73

HSL 32.96, 0.33%, 0.43%

LAB 49.49, 7.45, 26.44

 

CMYK 0 / 26 / 57 / 50

HEX #7F5E36

RGB 127 94 54

HSL 32.88, 0.4%, 0.35%

LAB 42.44, 8.49, 27.96

 

CMYK 0 / 15 / 33 / 24

HEX #C3A683

RGB 195 166 131

HSL 32.81, 0.35%, 0.64%

LAB 69.83, 5.47, 22.07

 

CMYK 0 / 24 / 33 / 24

HEX #C39583

RGB 195 149 131

HSL 16.88, 0.35%, 0.64%

LAB 65.54, 14.75, 16.18

 

CMYK 0 / 32 / 33 / 24

HEX #C38483

RGB 195 132 131

HSL 0.94, 0.35%, 0.64%

LAB 61.43, 24.12, 10.42

 

CMYK 0 / 33 / 33 / 24

HEX #C38383

RGB 195 131 131

HSL 0, 0.35%, 0.64%

LAB 61.2, 24.67, 10.09

 

CMYK 0 / 15 / 33 / 24

HEX #C3A683

RGB 195 166 131

HSL 32.81, 0.35%, 0.64%

LAB 69.83, 5.47, 22.07

 

CMYK 0 / 6 / 33 / 24

HEX #C3B783

RGB 195 183 131

HSL 48.75, 0.35%, 0.64%

LAB 74.26, -3.62, 28.03

 

CMYK 3 / 0 / 33 / 24

HEX #BDC383

RGB 189 195 131

HSL 65.63, 0.35%, 0.64%

LAB 76.97, -12.21, 31.53

 

CMYK 12 / 0 / 33 / 24

HEX #ACC383

RGB 172 195 131

HSL 81.56, 0.35%, 0.64%

LAB 75.72, -18.73, 29.65

 

CMYK 21 / 0 / 33 / 24

HEX #9AC383

RGB 154 195 131

HSL 98.44, 0.35%, 0.64%

LAB 74.53, -25.35, 27.85

 

CMYK 0 / 15 / 33 / 24

HEX #C3A683

RGB 195 166 131

HSL 32.81, 0.35%, 0.64%

LAB 69.83, 5.47, 22.07

 

CMYK 0 / 20 / 45 / 18

HEX #D2A874

RGB 210 168 116

HSL 33.19, 0.51%, 0.64%

LAB 71.53, 8.71, 32.66

 

CMYK 0 / 25 / 55 / 12

HEX #E1A965

RGB 225 169 101

HSL 32.9, 0.67%, 0.64%

LAB 73.1, 12.96, 42.75

 

CMYK 0 / 28 / 64 / 6

HEX #EFAB56

RGB 239 171 86

HSL 33.33, 0.83%, 0.64%

LAB 74.92, 16.63, 52.63

 

CMYK 0 / 32 / 72 / 0

HEX #FEAD47

RGB 254 173 71

HSL 33.44, 0.99%, 0.64%

LAB 76.93, 20.98, 62.04

 

CMYK 0 / 15 / 33 / 24

HEX #C3A683

RGB 195 166 131

HSL 32.81, 0.35%, 0.64%

LAB 69.83, 5.47, 22.07

 

CMYK 0 / 8 / 19 / 29

HEX #B4A591

RGB 180 165 145

HSL 34.29, 0.19%, 0.64%

LAB 68.5, 2.12, 12.34

 

CMYK 0 / 1 / 3 / 35

HEX #A5A3A0

RGB 165 163 160

HSL 36, 0.03%, 0.64%

LAB 67.08, 0.16, 1.8

 

CMYK 14 / 8 / 0 / 31

HEX #96A1AF

RGB 150 161 175

HSL 213.6, 0.14%, 0.64%

LAB 65.8, -0.96, -8.58

 

CMYK 29 / 16 / 0 / 25

HEX #87A0BE

RGB 135 160 190

HSL 212.73, 0.3%, 0.64%

LAB 64.97, -1.7, -18.31

 

CMYK 0 / 32 / 33 / 24

HEX #C38483

RGB 195 132 131

HSL 0.94, 0.35%, 0.64%

LAB 61.43, 24.12, 10.42

 

CMYK 0 / 24 / 33 / 24

HEX #C39583

RGB 195 149 131

HSL 16.88, 0.35%, 0.64%

LAB 65.54, 14.75, 16.18

 

CMYK 0 / 15 / 33 / 24

HEX #C3A683

RGB 195 166 131

HSL 32.81, 0.35%, 0.64%

LAB 69.83, 5.47, 22.07

 

CMYK 0 / 6 / 33 / 24

HEX #C3B783

RGB 195 183 131

HSL 48.75, 0.35%, 0.64%

LAB 74.26, -3.62, 28.03

 

CMYK 3 / 0 / 33 / 24

HEX #BDC383

RGB 189 195 131

HSL 65.63, 0.35%, 0.64%

LAB 76.97, -12.21, 31.53

 

CMYK 0 / 23 / 52 / 36

HEX #A47E4F

RGB 164 126 79

HSL 33.18, 0.35%, 0.48%

LAB 55.46, 8.81, 31.1

 

CMYK 0 / 19 / 43 / 29

HEX #B59267

RGB 181 146 103

HSL 33.08, 0.35%, 0.56%

LAB 62.81, 7.35, 27.74

 

CMYK 0 / 15 / 33 / 24

HEX #C3A683

RGB 195 166 131

HSL 32.81, 0.35%, 0.64%

LAB 69.83, 5.47, 22.07

 

CMYK 0 / 11 / 24 / 18

HEX #D0BA9E

RGB 208 186 158

HSL 33.6, 0.35%, 0.72%

LAB 76.68, 3.47, 17.06

 

CMYK 0 / 7 / 16 / 13

HEX #DECEBA

RGB 222 206 186

HSL 33.33, 0.35%, 0.8%

LAB 83.56, 2.3, 11.95

 

CMYK 0 / 15 / 33 / 24

HEX #C3A682

RGB 195 166 130

HSL 33.23, 0.35%, 0.64%

LAB 69.81, 5.34, 22.59

 

CMYK 25 / 0 / 33 / 24

HEX #93C383

RGB 147 195 131

HSL 105, 0.35%, 0.64%

LAB 74.11, -27.83, 27.21

 

CMYK 28 / 33 / 0 / 24

HEX #8C83C3

RGB 140 131 195

HSL 248.44, 0.35%, 0.64%

LAB 57.8, 17.67, -32.12

 

CMYK 0 / 15 / 33 / 24

HEX #C3A682

RGB 195 166 130

HSL 33.23, 0.35%, 0.64%

LAB 69.81, 5.34, 22.59

 

CMYK 33 / 0 / 15 / 24

HEX #83C3A6

RGB 131 195 166

HSL 152.81, 0.35%, 0.64%

LAB 73.94, -26.72, 8.12

 

CMYK 15 / 33 / 0 / 24

HEX #A683C3

RGB 166 131 195

HSL 272.81, 0.35%, 0.64%

LAB 60.14, 25.67, -28.31

 

CMYK 0 / 15 / 33 / 24

HEX #C3A682

RGB 195 166 130

HSL 33.23, 0.35%, 0.64%

LAB 69.81, 5.34, 22.59

 

CMYK 25 / 0 / 33 / 24

HEX #93C383

RGB 147 195 131

HSL 105, 0.35%, 0.64%

LAB 74.11, -27.83, 27.21

 

CMYK 33 / 18 / 0 / 24

HEX #839FC3

RGB 131 159 195

HSL 213.75, 0.35%, 0.64%

LAB 64.61, -1.06, -21.67

 

CMYK 8 / 33 / 0 / 24

HEX #B383C3

RGB 179 131 195

HSL 285, 0.35%, 0.64%

LAB 61.44, 29.81, -26.19

 

CMYK 0 / 15 / 33 / 24

HEX #C3A682

RGB 195 166 130

HSL 33.23, 0.35%, 0.64%

LAB 69.81, 5.34, 22.59

 

CMYK 33 / 0 / 31 / 24

HEX #83C386

RGB 131 195 134

HSL 122.81, 0.35%, 0.64%

LAB 73.27, -32.73, 24.35

 

CMYK 33 / 18 / 0 / 24

HEX #839FC3

RGB 131 159 195

HSL 213.75, 0.35%, 0.64%

LAB 64.61, -1.06, -21.67

 

CMYK 0 / 33 / 2 / 24

HEX #C383C0

RGB 195 131 192

HSL 302.81, 0.35%, 0.64%

LAB 63.04, 34.41, -21.89

 

Description

Color code: HEX #C3A682 | qconv.com Color code: HEX #C3A682 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 166 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 166 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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