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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFF2BE it is the complementary color #400D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFF2BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFF2BE shade: #C4F2B9, #D5FFCC, #E6FFDF and #F7FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFF2BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFF2BE shade: #BFF2BE, #AEE0AB, #9DCE98, #8CBC85 and #7BAA72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFF2BE shade: #C0F2BF, #CDF2BF, #DBF2BF, #E9F2BF and #F2EDBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFF2BE shade: #C0F2BF, #BFF2CB, #BFF2D9, #BFF2E7 and #BFEFF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFF2BE shade matches the following richer shades: #C0F2BF, #BAF8B8 and #B4FEB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFF2BE shade: #C0F2BF, #C6ECC5, #CCE5CB, #D1DFD1 and #D7D9D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFF2BE shade: #DCF2BF, #CEF2BF, #C0F2BF, #BFF2CB and #BFF2D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFF2BE shade: #7CE47A, #9EEB9C, #C0F2BF and #E2F9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFF2BE shade: #BFF2BE, #BFE9F2 and #F2BFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFF2BE shade: #BFF2BE, #BFC0F2 and #F2BFC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFF2BE shade: #BFF2BE, #BFE9F2, #F0BFF2 and #F2C7BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFF2BE shade: #BFF2BE, #BFDAF2, #F0BFF2 and #F2D7BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 21 / 5

HEX #BFF2BE

RGB 191 242 190

HSL 118.85, 0.67%, 0.85%

LAB 90.92, -25.98, 19.89

 

Complementary color

CMYK 2 / 80 / 0 / 75

HEX #400D41

RGB 64 13 65

HSL 298.85, 0.67%, 0.15%

LAB 14.17, 31.61, -20.41

 

CMYK 19 / 0 / 24 / 5

HEX #C4F2B9

RGB 196 242 185

HSL 108.42, 0.69%, 0.84%

LAB 91.12, -25.13, 22.78

 

CMYK 16 / 0 / 20 / 0

HEX #D5FFCC

RGB 213 255 204

HSL 109.41, 1%, 0.9%

LAB 96.01, -22.61, 20.01

 

CMYK 10 / 0 / 13 / 0

HEX #E6FFDF

RGB 230 255 223

HSL 106.88, 1%, 0.94%

LAB 97.5, -13.79, 12.56

 

CMYK 3 / 0 / 5 / 0

HEX #F7FFF2

RGB 247 255 242

HSL 96.92, 1%, 0.97%

LAB 99.11, -4.89, 5.28

 

CMYK 21 / 0 / 21 / 5

HEX #BFF2BE

RGB 191 242 190

HSL 118.85, 0.67%, 0.85%

LAB 90.92, -25.98, 19.89

 

CMYK 22 / 0 / 24 / 12

HEX #AEE0AB

RGB 174 224 171

HSL 116.6, 0.46%, 0.77%

LAB 84.61, -26.15, 20.82

 

CMYK 24 / 0 / 26 / 19

HEX #9DCE98

RGB 157 206 152

HSL 114.44, 0.36%, 0.7%

LAB 78.21, -26.34, 21.81

 

CMYK 26 / 0 / 29 / 26

HEX #8CBC85

RGB 140 188 133

HSL 112.36, 0.29%, 0.63%

LAB 71.71, -26.54, 22.86

 

CMYK 28 / 0 / 33 / 33

HEX #7BAA72

RGB 123 170 114

HSL 110.36, 0.25%, 0.56%

LAB 65.1, -26.76, 23.97

 

CMYK 21 / 0 / 21 / 5

HEX #C0F2BF

RGB 192 242 191

HSL 118.82, 0.66%, 0.85%

LAB 90.99, -25.48, 19.49

 

CMYK 15 / 0 / 21 / 5

HEX #CDF2BF

RGB 205 242 191

HSL 103.53, 0.66%, 0.85%

LAB 91.79, -21.13, 20.72

 

CMYK 10 / 0 / 21 / 5

HEX #DBF2BF

RGB 219 242 191

HSL 87.06, 0.66%, 0.85%

LAB 92.72, -16.29, 22.15

 

CMYK 4 / 0 / 21 / 5

HEX #E9F2BF

RGB 233 242 191

HSL 70.59, 0.66%, 0.85%

LAB 93.71, -11.33, 23.67

 

CMYK 0 / 2 / 21 / 5

HEX #F2EDBF

RGB 242 237 191

HSL 54.12, 0.66%, 0.85%

LAB 93.11, -5.58, 22.94

 

CMYK 21 / 0 / 21 / 5

HEX #C0F2BF

RGB 192 242 191

HSL 118.82, 0.66%, 0.85%

LAB 90.99, -25.48, 19.49

 

CMYK 21 / 0 / 16 / 5

HEX #BFF2CB

RGB 191 242 203

HSL 134.12, 0.66%, 0.85%

LAB 91.19, -23.72, 13.55

 

CMYK 21 / 0 / 10 / 5

HEX #BFF2D9

RGB 191 242 217

HSL 150.59, 0.66%, 0.85%

LAB 91.5, -21.13, 6.74

 

CMYK 21 / 0 / 5 / 5

HEX #BFF2E7

RGB 191 242 231

HSL 167.06, 0.66%, 0.85%

LAB 91.84, -18.39, -0.04

 

CMYK 21 / 1 / 0 / 5

HEX #BFEFF2

RGB 191 239 242

HSL 183.53, 0.66%, 0.85%

LAB 91.33, -14.62, -6.51

 

CMYK 21 / 0 / 21 / 5

HEX #C0F2BF

RGB 192 242 191

HSL 118.82, 0.66%, 0.85%

LAB 90.99, -25.48, 19.49

 

CMYK 25 / 0 / 26 / 3

HEX #BAF8B8

RGB 186 248 184

HSL 118.13, 0.82%, 0.85%

LAB 92.15, -31.43, 24.62

 

CMYK 29 / 0 / 30 / 0

HEX #B4FEB2

RGB 180 254 178

HSL 118.42, 0.97%, 0.85%

LAB 93.36, -37.07, 29.27

 

CMYK 21 / 0 / 21 / 5

HEX #C0F2BF

RGB 192 242 191

HSL 118.82, 0.66%, 0.85%

LAB 90.99, -25.48, 19.49

 

CMYK 16 / 0 / 17 / 7

HEX #C6ECC5

RGB 198 236 197

HSL 118.46, 0.51%, 0.85%

LAB 89.87, -19.56, 14.87

 

CMYK 11 / 0 / 11 / 10

HEX #CCE5CB

RGB 204 229 203

HSL 117.69, 0.33%, 0.85%

LAB 88.54, -13.03, 9.9

 

CMYK 6 / 0 / 6 / 13

HEX #D1DFD1

RGB 209 223 209

HSL 120, 0.18%, 0.85%

LAB 87.45, -7.24, 5.24

 

CMYK 1 / 0 / 1 / 15

HEX #D7D9D7

RGB 215 217 215

HSL 120, 0.03%, 0.85%

LAB 86.49, -1.03, 0.74

 

CMYK 9 / 0 / 21 / 5

HEX #DCF2BF

RGB 220 242 191

HSL 85.88, 0.66%, 0.85%

LAB 92.79, -15.94, 22.25

 

CMYK 15 / 0 / 21 / 5

HEX #CEF2BF

RGB 206 242 191

HSL 102.35, 0.66%, 0.85%

LAB 91.86, -20.78, 20.82

 

CMYK 21 / 0 / 21 / 5

HEX #C0F2BF

RGB 192 242 191

HSL 118.82, 0.66%, 0.85%

LAB 90.99, -25.48, 19.49

 

CMYK 21 / 0 / 16 / 5

HEX #BFF2CB

RGB 191 242 203

HSL 134.12, 0.66%, 0.85%

LAB 91.19, -23.72, 13.55

 

CMYK 21 / 0 / 11 / 5

HEX #BFF2D8

RGB 191 242 216

HSL 149.41, 0.66%, 0.85%

LAB 91.48, -21.32, 7.23

 

CMYK 46 / 0 / 46 / 11

HEX #7CE47A

RGB 124 228 122

HSL 118.87, 0.66%, 0.69%

LAB 82.47, -51.11, 42.39

 

CMYK 33 / 0 / 34 / 8

HEX #9EEB9C

RGB 158 235 156

HSL 118.48, 0.66%, 0.77%

LAB 86.55, -38.9, 31.03

 

CMYK 21 / 0 / 21 / 5

HEX #C0F2BF

RGB 192 242 191

HSL 118.82, 0.66%, 0.85%

LAB 90.99, -25.48, 19.49

 

CMYK 9 / 0 / 10 / 2

HEX #E2F9E1

RGB 226 249 225

HSL 117.5, 0.67%, 0.93%

LAB 95.73, -11.82, 8.97

 

CMYK 21 / 0 / 21 / 5

HEX #BFF2BE

RGB 191 242 190

HSL 118.85, 0.67%, 0.85%

LAB 90.92, -25.98, 19.89

 

CMYK 21 / 4 / 0 / 5

HEX #BFE9F2

RGB 191 233 242

HSL 190.59, 0.66%, 0.85%

LAB 89.75, -11.6, -8.86

 

CMYK 0 / 21 / 12 / 5

HEX #F2BFD5

RGB 242 191 213

HSL 334.12, 0.66%, 0.85%

LAB 82.35, 21.65, -4

 

CMYK 21 / 0 / 21 / 5

HEX #BFF2BE

RGB 191 242 190

HSL 118.85, 0.67%, 0.85%

LAB 90.92, -25.98, 19.89

 

CMYK 21 / 21 / 0 / 5

HEX #BFC0F2

RGB 191 192 242

HSL 238.82, 0.66%, 0.85%

LAB 79.15, 9.95, -24.81

 

CMYK 0 / 21 / 21 / 5

HEX #F2BFC0

RGB 242 191 192

HSL 358.82, 0.66%, 0.85%

LAB 81.81, 18.39, 6.48

 

CMYK 21 / 0 / 21 / 5

HEX #BFF2BE

RGB 191 242 190

HSL 118.85, 0.67%, 0.85%

LAB 90.92, -25.98, 19.89

 

CMYK 21 / 4 / 0 / 5

HEX #BFE9F2

RGB 191 233 242

HSL 190.59, 0.66%, 0.85%

LAB 89.75, -11.6, -8.86

 

CMYK 1 / 21 / 0 / 5

HEX #F0BFF2

RGB 240 191 242

HSL 297.65, 0.66%, 0.85%

LAB 83.02, 26, -18.55

 

CMYK 0 / 18 / 21 / 5

HEX #F2C7BF

RGB 242 199 191

HSL 9.41, 0.66%, 0.85%

LAB 83.7, 14.03, 9.73

 

CMYK 21 / 0 / 21 / 5

HEX #BFF2BE

RGB 191 242 190

HSL 118.85, 0.67%, 0.85%

LAB 90.92, -25.98, 19.89

 

CMYK 21 / 10 / 0 / 5

HEX #BFDAF2

RGB 191 218 242

HSL 208.24, 0.66%, 0.85%

LAB 85.82, -3.89, -14.72

 

CMYK 1 / 21 / 0 / 5

HEX #F0BFF2

RGB 240 191 242

HSL 297.65, 0.66%, 0.85%

LAB 83.02, 26, -18.55

 

CMYK 0 / 11 / 21 / 5

HEX #F2D7BF

RGB 242 215 191

HSL 28.24, 0.66%, 0.85%

LAB 87.6, 5.67, 15.26

 

Description

Color code: HEX #BFF2BE | qconv.com Color code: HEX #BFF2BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 242 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 242 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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