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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFD377 it is the complementary color #402C88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFD377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFD377 shade: #C4D372, #D5E585, #E6F798, #F7FFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFD377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFD377 shade: #BFD377, #AEC164, #9DAF51, #8C9D3E and #7B8B2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFD377 shade: #BFD378, #D3CE78, #D3B578, #D39D78 and #D38478

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFD377 shade: #BFD378, #A6D378, #8ED378, #78D37A and #78D393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFD377 shade matches the following richer shades: #BFD378, #C7E169, #CFF05B and #D7FE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFD377 shade: #BFD378, #B7C486, #AFB695, #A6A7A3 and #9E99B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFD377 shade: #D3B678, #D3CE78, #BFD378, #A7D378 and #8ED378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFD377 shade: #A0BB3D, #B0C959, #BFD378, #CEDD97 and #DCE7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFD377 shade: #BFD377, #78D39E and #C278D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFD377 shade: #BFD377, #78BFD3 and #D378BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFD377 shade: #BFD377, #78D39E, #8B78D3 and #D378AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFD377 shade: #BFD377, #78D3B9, #8B78D3 and #D37892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 44 / 17

HEX #BFD377

RGB 191 211 119

HSL 73.04, 0.51%, 0.65%

LAB 81.29, -20.88, 43.18

 

Complementary color

CMYK 53 / 68 / 0 / 47

HEX #402C88

RGB 64 44 136

HSL 253.04, 0.51%, 0.35%

LAB 25.77, 34.02, -48.46

 

CMYK 7 / 0 / 46 / 17

HEX #C4D372

RGB 196 211 114

HSL 69.28, 0.52%, 0.64%

LAB 81.59, -19.45, 46.07

 

CMYK 7 / 0 / 42 / 10

HEX #D5E585

RGB 213 229 133

HSL 70, 0.65%, 0.71%

LAB 87.91, -19.7, 44.92

 

CMYK 7 / 0 / 38 / 3

HEX #E6F798

RGB 230 247 152

HSL 70.74, 0.86%, 0.78%

LAB 94.15, -19.9, 43.79

 

CMYK 3 / 0 / 33 / 0

HEX #F7FFAB

RGB 247 255 171

HSL 65.71, 1%, 0.84%

LAB 97.73, -15.24, 39.33

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 9 / 0 / 44 / 17

HEX #BFD377

RGB 191 211 119

HSL 73.04, 0.51%, 0.65%

LAB 81.29, -20.88, 43.18

 

CMYK 10 / 0 / 48 / 24

HEX #AEC164

RGB 174 193 100

HSL 72.26, 0.43%, 0.57%

LAB 74.86, -20.65, 44.34

 

CMYK 10 / 0 / 54 / 31

HEX #9DAF51

RGB 157 175 81

HSL 71.49, 0.37%, 0.5%

LAB 68.33, -20.36, 45.47

 

CMYK 11 / 0 / 61 / 38

HEX #8C9D3E

RGB 140 157 62

HSL 70.74, 0.43%, 0.43%

LAB 61.69, -19.96, 46.49

 

CMYK 12 / 0 / 69 / 45

HEX #7B8B2B

RGB 123 139 43

HSL 70, 0.53%, 0.36%

LAB 54.92, -19.42, 47.21

 

CMYK 9 / 0 / 43 / 17

HEX #BFD378

RGB 191 211 120

HSL 73.19, 0.51%, 0.65%

LAB 81.3, -20.77, 42.7

 

CMYK 0 / 2 / 43 / 17

HEX #D3CE78

RGB 211 206 120

HSL 56.7, 0.51%, 0.65%

LAB 81.48, -10.39, 43.26

 

CMYK 0 / 14 / 43 / 17

HEX #D3B578

RGB 211 181 120

HSL 40.22, 0.51%, 0.65%

LAB 74.98, 2.59, 35.03

 

CMYK 0 / 26 / 43 / 17

HEX #D39D78

RGB 211 157 120

HSL 24.4, 0.51%, 0.65%

LAB 68.98, 15.48, 27.19

 

CMYK 0 / 37 / 43 / 17

HEX #D38478

RGB 211 132 120

HSL 7.91, 0.51%, 0.65%

LAB 63.1, 29.02, 19.27

 

CMYK 9 / 0 / 43 / 17

HEX #BFD378

RGB 191 211 120

HSL 73.19, 0.51%, 0.65%

LAB 81.3, -20.77, 42.7

 

CMYK 21 / 0 / 43 / 17

HEX #A6D378

RGB 166 211 120

HSL 89.67, 0.51%, 0.65%

LAB 79.64, -30.18, 40.26

 

CMYK 33 / 0 / 43 / 17

HEX #8ED378

RGB 142 211 120

HSL 105.49, 0.51%, 0.65%

LAB 78.28, -38.57, 38.26

 

CMYK 43 / 0 / 42 / 17

HEX #78D37A

RGB 120 211 122

HSL 121.32, 0.51%, 0.65%

LAB 77.27, -45.19, 35.75

 

CMYK 43 / 0 / 30 / 17

HEX #78D393

RGB 120 211 147

HSL 137.8, 0.51%, 0.65%

LAB 77.69, -41.05, 23.42

 

CMYK 9 / 0 / 43 / 17

HEX #BFD378

RGB 191 211 120

HSL 73.19, 0.51%, 0.65%

LAB 81.3, -20.77, 42.7

 

CMYK 12 / 0 / 53 / 12

HEX #C7E169

RGB 199 225 105

HSL 73, 0.67%, 0.65%

LAB 85.51, -25.93, 55.04

 

CMYK 14 / 0 / 62 / 6

HEX #CFF05B

RGB 207 240 91

HSL 73.29, 0.83%, 0.65%

LAB 90.02, -30.98, 66.26

 

CMYK 15 / 0 / 70 / 0

HEX #D7FE4C

RGB 215 254 76

HSL 73.15, 0.99%, 0.65%

LAB 94.25, -35.22, 76.41

 

CMYK 9 / 0 / 43 / 17

HEX #BFD378

RGB 191 211 120

HSL 73.19, 0.51%, 0.65%

LAB 81.3, -20.77, 42.7

 

CMYK 7 / 0 / 32 / 23

HEX #B7C486

RGB 183 196 134

HSL 72.58, 0.34%, 0.65%

LAB 76.84, -14.65, 29.71

 

CMYK 4 / 0 / 18 / 29

HEX #AFB695

RGB 175 182 149

HSL 72.73, 0.18%, 0.65%

LAB 72.72, -8.25, 16

 

CMYK 1 / 0 / 2 / 35

HEX #A6A7A3

RGB 166 167 163

HSL 75, 0.02%, 0.65%

LAB 68.31, -1.11, 1.93

 

CMYK 11 / 14 / 0 / 31

HEX #9E99B1

RGB 158 153 177

HSL 252.5, 0.13%, 0.65%

LAB 64.34, 6.63, -11.82

 

CMYK 0 / 14 / 43 / 17

HEX #D3B678

RGB 211 182 120

HSL 40.88, 0.51%, 0.65%

LAB 75.24, 2.06, 35.36

 

CMYK 0 / 2 / 43 / 17

HEX #D3CE78

RGB 211 206 120

HSL 56.7, 0.51%, 0.65%

LAB 81.48, -10.39, 43.26

 

CMYK 9 / 0 / 43 / 17

HEX #BFD378

RGB 191 211 120

HSL 73.19, 0.51%, 0.65%

LAB 81.3, -20.77, 42.7

 

CMYK 21 / 0 / 43 / 17

HEX #A7D378

RGB 167 211 120

HSL 89.01, 0.51%, 0.65%

LAB 79.7, -29.82, 40.35

 

CMYK 33 / 0 / 43 / 17

HEX #8ED378

RGB 142 211 120

HSL 105.49, 0.51%, 0.65%

LAB 78.28, -38.57, 38.26

 

CMYK 14 / 0 / 67 / 27

HEX #A0BB3D

RGB 160 187 61

HSL 72.86, 0.51%, 0.49%

LAB 71.79, -26.61, 58.11

 

CMYK 12 / 0 / 56 / 21

HEX #B0C959

RGB 176 201 89

HSL 73.39, 0.51%, 0.57%

LAB 77.12, -24.82, 52.23

 

CMYK 9 / 0 / 43 / 17

HEX #BFD378

RGB 191 211 120

HSL 73.19, 0.51%, 0.65%

LAB 81.3, -20.77, 42.7

 

CMYK 7 / 0 / 32 / 13

HEX #CEDD97

RGB 206 221 151

HSL 72.86, 0.51%, 0.73%

LAB 85.54, -16.28, 32.76

 

CMYK 5 / 0 / 21 / 9

HEX #DCE7B6

RGB 220 231 182

HSL 73.47, 0.51%, 0.81%

LAB 89.74, -11.82, 22.67

 

CMYK 9 / 0 / 44 / 17

HEX #BFD377

RGB 191 211 119

HSL 73.04, 0.51%, 0.65%

LAB 81.29, -20.88, 43.18

 

CMYK 43 / 0 / 25 / 17

HEX #78D39E

RGB 120 211 158

HSL 145.05, 0.51%, 0.65%

LAB 77.9, -38.98, 17.92

 

CMYK 8 / 43 / 0 / 17

HEX #C278D3

RGB 194 120 211

HSL 288.79, 0.51%, 0.65%

LAB 61.31, 43.69, -35.27

 

CMYK 9 / 0 / 44 / 17

HEX #BFD377

RGB 191 211 119

HSL 73.04, 0.51%, 0.65%

LAB 81.29, -20.88, 43.18

 

CMYK 43 / 9 / 0 / 17

HEX #78BFD3

RGB 120 191 211

HSL 193.19, 0.51%, 0.65%

LAB 73.52, -17.08, -17.02

 

CMYK 0 / 43 / 9 / 17

HEX #D378BF

RGB 211 120 191

HSL 313.19, 0.51%, 0.65%

LAB 62.54, 45.24, -21.92

 

CMYK 9 / 0 / 44 / 17

HEX #BFD377

RGB 191 211 119

HSL 73.04, 0.51%, 0.65%

LAB 81.29, -20.88, 43.18

 

CMYK 43 / 0 / 25 / 17

HEX #78D39E

RGB 120 211 158

HSL 145.05, 0.51%, 0.65%

LAB 77.9, -38.98, 17.92

 

CMYK 34 / 43 / 0 / 17

HEX #8B78D3

RGB 139 120 211

HSL 252.53, 0.51%, 0.65%

LAB 55.71, 27.98, -44.46

 

CMYK 0 / 43 / 18 / 17

HEX #D378AD

RGB 211 120 173

HSL 325.05, 0.51%, 0.65%

LAB 61.91, 42.34, -12.65

 

CMYK 9 / 0 / 44 / 17

HEX #BFD377

RGB 191 211 119

HSL 73.04, 0.51%, 0.65%

LAB 81.29, -20.88, 43.18

 

CMYK 43 / 0 / 12 / 17

HEX #78D3B9

RGB 120 211 185

HSL 162.86, 0.51%, 0.65%

LAB 78.51, -33.32, 4.41

 

CMYK 34 / 43 / 0 / 17

HEX #8B78D3

RGB 139 120 211

HSL 252.53, 0.51%, 0.65%

LAB 55.71, 27.98, -44.46

 

CMYK 0 / 43 / 31 / 17

HEX #D37892

RGB 211 120 146

HSL 342.86, 0.51%, 0.65%

LAB 61.1, 38.5, 1.61

 

Description

Color code: HEX #BFD377 | qconv.com Color code: HEX #BFD377 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 211 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 211 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 44 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 44% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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