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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFC60E it is the complementary color #4039F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFC60E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFC60E shade: #C4C609, #D5D81C, #E6EA2F, #F7FC42 and #FFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFC60E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFC60E shade: #BFC60E, #AEB400, #9DA200, #8C9000 and #7B7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFC60E shade: #C1C80D, #C89D0D, #C86A0D, #C8380D and #C80D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFC60E shade: #C1C80D, #8EC80D, #5CC80D, #2AC80D and #0DC823

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFC60E shade matches the following richer shades: #C1C80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFC60E shade: #C1C80D, #B1B61F, #A1A530, #919441 and #818253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFC60E shade: #C86B0D, #C89C0D, #C2C80D, #90C80D and #5EC80D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFC60E shade: #767B08, #9BA10B, #C1C80D, #E6EE11 and #EAF137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFC60E shade: #BFC60E, #0DC839 and #830DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFC60E shade: #BFC60E, #0DC2C8 and #C80DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFC60E shade: #BFC60E, #0DC839, #140DC8 and #C80D9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFC60E shade: #BFC60E, #0DC871, #140DC8 and #C80D64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 93 / 22

HEX #BFC60E

RGB 191 198 14

HSL 62.28, 0.87%, 0.42%

LAB 76.98, -20.66, 76.01

 

Complementary color

CMYK 73 / 76 / 0 / 5

HEX #4039F1

RGB 64 57 241

HSL 242.28, 0.87%, 0.58%

LAB 38.49, 59.78, -89.62

 

CMYK 1 / 0 / 95 / 22

HEX #C4C609

RGB 196 198 9

HSL 60.63, 0.91%, 0.41%

LAB 77.37, -18.58, 77.01

 

CMYK 1 / 0 / 87 / 15

HEX #D5D81C

RGB 213 216 28

HSL 60.96, 0.77%, 0.48%

LAB 83.62, -19.93, 79.83

 

CMYK 2 / 0 / 80 / 8

HEX #E6EA2F

RGB 230 234 47

HSL 61.28, 0.82%, 0.55%

LAB 89.8, -21.08, 81.38

 

CMYK 2 / 0 / 74 / 1

HEX #F7FC42

RGB 247 252 66

HSL 61.61, 0.97%, 0.62%

LAB 95.91, -22.08, 82.02

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 4 / 0 / 93 / 22

HEX #BFC60E

RGB 191 198 14

HSL 62.28, 0.87%, 0.42%

LAB 76.98, -20.66, 76.01

 

CMYK 3 / 0 / 100 / 29

HEX #AEB400

RGB 174 180 0

HSL 62, 1%, 0.35%

LAB 70.62, -19.22, 72.17

 

CMYK 3 / 0 / 100 / 36

HEX #9DA200

RGB 157 162 0

HSL 61.85, 1%, 0.32%

LAB 64.17, -17.58, 66.8

 

CMYK 3 / 0 / 100 / 44

HEX #8C9000

RGB 140 144 0

HSL 61.67, 1%, 0.28%

LAB 57.58, -15.9, 61.33

 

CMYK 2 / 0 / 100 / 51

HEX #7B7E00

RGB 123 126 0

HSL 61.43, 1%, 0.25%

LAB 50.84, -14.18, 55.73

 

CMYK 4 / 0 / 94 / 22

HEX #C1C80D

RGB 193 200 13

HSL 62.25, 0.88%, 0.42%

LAB 77.68, -20.81, 76.73

 

CMYK 0 / 22 / 94 / 22

HEX #C89D0D

RGB 200 157 13

HSL 46.2, 0.88%, 0.42%

LAB 66.84, 4.52, 68.83

 

CMYK 0 / 47 / 94 / 22

HEX #C86A0D

RGB 200 106 13

HSL 29.84, 0.88%, 0.42%

LAB 54.68, 32.15, 60.04

 

CMYK 0 / 72 / 94 / 22

HEX #C8380D

RGB 200 56 13

HSL 13.8, 0.88%, 0.42%

LAB 45.82, 55.19, 54.09

 

CMYK 0 / 94 / 94 / 22

HEX #C80D0D

RGB 200 13 13

HSL 0, 0.88%, 0.42%

LAB 42.15, 65.55, 51.83

 

CMYK 4 / 0 / 94 / 22

HEX #C1C80D

RGB 193 200 13

HSL 62.25, 0.88%, 0.42%

LAB 77.68, -20.81, 76.73

 

CMYK 29 / 0 / 94 / 22

HEX #8EC80D

RGB 142 200 13

HSL 78.61, 0.88%, 0.42%

LAB 74.25, -41.58, 72.57

 

CMYK 54 / 0 / 94 / 22

HEX #5CC80D

RGB 92 200 13

HSL 94.65, 0.88%, 0.42%

LAB 71.97, -58.22, 69.78

 

CMYK 79 / 0 / 94 / 22

HEX #2AC80D

RGB 42 200 13

HSL 110.7, 0.88%, 0.42%

LAB 70.75, -68.43, 68.28

 

CMYK 94 / 0 / 83 / 22

HEX #0DC823

RGB 13 200 35

HSL 127.06, 0.88%, 0.42%

LAB 70.54, -70.13, 63.76

 

CMYK 4 / 0 / 94 / 22

HEX #C1C80D

RGB 193 200 13

HSL 62.25, 0.88%, 0.42%

LAB 77.68, -20.81, 76.73

 

CMYK 4 / 0 / 94 / 22

HEX #C1C80D

RGB 193 200 13

HSL 62.25, 0.88%, 0.42%

LAB 77.68, -20.81, 76.73

 

CMYK 3 / 0 / 83 / 29

HEX #B1B61F

RGB 177 182 31

HSL 61.99, 0.71%, 0.42%

LAB 71.49, -18.36, 68.04

 

CMYK 2 / 0 / 71 / 35

HEX #A1A530

RGB 161 165 48

HSL 62.05, 0.55%, 0.42%

LAB 65.52, -15.97, 56.84

 

CMYK 2 / 0 / 56 / 42

HEX #919441

RGB 145 148 65

HSL 62.17, 0.39%, 0.42%

LAB 59.51, -12.89, 42.74

 

CMYK 1 / 0 / 36 / 49

HEX #818253

RGB 129 130 83

HSL 61.28, 0.22%, 0.42%

LAB 53.23, -8.13, 25.36

 

CMYK 0 / 47 / 94 / 22

HEX #C86B0D

RGB 200 107 13

HSL 30.16, 0.88%, 0.42%

LAB 54.89, 31.62, 60.19

 

CMYK 0 / 22 / 94 / 22

HEX #C89C0D

RGB 200 156 13

HSL 45.88, 0.88%, 0.42%

LAB 66.59, 5.06, 68.64

 

CMYK 3 / 0 / 94 / 22

HEX #C2C80D

RGB 194 200 13

HSL 61.93, 0.88%, 0.42%

LAB 77.76, -20.38, 76.83

 

CMYK 28 / 0 / 94 / 22

HEX #90C80D

RGB 144 200 13

HSL 77.97, 0.88%, 0.42%

LAB 74.36, -40.82, 72.71

 

CMYK 53 / 0 / 94 / 22

HEX #5EC80D

RGB 94 200 13

HSL 94.01, 0.88%, 0.42%

LAB 72.04, -57.66, 69.87

 

CMYK 4 / 0 / 93 / 52

HEX #767B08

RGB 118 123 8

HSL 62.61, 0.88%, 0.26%

LAB 49.54, -14.73, 52.99

 

CMYK 4 / 0 / 93 / 37

HEX #9BA10B

RGB 155 161 11

HSL 62.4, 0.87%, 0.34%

LAB 63.74, -17.79, 64.92

 

CMYK 4 / 0 / 94 / 22

HEX #C1C80D

RGB 193 200 13

HSL 62.25, 0.88%, 0.42%

LAB 77.68, -20.81, 76.73

 

CMYK 3 / 0 / 93 / 7

HEX #E6EE11

RGB 230 238 17

HSL 62.17, 0.87%, 0.5%

LAB 90.79, -23.62, 87.56

 

CMYK 3 / 0 / 77 / 5

HEX #EAF137

RGB 234 241 55

HSL 62.26, 0.87%, 0.58%

LAB 91.99, -22.53, 81.3

 

CMYK 4 / 0 / 93 / 22

HEX #BFC60E

RGB 191 198 14

HSL 62.28, 0.87%, 0.42%

LAB 76.98, -20.66, 76.01

 

CMYK 94 / 0 / 72 / 22

HEX #0DC839

RGB 13 200 57

HSL 134.12, 0.88%, 0.42%

LAB 70.66, -68.59, 56.88

 

CMYK 35 / 94 / 0 / 22

HEX #830DC8

RGB 131 13 200

HSL 277.86, 0.88%, 0.42%

LAB 36.52, 70.65, -69.09

 

CMYK 4 / 0 / 93 / 22

HEX #BFC60E

RGB 191 198 14

HSL 62.28, 0.87%, 0.42%

LAB 76.98, -20.66, 76.01

 

CMYK 94 / 3 / 0 / 22

HEX #0DC2C8

RGB 13 194 200

HSL 181.93, 0.88%, 0.42%

LAB 71.45, -36.93, -14.41

 

CMYK 0 / 94 / 3 / 22

HEX #C80DC2

RGB 200 13 194

HSL 301.93, 0.88%, 0.42%

LAB 47.58, 79.86, -47.16

 

CMYK 4 / 0 / 93 / 22

HEX #BFC60E

RGB 191 198 14

HSL 62.28, 0.87%, 0.42%

LAB 76.98, -20.66, 76.01

 

CMYK 94 / 0 / 72 / 22

HEX #0DC839

RGB 13 200 57

HSL 134.12, 0.88%, 0.42%

LAB 70.66, -68.59, 56.88

 

CMYK 90 / 94 / 0 / 22

HEX #140DC8

RGB 20 13 200

HSL 242.25, 0.88%, 0.42%

LAB 25.58, 63.37, -87.55

 

CMYK 0 / 94 / 22 / 22

HEX #C80D9C

RGB 200 13 156

HSL 314.12, 0.88%, 0.42%

LAB 45.59, 74.82, -27.83

 

CMYK 4 / 0 / 93 / 22

HEX #BFC60E

RGB 191 198 14

HSL 62.28, 0.87%, 0.42%

LAB 76.98, -20.66, 76.01

 

CMYK 94 / 0 / 44 / 22

HEX #0DC871

RGB 13 200 113

HSL 152.09, 0.88%, 0.42%

LAB 71.27, -61.03, 32.07

 

CMYK 90 / 94 / 0 / 22

HEX #140DC8

RGB 20 13 200

HSL 242.25, 0.88%, 0.42%

LAB 25.58, 63.37, -87.55

 

CMYK 0 / 94 / 50 / 22

HEX #C80D64

RGB 200 13 100

HSL 332.09, 0.88%, 0.42%

LAB 43.49, 69.25, 3.39

 

Description

Color code: HEX #BFC60E | qconv.com Color code: HEX #BFC60E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 198 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 198 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 93 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 93% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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