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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFBA52 it is the complementary color #4045AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFBA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFBA52 shade: #C4BA4D, #D5CC60, #E6DE73, #F7F086 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFBA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFBA52 shade: #BFBA52, #AEA83F, #9D962C, #8C8419 and #7B7206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFBA52 shade: #BFBA53, #BF9D53, #BF8053, #BF6353 and #BF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFBA52 shade: #BFBA53, #A7BF53, #8ABF53, #6DBF53 and #53BF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFBA52 shade matches the following richer shades: #BFBA53, #D2CB40, #E5DD2D and #F8EE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFBA52 shade: #BFBA53, #ACA966, #999879, #86868C and #73759F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFBA52 shade: #BF8053, #BF9D53, #BFBA53, #A8BF53 and #8BBF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFBA52 shade: #8C8834, #AAA53F, #BFBA53, #CAC671 and #D5D28F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFBA52 shade: #BFBA52, #53BF63 and #8F53BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFBA52 shade: #BFBA52, #53BFBA and #BA53BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFBA52 shade: #BFBA52, #53BF63, #5359BF and #BF53AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFBA52 shade: #BFBA52, #53BF84, #5359BF and #BF538F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 57 / 25

HEX #BFBA52

RGB 191 186 82

HSL 57.25, 0.46%, 0.54%

LAB 74.06, -11.75, 52.27

 

Complementary color

CMYK 63 / 60 / 0 / 32

HEX #4045AD

RGB 64 69 173

HSL 237.25, 0.46%, 0.46%

LAB 34.73, 30.67, -56.4

 

CMYK 0 / 5 / 61 / 23

HEX #C4BA4D

RGB 196 186 77

HSL 54.96, 0.5%, 0.54%

LAB 74.44, -10, 55.05

 

CMYK 0 / 4 / 55 / 16

HEX #D5CC60

RGB 213 204 96

HSL 55.38, 0.58%, 0.61%

LAB 80.84, -10.72, 54.03

 

CMYK 0 / 3 / 50 / 10

HEX #E6DE73

RGB 230 222 115

HSL 55.83, 0.7%, 0.68%

LAB 87.15, -11.31, 52.92

 

CMYK 0 / 3 / 46 / 3

HEX #F7F086

RGB 247 240 134

HSL 56.28, 0.88%, 0.75%

LAB 93.37, -11.82, 51.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA52

RGB 191 186 82

HSL 57.25, 0.46%, 0.54%

LAB 74.06, -11.75, 52.27

 

CMYK 0 / 3 / 64 / 32

HEX #AEA83F

RGB 174 168 63

HSL 56.76, 0.47%, 0.46%

LAB 67.55, -11, 53.19

 

CMYK 0 / 4 / 72 / 38

HEX #9D962C

RGB 157 150 44

HSL 56.28, 0.56%, 0.39%

LAB 60.92, -10.08, 53.75

 

CMYK 0 / 6 / 82 / 45

HEX #8C8419

RGB 140 132 25

HSL 55.83, 0.7%, 0.32%

LAB 54.18, -8.93, 53.53

 

CMYK 0 / 7 / 95 / 52

HEX #7B7206

RGB 123 114 6

HSL 55.38, 0.91%, 0.25%

LAB 47.31, -7.47, 51.85

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 0 / 18 / 57 / 25

HEX #BF9D53

RGB 191 157 83

HSL 41.11, 0.46%, 0.54%

LAB 66.38, 3.66, 42.93

 

CMYK 0 / 33 / 57 / 25

HEX #BF8053

RGB 191 128 83

HSL 25, 0.46%, 0.54%

LAB 59.1, 19.59, 34.13

 

CMYK 0 / 48 / 57 / 25

HEX #BF6353

RGB 191 99 83

HSL 8.89, 0.46%, 0.54%

LAB 52.54, 35.32, 25.83

 

CMYK 0 / 57 / 57 / 25

HEX #BF5353

RGB 191 83 83

HSL 0, 0.46%, 0.54%

LAB 49.36, 43.44, 21.68

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 13 / 0 / 57 / 25

HEX #A7BF53

RGB 167 191 83

HSL 73.33, 0.46%, 0.54%

LAB 73.61, -24.06, 50.8

 

CMYK 28 / 0 / 57 / 25

HEX #8ABF53

RGB 138 191 83

HSL 89.44, 0.46%, 0.54%

LAB 71.75, -35.28, 48.18

 

CMYK 43 / 0 / 57 / 25

HEX #6DBF53

RGB 109 191 83

HSL 105.56, 0.46%, 0.54%

LAB 70.27, -45.22, 46.08

 

CMYK 57 / 0 / 54 / 25

HEX #53BF57

RGB 83 191 87

HSL 122.22, 0.46%, 0.54%

LAB 69.32, -52.08, 42.82

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 0 / 3 / 70 / 18

HEX #D2CB40

RGB 210 203 64

HSL 57.12, 0.62%, 0.54%

LAB 80.06, -13.51, 66.54

 

CMYK 0 / 3 / 80 / 10

HEX #E5DD2D

RGB 229 221 45

HSL 57.39, 0.78%, 0.54%

LAB 86.29, -15.23, 78.83

 

CMYK 0 / 4 / 90 / 3

HEX #F8EE1A

RGB 248 238 26

HSL 57.3, 0.94%, 0.54%

LAB 92.21, -16.03, 88.13

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 0 / 2 / 41 / 33

HEX #ACA966

RGB 172 169 102

HSL 57.43, 0.3%, 0.54%

LAB 68.1, -8.96, 34.92

 

CMYK 0 / 1 / 21 / 40

HEX #999879

RGB 153 152 121

HSL 58.13, 0.14%, 0.54%

LAB 62.18, -5, 16.49

 

CMYK 4 / 4 / 0 / 45

HEX #86868C

RGB 134 134 140

HSL 240, 0.03%, 0.54%

LAB 56.1, 1.21, -3.22

 

CMYK 28 / 26 / 0 / 38

HEX #73759F

RGB 115 117 159

HSL 237.27, 0.19%, 0.54%

LAB 50.54, 9.06, -22.81

 

CMYK 0 / 33 / 57 / 25

HEX #BF8053

RGB 191 128 83

HSL 25, 0.46%, 0.54%

LAB 59.1, 19.59, 34.13

 

CMYK 0 / 18 / 57 / 25

HEX #BF9D53

RGB 191 157 83

HSL 41.11, 0.46%, 0.54%

LAB 66.38, 3.66, 42.93

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 12 / 0 / 57 / 25

HEX #A8BF53

RGB 168 191 83

HSL 72.78, 0.46%, 0.54%

LAB 73.68, -23.66, 50.9

 

CMYK 27 / 0 / 57 / 25

HEX #8BBF53

RGB 139 191 83

HSL 88.89, 0.46%, 0.54%

LAB 71.81, -34.91, 48.26

 

CMYK 0 / 3 / 63 / 45

HEX #8C8834

RGB 140 136 52

HSL 57.27, 0.46%, 0.38%

LAB 55.51, -9.67, 44.32

 

CMYK 0 / 3 / 63 / 33

HEX #AAA53F

RGB 170 165 63

HSL 57.2, 0.46%, 0.46%

LAB 66.38, -11.17, 51.84

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA53

RGB 191 186 83

HSL 57.22, 0.46%, 0.54%

LAB 74.07, -11.67, 51.82

 

CMYK 0 / 2 / 44 / 21

HEX #CAC671

RGB 202 198 113

HSL 57.3, 0.46%, 0.62%

LAB 78.54, -10.63, 42.92

 

CMYK 0 / 1 / 33 / 16

HEX #D5D28F

RGB 213 210 143

HSL 57.43, 0.45%, 0.7%

LAB 83.03, -9.08, 33.64

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA52

RGB 191 186 82

HSL 57.25, 0.46%, 0.54%

LAB 74.06, -11.75, 52.27

 

CMYK 57 / 0 / 48 / 25

HEX #53BF63

RGB 83 191 99

HSL 128.89, 0.46%, 0.54%

LAB 69.47, -50.41, 37.12

 

CMYK 25 / 57 / 0 / 25

HEX #8F53BF

RGB 143 83 191

HSL 273.33, 0.46%, 0.54%

LAB 46.69, 45.02, -47.31

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA52

RGB 191 186 82

HSL 57.25, 0.46%, 0.54%

LAB 74.06, -11.75, 52.27

 

CMYK 57 / 0 / 3 / 25

HEX #53BFBA

RGB 83 191 186

HSL 177.22, 0.46%, 0.54%

LAB 71.31, -31.95, -6.83

 

CMYK 3 / 57 / 0 / 25

HEX #BA53BF

RGB 186 83 191

HSL 297.22, 0.46%, 0.54%

LAB 52.27, 56.24, -38.12

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA52

RGB 191 186 82

HSL 57.25, 0.46%, 0.54%

LAB 74.06, -11.75, 52.27

 

CMYK 57 / 0 / 48 / 25

HEX #53BF63

RGB 83 191 99

HSL 128.89, 0.46%, 0.54%

LAB 69.47, -50.41, 37.12

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 0 / 57 / 8 / 25

HEX #BF53AF

RGB 191 83 175

HSL 308.89, 0.46%, 0.54%

LAB 52.24, 54.84, -28.83

 

CMYK 0 / 3 / 57 / 25

HEX #BFBA52

RGB 191 186 82

HSL 57.25, 0.46%, 0.54%

LAB 74.06, -11.75, 52.27

 

CMYK 57 / 0 / 31 / 25

HEX #53BF84

RGB 83 191 132

HSL 147.22, 0.46%, 0.54%

LAB 70.01, -44.66, 20.65

 

CMYK 57 / 53 / 0 / 25

HEX #5359BF

RGB 83 89 191

HSL 236.67, 0.46%, 0.54%

LAB 42.38, 27.54, -54.55

 

CMYK 0 / 57 / 25 / 25

HEX #BF538F

RGB 191 83 143

HSL 326.67, 0.46%, 0.54%

LAB 50.97, 49.99, -11.93

 

Description

Color code: HEX #BFBA52 | qconv.com Color code: HEX #BFBA52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 186 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 186 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 57% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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