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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB4AF it is the complementary color #404B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB4AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFB4AF shade: #C4B4AA, #D5C6BD, #E6D8D0, #F7EAE3 and #FFFCF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB4AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFB4AF shade: #BFB4AF, #AEA29C, #9D9089, #8C7E76 and #7B6C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFB4AF shade: #BFB4AF, #BFB0AF and #BFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFB4AF shade: #BFB4AF, #BFB8AF, #BFBDAF, #BDBFAF and #B9BFAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFB4AF shade matches the following richer shades: #BFB4AF, #CBB0A4, #D6AB98, #E2A78D and #EDA381

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFB4AF shade: #BFB4AF, #B3B8BB, #A8BDC6, #9CC1D2 and #91C5DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFB4AF shade: #BFAFB3, #BFB0AF, #BFB4AF, #BFB8AF and #BFBCAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFB4AF shade: #9A8981, #AD9F98, #BFB4AF, #D1CAC6 and #E4DFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFB4AF shade: #BFB4AF, #B7BFAF and #AFB1BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFB4AF shade: #BFB4AF, #AFBFB4 and #B4AFBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFB4AF shade: #BFB4AF, #B7BFAF, #AFBABF and #B7AFBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFB4AF shade: #BFB4AF, #B2BFAF, #AFBABF and #BCAFBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

Complementary color

CMYK 20 / 6 / 0 / 69

HEX #404B50

RGB 64 75 80

HSL 198.75, 0.11%, 0.28%

LAB 31.12, -3.14, -4.45

 

CMYK 0 / 8 / 13 / 23

HEX #C4B4AA

RGB 196 180 170

HSL 23.08, 0.18%, 0.72%

LAB 74.37, 4.01, 7.15

 

CMYK 0 / 7 / 11 / 16

HEX #D5C6BD

RGB 213 198 189

HSL 22.5, 0.22%, 0.79%

LAB 80.85, 3.73, 6.38

 

CMYK 0 / 6 / 10 / 10

HEX #E6D8D0

RGB 230 216 208

HSL 21.82, 0.31%, 0.86%

LAB 87.24, 3.46, 5.65

 

CMYK 0 / 5 / 8 / 3

HEX #F7EAE3

RGB 247 234 227

HSL 21, 0.56%, 0.93%

LAB 93.52, 3.22, 4.96

 

CMYK 0 / 1 / 4 / 0

HEX #FFFCF6

RGB 255 252 246

HSL 40, 1%, 0.98%

LAB 99.04, -0.03, 3.21

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 0 / 7 / 10 / 32

HEX #AEA29C

RGB 174 162 156

HSL 20, 0.1%, 0.65%

LAB 67.46, 3.29, 4.67

 

CMYK 0 / 8 / 13 / 38

HEX #9D9089

RGB 157 144 137

HSL 21, 0.09%, 0.58%

LAB 60.71, 3.59, 5.45

 

CMYK 0 / 10 / 16 / 45

HEX #8C7E76

RGB 140 126 118

HSL 21.82, 0.09%, 0.51%

LAB 53.82, 3.92, 6.29

 

CMYK 0 / 12 / 20 / 52

HEX #7B6C63

RGB 123 108 99

HSL 22.5, 0.11%, 0.44%

LAB 46.76, 4.31, 7.19

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 0 / 8 / 8 / 25

HEX #BFB0AF

RGB 191 176 175

HSL 3.75, 0.11%, 0.72%

LAB 73.04, 5.19, 2.44

 

CMYK 0 / 8 / 8 / 25

HEX #BFAFAF

RGB 191 175 175

HSL 0, 0.11%, 0.72%

LAB 72.78, 5.73, 2.07

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 0 / 4 / 8 / 25

HEX #BFB8AF

RGB 191 184 175

HSL 33.75, 0.11%, 0.72%

LAB 75.11, 0.88, 5.44

HEX #BFB8AF

CMYK 0 / 1 / 8 / 25

HEX #BFBDAF

RGB 191 189 175

HSL 52.5, 0.11%, 0.72%

LAB 76.42, -1.78, 7.31

HEX #BFBDAF

CMYK 1 / 0 / 8 / 25

HEX #BDBFAF

RGB 189 191 175

HSL 67.5, 0.11%, 0.72%

LAB 76.79, -3.56, 7.82

HEX #BDBFAF

CMYK 3 / 0 / 8 / 25

HEX #B9BFAF

RGB 185 191 175

HSL 82.5, 0.11%, 0.72%

LAB 76.48, -4.99, 7.34

HEX #B9BFAF

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 0 / 13 / 19 / 20

HEX #CBB0A4

RGB 203 176 164

HSL 18.46, 0.27%, 0.72%

LAB 73.82, 7.82, 9.72

 

CMYK 0 / 20 / 29 / 16

HEX #D6AB98

RGB 214 171 152

HSL 18.39, 0.43%, 0.72%

LAB 73.34, 12.97, 15.75

 

CMYK 0 / 26 / 38 / 11

HEX #E2A78D

RGB 226 167 141

HSL 18.35, 0.59%, 0.72%

LAB 73.37, 18.39, 21.96

 

CMYK 0 / 31 / 46 / 7

HEX #EDA381

RGB 237 163 129

HSL 18.89, 0.75%, 0.72%

LAB 73.41, 23.53, 28.7

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 4 / 2 / 0 / 27

HEX #B3B8BB

RGB 179 184 187

HSL 202.5, 0.06%, 0.72%

LAB 74.48, -1.16, -2.13

 

CMYK 15 / 5 / 0 / 22

HEX #A8BDC6

RGB 168 189 198

HSL 198, 0.21%, 0.72%

LAB 75.33, -5.28, -6.96

 

CMYK 26 / 8 / 0 / 18

HEX #9CC1D2

RGB 156 193 210

HSL 198.89, 0.38%, 0.72%

LAB 75.98, -8.49, -12.58

 

CMYK 34 / 11 / 0 / 13

HEX #91C5DD

RGB 145 197 221

HSL 198.95, 0.53%, 0.72%

LAB 76.78, -11.12, -17.38

 

CMYK 0 / 8 / 6 / 25

HEX #BFAFB3

RGB 191 175 179

HSL 345, 0.11%, 0.72%

LAB 72.89, 6.43, 0.03

 

CMYK 0 / 8 / 8 / 25

HEX #BFB0AF

RGB 191 176 175

HSL 3.75, 0.11%, 0.72%

LAB 73.04, 5.19, 2.44

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 0 / 4 / 8 / 25

HEX #BFB8AF

RGB 191 184 175

HSL 33.75, 0.11%, 0.72%

LAB 75.11, 0.88, 5.44

HEX #BFB8AF

CMYK 0 / 2 / 8 / 25

HEX #BFBCAF

RGB 191 188 175

HSL 48.75, 0.11%, 0.72%

LAB 76.15, -1.25, 6.94

HEX #BFBCAF

CMYK 0 / 11 / 16 / 40

HEX #9A8981

RGB 154 137 129

HSL 19.2, 0.11%, 0.55%

LAB 58.36, 5.01, 6.62

 

CMYK 0 / 8 / 12 / 32

HEX #AD9F98

RGB 173 159 152

HSL 20, 0.11%, 0.64%

LAB 66.48, 3.88, 5.49

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 0 / 3 / 5 / 18

HEX #D1CAC6

RGB 209 202 198

HSL 21.82, 0.11%, 0.8%

LAB 81.77, 1.72, 2.85

 

CMYK 0 / 2 / 3 / 11

HEX #E4DFDD

RGB 228 223 221

HSL 17.14, 0.11%, 0.88%

LAB 89.15, 1.35, 1.57

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 4 / 0 / 8 / 25

HEX #B7BFAF

RGB 183 191 175

HSL 90, 0.11%, 0.72%

LAB 76.33, -5.7, 7.11

 

CMYK 8 / 7 / 0 / 25

HEX #AFB1BF

RGB 175 177 191

HSL 232.5, 0.11%, 0.72%

LAB 72.44, 2.04, -7.36

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 8 / 0 / 6 / 25

HEX #AFBFB4

RGB 175 191 180

HSL 138.75, 0.11%, 0.72%

LAB 75.87, -7.59, 3.66

 

CMYK 6 / 8 / 0 / 25

HEX #B4AFBF

RGB 180 175 191

HSL 258.75, 0.11%, 0.72%

LAB 72.31, 4.83, -7.51

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 4 / 0 / 8 / 25

HEX #B7BFAF

RGB 183 191 175

HSL 90, 0.11%, 0.72%

LAB 76.33, -5.7, 7.11

 

CMYK 8 / 3 / 0 / 25

HEX #AFBABF

RGB 175 186 191

HSL 198.75, 0.11%, 0.72%

LAB 74.82, -2.81, -3.84

 

CMYK 4 / 8 / 0 / 25

HEX #B7AFBF

RGB 183 175 191

HSL 270, 0.11%, 0.72%

LAB 72.55, 5.86, -7.13

 

CMYK 0 / 6 / 8 / 25

HEX #BFB4AF

RGB 191 180 175

HSL 18.75, 0.11%, 0.72%

LAB 74.07, 3.03, 3.94

 

CMYK 7 / 0 / 8 / 25

HEX #B2BFAF

RGB 178 191 175

HSL 108.75, 0.11%, 0.72%

LAB 75.96, -7.46, 6.53

 

CMYK 8 / 3 / 0 / 25

HEX #AFBABF

RGB 175 186 191

HSL 198.75, 0.11%, 0.72%

LAB 74.82, -2.81, -3.84

 

CMYK 2 / 8 / 0 / 25

HEX #BCAFBF

RGB 188 175 191

HSL 288.75, 0.11%, 0.72%

LAB 72.97, 7.58, -6.47

 

Description

Color code: HEX #BFB4AF | qconv.com Color code: HEX #BFB4AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 180 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 180 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 8 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 8% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Tapissier Décorateur...
Link: http://www.since-1850.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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