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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BFB497 it is the complementary color #404B68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BFB497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BFB497 shade: #C4B492, #D5C6A5, #E6D8B8, #F7EACB and #FFFCDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BFB497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BFB497 shade: #BFB497, #AEA284, #9D9071, #8C7E5E and #7B6C4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BFB497 shade: #BFB396, #BFA996, #BF9E96 and #BF9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BFB497 shade: #BFB396, #BFBE96, #B4BF96, #A9BF96 and #9EBF96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BFB497 shade matches the following richer shades: #BFB396, #CCBA89, #DAC07B, #E7C66D and #F5CC60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BFB497 shade: #BFB396, #B1ADA4, #A3A7B1, #96A1BF and #889BCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BFB497 shade: #BF9E96, #BFA896, #BFB396, #BFBE96 and #B4BF96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BFB497 shade: #9F8F63, #AFA17D, #BFB396, #CEC6B0 and #DED8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BFB497 shade: #BFB497, #9ABF96 and #A396BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BFB497 shade: #BFB497, #96BFB3 and #B396BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BFB497 shade: #BFB497, #9ABF96, #96A2BF and #BB96BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BFB497 shade: #BFB497, #96BF9F, #96A2BF and #BF96B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

Complementary color

CMYK 38 / 28 / 0 / 59

HEX #404B68

RGB 64 75 104

HSL 223.5, 0.24%, 0.33%

LAB 32.08, 3.61, -18.27

 

CMYK 0 / 8 / 26 / 23

HEX #C4B492

RGB 196 180 146

HSL 40.8, 0.3%, 0.67%

LAB 73.84, 0.36, 19.44

 

CMYK 0 / 7 / 23 / 16

HEX #D5C6A5

RGB 213 198 165

HSL 41.25, 0.36%, 0.74%

LAB 80.32, 0.03, 18.45

 

CMYK 0 / 6 / 20 / 10

HEX #E6D8B8

RGB 230 216 184

HSL 41.74, 0.48%, 0.81%

LAB 86.7, -0.26, 17.52

 

CMYK 0 / 5 / 18 / 3

HEX #F7EACB

RGB 247 234 203

HSL 42.27, 0.73%, 0.88%

LAB 92.98, -0.52, 16.64

 

CMYK 0 / 1 / 13 / 0

HEX #FFFCDE

RGB 255 252 222

HSL 54.55, 1%, 0.94%

LAB 98.49, -3.91, 14.73

 

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

CMYK 0 / 7 / 24 / 32

HEX #AEA284

RGB 174 162 132

HSL 42.86, 0.21%, 0.6%

LAB 66.9, -0.54, 17.2

 

CMYK 0 / 8 / 28 / 38

HEX #9D9071

RGB 157 144 113

HSL 42.27, 0.18%, 0.53%

LAB 60.16, -0.19, 18.26

 

CMYK 0 / 10 / 33 / 45

HEX #8C7E5E

RGB 140 126 94

HSL 41.74, 0.2%, 0.46%

LAB 53.28, 0.23, 19.4

 

CMYK 0 / 12 / 39 / 52

HEX #7B6C4B

RGB 123 108 75

HSL 41.25, 0.24%, 0.39%

LAB 46.24, 0.74, 20.65

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 12 / 21 / 25

HEX #BFA996

RGB 191 169 150

HSL 27.8, 0.24%, 0.67%

LAB 70.63, 4.93, 12.72

 

CMYK 0 / 17 / 21 / 25

HEX #BF9E96

RGB 191 158 150

HSL 11.71, 0.24%, 0.67%

LAB 67.82, 10.93, 8.74

 

CMYK 0 / 21 / 21 / 25

HEX #BF9696

RGB 191 150 150

HSL 0, 0.24%, 0.67%

LAB 65.82, 15.34, 5.88

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 1 / 21 / 25

HEX #BFBE96

RGB 191 190 150

HSL 58.54, 0.24%, 0.67%

LAB 76.13, -6.27, 20.39

 

CMYK 6 / 0 / 21 / 25

HEX #B4BF96

RGB 180 191 150

HSL 76.1, 0.24%, 0.67%

LAB 75.56, -10.92, 19.45

 

CMYK 12 / 0 / 21 / 25

HEX #A9BF96

RGB 169 191 150

HSL 92.2, 0.24%, 0.67%

LAB 74.76, -14.97, 18.23

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 9 / 33 / 20

HEX #CCBA89

RGB 204 186 137

HSL 43.88, 0.4%, 0.67%

LAB 75.92, -0.9, 27.2

 

CMYK 0 / 12 / 44 / 15

HEX #DAC07B

RGB 218 192 123

HSL 43.58, 0.56%, 0.67%

LAB 78.48, -0.05, 38.09

 

CMYK 0 / 14 / 53 / 9

HEX #E7C66D

RGB 231 198 109

HSL 43.77, 0.72%, 0.67%

LAB 81.01, 0.81, 48.47

 

CMYK 0 / 17 / 61 / 4

HEX #F5CC60

RGB 245 204 96

HSL 43.49, 0.88%, 0.67%

LAB 83.67, 2.5, 58.02

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 2 / 7 / 31

HEX #B1ADA4

RGB 177 173 164

HSL 41.54, 0.08%, 0.67%

LAB 70.81, -0.2, 5.12

 

CMYK 8 / 6 / 0 / 31

HEX #A3A7B1

RGB 163 167 177

HSL 222.86, 0.08%, 0.67%

LAB 68.46, 0.57, -5.64

 

CMYK 21 / 16 / 0 / 25

HEX #96A1BF

RGB 150 161 191

HSL 223.9, 0.24%, 0.67%

LAB 66.32, 2.63, -16.73

 

CMYK 34 / 24 / 0 / 20

HEX #889BCD

RGB 136 155 205

HSL 223.48, 0.41%, 0.67%

LAB 64.23, 5.23, -27.81

 

CMYK 0 / 17 / 21 / 25

HEX #BF9E96

RGB 191 158 150

HSL 11.71, 0.24%, 0.67%

LAB 67.82, 10.93, 8.74

 

CMYK 0 / 12 / 21 / 25

HEX #BFA896

RGB 191 168 150

HSL 26.34, 0.24%, 0.67%

LAB 70.37, 5.47, 12.36

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 1 / 21 / 25

HEX #BFBE96

RGB 191 190 150

HSL 58.54, 0.24%, 0.67%

LAB 76.13, -6.27, 20.39

 

CMYK 6 / 0 / 21 / 25

HEX #B4BF96

RGB 180 191 150

HSL 76.1, 0.24%, 0.67%

LAB 75.56, -10.92, 19.45

 

CMYK 0 / 10 / 38 / 38

HEX #9F8F63

RGB 159 143 99

HSL 44, 0.24%, 0.51%

LAB 59.81, -0.66, 25.61

 

CMYK 0 / 8 / 29 / 31

HEX #AFA17D

RGB 175 161 125

HSL 43.2, 0.24%, 0.59%

LAB 66.58, -0.59, 20.63

 

CMYK 0 / 6 / 21 / 25

HEX #BFB396

RGB 191 179 150

HSL 42.44, 0.24%, 0.67%

LAB 73.23, -0.45, 16.37

 

CMYK 0 / 4 / 15 / 19

HEX #CEC6B0

RGB 206 198 176

HSL 44, 0.23%, 0.75%

LAB 79.98, -0.91, 12.02

 

CMYK 0 / 3 / 9 / 13

HEX #DED8C9

RGB 222 216 201

HSL 42.86, 0.24%, 0.83%

LAB 86.43, -0.51, 8.11

 

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 15 / 21 / 0 / 25

HEX #A396BF

RGB 163 150 191

HSL 259.02, 0.24%, 0.67%

LAB 64.45, 13.02, -19.47

 

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

CMYK 21 / 0 / 6 / 25

HEX #96BFB3

RGB 150 191 179

HSL 162.44, 0.24%, 0.67%

LAB 74.19, -16.11, 1.56

 

CMYK 6 / 21 / 0 / 25

HEX #B396BF

RGB 179 150 191

HSL 282.44, 0.24%, 0.67%

LAB 65.87, 18.34, -17.18

 

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

CMYK 19 / 0 / 21 / 25

HEX #9ABF96

RGB 154 191 150

HSL 114.15, 0.24%, 0.67%

LAB 73.76, -20.31, 16.69

 

CMYK 21 / 15 / 0 / 25

HEX #96A2BF

RGB 150 162 191

HSL 222.44, 0.24%, 0.67%

LAB 66.59, 2.07, -16.33

 

CMYK 2 / 21 / 0 / 25

HEX #BB96BF

RGB 187 150 191

HSL 294.15, 0.24%, 0.67%

LAB 66.63, 21.04, -15.96

 

CMYK 0 / 6 / 21 / 25

HEX #BFB497

RGB 191 180 151

HSL 43.5, 0.24%, 0.67%

LAB 73.52, -0.84, 16.22

 

CMYK 21 / 0 / 17 / 25

HEX #96BF9F

RGB 150 191 159

HSL 133.17, 0.24%, 0.67%

LAB 73.71, -20.06, 11.72

 

CMYK 21 / 15 / 0 / 25

HEX #96A2BF

RGB 150 162 191

HSL 222.44, 0.24%, 0.67%

LAB 66.59, 2.07, -16.33

 

CMYK 0 / 21 / 5 / 25

HEX #BF96B6

RGB 191 150 182

HSL 313.17, 0.24%, 0.67%

LAB 66.72, 20.72, -10.75

 

Description

Color code: HEX #BFB497 | qconv.com Color code: HEX #BFB497 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 180 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 180 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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